Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
367 results
for
*
0015980
Publisher: Royal College of Art
Place Published: London
Year: 1977
Date & Collation: (29 March).
Description: Lot 51 Henry Moore: one Bronz 1955 presented by the Viscount Bearsted.
Cover title: The Oasis Auction of Fine Art in Aid of the Central British Fund for Jewish Relief & Rehabilitation.
Cover title: The Oasis Auction of Fine Art in Aid of the Central British Fund for Jewish Relief & Rehabilitation.
0003004
Author/Editor: LUCIE-SMITH Edward.
Publisher: Phaidon
Place Published: Oxford
Year: 1977
Date & Collation: 504pp.Illus.Biog by Lara Vinca MASINI 484-500.Bibliog.
Description: Originally published in Italian in 1976 by Mondadori under the title Arte Oggi. The illustrations were derived from Art Now, 12 vols., Kodansha 1971-1972 (See 0004463).
351,495(1 illus) Henry Moore.
Brief mentions and full-page colour photograph of King and Queen, 1952-1953 bronze in the chapter Sculpture in the Post-War Period.
351,495(1 illus) Henry Moore.
Brief mentions and full-page colour photograph of King and Queen, 1952-1953 bronze in the chapter Sculpture in the Post-War Period.
0003000
Publisher: Sotheby Parke Bernet
Place Published: London and New York
Year: 1977
Date & Collation: 512pp.Illus.
Description: 104-105(2 illus) Henry Moore.
Two Sculptures 1930-1945. Illus:
Mask, 1930 green stone; Three Standing Figures, 1945 bronze.
Two Sculptures 1930-1945. Illus:
Mask, 1930 green stone; Three Standing Figures, 1945 bronze.
0003003
Publisher: Fontana Collins
Place Published: London
Year: 1977
Date & Collation: 288pp.
Description: Fontana Communication Series. Introduction by Paul Barker, followed by selection of texts from New Society magazine.
61-66 BANHAM Reyner. Representations in protest.
(1969 text seeing American design as a salutary corrective and constant reproach to the sloppy provincialism and Moore-ish yokelry of British sculpture").
237-240 BANHAM Reyner. On a distant prospect.
(1967 text on Fylingdales praising the power of the dishes "No such authority subsists in most works of art...like Henry Moore sculptures. Dragged out of the art gallery...they exist only at the whim...of one man")."
61-66 BANHAM Reyner. Representations in protest.
(1969 text seeing American design as a salutary corrective and constant reproach to the sloppy provincialism and Moore-ish yokelry of British sculpture").
237-240 BANHAM Reyner. On a distant prospect.
(1967 text on Fylingdales praising the power of the dishes "No such authority subsists in most works of art...like Henry Moore sculptures. Dragged out of the art gallery...they exist only at the whim...of one man")."
0002996
Author/Editor: CLARK Kenneth.
Publisher: Thames and Hudson
Place Published: London
Year: 1977
Date & Collation: 240pp(219 illus).
Description: Largely pictorial survey, subtitled their relationship as reflected in Western art from prehistory to the present day".
164-165(1 illus) Henry Moore: Page from Sheep Sketchbook 1972 with caption on his sympathy for their naîve dignity."
164-165(1 illus) Henry Moore: Page from Sheep Sketchbook 1972 with caption on his sympathy for their naîve dignity."
0002999
Author/Editor: CLEAVER Dale G., EDDINS John M.
Publisher: Harcourt Brace Jovanovich
Place Published: New York
Year: 1977
Date & Collation: viii,568pp.Illus.32 plates.Biog.Bibliog.
Description: General handbook to art history, based on the third edition of Art: an introduction, and now incorporating music. Copyright: 1966, 1972, 1977.
481-482(2 illus) Henry Moore.
Biographical-type paragraph in sculpture section of the Modern Art chapter.
For annotation see 4th edition 1985 (See 0000404). Previous editions 1966, 1972.
481-482(2 illus) Henry Moore.
Biographical-type paragraph in sculpture section of the Modern Art chapter.
For annotation see 4th edition 1985 (See 0000404). Previous editions 1966, 1972.
0003015
Author/Editor: RAWLINS Ray.
Publisher: Guinness Superlatives
Place Published: London
Year: 1977
Date & Collation: xii,244pp.Illus.
Description: Facsimile autographs of about 1,600 famous people with brief biographical details.
160(1 illus) Henry Moore.
160(1 illus) Henry Moore.
0010711
Author/Editor: SIPILA Jussi.
Publisher: Aamulehti
Place Published: Tampere
Year: 1977
Date & Collation: (15 July)..(1 illus).Text in Finnish.
Description: Review of Battersea Park Sculpture exhibition (See 0003093), with photograph and mention of Sheep Piece, 1971-1972 bronze.
0021078
Publisher: People Weekly
Place Published: Chicago
Year: 1977
Date & Collation: 1977(21 March)42(One Moore Illus).
Description: Brief column announcing the birth of Guston Spencer to Mary Moore. Gives a quote from Moore and shows a photo of Henry holding his grandson with Mary.
0002998
Author/Editor: CLEAVER Dale G.
Publisher: Harcourt Brace Jovanovich
Place Published: New York
Year: 1977
Date & Collation: viii,440pp.Illus.32 plates.Bibliog.
Description: For annotation see 4th edition 1985 (See 0000404). Previous editions 1966, 1972.
379-380(2 illus) Henry Moore.
379-380(2 illus) Henry Moore.
0003001
Author/Editor: HEWITT John.
Publisher: Blackstaff Press
Place Published: Belfast
Year: 1977
Date & Collation: viii,198pp.Illus.Biog.Bibliog.
Description: Published in association with the Arts Council of Northern Ireland. Paintings drawings prints and sculpture for the last 400 years to 1957 with biographies of the artists by Theo SNODDY." Includes two passing mentions of influence of Henry Moore and Barbara Hepworth on Irish sculptors. See also 0003002 for Art in Ulster 2."
0003017
Author/Editor: MILLS John W.
Publisher: Batsford
Place Published: London
Year: 1977
Date & Collation: 137pp.Illus.
Description: Book on sculpture techniques, with three Moore illustrations, and passing textual mention only.
52,54,69(3 illus) Henry Moore.
Illustration of two bronzes, and Errol Jackson photograph of Moore working on a plaster maquette.
52,54,69(3 illus) Henry Moore.
Illustration of two bronzes, and Errol Jackson photograph of Moore working on a plaster maquette.
0003006
Publisher: Phaidon
Place Published: Oxford
Year: 1977
Date & Collation: 16pp.96 plates.
Description: Also published by Dutton (New York). 106 reproductions selected and introduced by Denis THOMAS. Large-format book of war paintings and photographs of the past 500 years.
14,Plates 86 and 91 Henry Moore: Shelter drawings, 1941.
14,Plates 86 and 91 Henry Moore: Shelter drawings, 1941.
0003009
Author/Editor: BEVLIN Marjorie Elliott.
Publisher: Holt, Rinehart and Winston
Place Published: New York
Year: 1977
Date & Collation: xi,404pp(624 illus).Glossary.Bibliog.
Description: First published 1963, second edition 1970. Well-illustrated introduction to basic design, materials and the visual arts in general.
163(1 illus) Henry Moore.
An illustration and passing mention in the chapter on Wood, of Reclining Figure, 1945-1946 elm wood.
For 4th edition 1984 see 0000650.
163(1 illus) Henry Moore.
An illustration and passing mention in the chapter on Wood, of Reclining Figure, 1945-1946 elm wood.
For 4th edition 1984 see 0000650.
0003012
Author/Editor: COLLIS Maurice.
Publisher: Heinemann
Place Published: London
Year: 1977
Date & Collation: vii,216pp.16 plates.
Description: Selections, by his daughter, from 17 volumes of diaries left by the writer and art critic. Plate 11 is a photograph of Moore, whilst there are half-a-dozen reports of meetings and conversations with the artist from the 1949 Leicester Gallery meeting to a meeting at Marlborough Gallery in 1965. Pages 78-81 record a visit to Much Hadham in 1956.
0003028
Author/Editor: HUNTER Sam., JACOBUS John.
Publisher: Abrams
Place Published: New York
Year: 1977
Date & Collation: 352pp.Illus.Bibliog.
Description: Copyright Edita Lausanne 1976. Much of the illustrative material in this book is drawn from the Fabbri series L'Arte Moderna."
227-228230(3 illus) Henry Moore.
Outline of Moore's work in the chapter entitled Art Between the Wars."
227-228230(3 illus) Henry Moore.
Outline of Moore's work in the chapter entitled Art Between the Wars."
0003031
Author/Editor: CLARK Kenneth.
Publisher: Murray
Place Published: London
Year: 1977
Date & Collation: xii,261pp.16 plates.
Description: Volume two of Clark's autobiography, continuing from Another Part of the Wood (See 0003768) from World War Two until the present. Includes an informal photograph of Graham Sutherland and Myfanwy Piper with Henry Moore on a train, and a dozen brief references to Moore, including the War Drawings (the greatest works of art inspired by the war") and the unveiling of Madonna and Child 1943-1944 Hornton stone in Northampton on a cold day in war-time ("I made an inspiring speech on art and the church").
For 1986 paperback edition see 0010462."
For 1986 paperback edition see 0010462."
0003034
Publisher: Museum of Modern Art
Place Published: New York
Year: 1977
Date & Collation: 110pp.Bibliog.
Description: This catalog of 3400 entries represents The Museum of Modern Art's holdings of paintings and sculpture at the beginning of 1977. A companion to Painting and Sculpture in The Museum of Modern Art 1929-1967 edited by Alfred H. Barr Jr. (See 0003033) this listing incorporates some 550 works acquired between 1967 and 1977."
67 Henry Moore.
Documentation on ten Sculptures 1934-1970 and three Drawings 1942-1944.
Compared with Barr Seated Figure 1952-1953 terracotta is replaced with Large Animal Form 1969-1970 travertine marble otherwise the entries remain the same."
67 Henry Moore.
Documentation on ten Sculptures 1934-1970 and three Drawings 1942-1944.
Compared with Barr Seated Figure 1952-1953 terracotta is replaced with Large Animal Form 1969-1970 travertine marble otherwise the entries remain the same."
0003050
Author/Editor: HEWISON Robert.
Publisher: Weidenfeld and Nicolson
Place Published: London
Year: 1977
Date & Collation: x,219pp.16 plates(28 illus).Bibliog.
Description: History of Britain's cultural life during the Second World War. The dust jacket and illustration 21 are War Drawings by Henry Moore, and there are half-a-dozen textual references to the artist, including observations from a Sketchbook on the Tilbury Shelter.
See 0002461 for 1979 paperback edition.
See 0002461 for 1979 paperback edition.
0003053
Publisher: Musée d'Art et d'Histoire
Place Published: Geneva
Year: 1977
Date & Collation: (12 May-18 Sept).111pp.Illus.Text by Claude LAPAIRE in French.
Description: Principal additions to the Museum 1971-1976.
91,92(1 illus) Henry Moore: Reclining Figure: Arch Leg, 1969-1970 bronze. See also 0003071.
91,92(1 illus) Henry Moore: Reclining Figure: Arch Leg, 1969-1970 bronze. See also 0003071.
0003056
Author/Editor: GILMOUR Pat.
Publisher: Tate Gallery
Place Published: London
Year: 1977
Date & Collation: .167pp.Illus.32 plates.Glossary.Bibliog.
Description: Book of the 23 Feb-11 April 1977 exhibition. 340 works by two dozen artists. 36 prints by Henry Moore are documented on pages 149-150 in a listing of the Curwen Studio Gift.
Plate 17 is of Hands II, 1973 lithograph and there are several passing mentions of Moore in the text. Four Prints by Moore made between 1963 and 1973 were in the actual exhibition. A drawing and the plate for Hands I, 1973 lithograph were also exhibited.
Plate 17 is of Hands II, 1973 lithograph and there are several passing mentions of Moore in the text. Four Prints by Moore made between 1963 and 1973 were in the actual exhibition. A drawing and the plate for Hands I, 1973 lithograph were also exhibited.
0003072
Publisher: Solomon R. Guggenheim Museum
Place Published: New York
Year: 1977
Date & Collation: (1 July-11 Sept).8pp(44 illus).
Description: Exhibition, in celebration of the Museum's 40th anniversary, of works by forty of the most important modern European artists in its collection.
7(1 illus) Henry Moore: Upright Figure, 1956-1960 elm wood.
7(1 illus) Henry Moore: Upright Figure, 1956-1960 elm wood.
0003078
Publisher: Gallery Kasahara
Place Published: Osaka
Year: 1977
Date & Collation: .16pp(28 illus).Biog(in Japanese only).Introduction by Kenneth ARMITAGE.Text in English and Japanese.
Description: Seven Sculptures 1956-1976 and 19 Prints 1973-1976.
In his short introduction, entitled A few notes on Henry Moore, Armitage describes Moore's sculpture as the essence of what all sculpture is". He writes of "A feeling of weight and monumentality...a reassuring image of historical continuity and permanence"."
In his short introduction, entitled A few notes on Henry Moore, Armitage describes Moore's sculpture as the essence of what all sculpture is". He writes of "A feeling of weight and monumentality...a reassuring image of historical continuity and permanence"."
0003007
Publisher: British Museum Publications
Place Published: London
Year: 1977
Date & Collation: 276pp.Illus.Bibliog.
Description: 245-252(10 illus) CAREY Frances. Henry Moore drawings in the British Museum.
Article by the Assistant Keeper. Prints and Drawings within a section entitled Notes on Selected Acquisitions in 1975".
11 Drawings 1921-1973 presented by Moore late in 1974 augment the existing collection of 13 drawings acquired in 1969. Discusses briefly importance of drawings by carvers; and the sculptural quality of his early life drawings and suggests the influence of Picasso's neoclassical phase. Quotes statements by Moore on drawing and notes the cessation of life drawings in 1935 until the War Drawings which are seen as more naturalistic than anything Moore had hitherto espoused. After the war maquettes replaced drawings as the main intermediary between the artist's conception and the finished sculpture. The Reclining Figure motif occurs throughout his career and the figure studies from 1928 to 1935 display a rigour and clarity of conception largely absent from...England during the first half of the twentieth century."
Article by the Assistant Keeper. Prints and Drawings within a section entitled Notes on Selected Acquisitions in 1975".
11 Drawings 1921-1973 presented by Moore late in 1974 augment the existing collection of 13 drawings acquired in 1969. Discusses briefly importance of drawings by carvers; and the sculptural quality of his early life drawings and suggests the influence of Picasso's neoclassical phase. Quotes statements by Moore on drawing and notes the cessation of life drawings in 1935 until the War Drawings which are seen as more naturalistic than anything Moore had hitherto espoused. After the war maquettes replaced drawings as the main intermediary between the artist's conception and the finished sculpture. The Reclining Figure motif occurs throughout his career and the figure studies from 1928 to 1935 display a rigour and clarity of conception largely absent from...England during the first half of the twentieth century."