Henry Moore Artwork Catalogue
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0022303
Publisher: Henry Moore Institute
Place Published: Leeds
Year: 2012
Date & Collation: 2012 (03 Feburary-03 April)8pp.
Description: Leaflet as catalogue for Henry Moore Institute exhibitions Prints and Portfolios, as well as Dear Henry Moore: Connections and Correspondence, a display of letter from would be assistants; succesful and unsuccesful correspondents including Anthony Caro, Isaac Witkin, Ralph Brown, Hubert Dalwood and Geoffrey Clarke. Leaflet unfolds to reveal poster of Reclining Nude 1931 woodcut, (CGM 2).
0022225
Publisher: Royal Pump Rooms
Place Published: Royal Leamington Spa, Warwickshire
Year: 2012
Date & Collation: 2012(23 February-15 April)1pp.illus
Description: Notice of forthcoming Hayward Touring exhibition from the Arts Council Collection, on behalf of Southbank Centre, London, at the Royal Pump Rooms, Royal Leamington Spa. Includes Exhibitions & Events February - April 2012 publication, providing details of supporting events.
0022619
Author/Editor: Gagosian Gallery
Publisher: Gagosian Gallery
Place Published: London
Year: 2012
Date & Collation: (31 May-18 August 2012)181pp.Illus.List of works
Description: Book to accompany exhibition of the same title at the Britannia Street gallery, including: 4-16 Britannia Street installation - photographs of works in the gallery 7 Foreword by Richard CALVOCORESSI. Quote by Moore: "The sculpture which moves me most is full-blooded and self-supporting, fully in the round, that is, its components are completely realised and works as masses in opposition ... it is not perfectly symmetrical, it is static and it is strong and vital, giving out something of the energy and power of great mountains. It has a life of its own, independent of the object it represents". CALVOCORESSI contrasts Moore's preference that sculpture is "an art of the open air" with encountering the work in the confined space of the gallery. Reference to Moore's use of terms such as 'form-idea, 'shape meaning' and 'form experience.' 18-27 Late Large Forms essay by Anita FELDMAN on the last phase of Moore's career and realisation of late monumental works, which Moore described as "architectural contrasts of masses - weighty, powerful forms that could hold their own in any setting, whether in the fields of Perry Green or the streets of London, New York or Hong Kong". Reference to tendency for works to be non site specific; scale; Moore's process of working and photographing small maquettes against the sky to make them appear monumental; drawings depicting powerful sculptures against imaginary rocky landscapes; public sculpture including Wall Relief 1955 brick (LH 375); personal explorations of natural forms; work for the UNESCO headquarters and return to working with sketchbooks; relationship between figure and the landscape; inspiration for large abstract works. 29-83 The working process - photographic documentation 85-91 Two Piece Figure No.2 1960 - photographic reference to Two Piece Figure No.2 1960 bronze, (LH 458) 93-99 Seated Woman: Thin Neck 1961 - photographic reference to Seated Woman: Thin Neck 1961 bronze, (LH 472) 101-109 Large Two Forms 1966 - photographic reference to Large Two Forms 1966 bronze, (LH 556) 111-119 Three Piece Sculpture: Vertebrae 1968 - photographic reference to Three Piece Sculpture: Vertebrae 1968-9 bronze, (LH 580) 121-129 Reclining Connected Forms 1969 - photographic reference to Reclining Connected Forms 1969 bronze, (LH 612) 131-139 Large Four Piece Reclining Figure 1972-73 - photographic reference to Large Four Piece Reclining Figure 1972-73 bronze, (LH 629) 141-151 Large Spindle Piece 1974 - photographic reference to Large Spindle Piece 1974 bronze, (LH 593) 153-159 Reclining Figure: Hand 1979 - photographic reference to Reclining Figure: Hand 1979 bronze, (LH 709) 161-168 Two Piece Reclining Figure: Cut 1979-81 - photographic reference to Two Piece Reclining Figure: Cut 1979-81 bronze, (LH 758) 170-179 Moore's Later Sculpture: The space between Knuckles essay by Anne M. WAGNER. Focus on photographer's depiction of Moore and emphasis on his hands. Hands as subject. Moore's hired hands. 180 List of works
0022753
Author/Editor: GROHMANN Will.
Publisher: Staatliche Kunstsammlungen Dresden
Place Published: Germany
Year: 2012
Date & Collation: (27 September 2012 - 6 January 2013) 439pp.Illus.Biography.Abbreviations.Photo credits.
Description: Catalogue for exhibition In the Network of Modernism. Kirchner, Braque, Kandinsky, Klee ... Richter, Bacon, Altenbourg and their critic Will Grohmann, at Staatliche Kunstsammlungen Dresden (27 September 2012 - 6 January 2013). 52 illus of Moore and Will Grohmann 1959. 61 passing reference to Moore. 64-65 Illus of Mother and Child 1935 bronze (LH 158a) and photograph of Moore's sculpture on Grohmann's desk in the Gautinger apartment. 242-245 section on Moore. Illus of Draped Reclining Woman 1957/58 bronze, (LH 431). Illus of Moore with Grohmann and Annemarie Zilz 1959. Moore mentioned in relation to other artists: 86 Hans Arp; 163 Bernhard Heilger; 248 Ernst Wilhelm Nay; 398 Reg Butler; 401 Harry Fischer; 415 John Anthony Thwaites. Mention of Moore in Will Grohmann, life - work - context including correspondence with and writing on Moore 338 in 1898; 359 in1934; 365 in 1944; 371 in 1950; 373 in 1951; 377 in 1954; 382-5 in 1959-1961. Illus of Moore, Grohmann and Alfred Hentzen by Standing Figure 1950 bronze, (LH 290); 387 in 1964; 389 in 1967. 409 Moore entry in details of artists. 439 Two ISBN numbers given: 9783777457710
0022821
Publisher: Staatsgallerie Stuttgart, Hirmer Velag
Place Published: Munich
Year: 2012
Date & Collation: (27 October 2012 to 10 February 2013) 279pp.Illus.
Description: Catalogue to accompany exhibition of the same name at the Staatsgalerie Stuttgart, Stuttgart. The exhibition explores the artist’s studio and its depiction in art in modern times. There have been studio scenes in art since the Renaissance, but it was not until the early nineteenth century that the atelier became a central theme as an expression of the myth of artistic creation. 29 illus of Moore's Top Studio at Perry Green, in a chapter titled Der musealisierte Mythos - Zur reconstruktion und Konservierung des Künstlerateliers im 20 und 21 Jahrhundert (The myth museumised - Reconstruction and preservation of artists' studios in the 20 and 21 century).
0022824
Publisher: Museu de Arte Contemporânea da Universidade de Sao Paulo.
Place Published: Sao Paulo
Year: 2012
Date & Collation: (28 January - 30 June 2012) 12pp.Illus.
Description: Small fold out catalogue relating to exhibition of the same name. The exhibition presents works of the following artists: Frida Baranek, Eduardo Climachauska and Paul Climachauska, Sérvulo Esmeraldo, Carlos Fajardo, Carmela Gross, Liuba Wolf, Maria Martins, Cildo Meireles, Henry Moore, Ernesto Neto, Gustavo Rezende, Chihiro Shimotani, François Stahly, Teshigahara Music, Angelo Venosa, Ales Villegas, Franz Weissmann and Haruhiko Yasuda. Illus of Moore's Working Model for Two Piece Reclining Figure: Points 1969-70 bronze, (LH 605).
0022467
Publisher: Osborne Samuel
Place Published: London
Year: 2012
Date & Collation: 2012 (11-14 October)
Description: Invitation card and internet print out from Osborne Samuel website listing works exhibited at Frieze Masters art fair; 12 sculpture, 21 works on paper and 4 Gemma Levine biographical photos of Moore. No exhibition catalogue; see gallery website.
0022500
Publisher: The Royal College of Art
Place Published: London
Year: 2012
Date & Collation: (16 November 2012-03 January 2013)305pp.illus.chronology.index
Description: Book to accompany exhibition of the same title, published on the occasion of the 175 anniversary of the founding of the college. The exhibition features work by RCA faculty and alumni according to four principal themes: ‘Art for Industry’; ‘Public Purpose’; ‘Personal Expression’; and ‘Political Expression’. Mentions of Moore throughout, with particular interest on the following pages:
Page 69 - 1967 quote from Times interview with Moore on the changes made by William Rothenstein.
Page 71 - Notes the significance of Moore's decision to use direct carving to reproduce Domenico Rosselli's Virgin and Child in defiance of his tutor, Derwent Wood. Moore's sculpture Head of the Virgin is illus on page 72.
Page 95 - Notes that Moore produced textiles as part of his course.
Page 119 - Mention of Moore's first public commision, West Wind. illus on the following page.
Page 195 - Biographical image of Moore with Hepworth and Edna Ginesi in 1920.
Page 223 - Chronology notes opening of Henry Moore Gallery in Darwin Building.
0022512
Publisher: The Fine Art Society
Place Published: London
Year: 2012
Date & Collation: (30 November 2012-08 January 2013)95pp.illus
Description: Catalogue to accompany sculpture exhibition of the same title. Page 29 shows illus of Moore's Composition 1931 Cumberland alabaster, (LH 102). Accompanying text on adjacent page is quote from Scala book Henry Moore at Perry Green.
0022446
Publisher: Richard Green
Place Published: London
Year: 2012
Date & Collation: 2012 (10 October -14 November)100pp.illus
Description: Catalogue to accompany joint exhibition of works for sale at Richard Green. Features the following Moore works:
Three Women in a Shelter 1941 drawing, (HMF 1759)
Shelter Drawing: Seated Mother and Child c.1941 drawing, (HMF 1861a)
Reclining Figures: Ideas for Stone Sculpture 1944 drawing, (HMF 2262)
Stringed Figure 1939 bronze and string, (LH 207)
Madonna and Child 1943 bronze, (LH 219) - St. Matthew's Madonna and Child, Northampton.
Two casts of Family Group 1944 bronze, (LH 227)
Family Group 1945 bronze, (LH 237)
Family Group 1945 bronze, (LH 239)
Family Group 1944 bronze, (LH 233)
Reclining Figure (Maquette for Memorial Figure, Dartington Hall) 1944 bronze, (LH 242)
Reclining Figure (Maquette for Reclining Figure , Cranbrook) 1945 bronze, (LH 249)
Reclining Figure 1945 bronze, (LH 257)
Working Model for Reclining Figure: Festival 1950 bronze, (LH 292)
Reclining Figure No.5 1952 bronze, (LH 333)
Maquette for Figure on Steps 1956 bronze, (LH 426).
Each work has accompanying text and occasionally additional images.
Introductory text explores the friendship and influence of all three artists.
0022505
Publisher: Fundación Juan March
Place Published: Madrid
Year: 2012
Date & Collation: (05 October 2012-20 January 2013)336pp.illus.bibliography
Description: English language version of catalogue published to accompany exhibition of the same title. Two Moore illus:
Page 254 Two Forms 1936 Brown Hornton stone, (LH) - accompanying text.
Page 259 Tube Shelter Perspective 1941 drawing, (HMF) - accompanying text.
0022498
Publisher: Pangolin London
Place Published: Kings Place Gallery
Year: 2012
Date & Collation: 2012 (31 August-12 October) 232pp.illus.
Description: Catalogue published to accompany exhibition of the same title. Pages 160-163 feature the following drawings by Moore:
Drawing for Metal Sculpture 1935
The following two drawings from the Ingram Collection:
Four Reclining Figures 1979
Notebook 2, Drawing 41 1974
0022396
Publisher: Flint Institute of Arts
Place Published: Michigan
Year: 2012
Date & Collation: 2012 (05 May-19 August)143pp.illus
Description: Catalogue published on the occasion of exhibition with same title. Pages 38-39 show Working Model for Sheep Piece 1971 bronze, (LH 626).
0022432
Author/Editor: STURGIS Alexander
Publisher: Antique Collectors' Club for Holborne Museum
Place Published: Bath
Year: 2012
Date & Collation: (26 May-02 September)96pp.illus.bibliography.
Description: Book published to accompany exhibition of the same title. Exhibits include waxwork figure of Moore, re-modelled for this exhibition, orginally from Tussaud's, now housed at the Royal College of Art. This is shown alongside a wax portrait of David Hockney. No Works by Moore in the exhibition; the catalogue includes image of, with accompanying text, Mask 1929 cast concrete, (LH 63).
0022507
Publisher: Albright-Knox Art Gallery
Place Published: New York
Year: 2012
Date & Collation: 192pp.illus.
Description: Book published to document the installation of mixed exhibition held 15 July-2 October 2005. Illus of Two Piece Reclining Figure No.1 1959 bronze, (LH 457) sited outside the main entrance of the gallery throughout. 177 list of images.
0022515
Publisher: Beaux Arts
Place Published: London
Year: 2012
Date & Collation: 2012 (27 June-1 September) 28pp
Description: Small catalogue to accompany Summer Exhibition of mixed sculpture at Cork Street gallery. One Moore illus:
Maquette for Three Piece Reclining Figure: Draped 1975 bronze, (LH 653).
0022520
Publisher: Kremlin
Place Published: Russia
Year: 2012
Date & Collation: 2012 (22 February-10 March)
Description: Leaflets from the Kremlin providing information about the exhibition of Moore's sculpture and drawings organised by the British Council. No English translation.
0022371
Publisher: Peter Pears Gallery
Place Published: Aldeburgh
Year: 2012
Date & Collation: 2012 (09 June-24 June)
Description: Supplementary printed material to support exhibition, curated by Hugh Pilkington at the Peter Pears Gallery, Aldeburgh, featuring photographs of every sculpture made by Hepworth and Moore between 1928 and 1938, including those lost or destroyed.
0022394
Publisher: Ian Potter Museum of Art, University of Melborne
Place Published: Victoria
Year: 2012
Date & Collation: 116pp.illus.index
Description: Book published to celebrate the fortieth anniversary of the establishment of the University Art Gallery at The University of Melbourne, Australia. One Moore illus:
Family Group 1944 drawing, (HMF 2331) - accompanying text, by Angus TRUMBLE, discusses Family theme in Moore's drawings, Shelter Drawings and the gift of the work to the Ian Potter Museum of Art from Professor Joseph Burke.
0022482
Publisher: Osborne Samuel
Place Published: London
Year: 2012
Date & Collation: 2012 (13 June-04 July) 80pp.illus
Description: Catalogue to accompany mixed exhibition at two venues; 13 June-28 July at Osborne Samuel and 28 June-4 July at Masterpiece 2012 London Art Fair. Features five Moore works:
Figure 1930 Boxwood, (LH 79)
Draped Mother and Child on Curved Bench 1980 bronze, (LH 784)
Maquette for Draped Reclining Mother and Baby 1981 bronze, (LH 694)
Torso Column 1982 bronze, (LH 859)
Three Quarter Figure Cyclops 1983 bronze, (LH 888)
0022530
Publisher: Osborne Samuel
Place Published: London
Year: 2012
Date & Collation: 2012 (5-9 December)
Description: Invitation card from Osborne Samuel for Art Miami fair. One Moore illus showing Maquette for Draped Reclining Mother and Baby 1981 bronze.
0022372
Publisher: The European Biennial of Contemporary Art
Place Published: Belgium
Year: 2012
Date & Collation: 2012 (02 June-30 September)320pp.illus.
Description: Catalogue to accompany itinerant european biennial of contemporary art. Page 85 contains one illus of Moore's Four Studies of Miners at the Coalface 1942 drawing, (HMF 2000a) with accopmanying text noting similarities in Moore's coal mine drawings to passages within Emile Zola's novel Germinal.
0022336
Publisher: Steven Vail Fine Arts
Place Published: Des Moines, Iowa, USA
Year: 2012
Date & Collation: 2012 (11 May-20 July)
Description: Details of exhibition of Moore graphic works relating to mother and child and reclining figure themes. Lists some 18 prints, spanning 1963-83, in the display curated by Breianna Cochran in a collaboration between SVFA - Project Room and Osborne Samuel.
0022339
Publisher: Leferve Fine Art
Place Published: London
Year: 2012
Date & Collation: 2011 (30 June-05 July)
Description: Printed details of exhibition stand at Masterpiece 2011, including two works by Moore:
Reclining Figure: Festival 1951 bronze, (LH 293)
Figure 1932 Boxwood, (LH 113)