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Henry Moore Artwork Catalogue

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0022278
Publisher: Winchester Discovery Centre - What's On?
Place Published: Hampshire
Year: 2012
Date & Collation: 2012 (January-March) 23 (1 illus)
Description: Booklet, co-published by Hampshire County Council and Winchester City Council, promoting fothcoming events, including exhibitions. Page 23 features details of mixed exhibition, The Figure in Landscape, held at The Gallery, Winchester, 12 November 2011-08 January 2012, featuring sculpture by fourteen artists, including Moore. One illus shows Working Model for Reclining Figure: Hand 1976-1978 bronze, (LH 708). See 0022277 for catalogue.
0022636
Publisher: Axis Magazine
Place Published: Harlow
Year: 2012
Date & Collation: 113 2012 (June) 5 (2 illus)
Description: News story on red phone box at Perry Green transformed into a gallery by the Henry Moore Foundation, to mark the Queen's Diamond Jubilee. 2 illus of phone box.
0022466
Author/Editor: CORK Richard
Publisher: RA Magazine
Place Published: London
Year: 2012
Date & Collation: 114 2012 (Spring) 64,85 (1 illus)
Description: Interview with Sir Anthony Caro, during preparations for a show in the grounds of Chatsworth House. Caro discusses his previous misgivings on exhibiting works outdoors; I reacted against the whole pastoral thing that Henry Moore liked...You can easily dwarf sculpture in formal gardens. See also page 64 for quarter-page advert for visitor season at Perry Green.
0022513
Author/Editor: ALLUM Marc
Publisher: Crystal
Place Published: Melbourne
Year: 2012
Date & Collation: 8 2012 44 (1 illus)
Description: Article concerning the acquisition of works from auction houses in magazine created especially for the guests of Crown Melbourne, Crown Perth, City of Dreams and Aspinalls Club. Crown paint manufacturers. One illus shows Reclining Figure: Festival 1951 bronze, (LH 293) - text refers to the record price the sculpture reached at Christie's in 2012.
0022460
Author/Editor: FARSI Hani
Publisher: Vanity Fair On Art
Place Published: London
Year: 2012
Date & Collation: 2012 (November) 18,25, 40-41 (3 illus)
Description: Memoir by the son of Mohamed Farsi on the acquisition and placement of sculpture in the city of Jeddah. List mention of Moore, but includes illus of Large Oval with Points 1968-70 bronze, (LH 596) on the Corniche Road. See also page 25 for image of Reclining Figure: Festival in section on The 10 Most Expensive Lots of Early 2012. Page 18 promotes forthcoming Moore and Rodin exhibition with thumbnail illustration of works by both sculptors.
0022399
Publisher: Evening Standard Magazine
Place Published: London
Year: 2012
Date & Collation: 2012 (15 June) 28 (one Moore illus)
Description: London 2012 Olympic themed photoshoot for fashion pages of magazine to accopmany Friday edition of the Evening Standard. Page 28 shows illus of male model, wearing Hackett and Paul Smith, standing on the base of Moore's Large Standing Figure: Knife Edge at Greenwich Park.
0022457
Publisher: Burlington Magazine
Place Published: London
Year: 2012
Date & Collation: 2012 (November) 17 (1 illus)
Description: 755 Column recounts public debate organised as part of the Frieze art fair by Brunswick Arts.
0022469
Publisher: Gagosian
Place Published: New York
Year: 2012
Date & Collation: 2012 (November- January 2013) 8-9 (1 illus)
Description: Double page illus promoting forthcoming Moore exhibition in quarterly gallery announcement publication. Shows Spindle Piece and Two Piece Reclining Figure: Cut.
0022403
Author/Editor: COCKS Ann Somers
Publisher: The Art Newspaper
Year: 2012
Date & Collation: 2012(February) XXI (232) 42, 80(2 illus)
Description: Article on the popularity and global reproduction of Pietro Annigoni's portrait of HM Queen Elizabeth II. Cartoon featuring figures based on Moore's Three Standing Figures 1947-48 Darley Dale stone gazing up at a representation of Annigoni's painting from Statesman 7 May 1955 is included at the foot of the page with the caption A swipe at middlebrow taste. Page 48 has positive preview of Moore at the Kremlin exhibition by Julia MICHALSKA, featuring quotes from Anita Feldman. One illus shows Bird Basket 1939.
0022419
Publisher: Henry Moore Foundation
Place Published: Hertfordshire
Year: 2012
Date & Collation: 2012 2 (Autumn/Winter)4pp.illus
Description: Issue two of the newsletter for members of the Henry Moore Friends scheme. Features timely updates of exhibitions and events at Perry Green as well as detailing grants related activities and news from the Henry Moore Institute. This edition focuses on the forthcoming 2013 Moore/Rodin exhibition.
0022422
Author/Editor: HALL James
Publisher: Tate etc
Place Published: London
Year: 2012
Date & Collation: 2012 24 (Spring) 31-39 (2 illus)
Description: Article timed to promote exhibition of Picasso works at Tate Britain. Mentions of Moore throughout. One illus, page 36, shows Reclining Figure 1931 bronze. See also Bonhams full page advert, page 6, showing Stringed Reclining Figure.
0022434
Publisher: Inside Kent
Place Published: Canterbury
Year: 2012
Date & Collation: 2012 (Sep/Oct) 80-81 (5 illus)
Description: Informative article promoting the forthcoming Art Council touring exhibition of selected works from their collection at the recently refurbished Beaney Art Museum and Library, 5 September-28 October 2012. Biographical details of Moore's life in Kent during the 1930s. Illustrated with three drawings and two sculpture images, including promotional advert on facing page.
0022571
Author/Editor: MCDOWELL Felice
Publisher: Sculpture Journal
Place Published: Liverpool
Year: 2012
Date & Collation: 21.2 (2012) 169-181 (no Moore illus)
Description: The article starts with a quote from 'Vogue's Eye View Vogue June 1948 p37: "At the galleries the Season promises some delectable fare ... A new work by Henry Moore is an event. His group of Three Standing Figures can be seen at the great outdoor Sculpture Exhibition which the LCC has put on in Battersea Park"
174-175 refers to a portrait of Moore, photographed by Norman Parkinson, standing next to Three Standing Figures 1947 Darley Dale stone, (LH 268) in Battersea Park.
178 Robert BURSTOW writes about the park location as 'accessible to the middle and working class residents of south London" but not too distant from 'traditional artistic centres north of the river'; and evoking benign associations of the countryside. Moore's Three Standing Figures 1947 Darley Dale stone, (LH 268) is also refrenced in a Harper's Bazaar fashion spread 'White without a belmish' in July 1948, utilizing association with an aristocratic country house. Reference to Moore's sculpture at (Fiona) MacCarthy's stately home in the country. It was removed from an accessible urban space but not from 'a sense of nation and heritage'.
0022527
Publisher: World Sculpture News
Place Published: Hong Kong
Year: 2012
Date & Collation: 2012 (Autumn) 18(4) 20 (2 illus)
Description: Review of exhibition of monumental bronze works at the Gagosian Gallery New York. Discussion of influence of natural forms. Mention of accompanying catalogue. Two illus: Large Two Forms 1966 bronze, (LH 556) Reclining Figure: Hand 1979 bronze, (LH 709)
0022584
Publisher: The Art Newspaper - International Edition
Place Published: London
Year: 2012
Date & Collation: 2pp.Illus.
Description: Copy of article about Moore exhibition at the Kremlin 21 February - 9 May 2012, showing 60 sculptures, 22 drawings and 3 tapestries. Collaboration with Elena Gagarin. Reference to Moore exhibition at Pushkin Museum 1991.
0022400
Publisher: The Week
Place Published: London
Year: 2012
Date & Collation: 2012 (25 February) 28 (one Moore illus)
Description: Regurgitated review of Tate Britain exhibition. One illus compares Picasso's The Source 1921 painting with Reclining Figure 1936 elmwood, (LH 175).
0022459
Author/Editor: HARRAD Lindsey
Publisher: Inside Crochet
Place Published: Bournemouth
Year: 2012
Date & Collation: 2012 35 (November) 26-29 (6 illus)
Description: Article on the subject of Moore's textile designs. Includes interview text with Anita Feldman, recalling the discovery of a new sketchbook of designs in the bottom of a bin bag at the New York home of Peter Ascher, son of Zika and Lida Ascher. Illustrated with photographs of Moore fabrics, and also includes still from They Made Me a Fugitive.
0022436
Author/Editor: WILCOX Timothy
Publisher: Bonhams Magazine
Place Published: London
Year: 2012
Date & Collation: 31 2012 (Summer) 30-31 (2 illus)
Description: Article on the theme of the Reclining Figure in Moore's work, highlighting Reclining Figure: One Arm 1968 bronze, (LH 186a) featured in forthcoming Bonhams sale. Biographical image shows portrait by Jorge Lewinski.
0022389
Publisher: Christie's
Place Published: London
Year: 2012
Date & Collation: 2012 (January-February)
Description: Article within periodical promoting forthcoming and previous lots at auction at Christie's. Pages 134-135 provide illus and additional text upon two Moore works for sale on 7 February 2012: Family Group 1945 bronze, (LH 238) Reclining Figures: Ideas for Stone Sculpture 1944 drawing, (HMF 2262). See page 86 for mention of W.G. Howell and the Cambridge Contemporary Art Trust.
0022380
Author/Editor: HOWARD David
Publisher: Musical Times
Year: 2012
Date & Collation: 2012 (Summer)
Description: Mention of Moore throughout article on the series of commissions Hussey oversaw for St. Matthew's Church in Northampton, St. Stephen Walbrook and St. Paul's Cathedral. No illus.
0022332
Author/Editor: HARRIES Judith., ASTILL Mel
Publisher: Early Years Educator
Place Published: London
Year: 2012
Date & Collation: 2012 (May) viii-ix (1 illus)
Description: Article which uses the works of famous artists and sculptors as inspiration for practical activities in the setting, building on children's natural curosity and creativity. Lists 15 ideas inspired by a close look at Moore's sculpture. One illus shows Family Group 1948-49.
0022343
Publisher: Gagosian Gallery Summer 2012
Place Published: New York
Year: 2012
Date & Collation: 2012 (Summer) 11-12,32-37,96, back cover (8 illus)
Description: Magazine promoting current and forthcoming exhibitions at all Gagosian galleries. Also provides list of notable exhibitions at other worldwide venues. Promotes Moore exhibition Late Large Forms. Pages 11-12 features double page illus of Large Two Forms 1969 bronze, (LH 556) on display at Yorkshire Sculpture Park. Pages 32-37 photographs document Large Spindle Piece in progress, accompanied by quotes from Moore. Page 96 illus of Bird Basket 1939 lignum vitae and string, (LH 205) to publicise Moscow Kremlin exhibition Henry Moore and the Classic Canon of Modern Sculpture.
0023056
Publisher: Henry Moore Foundation
Place Published: Hertfordshire
Year: 2012
Date & Collation: 2012 2 (Spring/Summer)4pp.illus
Description: Issue one of the newsletter for members of the Henry Moore Friends scheme. Features on exhibitions and events at Perry Green as well as detailing grants related activities and news from the Henry Moore Institute. This edition focuses includes restoration of the Top Studio; Henry Moore: Plasters; Funded project: The Arch; Gagosian Gallery exhibition and reception.
0022449
Author/Editor: LUKE Megan R.
Publisher: Art History
Place Published: London
Year: 2012
Date & Collation: April (volume 35 issue 2) 234-251 (3 illus)
Description:

Article within Art History, journal of the Association of Art Historians. Mention of Moore throughout, including quotes from The Art of Sculpture focusing on the significance of mass in the sculptural object. Discussion and comparision in the hand modelled sculptures of Schwitters and Moore. Three illus: Page 204 Head 1930 Ironstone, (LH 87) page 242 Maquette for Standing Figure: Knfe Edge 1961 clay and plaster on bone. page 243 Large Standing Figure: Knife Edge 1976 bronze, (LH 482a)

235 Schwitters complains that Moore, Hepworth and Nicholson are "poor immitations of Hans Arp and Carl Buchheister".
240 Herbert READ writing on Moore and Schwitters in 1944. Read objected to the traditional sculptural plinth. Illus Head 1930 ironstone (Collection of K. Clark).
241 statement by Moore on sculpture, from 1937, cited by READ in The Art of Sculpture.
242-3 READ writes on smallness of sculpture and sculpture for the hand, reflecting on Moore's minature sculptures of the late 1920s. Illus: Maquette for Standing Figure: Knife Edge 1961 clay and plaster on bone. Large Standing Figure: Knife Edge 1976 cast 1976 bronze (LH482a).
244 Use of the found object in the practice of Moore and Schwitters. Quote by Moore on scale and magnifying found forms.
245-6 guiding prinicples for Moore and Schwitters choice of natural detritus.
248 on the duality of Schwitters aesthetic of the surface and Moore's aesthetic of ideal form.