Henry Moore Artwork Catalogue
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HMF 3078
0014200
Publisher: ICA TV
Place Published: London
Year: 1988
Date & Collation: 45mins and film reels 200 and 201. HMF audio number A133
Description: Undated tape made for 0011194. Opens with atmosphere track of Battersea Park Girls Walking Past the Three Graces" and closes with brief interview with a resident of the Mall Studios Hampstead "I had the bad luck to miss Henry Moore by a whisker".
Bernard MEADOWS comments on Moore's work from the 1920s until the immediate post-war years. "He was building up a sort of form-repertoire...There was an authenticity to the way that he saw people...and recorded what he saw...He was enlarging his experience and he was enlarging the experience of all the people who would come along and look at his work...The only fashion was originality...He knew all the Surrealist people...He was really in the middle of the Avant-Garde at that time...It became much more conventional...After the war...I continued working with him for short periods...In the 1940s and 50s the feeling of exploration and adventure was lessened compared with the 30s and the 20s but every so often he came up...with works which really display his old originality".
For England and Moore: Bernard Meadows 1 2 and 3 see 0014184 0014185 and 0014186."
Bernard MEADOWS comments on Moore's work from the 1920s until the immediate post-war years. "He was building up a sort of form-repertoire...There was an authenticity to the way that he saw people...and recorded what he saw...He was enlarging his experience and he was enlarging the experience of all the people who would come along and look at his work...The only fashion was originality...He knew all the Surrealist people...He was really in the middle of the Avant-Garde at that time...It became much more conventional...After the war...I continued working with him for short periods...In the 1940s and 50s the feeling of exploration and adventure was lessened compared with the 30s and the 20s but every so often he came up...with works which really display his old originality".
For England and Moore: Bernard Meadows 1 2 and 3 see 0014184 0014185 and 0014186."
0014185
Publisher: ICA TV
Place Published: London
Year: 1988
Date & Collation: 23mins.Sound recording and film reel 8. HMF audio number A148
Description: 16 February 1988 unedited interview made for 0011194. Continues from 0014184 on Kenneth Clark. Clark had a role which was chiefly as Director of the National Gallery...it changed later because he got involved in all sorts of other things...He was an impresario he knew how to present people...That sort of success was important to Henry...he had tremendous ambition...He's a very very complex person...he felt it essential to work and work the whole time". Meadows rejects notion that Moore's work portrays his working-class background or his experiences in World War 1. He explains how the shift from the slow process of carving to the use of bronze enabled Moore to carry on and enlarge his audience.
For England and Moore: Bernard Meadows 3 and 4 see 0014186 and 0014200."
For England and Moore: Bernard Meadows 3 and 4 see 0014186 and 0014200."
0014186
Publisher: ICA TV
Place Published: London
Year: 1988
Date & Collation: 85mins.Sound recording and film reels 9,10,11,12. HMF audio number A134
Description: Unedited interviews made for 0011194. Bernard MEADOWS 17 February 1988 ten minutes on scale and on Moore as a person. I don't think that he had friends he confided to...he was well able to look after his own ideas...His one great help with his work was his wife Irina".
17 February 1988 Stephen SPENDER 45 minutes on London Mercury portrait (See 0009197). "We spent about a week doing it...there are something between six and a dozen different versions". Hampstead in the 1930s. "Henry Moore was trying I think very hard at that time to be an abstract artist...but however hard he tried at that time everything he did always turned into something else usually a reclining figure...He wished that he could do work in which his feelings about humanity were more obvious...He signed manifestos...He did feel very committed...In the whole of his life he never had any feeling that anyone was inferior to him or that anyone was superior to him...There was total refusal of Henry ever to force his politics his political sympathies into his work". Spender acknowledged Moore's consciousness of his childhood working-class background but rejected the notion that his work represented a failure of the Labour Movement. "When he got ideas about himself which were often really imposed on him by other people...he could often be misled he could think for instance that anything he did could be cast in bronze and it would be interesting because it was by Henry Moore...After the Moores left Hampstead I doubt whether Henry really had real friends". Use of natural objects and birth of Mary Moore.
17 February 1988 Ghisha KOENIG a student of Moore at Chelsea School of Art in the 1940s attacks Moore as a teacher a person and an artist: "No sense of adventure to the classes...He didn't relate to us as human beings...He is not the great sculptor because he hasn't a real vision...He went on to explain why Rodin was not a great artist... he used assistants he used pointing machines he enlarged maquettes of which he did not work on himself - all the very traps he himself fell into".
For England and Moore: Bernard Meadows 1 2 and 4 see 0014184 and 0014185 and 0014200."
17 February 1988 Stephen SPENDER 45 minutes on London Mercury portrait (See 0009197). "We spent about a week doing it...there are something between six and a dozen different versions". Hampstead in the 1930s. "Henry Moore was trying I think very hard at that time to be an abstract artist...but however hard he tried at that time everything he did always turned into something else usually a reclining figure...He wished that he could do work in which his feelings about humanity were more obvious...He signed manifestos...He did feel very committed...In the whole of his life he never had any feeling that anyone was inferior to him or that anyone was superior to him...There was total refusal of Henry ever to force his politics his political sympathies into his work". Spender acknowledged Moore's consciousness of his childhood working-class background but rejected the notion that his work represented a failure of the Labour Movement. "When he got ideas about himself which were often really imposed on him by other people...he could often be misled he could think for instance that anything he did could be cast in bronze and it would be interesting because it was by Henry Moore...After the Moores left Hampstead I doubt whether Henry really had real friends". Use of natural objects and birth of Mary Moore.
17 February 1988 Ghisha KOENIG a student of Moore at Chelsea School of Art in the 1940s attacks Moore as a teacher a person and an artist: "No sense of adventure to the classes...He didn't relate to us as human beings...He is not the great sculptor because he hasn't a real vision...He went on to explain why Rodin was not a great artist... he used assistants he used pointing machines he enlarged maquettes of which he did not work on himself - all the very traps he himself fell into".
For England and Moore: Bernard Meadows 1 2 and 4 see 0014184 and 0014185 and 0014200."
0014184
Publisher: ICA TV
Place Published: London
Year: 1988
Date & Collation: 85mins.Sound recording and film reels 4,5,6,7. HMF audio number A132
Description: 65mins unedited interview with Lord HOUGHTON made on 16 February 1988 for 0011194. Inscribed Rolls 4 & 5, 6 & 7. Describes meeting Moore in 1917 on train to London to enlist, in Civil Service Rifles. Bayonet training at Winchester in C Company in February 1917 (We thought it was good fun at the time...We hadn't got the anxieties of older men") and the horrors of active service by September 1917 ("Lifeless bodies that are lying with distorted features probably partly dismembered all covered in mud and slime...The biggest crime in history...We lost a generation"). Convalescent camp at Shoreham-by-Sea preliminary training at Mill Hill School to qualify as physical training instructors at Aldershot. Lord Houghton in Labour Government 1964-1970 avoids or rejects questions that Moore's works depict horrors of World War 1 or the failure of the Labour movement.
20 minute interview with Bernard MEADOWS on working as Moore's assistant 1936-1940 in Canterbury. "He was quite Left-Wing at the time...His work went along in spite of outside influences...Picasso had a tremendous influence...It was an incredibly inventive period in his work..." Kenneth Clark.
Continued on 0014185 also 0014186 and 0014200."
20 minute interview with Bernard MEADOWS on working as Moore's assistant 1936-1940 in Canterbury. "He was quite Left-Wing at the time...His work went along in spite of outside influences...Picasso had a tremendous influence...It was an incredibly inventive period in his work..." Kenneth Clark.
Continued on 0014185 also 0014186 and 0014200."
0023952
Publisher: The Henry Moore Foundation
Place Published: Much Hadham
Year: 2019
Date & Collation: 152pp.foreword by Godfrey Worsdale.Essay by Sebastiano Barassi.Plates and Commentary by Sylvia Cox.Index.Image Credits
Description:
Book published to accompany the exhibition Henry Moore Drawings: The Art of Seeing at Henry Moore Studios & Gardens. An essay by Sebastiano BARASSI offers a chronological survey of Moore's use of drawing, from his work as a schoolboy in Castleford to the late works of the 1980s. pp.30-149 consists of illustrations of Moore's drawings, arranged in chronological order, interspersed with commentaries on 18 of these by Sylvia COX.
Commentaries on:
Reclining Male Nude 1922 (HMF 72)
Seated Nude with Mirror 1924 (HMF 261)
Half-Figure 1928 (HMF 661)
Ideas for Sculpture: Transformation of Bones 1932 (HMF 941)
Mother and Child Studies 1933 (HMF 1005)
Mechanisms 1938 (HMF 1367)
Women and Children in the Tube 1940 (HMF 1726)
Coalminer with Pick 1942 (HMF 1987)
Textile Design: Framed Heads 1943 (HMF 2127)
Ideas for Wall Reliefs 1955 (HMF 2862)
Head 1950, 1958 (HMF 2979)
Two Reclining Figures 1961 (HMF 3052)
Pen Exercise IX: Horsemen Crossing a Mountain Crevasse 1970 (HMF 3248)
Reclining Figure in Illuminated Cave 1978 (HMF 78(18))
Girl Playing the Organ 1980 (HMF 80(207))
Two Standing Figures 1980 (HMF 80(282))
Mother and Child on Seashore II 1982 (HMF 82(223))
Hands 1984-86 (HMF 84/86(713))
0022362
Publisher: Christie's
Place Published: New York
Year: 2012
Date & Collation: 2012 (02 May)
Description: Sale Marston 2555/2556. Lots 181, 182, 183, 184, 185, 186, 187, 188, 189, 192, 194, 195, 196, 222, 223, 233, 237, 373, 416, 417, 449, 450, 451 (illus) Henry Moore: works on paper 19-19, 6 sculpture 19-19, textiles 19-19. Illus:
The following lots from the Ascher Family Collection:
Textile Design: Four Heads, Half-Figures and Animals 1943 drawing, (HMF 2121a)
Textile Design: Boomerang 1943 drawing, (HMF 2135a)
Textile Design: Figures and Abstract Motifs 1943 drawing, (HMF 2124g)
Textile Design Sketchbook 1 featuring 24 textile designs (HMF 2101-2124)
Textile Design: Motifs and Boomerang 1943 drawing, (HMF 2135c)
Textile Design: Stands of Colour 1943 drawing, (HMF 2124h)
Textile Design: Family Group 1943 drawing, (HMF 2124i)
Textile Design: Reclining Figures in Landscape 1943 drawing, (HMF 2124L)
Textile Design: Figures and Symbols 1943 drawing, (HMF 2124j)
No. 2 Design Notebook containing six textile designs (HMF 2124a-f)
Bird silk scarf in three colours, (TEX 7.6)
Three Seated Figures screenprint (TEX 27)
Head screenprint (TEX 28)
Textile Design: Reclining Figure in Void 1943 drawing, (HMF 2124m)
Textile Design 1943 drawing, (HMF 2129a)
The following lot from the collection of Carlton Lake:
Settings for Sculpture or Groups of Figures 19 drawing, (HMF 1402b)
The following lot - Property of the Montclair Art Museum, sold to benefit the acquisitions fund:
Ideas for Stringed Figures 1938 drawing, (HMF 1401b?)
The following lot from the collection of Carlton Lake:
Minerva, Prométhée, Pandora c.1950 drawing, (HMF 2554a)
The following lot - Property from the Estate of Max and Isabell Smith Herzstein:
Seated Nude in Wicker Chair 1934 drawing, (HMF 1068)
The following lot from the collection of Alan Dershowitz and Carolyn Cohen:
Head: Cyclops 1963 bronze, (LH 507)
Reclining Figure: Points 1975 bronze, (LH 603)
Wall Relief: Maquette No.9 1955 bronze, (LH 373)
Three Figures 1982 bronze, (LH 853)
Seated Woman: Shell Skirt 1960 bronze, (LH 459)
Square Form: Head 1952 bronze, (LH 344a)
0023255
Author/Editor: BEHRINGER Wolfgang
Publisher: Kliomedia
Place Published: Trier
Year: 2013
Date & Collation: 214pp.Illus.
Description: 143-156 Chapter titled Die Europäische Dimension" in Moore's Shelter Drawings (The "European Dimension" in Moore's Shelter Drawings) by Christa LICHTENSTERN. Reference to and illus of Spanish Prisoner c.1939 (HMF 1464); Tube Shelter Perspective 1941 (HMF 1773); Sleeping Positions 1941 (HMF 1664); Stones in a Landscape 1936 (HMF 1259); Figures in Setting 1942 (HMF 2098); Shelter Drawing: Three Fates 1941 (HMF 1830); Reclining Figure 1933 (HMF 990); Bone Form: Draped Reclining Figure c.1935 (HMF 1217); Study for ‘Two Women Wrapped in Blankets’ 1940-41 (HMF 1691); Group of Shelterers During Air Raid 1941 (HMF 1808); People Wrapped in Blankets 1940-41 (HMF 1619); and Sea of Sleepers 1940-41 (HMF 1687)."
0023864
Publisher: Christie's
Place Published: London
Year: 2016
Date & Collation: 20 June, 194pp.
Description:
Images on the inside covers of Figure Studies (HMF 2449) and Family Group (LH 232).
Lot 1. Family Group, 1944 (LH 232, cast -f) illust. and accompanying text.
Lot 2. Figure Studies, 1947-49 (HMF 2449) illust. and accompanying text.
Lot 7. Mother and Child: Block Seat, 1983-84 (LH 838, cast 8) illust. and accompanying text. Text also includes comparative images of Madonna and Child, 1943-44 (LH 226), Mother and Child: Hood, 1983 (LH 851), and Upright Internal/External Form, 1953-54 (LH 297).
Lot 8. Draped Seated Figure against Curved Wall, 1956-57 (LH 423, cast c) illust. and accompanying text.
Lot 10. Two Heads: Mother and Child, 1923 (LH 13) illust. and accompanying text. Text also includes biographical image of Moore carving c.1930, LH 13 on a windowsill in Hoglands, and Moore with Peggy Guggenheim in the Maquette Studio.
Lot 18. Draped Standing Figures in Red, 1944 (HMF 2253) illust. and accompanying text. Text also includes comparative image of Three Standing Figures, 1947 (LH 268) in Battersea Park.
Lot 19. Family Groups, 1944 (HMF 2214) illust. and accompanying text.
Lot 30. Shelterers, 1940-41 (HMF 1826a) illust. and accompanying text. Also uses comparative images of Woman Seated in Underground, 1941 (HMF 1828) and Family Group, 1945 (HMF 259), as well as biographical image of Moore during the filming of Out of Chaos in 1943, taken by Lee Miller.
Lot 31. Three Women in a Shelter, 1941 (HMF 1759) illust. and accompanying text. Text also includes comparative image of Three Seated Figures, 1941 (HMF 1832).
0023027
Publisher: Kunstsammlung Nordrhein-Westfalen
Place Published: Dusseldorf
Year: 2014
Date & Collation: (5 April-10 October 2014)160pp.Illus.List of exhibited works.Bibliography.Photo credits
Description: Catalogue published in relation to exhibiton of the same name, exploring the themes of the subterranean, both as protective zone and place of danger. 15 Introductory thoughts on the exhibition references Moore and his Shelter Sketchbooks. 48-53 illus from Second Shelter Sketchbook 1940-41: Tube Shelter Scenes (HMF 1629); Study for Shelterers in the Tube (HMF1630); Women and Children with Bundles (HMF 1631); Tube Shelter Perspective (HMF 1654); Study for Tube Shelter Persecptive (HMF 1635); Tilbury Shelter Scene (HMF 1638); Study for Tube Shelter Perspective: The Liverpool Street Extension (HMF 1649) ; Tube Shelter Perspective: The Liverpool Street Extension 1941 (HMF 1801). 146 one page reference to Moore, written by Hannah FRASCH-MELNIK in 'The Artists and Thier Works Monographic Commentries'. Includes reference to the Blitz, Moore's sketchbooks, the War Advisory Committee, the job of war artist, drawing three-dimensinal forms. 153 details Moore's exhibited works.
0023869
Publisher: Christie's
Place Published: New York
Year: 2016
Date & Collation: 13 May, 405pp.
Description:
Property from the Ducommun Family Collection:
Lot 1049. Seated Figures, 1948 (HMF 2441) illust.
Lot 1050. Artist's Hands Holding Bone (recto and verso), 1981 (HMF 81(186)) illust.
Lot 1051. Apple Orchard in Winter, 1977 (HMF 77(29)) illust.
Lot 1052. Two Seated Figures, 1980 (HMF 80(254)) illust.
Lot 1053. Ideas for Sculpture, Transformation Drawing, 1932 (HMF 976) illust.
Lot 1054. Two Wrapped Standing Figures, 1951 (HMF 2718) illust.
Lot 1055. Study for the Family, 1944 (HMF 2224a) illust.
Lot 1209. Stringed Figure, 1939 (LH 207, cast 6) illust.
Lot 1211. Horse, 1984 (LH 740a, cast 4) illust. and accompanying text.
Lot 1301. Upright Connected Forms, 1979 (LH 782, cast 2) illust.
Lot 1304. Stringed Figure: Bowl, 1938 (LH 186c, cast 7) illust.
Lot 1314. Mother and Child: Wheels, 1962 (LH 510, cast 3) illust.
Lot 1372. Large Slow Form, 1962 cast in 1968 (LH 502a, cast 3) illust.
0023829
Publisher: Christie's
Place Published: New York
Year: 2015
Date & Collation: 13 November, 501pp.
Description: Lot 1008. Textile Design: Family Groups, 1943 (HMF 2191) illust.
Lot 1077. Woman in an Underground Shelter Feeding a Child, 1941 (HMF 1827) illust. and accompanying text.
Lot 1114. Two Wrapped Standing Figures, 1951 (HMF 2718) illust.
Lot 1115. Paysage du soir avec statues, 1950 (HMF 2589) illust.
Lot 1203. Helmet Head No.1, 1950 (LH 279, cast a) illust.
Lot 1205. Small Maquette No.2 for Reclining Figure, 1950-51 (LH 292b, cast 1) illust. and accompanying text.
Lot 1223. Mother and Child: Arch, 1959 (LH 453a) illust. and accompanying text. Also includes comparative images of Madonna and Child, 1943-44 (LH 226) and Mother and Child with Apple, 1956 (LH 406).
Lot 1231. Mother and Child: Studies for Sculpture, 1937 (HMF 2884a) illust.
Lot 1232. Standing Mother and Child: Holes, 1955 (LH 400a) illust.
Lot 1233. Butterfly, 1977 (LH 703) illust. and accompanying text. Includes image of Moore with Divided Oval: Butterfly (LH 571a) and image of Moore with Dr Gabrielle Reem.
Lot 1235. Two Small Forms, 1982 (LH 865, cast 4) illust.
Lot 1237. Studies for Sculpture, 1950 (HMF 2723a) illust.
Lot 1238. Reclining Figure, 1938 (LH 193, cast g) illust. and accompanying text. Also includes comparative image of Recumbent Figure, 1938 (LH 191).
Lot 1252. Draped Reclining Figure: Knee, 1981 (LH 815, cast 9) illust.
Lot 1253. Mother and Child with Tree Trunk, 1979 (LH 770, cast 8) illust.
Lot 1254. Mother and Child on Ladderback Rocking Chair, 1952 (LH 312, cast d) illust. and accompanying text.
Lot 1255. Maquette for Draped Reclining Woman, 1956 (LH 429, cast e) illust.
Lot 1256. Three Standing Figures, 1945 (LH 258, cast e) illust. and accompanying text.
Lot 1257. Maquette for Draped Reclining Mother and Baby, 1981 (LH 820, cast 6) illust.
Lot 1258. Two Piece Reclining Figure: Bust, 1975 (LH 668, cast 1) illust. |
Lot 1259. Reclining Torso, 1981 (LH 816, cast 7) illust.
Lot 1260. Reclining Figure: Bunched No.2, 1961 (LH 489b, cast 6) illust.
Lot 1337. Maquette for Reclining Figure: Cloak, 1966 (LH 564, cast 9) illust.
Lot 1338. Stringed Figure, 1939 (LH 207, cast 1) illust.
Lot 1365. Reclining Woman: Skirt, 1981 (LH 842, cast 9) illust.
Lot 1412. Mother Holding Child, 1981 (LH 839, cast 8) illust.
Lot 1419. Upright Motive: Maquette No.12, 1955 (LH 392, cast 3) illust.
Lot 1077. Woman in an Underground Shelter Feeding a Child, 1941 (HMF 1827) illust. and accompanying text.
Lot 1114. Two Wrapped Standing Figures, 1951 (HMF 2718) illust.
Lot 1115. Paysage du soir avec statues, 1950 (HMF 2589) illust.
Lot 1203. Helmet Head No.1, 1950 (LH 279, cast a) illust.
Lot 1205. Small Maquette No.2 for Reclining Figure, 1950-51 (LH 292b, cast 1) illust. and accompanying text.
Lot 1223. Mother and Child: Arch, 1959 (LH 453a) illust. and accompanying text. Also includes comparative images of Madonna and Child, 1943-44 (LH 226) and Mother and Child with Apple, 1956 (LH 406).
Lot 1231. Mother and Child: Studies for Sculpture, 1937 (HMF 2884a) illust.
Lot 1232. Standing Mother and Child: Holes, 1955 (LH 400a) illust.
Lot 1233. Butterfly, 1977 (LH 703) illust. and accompanying text. Includes image of Moore with Divided Oval: Butterfly (LH 571a) and image of Moore with Dr Gabrielle Reem.
Lot 1235. Two Small Forms, 1982 (LH 865, cast 4) illust.
Lot 1237. Studies for Sculpture, 1950 (HMF 2723a) illust.
Lot 1238. Reclining Figure, 1938 (LH 193, cast g) illust. and accompanying text. Also includes comparative image of Recumbent Figure, 1938 (LH 191).
Lot 1252. Draped Reclining Figure: Knee, 1981 (LH 815, cast 9) illust.
Lot 1253. Mother and Child with Tree Trunk, 1979 (LH 770, cast 8) illust.
Lot 1254. Mother and Child on Ladderback Rocking Chair, 1952 (LH 312, cast d) illust. and accompanying text.
Lot 1255. Maquette for Draped Reclining Woman, 1956 (LH 429, cast e) illust.
Lot 1256. Three Standing Figures, 1945 (LH 258, cast e) illust. and accompanying text.
Lot 1257. Maquette for Draped Reclining Mother and Baby, 1981 (LH 820, cast 6) illust.
Lot 1258. Two Piece Reclining Figure: Bust, 1975 (LH 668, cast 1) illust. |
Lot 1259. Reclining Torso, 1981 (LH 816, cast 7) illust.
Lot 1260. Reclining Figure: Bunched No.2, 1961 (LH 489b, cast 6) illust.
Lot 1337. Maquette for Reclining Figure: Cloak, 1966 (LH 564, cast 9) illust.
Lot 1338. Stringed Figure, 1939 (LH 207, cast 1) illust.
Lot 1365. Reclining Woman: Skirt, 1981 (LH 842, cast 9) illust.
Lot 1412. Mother Holding Child, 1981 (LH 839, cast 8) illust.
Lot 1419. Upright Motive: Maquette No.12, 1955 (LH 392, cast 3) illust.
0020592
Author/Editor: JOLL Evelyn.
Publisher: Cecil Higgins Art Gallery
Place Published: Bedford
Year: 2002
Date & Collation: 296pp.Introduction by Caroline BACON.Evelyn Joll by Oliver Millar.Acknowledgements.Contributors.Catalogue by Evelyn JOLL.Index.Credits
Description: Comprehensive catalogue of the collection at the Cecil Higgins Art Gallery. Companion volume 'Prints' (see 0020593) published in 1994.
Henry Moore: 6 drawings 1935-1948. illus.
Designs for Sculpture, 1935 drawing (HMF 1152).
Studies for Sculpture, 1939 drawing (HMF 1453).
Shelter Scenes: Bunks and Sleepers, 1941 drawing (HMF 1790).
Penelope and her Suitors. The Odyssey, 1944 drawing (HMF 2298).
Death of the Suitors. The Odyssey, 1944 drawing (HMF 2305).
Studies for Sculpture, 1948 drawing (HMF 2442).
Henry Moore: 6 drawings 1935-1948. illus.
Designs for Sculpture, 1935 drawing (HMF 1152).
Studies for Sculpture, 1939 drawing (HMF 1453).
Shelter Scenes: Bunks and Sleepers, 1941 drawing (HMF 1790).
Penelope and her Suitors. The Odyssey, 1944 drawing (HMF 2298).
Death of the Suitors. The Odyssey, 1944 drawing (HMF 2305).
Studies for Sculpture, 1948 drawing (HMF 2442).
0021297
Publisher: Christie's
Place Published: London.
Year: 2001
Date & Collation: (07 Jun)
Description: Sale Days 6457. Lots51,54-58 (5 illus) Henry Moore: five drawings 1936-1982. Illus:
Seated Nude 1981 drawing, (HMF 81(120))
Ideas for Stone Sculpture 1937 drawing, (HMF 1366)
Ideas for Sculpture 1936 drawing, (HMF 1250)
Figure Studies 1949 drawing, (HMF 2413a)
Heads, No.3 (Internal and External Forms) 1950 drawing, (HMF 2606)
Reclining Figure: Idea for Sculpture 1982 drawing, (HMF 82(343))
0020785
Publisher: Sotheby's
Place Published: London
Year: 2005
Date & Collation: (24 Oct).
Description: Lots 22, 37-41, 89, 103, 111, 117, 121, 135-136 Henry Moore: six drawings and seven sculptures. Illus:
Standing Nude, 1926 drawing (HMF 477a)
Maquette for Seated Woman: Thin Neck, 1976 bronze (LH 471)
Standing Figures, 1951 drawing (HMF 2692)
Standing Figure Relief No. 1, 1960 bronze (LH 460)
Standing Figure Relief No. 2, 1960 bronze (LH 461)
Upright Motive: Maquette No. 11, 1955 bronze (LH 391)
Girl Doing Homework, 1969-77 drawing (HMF 3223)
Standing Mother and Child: Holes, 1955 bronze (LH 400a)
Three Sheep and Two Lambs, 1972 drawing (HMF 3344)
Seated Figure, 1935 terracotta and 1974 bronze sold together (LH 154e)
Two Piece Reclining Figure: Double Circle, 1976 polished bronze (LH 694)
Mother Playing With Child on Floor 1, 1982 drawing (HMF 82(405))
Idea for Sculpture, 1969 drawing (HMF 3185)
Standing Nude, 1926 drawing (HMF 477a)
Maquette for Seated Woman: Thin Neck, 1976 bronze (LH 471)
Standing Figures, 1951 drawing (HMF 2692)
Standing Figure Relief No. 1, 1960 bronze (LH 460)
Standing Figure Relief No. 2, 1960 bronze (LH 461)
Upright Motive: Maquette No. 11, 1955 bronze (LH 391)
Girl Doing Homework, 1969-77 drawing (HMF 3223)
Standing Mother and Child: Holes, 1955 bronze (LH 400a)
Three Sheep and Two Lambs, 1972 drawing (HMF 3344)
Seated Figure, 1935 terracotta and 1974 bronze sold together (LH 154e)
Two Piece Reclining Figure: Double Circle, 1976 polished bronze (LH 694)
Mother Playing With Child on Floor 1, 1982 drawing (HMF 82(405))
Idea for Sculpture, 1969 drawing (HMF 3185)
0023082
Publisher: Sotheby's
Place Published: London
Year: 2014
Date & Collation: 2014(24 June)
Description: L14007 "AMBROISE". Lots 115, 211-213, 215-218 (8 Illus). 8 Moore works, all illusatrated.
Head: Lines 1955 bronze (LH 397)
Trees Against Horizon: Autumn Storm 1981 (HMF 81(320))
Thin Standing Figure 1965 bronze (LH 539)
Ideas for Wood Carving: Three Reclining Figures 1942 (HMF 2075)
Standing Female Figure 1929 (HMF 714)
Female Nude/Seated Figure 1928 (HMF 546)
Three Women Winding Wool 1948 (HMF 2496)
Seventeen Reclining Figures 1962 (HMF 3085)
Head: Lines 1955 bronze (LH 397)
Trees Against Horizon: Autumn Storm 1981 (HMF 81(320))
Thin Standing Figure 1965 bronze (LH 539)
Ideas for Wood Carving: Three Reclining Figures 1942 (HMF 2075)
Standing Female Figure 1929 (HMF 714)
Female Nude/Seated Figure 1928 (HMF 546)
Three Women Winding Wool 1948 (HMF 2496)
Seventeen Reclining Figures 1962 (HMF 3085)
0021694
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2009
Date & Collation: 50mins.Colour.Sound
Description: Arts documentary presented by Alan Yentob, broadcast 28 July 2009, BBC1. Examines the social and cultural impact of funding, from government, business and private endowment. Five Moore illustrations; HMF 1557, 1635, 1690, 1797, 1845 shown in slideshow to soundtrack of gunfire. Footage from John Read's 1951 film Henry Moore, showing Moore working on his sculpture Working Model for Reclining Figure: Festival 1950 plaster, (LH 292). This is accompanied by archive audio footage of John Maynard Keynes. Five Moore illus: Air Raid Shelter Drawing: Gash in Road c.1940 drawing, (HMF 1557) Study for 'Tube Shelter Perspective' 1940-41 drawing, (HMF 1635) Basement Shelter 1940-41 drawing, (HMF 1690) Shelterers in the Tube 1941 drawing, (HMF 1797) Pink and Green Sleepers 1941 drawing, (HMF 1845).
0023486
Author/Editor: Edited by SLOAN Kim
Publisher: Thames and Hudson and The British Museum
Place Published: London
Year: 2017
Date & Collation: 23 February to 27 August 2017.192pp.Illus 159.Notes.List of works.Bibliography. Acknowledgements.Credits.Contributors.Index.
Description:
Exhibition catalogue of British watercolour landscapes from 1850-1950 featuring six images of works by Henry Moore on pages:106,110,113,167,168 and169. Page 106 Ideas for Sculpture 1935 (HMF 1160) with text quoting Moore on how the landscape near his home on the Kent Downs in 1930s became important as an enironment for his sculpture with reference to bio-morphism and other new theories that had an influence on him and other artists.
P109 refers to Wentworth Thompson's On Growth and Form as a source book for Moore and a quote from Gordon Onslow Ford on Elmwood Reclining Figure 1939 (LH 210). Page 109 mentions Moore's first visit to Stonehenge in 1921 and discusses its influence on him, leading to a full page image on page 110 of Moore's Two Upright Forms 1936 (HMF 1254).
Page 111 compares Dali's paitings to Moore's Reclining Figure and Red Rocks 1942 (HMF 2067), as presented in full page on page 113.
Page 116 mentions Moore encouraging John Tunnard to collect nautical detritus and reference to morphology, Barbara Hepworth, Paul Nash and others.
Full page image of Crowd Looking at a Tied-up Object 1942 (HMF 2064) on page 167, with discussion on page 166 of Moore's concern with landscape and pictorial settings and the Shelter drawings with quote from Moore on the chorus in Greek drama. Full page image on page 168 of London Skyline 1940-41 (HMF 1574) and on page 169 of Head Made up of Devasted House 1940-41 (HMF 1611).
Page 170 mentions Moore supplying some drawings for Jacquetta Hawkes' Festival of Britain related book A Land 1951 (see 0008129).
0021039
Publisher: National Gallery of Victoria
Place Published: Melbourne
Year: 2007
Date & Collation: (15 Nov 2007-24 Feb 2008).Illus.Bibliog.Foreword by Director Gerard Vaughan.
Description: Catalogue of works exhibited at the National Gallery of Victoria which presents an extensive view of the development of British art and throws light upon the taste for contemporary British art in Australasia. The catalogue is divided into chapter style sections, with each work annotated with short essay text. 10 Moore illus contained within the section Henry Moore Barbara Hepworth Ben Nicholson" pages 197-207.
Page 198: Head of a girl 1923 bronze (LH 15) and Nude in an Armchair 1929 drawing (HMF 693).
Page 199: Woman Seated with Hands Clasped 1929 drawing (HMF 692).
Page 200: Half Figure 1930 Ancaster stone (LH 91) and a photograph of Moore in his Hampstead studio.
Page 201: Standing Figures 1943 drawing (HMF 2168).
Page 202: Sculptural Ideas Hollow Form 1938 drawing (HMF 1378) and Head studies for sculpture 1939-40 drawing (HMF 1493).
Page 203: Working model for Upright Internal/External Form 1951 bronze (LH 295) and Helmet Head no.5 1966 bronze (LH 544).
The essays which accompany Moore's work discuss his connections with Unit One and his development of abstracted human forms providing quotes from numerous Moore monographs as well as biographical details. Draped Seated Woman 1958 bronze (LH 428) can been seen on page 23 along with a photograph of Moore's work shown on the British Council touring exhibition of 1948."
Page 198: Head of a girl 1923 bronze (LH 15) and Nude in an Armchair 1929 drawing (HMF 693).
Page 199: Woman Seated with Hands Clasped 1929 drawing (HMF 692).
Page 200: Half Figure 1930 Ancaster stone (LH 91) and a photograph of Moore in his Hampstead studio.
Page 201: Standing Figures 1943 drawing (HMF 2168).
Page 202: Sculptural Ideas Hollow Form 1938 drawing (HMF 1378) and Head studies for sculpture 1939-40 drawing (HMF 1493).
Page 203: Working model for Upright Internal/External Form 1951 bronze (LH 295) and Helmet Head no.5 1966 bronze (LH 544).
The essays which accompany Moore's work discuss his connections with Unit One and his development of abstracted human forms providing quotes from numerous Moore monographs as well as biographical details. Draped Seated Woman 1958 bronze (LH 428) can been seen on page 23 along with a photograph of Moore's work shown on the British Council touring exhibition of 1948."
0022285
Publisher: Sotheby's
Place Published: London
Year: 2012
Date & Collation: 2012 (09 February)
Description: Sale L12005 Aimée. Lots 204, 205, 206, 207, 209 (5 illus) Henry Moore: five works on paper 1937-1980. Illus: Nine Ideas for Sculpture 1937 drawing, (HMF 1335a) Nine Ideas for Sculpture 1937 drawing, (HMF 1334a) Reclining Figure 1980 drawing, (HMF 80(120)) Girl by the Sea 1980 drawing, (HMF 80(107)) Mother and Child : Three Quarter to Left 1980 drawing, (HMF 80(30)).
0022600
Author/Editor: MITCHINSON David
Publisher: Gebr. Mann Verlag
Place Published: Berlin
Year: 2004
Date & Collation: pp3043-317.Illus.References.Photo credits.
Description: Offprint booklet of Mitchinson's chapter in the book Mythen - Symbole - Metamorphosen in der Kunst seit 1800. Mitchinson's notes on Moore's Prométhée Lithographs inspired the research of Christa Lichtenstern. In 1949 Moore met French typographer and publisher Henri Jonquières, who suggested making an illustrated book from Gide's translation of Goethe's Prometheus, in the French "livres d'artiste" tradition. Moore worked with Walter Strachan, a friend with knowledge and passion for French art and literature. Moore started printmaking in 1930s. His interest in the use of colour and potential to reach a larger audience led to his experimentation with lithography. For Prométhée Moore produced eight full page lithographs, a design for front cover and title page plus two capital letters to introduce the text. Discussion of Moore's themes: draped elements; forms within forms; presenting sculptural figures receding into imaginary landscapes; use of rich colouring in atmospheric backgrounds; transition from terracotta to plaster as a medium for modelling in the late 1940s early 1950s.; 304-306 reference to: Moore illustrating literary subjects; Moore's start to printmaking and graphics; notebook with preliminary sketches for The Rescue, a melodrama by Edward Sackville-West, 1944; Prométhée Sketchbook 1949-50 (HMF 2547-2569). Illus of Upright Internal/External Form 1953-54 elm wood, (LH 297) and Tête de Prométhée 1950 lithograph (CGM 22). 307 illus of Les statues emprisonnées 1950 (CGM 23); Minerve-Prométhée-Pandore 1950 (CGM 24:4); Mort de Mira 1950 (CGM 30); Pandore et les statues emprisonnées 1950 (CGM 31). 306-309 makes connections between Moore's drawings and lithographs and traces the eight full-page lithographs to early ideas in the sketchbooks, with annotations from the text. Illus of Death of Mira 1949-50 (HMF 2564); Ideas for Internal/External Forms c.1948 (HMF 2408); Pandora and the Imprisoned Statues 1947-49 (HMF 2586). 310-311 makes connections between Moore's lithographs and sculptures. Illus of Prométhée: capital Letter P 1949-50 (HMF 2573f), Capital Letter P 1950 (CGM 20), Openwork Head No. 2 1950 bronze (LH 289), detail of Reclining Figure: Festival 1951 bronze, (LH 293). 312-315 reference to the production of the book, typography, text and illustration; correspondence with Strachan and Jonquières; the plastic process similar to collograph technique used by Moore for prints made with Ganymed Press, London and lithographs produced by W.S. Cowell Ltd., Ipswich; the method of production; Illus of Reclining Figure: Goujon 1956 bronze, (LH 411a) and Family Group 1945 bronze, (LH 238).
0021379
Publisher: New Art Centre Sculpture Park and Gallery
Place Published: Salisbury
Year: 2005
Date & Collation: (19 Nov 2005-5 Feb 2006).Text by Edwin MULLINS and Amanda FIELDING.
Description: Exhibition of five tapestries and five drawings in Salisbury. Leaflet foldout to poster. Reproduction of Edwin Mullins essay Henry Moore's Tapestries from Victoria and Albert Museum catalogue, (see 0002199). Additional text The place of textile artworks in contemporary architecture by Amanda Fielding. Opening speech by Henry Moore Foundation Director, Tim Llewellyn. List of works exhibited, location and price list;
Three Seated Figures 1974, (TAP 6a)
Two Seated Women with a Child 1977, (TAP 9)
Three Reclining Women 1979, (TAP 13)
Three Women in a Landscape 1979, (TAP 14)
Circus Rider 1979, (TAP 15)
Elephant 1979 drawing, (HMF 79(96a))
Studies of the Artist's Child 1946 drawing, (HMF 2360)
Animal Studies (Cows) c.1950 drawing, (HMF 2624)
Animal Studies (Horses) c.1950 drawing, (HMF 2625)
Animal Drawing: Pig 1953 drawing, (HMF 2744).
One Moore illus shows Three Seated Figures 1974, (TAP 6a).
0022319
Publisher: Sotheby's
Place Published: London
Year: 2012
Date & Collation: 2012 (09 February)
Description: Sale: L12005 Aimee. Lots 204, 205, 206, 207, 209 (illus) Henry Moore: five works on paper 19-19. Illus:
Nine Ideas for Sculpture 1937 drawing, (HMF 1335a)
Nine Ideas for Sculpture 1937 drawing, (HMF 1334a)
Reclining Figure 1980 drawing, (HMF 80 (120))
Girl by the Sea 1980 drawing, (HMF 80 (107))
Mother and Child: Three Quarter to Left 1980 drawing, (HMF 80 (30))
0021489
Publisher: Sotheby's
Place Published: London
Year: 2009
Date & Collation: 2009(20 May)
Description: Sale L09696 ARDRON. Lots 2, 32, 35, 54, 55, 80, 81, 85, 86 (9 illus) Henry Moore: 4 sculpture, 5 works on paper 19-19. Illus:
Shelter Scene: Bunks in London Underground 1942 drawing, (HMF 1792b)
Reclining Figures 1946 drawing, (HMF 2378)
Mother and Child (Notebook 1) 1971 drawing, (HMF 75(71))
Sheep and Lambs (Sheep Drawing 13) 1972 drawing, (HMF 3329)
The Show Sheep (Sheep Drawing 40) 1972 drawing, (HMF 3356)
Maquette for Reclining Figure No.4 1952 bronze, (LH 331)
Warrior's Head 1953 bronze, (LH 359)
Head of a Girl 1960 bronze, (LH 468a)
Reclining Figure 1968 bronze, (LH 261)
0023586
Author/Editor: UHL Katharina
Publisher: Staatliches Museum
Place Published: Schwerin
Year: 2015
Date & Collation: 306pp.illus.
Description: Exhibition catalogue for exhibition at the Staatliches Museum, Schwerin. Biographical photograph of Moore by Eddy Novarro on p.26; pp.46 and 47 shows HMF 76(5a) and HMF 76(6). pp.289-299 is a catalogue of works in the Novarro collection; HMF 76(5a), HMF 76(5b) and HMF 76(6) are listed.