Henry Moore Artwork Catalogue
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HMF 3078
0008436
Author/Editor: edited by TAMBIMUTTU
Publisher: Poetry London
Place Published: London
Year: 1942
Date & Collation: 7 1942(Oct-Nov) Front cover(1 illus).
Description:
Issue 7 of the journal Poetry London. Cover illustration is a reproduction of The Lyre Bird: Cover Design for Poetry (HMF 2063). Two plates included between pages 32 and 33 reproduce shelter drawings with a poem by Anne Ridler on the reverse: Group of Shelterers During an Air Raid (HMF 1808), and Two Figures Sharing the same Green Blanket (HMF 1705). HMF 1705 is reproduced without Moore's notes which appear above the drawing; HMF 1808 is captioned "Group of Figures in Underground Shelter".
Seven other issues of Poetry London have Moore drawings on the cover: issues 8 (0008437), 11 (0008438), 12 (0008439), 13 (0008440), 14 (0008441), 15 (0008442), and 16 (0008443).
Issues 1-23 of Poetry London were reprinted in five volumes in 1970 (0004725); issue 7 is in volume 2.
0021275
Author/Editor: MOORE Mary.
Publisher: Vogue
Place Published: London
Year: 2008
Date & Collation: (October)174 171-172(5 Moore illus)
Description: Article, published on the eve of the Hauser & Wirth exhibition, (see 0021356), in which Mary Moore recalls her childhood in Hoglands, with candid memories of domestic life with her father and mother. Mentions of Irina's silk Ascher dress made from material designed by Henry;
Willow-Pattern teacups from Woolworths;
listening to Tony Hancock and Benny Hill in the evening;
vists from famous people and artists: Mark Rothko and BIlly Wilder;
accompanying her father in his studios: I still have many of the terracotta creatures he made for me"; the importance of drawing in Moore's work: "He said he could teach anyone to draw and I think that's true. He certainly taught me". Five illus shows one biographical photo of Mary as a child with her father and four items from the Hauser & Wirth exhibition: The Artist's Hands 1974 drawing (HMF 3215m); The Reclining Figure 1933 drawing (HMF 988); Standing Figures 1940 drawing (HMF 1495); Seated Figure 1923 drawing (HMF 206).
0021668
Author/Editor: CAUSEY Andrew.
Publisher: Tate etc
Place Published: London
Year: 2010
Date & Collation: 2010(Spring)18 38-45 (12 illus)
Description: Article, promoting forthcoming exhibition at Tate Britain, broadly examines the scope of Moore's works on paper as well as some of the more interesting sculptural works. Subjects include the influence of Giacometti; the Transformation Drawings 1930-1932; the significance of the hole; metamorphosis and Surrealism; Shelter Drawings and the public perception of them; Bill Brandt; and Biologist J. B. S. Haldane. Causey makes some interesting reference to Moore's early experiments with removeable stone eyes for his carvings, of which Girl with Clasped Hands 1930 still possesses. 12 Moore illus including; Ideas for Sculpture, Seated Figures and Heads 1930 drawing, (HMF 803) Five Figures in a Setting 1937 drawing, (HMF 1319) Madonna and Child at St Matthew's Church, Northampton, 1943-44 brown Horton stone, (LH 226) Composition 1930 African wonderstone, (LH 119) Stones in Landscape 1936 drawing, (HMF 1259) Study for 'Tube Shelter Perspective: The Liverpool Street Extension' 1940-41 drawing, (HMF 1649) Composition 1934 cast concrete, (LH 140) Seated Storage Capsule (for H.M) 1966 drawing, by Bruce NAUMAN Light Trap for H.M, No.1 1967 photograph, By Bruce Nauman Sculpture by Henry Moore by Beuys 1961 rubber, cardboard and glass, by Joseph BEUYS Reclining Figure 1969-1982 bronze, by Willem de KOONING. There is no discussion of these other artists or their work in this article. This edition also features, page 29, full page advert for The Henry Moore Foundation and The Henry Moore Institute, and page 20, a half page advert by Lund Humphries promoting three Henry Moore books, including Causey's The Drawings of Henry Moore.
0023536
Publisher: Cabana Magazine LTD.
Place Published: London
Year: 2017
Date & Collation: 320pp.Illus.
Description: A spring 2017 edition of Cabana with four diferent front covers each showing a Burberry design taken from one of the following drawings by Moore: Textile Design: Reclining Figures 1943 (HMF 1310), Textile Design Framed: Heads 1943 (HMF 20127), Reclining Figure: Bunched 1961 (HMF 3025) and Pallas Heads 1972 (HMF 3419), (this last one is uncatalogued). The inside cover and first page has an image of a Burberry model in front of Locking Piece 1962-63, fibreglass (LH 515). On the first contents page 54, the set of four diferrent front covers are presented in miniature. On the second contents page 56 the article Henry Moore in Florence illustrated by Fiona Corsini is referenced as starting on page 189. Page 189 is the start of an eight page fold-out article in the form of an impressionistic scrapbook style collage of illustrations and photographs relating to Moore and his 1972 exhibition at Forte Belvedere, Florence, featuring a whole page presentation of a letter from Moore to Luciano Bausi, the mayor of Florence reproduced from 'Mostra di Henry Moore' Il Bisonte Editore/Nuovedizioni Enrico Vallechi, Florence 1972 p.17, in which Moore expresses his pleasure and gratitude at having the opportunity to hold this exhibition of his work 'in your great city'. Other images in the fold-out pages include Large Square Form with Cut 1969-71, Rio Serra marble (LH 599) and Moore's etching studio in Perry Green.
0021167
Author/Editor: JONES Jonathan.
Publisher: The Guardian Weekend.
Place Published: London.
Year: 2006
Date & Collation: (02 Sep) 28-33 (3 Moore illus).
Description: Article which questions what has happened to war art; with particular reference to the Iraq invasion; it might seem I am about to use Guernica and Henry Moore as sticks to beat today's artists. Why not make similar art that protests the suffering of civillians in Iraq?". Jones closely examines Moore's Shelter drawings praising their importance; "This is why Henry Moore's underground drawings are worth digging out now. For him as for Picasso in 1937 the photographic and cinematic culture of modern war can be resisted. You can't reject war by accurately depicting war". Lists details of Henry Moore: War and Utility at the Imperial War Museum. Three Moore illus: Page 29: Tube Shelter Perspective 1941 drawing (HMF 1773). Page 30: Sleeping Child Covered with Blanket 1940-41 drawing (HMF 1688). Page 31: Study for Morning After The Blitz 1940-41 drawing (HMF 1685).
0021151
Author/Editor: SPALDING Frances.
Publisher: The World of Interiors
Place Published: London
Year: 2006
Date & Collation: (Sept)162-163(3 Moore illus)
Description: Essay style article which promotes the War and Utility exhibition at the Imperial War Museum, London, (see 0022087). Spalding reflects upon Moore's Shelter and Coalminer Drawings and reflects upon Moores dress sense; the Yorkshireman with a ruddy face and a liking for violet shirts worn with lemon-yellow ties". Three Moore illus: Page 162: Study for "Group of Shelterers During an Air Raid" 1940-41 drawing (HMF 1642). Page 163: Sleeping Child Covered with Blanket 1940-41 drawing (HMF 1688) and Sleeping Figures 1940-41 drawing (HMF 1711)
0021742
Publisher: Pallant House Magazine
Place Published: Chichester
Year: 2010
Date & Collation: (March-June 2010)20 10,17,58(3 Moore illus)
Description: Seasonal magazine from Pallant House gallery. List mention of Moore, page 10, included in Modern British Art: A Collection of Collections, perminant exhibition at Pallant House. One illus shows Two Sleepers 1941 drawing, (HMF). Collection News - More Moore, page 17, explans that Suckling Child 1930 alabaster, (LH 96) has gone to Tate Britain for inclusion in the Henry Moore show. Photo-article page 58 shows representatives of HMF with their counterparts from Pallant House at the Private View of the textile exhibition. Chris Stephens, of Tate Britain, is also present. Richard Calvocoressi can be seen with Frank Dunphy.
0021754
Author/Editor: STONARD John-Paul.
Publisher: Burlington Magazine
Place Published: London
Year: 2010
Date & Collation: 2010(May) 340-342 (3 Moore illus)
Description: Favourable exhibition review of Tate Henry Moore show. Summery of the accompanying exhibition catalogue, with particular focus upon Girl with Clasped Hands 1930 Cumberland Alabaster, (LH 47), Grey Tube Shelter 1940 drawing, (HMF 1724) and Maquette for Mother and Child 1952 bronze, (LH 314). Stonard states After 1945, and in particular following the success of the shelter drawings, Henry Moore became 'Henry Moore'. His own public reputation became unfolded inot his sculpture, in addition to a whole set of other 'pasts' that shaped his conservative formal reportory, including a strong sense of prehistory that had first emerged in the 1930s. Three Moore illus show:
Girl with Clasped Hands 1930 Cumberland Alabaster, (LH 47)
Reclining Figure 1929 brown Hornton stone, (LH 59)
Grey Tube Shelter 1940 drawing, (HMF 1724).
Mention of Moore within Art History Reviewed IX: Kenneth Clark's 'The Nude. A Study of Ideal Art', 1956 also by Stonard, pages 317-321. List detail of Henry Moore Deluxe exhibition in Sheep Field Barn, page 357.
0021159
Author/Editor: ESPOSITO Donato
Publisher: British Museum Magazine
Place Published: London
Year: 2007
Date & Collation: (Spring/Summer) 57 44-47 (Two Moore illus)
Description: Article which explores the influence of the British Museum's collections on the work of Picasso, Epstein and Moore. Reference to Moore's correspondence archive, Chac Mool, Ernst Furhrmann's books, ancient Greece and Egyptian limestone figures. Two Moore illus:
Page 46: Reclining Figure and Red Rocks 1942 drawing, (HMF 2067).
Page 47: Studies of the Sculpture in the British Museum 1922-24 drawing, (HMF 123).
0021272
Author/Editor: ASHFORD David.
Publisher: Cambridge Quartlerly.
Place Published: Cambridge.
Year: 2007
Date & Collation: (Number Four) 36 295-316 (Two Moore illus).
Description: Seeks to compare, contrast and dissect both Bill Brandt and Moore's the War-time images of the Tube. Provides little new perspective: mainly refers to secondary texts; Jung, Adrian Lewis, Julian Andrews. Some discussion of Graham Greene and the role of myth and archetype in the importance of constructing a national memory of Blitz Spirit". Examines two Moore drawings in detail: Page 302: Women and Children in the Tube 1940 drawing (HMF 1726). Page 312: Group of Draped Figures in a Shelter 1941 drawing (HMF 1807). Mention of Walter Hussey."
0023452
Author/Editor: Edited by BONDIL Nathalie, CHAMPAGNE Danielle, CHASSÉ Pascale
Publisher: The Montreal Museum of Fine Arts 2016
Place Published: Montreal
Year: 2016
Date & Collation: 65pp.Illus.
Description: Richly illustrated annual report with four Moore artwork images. Page 16, Reclining Figures 1942 (HMF 2025). Page 34, Reclining Figures: Ideas for Sculpture 1937 (HMF 1308) referred to as Reclining Nude and Figure Studies. Page 36, Reclining Figure No.6 1954 (LH 337) and Mother and Child 1939 (LH 201).
0023174
Publisher: Hauser & Wirth
Place Published: London
Year: 2015
Date & Collation: 5 2015 (March - May )42-47(6Illus)
Description:
Publication with features, review and promoting exhibitions. 42-47 Henry Moore Family Collection article detailing Mary Moore's personal recollections of her fathers practice and two presentations of Moore's work: Ideas for Sculpture 2008 London and Works on Paper from the Henry Moore Family Collection 2010 Zurich. Illus of Moore in his maquette studio 1968; Moore working on a lithograph1973; Henry and Mary Moore in the Top studio 1951; Sleeping Shelterer 1940-41 (HFM 1694); Two Sleepers 1941 (HMF 1853); Shelter Scene: Two Seated Figures 1941 (HMF 1824). Reference to Moore's writing in The Listener 1937; teaching how to see in a sculptural and three dimensional way; Mary Moore's childhood games; holidays in Broadstairs, Kent; Henry Moore photographing his own work; the development of modern communication on the world view of sculpture; Zwemmer's bookshop; British Museum and Musée de L'Homme; and Moore's collection of natural objects and pebbles, books, postcards and sketch books. Mary MOORE writes about her father's internalisation of visual imagery, the idea that he took inspiration from these pebbles is misleading rather they confirmed his own inner vocabulary.
List of exhibitions (pp.113-133) includes four solo and one group exhibition for Henry Moore, illus. with an image of Chairback Relief. Shows listed are: Henry Moore (Zentrum Paul Klee), Figure and Architecture: Henry Moore in the 1950s (Leeds Art Gallery Collections), Henry Moore: Back to a Land (Yorkshire Sculpture Park), Henry Moore: Arte en la Calle (La Caixa), and Arche Noah: Uber Tier und Mensch in der Kunst (Museum Ostwall im Dortmunder U).
0024305
Publisher: Stanmore & Bushey Life
Place Published: Old Hatfield
Year: 2022
Date & Collation: (01 December)
Description:
Article publicising the exhibition Henry Moore: Drawing in the Dark at St Albans Museum and Gallery 16 December 2022 - 16 April 2023 showcasing Moore's drawings of Miners during WWII.
Outllining the original commission from the War Artists' Advisory Commission, it describes how Moore produced his drawings and the conditions he experienced.
Reference to the book published in connection with the exhibition, "Drawing in the Dark: Henry Moore's Coalming Commission" by Chris Owen.
2 Moore illus:
Pit Boys at Pithead, 1942 (HMF 1985) and Four Studies of Miners at the Coalface, 1942.(HMF 2000a)
0020966
Publisher: Artists & Illustrators
Place Published: London
Year: 2007
Date & Collation: (Sep).46-47(6 Moore illus).
Description: Brief article with biographical content. Refers to Moore's international popularity and reputation being sealed by Shelter Drawings. Mention of desire to lead delegation of artists to Spain during Spanish Civil War. Promotes Moore at Kew Gardens exhibition. Page 46 Hill Arches 1973, bronze (LH 636) and Seven Sculpture Ideas I 1980/81 etching (CGM 589). Page 47 Trees V Spreading Branches 1979, etching (CGM 551), Elephant's Head II 1981, drawing (HMF 214), Locking Piece 1963-64, bronze (LH 515) and 1964 photograph of Moore by Errol Jackson.
0023172
Publisher: Hauser & Wirth
Place Published: London
Year: 2014
Date & Collation: 3 2014 (September-November)146(1Illus)
Description: Publication with features, review and promoting exhibitions. 146 Illus of Drawing for Sculpture: Reclining Figures c. 1938 (HMF 1392). Details Moore's exhibitions including: sole exhibition Henry Moore at Harewood, Leeds and group shows: hackordnung #5 FormFREIheit Ludwigshafen am Rhein, Germany; Those Early Years: British and German Art after 1945 Hannover, Germany; El Greco and Modern Painting Madrid, Spain; Body and Void: Echoes of Moore in Contemporary Art Perry Green; Simple Shades Paris; Conscience and Conflict: British Artists and the Spanish Civil War Chichester.
0022260
Author/Editor: GOULOOZE Maud
Publisher: Tableau Fine Arts magazine
Place Published: Netherlands
Year: 2006
Date & Collation: 2006 (28)4 61-65 (11 illus)
Description: Dual language magazine article on the Mozart opera Don Giovanni at the 1967 Spoleto Festival, which included set design featuring replica works by Moore. Mention of Gian Carlo Menotti, Fiorella Mariani and Vincenzo Gaetaniello. Images show stills from the performance as well as selected illus of Moore's work, including:
Crowd Looking at a Tied-Up Object 1942 drawing, (HMF 2064)
The Arch 1969 bronze, (LH 503b).
0021753
Author/Editor: POWELL Anne.
Publisher: HerStoria
Place Published: Merseyside
Year: 2009
Date & Collation: 2009(Winter) 39(one Moore illus)
Description: Feminist history magazine. Article provides brief excerts from a dozen or so poems on the subject of WWII by female writers. Includes a quote from The Artist's Vision: On a Shelter Picture by Henry Moore by Sheila SHANNON, see 0008945. One Moore illus:
Group of Draped Figures in a Shelter 1941 drawing, (HMF 1807).
0023499
Author/Editor: BERTHOUD Roger.
Publisher: The Art Newspaper
Year: 2005
Date & Collation: 2005(March)17(156) 29
Description: Sale N08742 Betty. Lots 114, 115, 126, 201, 327, 385, 386 Henry Moore: 1 drawing 1982, 6 sculptures 1955-1982. Illus: Reclining Mother and Child: Shell Skirt 1975 bronze, (LH 665) Working Model for Two Piece Reclining Figure: Cut 1978-79 bronze, (LH 757), additional text. Upright Motive No. 5 1955-56 bronze, (LH 383), additional text and illustration of plaster maquette. Reclining Figure 1982 drawing, (HMF 82(440)). Seated Figure on Square Steps 1957 bronze, (LH 436), additional text. Bird 1959 bronze, (LH 445) Maquette for Seated Woman 1957 bronze, (LH 433a).
0021131
Author/Editor: SCHOSER Mary
Publisher: Selvedge
Place Published: London
Year: 2008
Date & Collation: (May/Jun)23 34-37(4 Moore illus).
Description: Article, which premotes the Sheep Field Barn Textile exhibition at Perry Green (see 0021118), covering Moore's relationship with Zika and Lida Ascher, his drawing technique and the resulting textile designs. Relates Moore's designs to the Post-War period. Four Moore illus:
Page 34: Three Seated Figures c.1947 textured cotton, (TEX 27).
Page 35: Reclining Figures 1944-46 cotton, (TEX 8.1).
Page 36: Tube Shelter Perspective 1941 drawing, (HMF 1773).
Page 37: Horse's Head and Boomerang 1944-45 rayon, (TEX 3.1).
0021190
Publisher: Art Quarterly.
Place Published: London
Year: 2007
Date & Collation: (Summer) 65 (2 Moore illus).
Description: Brief review of Sheep Field Barn exhibition, (see 0021188). Two Moore illus shows The Death of the Suitors 1944 drawing, (HMF 2305) and Reclining Figure: Goujon 1956 bronze, (LH 411a).
0021745
Author/Editor: FEEKE Stephen
Publisher: Museums Journal
Place Published: London
Year: 2010
Date & Collation: 2010(Apr) 11, 48-51 (5 Moore illus)
Description: Review of the Henry Moore exhibition at Tate Britain, see 0021726. Stephen Feeke examines, in great curatorial detail, the pros and cons of the Tate show, with attention to layout and selection. In conclusion Feeke states "Ultimately, the exhibition succeeds, not because it sheds new light on a familar master but because it gives us the chance to look at work we might otherwise have thought safe and formulaic; the selection commands our attention and questions erroneous preconceptions".
Four Moore illus:
Reclining Woman 1930 green Hornton stone, (LH 84)
Reclining Figure 1929 brown Hornton stone, (LH 59)
Recumbent Figure 1938 green Hornton stone, (LH 191)
Tube Shelter Perspective: Liverpool Street Extension 1941 drawing, (HMF 1801).
An additional image of Moore's scultpure can be seen on page 11:
Three Way Piece No.2: The Archer 1964-65 bronze, (LH 535) can be seen outside of the Neue Nationalgalerie in Berlin.
0022062
Publisher: The Art Newspaper
Year: 2010
Date & Collation: 2010(April)18(212) 80(1 illus)
Description: Elevated coloumn listing Hauser & Wirth, Zürich exhibition. Features one Moore illus:
Helmet Heads 1950-51 drawing, (HMF 2643).
Text explains that the exhibition follows on from the London show and that the book Henry Moore - Ideas for Sculpture, see 0021806, featuring text by Mary Moore, is published to coincide.
0021180
Author/Editor: GARLAKE Margaret.
Publisher: Art & Christianity.
Place Published: London.
Year: 2007
Date & Collation: (Jul) 51 6-7 (One Moore illus).
Description: Review of Sheep Field Barn exhibition, (see 0021115), in journal published by the ACE Trust. Garlake examines the cultural importance of Moore's use of mythological images, with particular reference to his Shelter Drawings. One Moore illus shows Head of Prometheus c.1950 drawing, (HMF 2577).
0021140
Author/Editor: PITMAN Joanna.
Publisher: The Times.
Place Published: London
Year: 2008
Date & Collation: 2008(May 24-30)27-29(One Moore illus)
Description: Article in The Knowledge entertainment guide, promoting the exhibition of Jeffrey Sherwin's collection of art; British Surrealism and Other Realities: The Sherwin Collection at the Middlesborough Institute of Modern Art (see 0021141). Mention of Sherwin's realtionship with Moore, recounting visits to Chinese restaurants: I remember he always used to say he was a vegetarian but he had a very soft spot for the duck pancakes which he ate with relish. 'Don't worry' he used to say 'the duck was vegetarian'. He was great fun a very puckish character always extremely smartly dressed". One Moore illus: Page 28: Reclining Mother and Child: Maquette I 1979 drawing (HMF 79(17)) with Reclining Figure Mother and Child I 1979 bronze(LH 778) in the foreground.