Henry Moore Artwork Catalogue
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HMF 3078
0020592
Author/Editor: JOLL Evelyn.
Publisher: Cecil Higgins Art Gallery
Place Published: Bedford
Year: 2002
Date & Collation: 296pp.Introduction by Caroline BACON.Evelyn Joll by Oliver Millar.Acknowledgements.Contributors.Catalogue by Evelyn JOLL.Index.Credits
Description: Comprehensive catalogue of the collection at the Cecil Higgins Art Gallery. Companion volume 'Prints' (see 0020593) published in 1994.
Henry Moore: 6 drawings 1935-1948. illus.
Designs for Sculpture, 1935 drawing (HMF 1152).
Studies for Sculpture, 1939 drawing (HMF 1453).
Shelter Scenes: Bunks and Sleepers, 1941 drawing (HMF 1790).
Penelope and her Suitors. The Odyssey, 1944 drawing (HMF 2298).
Death of the Suitors. The Odyssey, 1944 drawing (HMF 2305).
Studies for Sculpture, 1948 drawing (HMF 2442).
Henry Moore: 6 drawings 1935-1948. illus.
Designs for Sculpture, 1935 drawing (HMF 1152).
Studies for Sculpture, 1939 drawing (HMF 1453).
Shelter Scenes: Bunks and Sleepers, 1941 drawing (HMF 1790).
Penelope and her Suitors. The Odyssey, 1944 drawing (HMF 2298).
Death of the Suitors. The Odyssey, 1944 drawing (HMF 2305).
Studies for Sculpture, 1948 drawing (HMF 2442).
0023906
Author/Editor: VEASEY Melanie
Publisher: Loughborough University
Place Published: Loughborough
Year: 2018
Date & Collation: 286pp.
Description:
Doctoral Thesis submitted for the award of Doctor of Philosophy of Loughborough University, September 2018.
Veasey's thesis examines whether certain Academicians (Siegfried Charoux, Frank Dobson, Maurice Lambert, Alfred Machin, John Skeapking and Charles Wheeler) variously engaged with pedagogy, community, exhibition practice and sculpture for the state, to access state patronage in the post-war period. The inspiration for this thesis began with the illustrated catalogue for the 'Open Air Exhibition of Sculpture' at Battersea Park (0005677) in 1948 which Veasey based her Master's thesis on: Humanising the Landscape: The outdoor placement of twentieth-century sculpture and its aesthetic impact upon the viewer (0023149).
In the introduction she quotes: "My experience as a volunteer for the HMF archive (2015-2016) provided a detailed understanding of the materials held; these relate not only to Henry Moore but to many of the contemporary sculptors and art executives with whom Moore was in contact. Henry Moore is mentioned several times throughout the text The archives at HMF and at HMI are also thanked for providing access to material for research and advice from members of staff.
0022836
Publisher: Henry Moore Foundation
Place Published: Perry Green
Year: 2004
Date & Collation: 2004 Various.Illus.
Description: Folder containing HMF leaflets; Perry Green map June 2004; Postcards, Risk assessment guidelines; Administration; Bookmark; Three HMF Henry Moore Collections and Exhibitions publications: Hands on! Creative Projects, An Introduction to Henry Moore, Sculpture in the open air.
0021948
Publisher: Drammens Museum
Place Published: Lychepaviljongen, Norway
Year: 2009
Date & Collation: 2009(25 September-8 November)44pp.illus
Description: Norwegian language catalogue for exhibition of works by Helge Wahl. Features two Moore illus page 28:
Tube Shelter Pewrspective 1941 drawing, (HMF)
Study for Row of Sleepers 1940-41 drawing, (HMF)
Some mention of Moore within the accompanying text to comapre Shelter Drawings to Wahl's own drawings.
0023302
Publisher: Felix Rosentiels
Place Published: London
Year: 2015
Date & Collation: 2 prints
Description: Two printspublised by Felix Rosentiels Fine Art Publisher
Family Group 1944 (HMF 2237a)
Four Reclining Nudes 1979 (HMF 79 (84))
0023542
Publisher: University of East Anglia
Place Published: Norwich
Year: 2017
Date & Collation: 4 postcards.Illus
Description:
4 postcards of Moore's work from the Robert and Lisa Sainsbury Collection at the Sainsbury Centre for Visual Arts:
Reclining Figure 1956 (LH 402)
Mother and Child 1932 (LH 121)
Family Group 1945 (HMF 2333)
Shelter Sleepers 1940 (HMF 1738)
0021004
Author/Editor: KENNAN Stéphanie.
Publisher: The Montreal Museum of Fine Arts.
Place Published: Québec
Year: 2007
Date & Collation: 56pp.(2 Moore illus).
Description: Annual Report containing aquisitions in the 2006/2007 year. Two Moore illus: page 20 shows Reclining Figures 1942 drawing (HMF 2025) recto and Figures in Settings verso. This drawing was a gift to The Montreal Museum of Fine Art from Dr. Sean B. Murphy.
0020566
Publisher: The Montreal Museum of Fine Arts
Place Published: Montreal
Year: 2003
Date & Collation: 341pp.illus.index.
Description: Illustrated handbook to the Montreal Museum of Fine Arts collection.
p.184 Henry Moore Two Draped Reclining Figures 1961-62 drawing. (HMF 3043). New edition published 2007 with inclusion of aquisitions 2003-2006.
p.184 Henry Moore Two Draped Reclining Figures 1961-62 drawing. (HMF 3043). New edition published 2007 with inclusion of aquisitions 2003-2006.
0020590
Author/Editor: LEAHY Catherine.
Publisher: National Gallery of Victoria
Place Published: Melbourne, Vic
Year: 2003
Date & Collation: 137pp.Illus.Index.
Description: Handbook to mark the Galleries refurbishment.
Henry Moore: 1 drawing, page 112: Head Studies for Sculpture, 1940 drawing (HMF 1493).
Henry Moore: 1 drawing, page 112: Head Studies for Sculpture, 1940 drawing (HMF 1493).
0020815
Publisher: CU art Museum
Place Published: Colorado
Year: 2006
Date & Collation: 12pp. Illus.
Description: Exhibition programme for the University of Colorado at Boulder (Vol IV, 2006) including an image of Reclining Figures: Ideas for Stone Sculpture, 1944 drawing (HMF 2261) from the recent exhibition Selected Recent Acquisitions and Highlights of the CU Art Museum's Permanent Collection, 8 September-21 October, 2005.
0021751
Publisher: Ganymed Press
Place Published: London
Year: 1960
Date & Collation: 72pp.Illus.
Description: Divided into Pictures Painted before 1860 and Picutres Painted since 1860. One Moore illus:
page 51 - Studies for Three Standing Figures 1946 drawing, (HMF 2376).
Notes the work is in the collection of Catherine WALSTON. Brief accompanying text.
0023167
Publisher: Zentrum Paul Klee
Place Published: Bern
Year: 2015
Date & Collation: 47pp.Illus.
Description: What's on guide to exhibitions at Zentrum Paul Klee (ZPK). 9 page describing exhibition titled Henry Moore 30 January - 25 May 2015. Exhibition shows 28 sculptures and 42 works on paper from the collections of the Tate and British Council. Illus of Working Model for UNESCO Reclining Figure 1957 bronze (LH 415); Moore in his studio with Reclining Figure 1929; and Tube Shelter Perspective: The Liverpool Street Extension (HMF 1801).
0022088
Publisher: Imperial War Museum
Place Published: London
Year: 2006
Date & Collation: (14th September 2006 - 25th February 2007)4pp.illus
Description:
Leaflet to promote exhibition of the same title. cover image shows Tube Shelter Perspective 1941 drawing, (HMF 1773).
0022147
Publisher: Institut Za Povijest Umjetnosti
Place Published: Zagreb
Year: 2007
Date & Collation: 464pp.illus
Description: Croatian language publication. Conference report reproducing papers given during the event. One Moore illus within essay Odjek djela Ivana Mestrovica u Velikoj Britaniji nakon izlozbe u Victoria & Albert Museumu by Dalibor PRANCEVIC, pages 395-403.
Page 403 shows Moore's drawing Head and Hat 1920 drawing, (HMF 20(28)) which features Moore's delineation of Mestrovic's 1914 sculpture Pietà, also illustrated. English summary of Prancevic's text The Reaction of British Public to the Art of Ivan Mestrovic after the Exhibition at Victoria & Albert Museum provided; includes mention of the influence of Mestrovic on Moore and that some papers are kept at the Henry Moore Institute, Leeds.
0021086
Publisher: The British Museum Friends.
Place Published: London
Year: 2008
Date & Collation: 6pp.Illus.
Description: Foldout booklet of forthcoming visits to places linked to the British Museum. Contains details of a visit to Hoglands. Cover illustration shows:
Reclining Figure and Red Rocks 1942 drawing, (HMF 2067).
0022622
Author/Editor: JULER Edward
Publisher: University of Manchester
Place Published: Manchester
Year: 2008
Date & Collation: 240pp.Illus.Bibliography.
Description: PhD thesis examining the way in which metaphors of biology entered into critical discourse that surrounded the emergence of the 'new abstraction' in England during the 1930s.
11 Geoffrey Grigson inspired by Moore.
In Organicism 1.4 Organicism and the New Abstraction 68 Moore's Four-piece Composition: Reclining Figure 1934 Cumberland alabaster, (LH 154) given as an example of avant-gardists rejection of mechanism in the 1930s and multi-part sculpture. Illus on 200. 69-70 Moore quoted as saying that "early modernism preferred simple structures to complex ones"; Moore's describes Brancusi as evidence of this; Hugh Gordon PORTEUS critique of Moore's early works. 71 Moore compares the plinth to the painted frame of a Seurat picture "an object which, whilst not part of the painting proper, was nonetheless an integral component in its presentation". 73-74 metaphors of connectivity in relation to Moore's multi-part sculpture. Moore speaks of an expanded sculptural unit, compositional arrangements involving two to four irregular components within an extended space. Three Piece Carving 1934 stone, (LH 149) and Head and Ball 1934 Cumberland alabaster, (LH 151) cited as examples. Illus on 203; Comparison to Hepworth's multi-part constructions. 79 Moore and Hepworth's multi-part sculptures discussed in relation to psychoanalytical concepts of Melanie Klein. 84-5 reference Moore's anti-reductionist mindset published in The Sculptor Speaks in The Listener 1937.
In Evolutionism 2.5 Concepts of Development and the New Abstraction 115-7 Herbert READ writing on Moore in The Meaning of Art 1931, on materials, iconography, process and the study of natural forms. Reference to the worn and corroded nature of Figure 1933-4 travertine (LH 137). Illus on 207. 125-6 Moore's contributions to Unit One, statement on asymmetry and non-symmetrical mass in relation to natural forms.
In Evolutionism 2.6 Entropy and the New Sculptural Idiom 127 Four-Piece Composition: Reclining Figure 1934 Cumberland alabaster, (LH 154) "connotating an organic system that has not just expired but literally run out of energy". Quote from Henry Moore and the Uncanny. 128, 130 and 133 reference to iconography and surrealism of Moore's sculpture; metaphors of erosion and organic development; relation to economic malaise.
In Form 3.3 Art and Morphology 147-8 on artists whose work symbolizes the elementary morphologies of the natural world. Reference to Moore's study of natural objects; their invariable rhythms and physical form; universal shapes everyone is conditioned to. Reference to Moore's drawings. Illus of Studies of Lobster Claws 1932 (HMF 939) 210.
In Form 3.4 The Reception of New Scientific Visualizing Technologies 162-4 and 178 Moore quoted "there is in Nature a limitless variety of shapes and rhythms (and the telescope and microscope have enlarged the field) from which the sculptor can enlarge his form-knowledge experience". Reference to philosophy of Enlightenment and stimulus of new visualizing technologies; Grigson on Moore's reductive curvilinearity; rounded forms in relation to the body.
0022674
Publisher: United Nations
Place Published: Geneve
Year: 1992
Date & Collation: 1992
Description: United Nations stamps and First Day Covers. Stamp denominations are 50SF and 90SF. Illus of Rocking Chair No. 3 bronze, (LH 276), on 90SF stamp and postmark on the First Day Cover. Sent to HMF by Steven G. Gabriel, from Racine, Wisconsin (18.3.2009).
0022664
Publisher: Hauser & Wirth
Place Published: Zurich
Year: 2013
Date & Collation: 67pp.Illus.
Description: Booklet listing exhibitions. 41 page dedicated to Moore. Illus of Ideas for Stone Mother and Child Sculptures 1972 (HMF 3400). Lists exhibitions:
Henry Moore Outside Rijksmuseum, Amsterdam. 21-30 September 2013
Critique and Crisis: Art in Europe since 1945 Palazzo Reale, Piazza del Duomo, Milan. Until 2 June 2013
Neu Galerie - neue gesehen Museumlandschaft Hessen, Kassel. Until 25 August 2013.
0022689
Author/Editor: Marc Sleen
Place Published: Belgium
Year: 1960
Date & Collation: 2pp.Illus.
Description: Copy of comic strip Piet Fluwijn en Bolleke No. 673 by Flemish/Belgian cartoonist Marc Sleen (born 1922). Contains illustrations of Moore-like sculptures. Sent to HMF by Yves Kerremans, 30 May 2013. 10 albums of Piet Fluwijn en Bolleke (also known as The adventures of a father and his son) were released between 1957 and 1965. Father-son relations are at the heart of this series for children. The dad is a pushover, and often the victim of his little darling's naughty pranks.
0022702
Publisher: (Altana)
Place Published: New York
Year: 1946
Date & Collation: 20pp.Illus
Description: Copies of copies of René d'Harnoncourt's drawings for MoMA exhibition 1946. Given to HMF by Tate Britain 8/4/2009. See 0008703 for book of the exhibition.
0022694
Publisher: Christie's
Place Published: London
Year: 2011
Date & Collation: 2pp.Illus.
Description: Information sheet on Christie's support of the HMF and Moore at Hatfield exhibition, held on 400th anniversary of Hatfield House, 23 April - 30 September 2011. Illus of Draped Reclining Woman 1957-1958 bronze, (LH 431).
0021803
Publisher: Waddington Galleries
Place Published: London
Year: 2008
Date & Collation: 32pp.illus.
Description: Group of promotional cards for works available from Waddington Galleries; 16 cards provide image of work and on verso the provenance. Two Moore illus:
Studies for Sculpture 1933 drawing, (HMF 1004a)
Maquette for Draped Reclining Woman 1956 bronze, (LH 429).
0021804
Publisher: The Royal Society
Place Published: London
Year: 2010
Date & Collation: 30pp.illus
Description: Booklet with black and white illustration of Moore's drawing Dorothy Hodgkin's Hands 1978 drawing, (HMF 78(45)) on the front cover. Conference date: Monday 10 and Tueday 11 May 2010. Also includes flyer with colour illustration of the same Moore work.
0021215
Author/Editor: MONAHAN Anne.
Publisher: Picker Art Gallery.
Place Published: New York.
Year: 2007
Date & Collation: 95pp.Illus.Bibliography.
Description: Catalogue of works donated to the Picker Art Gallery, Colgate University New York by eminent oncologist Luther Brady. Page 56 shows one Moore illus:
Life Drawing - Half Figure 1932 drawing, (HMF 909).