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0022278

Publisher: Winchester Discovery Centre - What's On?

Place Published: Hampshire

Year: 2012

Date & Collation: 2012 (January-March) 23 (1 illus)

Description: Booklet, co-published by Hampshire County Council and Winchester City Council, promoting fothcoming events, including exhibitions. Page 23 features details of mixed exhibition, The Figure in Landscape, held at The Gallery, Winchester, 12 November 2011-08 January 2012, featuring sculpture by fourteen artists, including Moore. One illus shows Working Model for Reclining Figure: Hand 1976-1978 bronze, (LH 708). See 0022277 for catalogue.

0022290

Author/Editor: Otto G. Ocvirk et al

Publisher: McGraw-Hill Higher Education

Place Published: New York

Year: 2012

Date & Collation: x.323pp.Illus.Cronology.Glossary.

Description: Book of art appreciation with passing mentions of Moore and photograph, page 148, of Reclining Figure, 1939 elmwood (LH 210) in a section on Three-Dimensional Applications of Shape. For earlier editions see also 0019602 and 001391.

0023491

Publisher: Bonhams

Place Published: Knightsbridge, London

Year: 2012

Date & Collation: 2012 (11 July)

Description: Sale 20018. Lot 158 (1 illus) Henry Moore: one graphic works 1980. Illus. Sale of Sketchbook 1928 The West Wind Relief (Cramer 573) facsmile sketchbook.

0022295

Publisher: The Hakone Open-Air Museum

Place Published: Japan

Year: 2012

Date & Collation: 200pp.illus

Description: Photograph led book highlighting interaction between sculpture and landscape at Hakone Open-Air Museum. Images of Moore's monumental sculpture throughout. Pages 26-27 show former Assistant Michel Muller working to conserve Atom Piece (Working Model for Nuclear Energy) 1964-65 bronze, (LH 525).

0022301

Author/Editor: RUSSELL Karen Kramer

Publisher: Peabody Essex Museum in association with Yale University Press

Place Published: Massachusetts

Year: 2012

Date & Collation: 2012 (14 January-29 April)

Description: Book to accompanying exhibition of the same title at the Peabody Essex Museum. One Moore illus: Page 127 Mother and Child 1932 Green Hornton stone, (LH 121). Accompanying text makes comparision between Moore's sculpture, Mesoamerican art and that of Allan Houser.

0022303

Publisher: Henry Moore Institute

Place Published: Leeds

Year: 2012

Date & Collation: 2012 (03 Feburary-03 April)8pp.

Description: Leaflet as catalogue for Henry Moore Institute exhibitions Prints and Portfolios, as well as Dear Henry Moore: Connections and Correspondence, a display of letter from would be assistants; succesful and unsuccesful correspondents including Anthony Caro, Isaac Witkin, Ralph Brown, Hubert Dalwood and Geoffrey Clarke. Leaflet unfolds to reveal poster of Reclining Nude 1931 woodcut, (CGM 2).

0022302

Publisher: National Theatre

Place Published: London

Year: 2012

Date & Collation: 2012 (01-24 March)3pp+2pp.illus.

Description: Exhibition of photographic portraits of famous people in the Arts, exhibited in the Lyttleton Circle Foyer of the National Theatre to support the Royal Marsden Hospital. Features 1980s portrait of Moore taken at Gildmore Studo, Perry Green. Includes list of portrait sitters and details of limited edition prints, printed by Genie Imaging, sold in aid of the charity.

0022293

Publisher: Bonhams

Place Published: Knightsbridge, London

Year: 2012

Date & Collation: 2012 (22 February)

Description: Sale 19776. Lots 178AR-185AR (8 illus) Henry Moore - eight graphic works 19-19. Illus: Sculpture in a Dark Interior 1973 lithograph, (CGM 373) Glenkiln Cross II 1973 etching, (CGM 188) Thinned Lipped Armourer 1973 lithograph, (CGM 254) Two Heads 1973 lithograph, (CGM 269) Earthquake in Harbour 1973 lithograph, (CGM 371) Six Sculpture Motives 1970 etching, (CGM 154) Rock Head 1983 lithograph, (CGM 624) Girl Seated at Desk I 1974 lithograph (CGM 338) Lullaby Sketches 1973 lithograph (CGM 271).

0023498

Publisher: Christie's

Place Published: New York

Year: 2012

Date & Collation: 2012 (07 November)

Description: Sale Adeline 2594. Lots 1 and 34 (6 Moore illus) Lot 1 Family Group c.1945 bronze, (LH 235). Lot 34 Reclining Figure No. 4 1954 bronze, (LH 332).

0022284

Publisher: Sotheby's

Place Published: London

Year: 2012

Date & Collation: 2012 (8 February)

Description: Sale L12002 Isla. Lots 30, 33, 41, 51 (4 illus) Henry Moore: four sculpture 1933-1963. Illus: Figure 1933-34 Travertine marble, (LH 137) - additional illus and text. Three Piece Reclining Figure No. 2: Bridge Prop 1963 bronze, (LH 513) - additional illus and text. Seated Woman in Chair 1956 bronze, (LH 418) Seated Woman: Thin Neck 1961 bronze, (LH 472).

0022285

Publisher: Sotheby's

Place Published: London

Year: 2012

Date & Collation: 2012 (09 February)

Description: Sale L12005 Aimée. Lots 204, 205, 206, 207, 209 (5 illus) Henry Moore: five works on paper 1937-1980. Illus: Nine Ideas for Sculpture 1937 drawing, (HMF 1335a) Nine Ideas for Sculpture 1937 drawing, (HMF 1334a) Reclining Figure 1980 drawing, (HMF 80(120)) Girl by the Sea 1980 drawing, (HMF 80(107)) Mother and Child : Three Quarter to Left 1980 drawing, (HMF 80(30)).

0022225

Publisher: Royal Pump Rooms

Place Published: Royal Leamington Spa, Warwickshire

Year: 2012

Date & Collation: 2012(23 February-15 April)1pp.illus

Description: Notice of forthcoming Hayward Touring exhibition from the Arts Council Collection, on behalf of Southbank Centre, London, at the Royal Pump Rooms, Royal Leamington Spa. Includes Exhibitions & Events February - April 2012 publication, providing details of supporting events.

0022633

Publisher: Mokslo IR

Year: 2012

Date & Collation: 847pp.Illus.

Description: 37 in section on skulptura" illus of Sheep Piece 1971-2 bronze (LH 627)."

0022657

Author/Editor: Essay by Wendy STEINER. Forward by IVAN C. KARP. Introduction by Anthony BROWN.

Publisher: Hudson Hills Press

Place Published: Easthampton and New York

Year: 2012

Date & Collation: 280pp.Illus.Bibliography.Index.Photography Credits.

Description: 181 Inspiration from other artists I admire Moore because he developed the family unit in a wonderful way". Illus of Family Group 1948-9 bronze (LH 269)."

0022655

Author/Editor: HARROD Tanya

Publisher: Yale University Press

Place Published: New Haven and London

Year: 2012

Date & Collation: xii.458pp.Illus.Notes.Index.Illustration Credits.

Description: 94 Moore mentioned as a contemporary of Michael Cardew, alongside Enid Marx, Eric Ravilious and Edward Bawden. 97 Moore's figurative concrete wall lights" were included by the painter Paul Nash in Room and Book and exhibition held at Zwemmer's in 1932 on furnishings for a modern interior. See Study for wall light 1928 terracotta (LH 49 and 50). 98 Moore listed as exhibiting with the National Society of Painters Sculptors Engravers and Potters alongside Frank Dobson Maurice Lambert John & Barbara Skeaping (Hepworth) and Leon Underwood. 101 Cardew compared to Moore "seen as a ceramic equivalent ... representing an English vernacular while also drawing on non-European cultures". 143 Cardew purchased by Moore."

0022619

Author/Editor: Gagosian Gallery

Publisher: Gagosian Gallery

Place Published: London

Year: 2012

Date & Collation: (31 May-18 August 2012)181pp.Illus.List of works

Description: Book to accompany exhibition of the same title at the Britannia Street gallery, including: 4-16 Britannia Street installation - photographs of works in the gallery 7 Foreword by Richard CALVOCORESSI. Quote by Moore: "The sculpture which moves me most is full-blooded and self-supporting, fully in the round, that is, its components are completely realised and works as masses in opposition ... it is not perfectly symmetrical, it is static and it is strong and vital, giving out something of the energy and power of great mountains. It has a life of its own, independent of the object it represents". CALVOCORESSI contrasts Moore's preference that sculpture is "an art of the open air" with encountering the work in the confined space of the gallery. Reference to Moore's use of terms such as 'form-idea, 'shape meaning' and 'form experience.' 18-27 Late Large Forms essay by Anita FELDMAN on the last phase of Moore's career and realisation of late monumental works, which Moore described as "architectural contrasts of masses - weighty, powerful forms that could hold their own in any setting, whether in the fields of Perry Green or the streets of London, New York or Hong Kong". Reference to tendency for works to be non site specific; scale; Moore's process of working and photographing small maquettes against the sky to make them appear monumental; drawings depicting powerful sculptures against imaginary rocky landscapes; public sculpture including Wall Relief 1955 brick (LH 375); personal explorations of natural forms; work for the UNESCO headquarters and return to working with sketchbooks; relationship between figure and the landscape; inspiration for large abstract works. 29-83 The working process - photographic documentation 85-91 Two Piece Figure No.2 1960 - photographic reference to Two Piece Figure No.2 1960 bronze, (LH 458) 93-99 Seated Woman: Thin Neck 1961 - photographic reference to Seated Woman: Thin Neck 1961 bronze, (LH 472) 101-109 Large Two Forms 1966 - photographic reference to Large Two Forms 1966 bronze, (LH 556) 111-119 Three Piece Sculpture: Vertebrae 1968 - photographic reference to Three Piece Sculpture: Vertebrae 1968-9 bronze, (LH 580) 121-129 Reclining Connected Forms 1969 - photographic reference to Reclining Connected Forms 1969 bronze, (LH 612) 131-139 Large Four Piece Reclining Figure 1972-73 - photographic reference to Large Four Piece Reclining Figure 1972-73 bronze, (LH 629) 141-151 Large Spindle Piece 1974 - photographic reference to Large Spindle Piece 1974 bronze, (LH 593) 153-159 Reclining Figure: Hand 1979 - photographic reference to Reclining Figure: Hand 1979 bronze, (LH 709) 161-168 Two Piece Reclining Figure: Cut 1979-81 - photographic reference to Two Piece Reclining Figure: Cut 1979-81 bronze, (LH 758) 170-179 Moore's Later Sculpture: The space between Knuckles essay by Anne M. WAGNER. Focus on photographer's depiction of Moore and emphasis on his hands. Hands as subject. Moore's hired hands. 180 List of works

0022666

Author/Editor: WALKER Ian

Publisher: Tate Papers

Place Published: London

Year: 2012

Date & Collation: 18pp.Illus.Notes.Acknowledgements.

Description: 3 Moore and Graham Sutherland cited as examples of how diverse 'Surrealism of Nature' was in the 1930s. It is not only that natural forms evoked by Moore and Sutherland are so different - rounded on one hand spiky on the other - it is also that the meanings the two artists read into nature were opposite: harmony and wholeness versus struggle and antagonism. Reference to Moore's Reclining Figure 1939 lead (LH 208) in the Surrealism Today exhibition at the Zwemmer Galleries. Moore had a direct influence on the photographer John Havinden (1935). 4 Agar cited as different to Moore Sutherland and Nash in that she showed no concern for Englishness; reference to Parisian surrealism. 14 Moore's fascination with found stones. 15 In note 23: Agar comments on Moore's work. 16 Note 61 finds a resemblance between the work included in Agar's Edinburgh exhibition 1999 and Moore's drawing of the same date."

0022636

Publisher: Axis Magazine

Place Published: Harlow

Year: 2012

Date & Collation: 113 2012 (June) 5 (2 illus)

Description: News story on red phone box at Perry Green transformed into a gallery by the Henry Moore Foundation, to mark the Queen's Diamond Jubilee. 2 illus of phone box.

0022618

Publisher: Gagosian Gallery

Place Published: London

Year: 2012

Date & Collation: (31 May-18 August 2012)6pp.Illus

Description: Press pack for Moore exhibition at Britannia Street gallery, consisting of: A4 folder; press release; gallery floor plan; leaflet Henry Moore at Perry Green; two pages of photographs. (See 0022619)

0022652

Author/Editor: OZAWA Tsuyoshi., TSUKAMOTO Yoshiharu

Publisher: Shokokusha

Place Published: Tokyo

Year: 2012

Date & Collation: 173pp.Illus.Index.

Description: 35 illus of Trees IV 1979 etching (CGM 550).

0022750

Author/Editor: LETZE Otto, BUHRS Michael

Publisher: Hirmer

Place Published: Munich

Year: 2012

Date & Collation: 159pp.Illus.Notes.Biography.Chronology.

Description: Book of the collection of Gunter Sachs, exhibited at Museum Villa Stuck, Munich (18 October 2012 - 20 January 2013) and Kunsthalle Schweinfurt, Schweinfurt (14 November 2013 - 30 March 2014). 78 Ear Piece 1962 bronze, (LH 505a).

0022722

Publisher: Russia Today

Place Published: Moscow

Year: 2012

Date & Collation: 2012 (19 February) 1pp(1 illus)

Description: Article on Moore exhibition opening at the Kremlin Museum, including sculptures, drawings and tapestries. Reference to interview in the catalogue with Mary Moore talking about her Russian mother's relationship with her father, as well as her influence on Moore's work. Illus of Bird Basket 1939 lignum vitae and string, (LH 205)

0022626

Publisher: The Moscow Kremlin

Place Published: Moscow

Year: 2012

Date & Collation: 3pp.Illus.Preview card.

Description: Material relating to exhibition at the Kremlin 21 February - 10 May 2012: press release; preview invitation card and envelope; 2 mounted photographs including Family Group 1948-49 bronze, (LH 269). (See 0022520).

0022650

Publisher: Sotheby's

Place Published: New York

Year: 2012

Date & Collation: 2012 (5 November)

Description: Sale NO8898 "LOULOU". Lots 6, 12,16, 31 and 35 (17 Moore illus)
26 Reclining Figure No. 7 1980 bronze, (LH 752) accompanying text with 3 images of work and photograph of Moore with Reclining Figure 1930.
52 Figure on Steps: Working Model for Draped Seated Woman 1956 bronze, (LH 427) - accompanying text with 3 illus including photograph of Moore in studio 1950. From the collection of Stella Fischbach.
62 Family Group 1946 bronze, (LH 265) accompanying text with 3 additional illus.
130 Two Piece Reclining Figure No.1 1959 bronze (LH 457) accompanying text with 2 additional illus. From the estate of George Embricos.
142 Working Model for Two Piece Reclining Figure: Points bronze, (LH 605) 2 illus and accompanying text. From the estate of George Embricos.