Henry Moore Artwork Catalogue
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0010776
Publisher: Pictures on Exhibit
Place Published: New York
Year: 1977
Date & Collation: (Jan-Feb) 17-18.Initialled C.Z.O.
Description: 15-line review of Lillian Heidenberg Gallery exhibition. Henry Moore wears well in any size in any format in any environment"."
0003234
Author/Editor: FEAVER William.
Publisher: Art News
Place Published: New York
Year: 1977
Date & Collation: (Oct)..
Description: Includes a note on A Silver Jubilee Exhibition of Contemporary British Sculpture (See 0003093) and Sheep Piece, 1971-1972 bronze, having pride of place but seemed here a tabletop idea grossly overblown"."
0003237
Author/Editor: CHANCELLOR Peter.
Publisher: Arts of Asia
Place Published: Hong Kong
Year: 1977
Date & Collation: (Nov-Dec) 90-91(1 illus).
Description: Review of 31 Aug-3 Sept 1977 Mandarin Hotel (Hong Kong) third annual exhibition of prints organised by Wadsworth and Co.. Includes two paragraphs on Moore's colourful and powerful lithographs which should not be regarded as secondary to his sculpture.
0003240
Publisher: Atlantic Monthly
Place Published: Boston
Year: 1977
Date & Collation: (Aug) 240(2) 94.
Description: 18-line review of 0003019: what is a fine sculpture in an urban setting becomes a monstrous chthonic power when set against the Scottish hills... A huge and splendid book.""
0003238
Publisher: Arts Review
Place Published: London
Year: 1977
Date & Collation: (13 May) 29(10) Cover,312-318(11 illus).
Description: Arts Review feature on the occasion of the Paris exhibitions (See 0003079 and 0003082).
313 GAINSBOROUGH John. A visit to Henry Moore.
(Describes the efficient atmosphere at Much Hadham, and incorporates one or two of Moore's views on sculpture in public settings).
314 Sculpture and drawings at the Orangerie.
(Brief note on the exhibition and its organisation).
314 BOZO Dominique. Choosing the exhibits for the Orangerie.
(Short note on the selection and arrangement of the exhibits).
315-318 SIMMONS Rosemary. Forty-five years of Moore's graphics.
(In essence the English language version of the catalogue text, also appearing in XX Siècle 49 (See 0003293) and Nouvelles de l'Estampe (See 0003272)).
318 MITCHINSON David. The Moore Print Archives.
(Short note on the Henry Moore Foundation print collection, and the arrangements by which gifts of prints are supplied to various galleries and museums throughout the world).
313 GAINSBOROUGH John. A visit to Henry Moore.
(Describes the efficient atmosphere at Much Hadham, and incorporates one or two of Moore's views on sculpture in public settings).
314 Sculpture and drawings at the Orangerie.
(Brief note on the exhibition and its organisation).
314 BOZO Dominique. Choosing the exhibits for the Orangerie.
(Short note on the selection and arrangement of the exhibits).
315-318 SIMMONS Rosemary. Forty-five years of Moore's graphics.
(In essence the English language version of the catalogue text, also appearing in XX Siècle 49 (See 0003293) and Nouvelles de l'Estampe (See 0003272)).
318 MITCHINSON David. The Moore Print Archives.
(Short note on the Henry Moore Foundation print collection, and the arrangements by which gifts of prints are supplied to various galleries and museums throughout the world).
0003241
Author/Editor: PRIETO BARRAL María Fortunata.
Publisher: Bellas Artes
Place Published: Spain
Year: 1977
Date & Collation: 56 64-67(5 illus).Text in Spanish.
Description: Review of belated French retrospective of Moore at Orangerie (See 0003082). Notes importance of natural settings and inspiration for Moore's works and his sensitivity to the energy of forms and materials. Reputation based on rapport with the general public. Outlines Moore's life and principal themes. Appreciation of the Shelter drawings.
0003243
Author/Editor: GOLDHILL Judy.
Publisher: British Journal of Photography
Place Published: London
Year: 1977
Date & Collation: (12 Aug) Cover,670-671(5 illus).
Description: Enthusiastic book review of Henry Moore: sculpture and environment by David Finn (See 0003357).
0003246
Author/Editor: PAPI Anna Maria.
Publisher: Casa Vogue
Place Published: Milan
Year: 1977
Date & Collation: (June) 156-159,206(13 Moore illus).Text in English and Italian.
Description: Feature on houses of Marino Marini and Henry Moore in Forte dei Marmi, noting the stark simplicity of the Moore's property.
0003265
Publisher: House and Garden
Place Published: London
Year: 1977
Date & Collation: (Feb) 86-87(5 illus).
Description: Photographs of sculpture on Moore's Much Hadham estate, with a short text incorporating the sculptor's views on nature as a source and a setting for his work.
0003268
Author/Editor: KARP Margot.
Publisher: Library Journal
Place Published: New York
Year: 1977
Date & Collation: (15 June) 1366.
Description: 24-line review of Abrams book (See 0003019): a sumptuous picture book...Moore's comments are informal and often pithy.""
0003284
Author/Editor: BOZO Dominique.
Publisher: Revue du Louvre
Place Published: Paris
Year: 1977
Date & Collation: 27(2) 104-105(6 illus).Text in French.
Description: Exhibition (See 0003082) review, noting Moore's poor representation in France. Moore as a product of English art of the first quarter of this century. Sees a ten-year cycle of development in his work. Larger outdoor works not set as successfully as in English countryside.
0003287
Publisher: Spectator
Place Published: London
Year: 1977
Date & Collation: (28 May) Cover,25,26(3 illus).
Description: MCEWEN John. The public Moore.
(One-page note on Moore's standing at the time of the Orangerie exhibition (See 0003082) and the publication of Henry Moore: sculpture and environment (See 0003357)).
ROBERTSON Bryan. Moore's Sheep Piece.
(Short text on the Sheep Piece, 1971-1972 bronze, plus an earlier drawing of the theme, both of which are illustrated. biomorphic connotations of a shape that's beyond any known congress")."
(One-page note on Moore's standing at the time of the Orangerie exhibition (See 0003082) and the publication of Henry Moore: sculpture and environment (See 0003357)).
ROBERTSON Bryan. Moore's Sheep Piece.
(Short text on the Sheep Piece, 1971-1972 bronze, plus an earlier drawing of the theme, both of which are illustrated. biomorphic connotations of a shape that's beyond any known congress")."
0003236
Author/Editor: POMFRET Margaret.
Publisher: Arts Magazine
Place Published: New York
Year: 1977
Date & Collation: (Jan) 51(5) 50(1 illus).
Description: 27-line review of Lillian Heidenberg exhibition in Arts Reviews section. The powerful vitality expressed in his work is overwhelming.""
0003239
Author/Editor: NEWMAN Michael.
Publisher: Arts Review
Place Published: London
Year: 1977
Date & Collation: (27 May) 362,363(1 illus).
Description: Short book review of 0003357: models of how sculpture should be photographed." Facing page has Thames and Hudson advertisement with Fischer Fine Art exhibition details."
0003242
Publisher: Bolaffiarte
Place Published: Turin
Year: 1977
Date & Collation: 69 1977(May) 50-55(7 illus).Text in Italian.
Description: Photographs of the artist relaxing at Forte dei Marmi accompany an interview, which covers Moore's early career and influences, his methods and materials, the ideal situation for sculpture. There is also a brief text headed Moore a Milano, in which he is photographed with Franco Russoli. Page 64 carries a short review of the Orangerie exhibition (See 0003082).
0003258
Author/Editor: WELLEMEYER Marilyn.
Publisher: Fortune
Place Published: Chicago
Year: 1977
Date & Collation: (Nov) 96(5) 55,58,62-67,70,74,78(1 illus).
Description: Feature on some businessmen who use the camera, including a note on David Finn. Page 67 is a full-page colour photograph of Sheep Piece, 1971-1972 bronze at Much Hadham.
0003264
Publisher: Horizon
Place Published: New York
Year: 1977
Date & Collation: (Nov) 20(3) 66-69(1 Moore illus).
Description: Inaugural exhibition at Wave Hill Sculpture Garden (See 0009969), a 28-acre estate on the banks of the Hudson. Works on loan from Hirshhorn and other collections. Includes a photograph and passing mention of Moore's Working Model for Three Piece No. 3: Vertebrae, 1968 bronze.
0003280
Author/Editor: DEMORIANE Hélène.
Publisher: Le Point
Place Published: Paris
Year: 1977
Date & Collation: 1977(9 May)..(3 illus).Text in French.
Description: Tuileries and Bibliothèque Nationale exhibitions (See 0003082 and 0003079) review concentrating on the development of Moore's style and incorporating statements by the artist. Discusses form, space and settings; the influence of nature, and finally the recent drawings and prints.
0003283
Author/Editor: BRUDER Lou.
Publisher: Quinzaine Littéraire
Place Published: Paris
Year: 1977
Date & Collation: (1 June)..(3 illus).Text in French.
Description: Long eulogistic appraisal of Moore at the Orangerie (See 0003082). Moore's work is archetypal and timeless, and the female/mother figure is the central theme. He is in harmony with nature, his works suggesting many things at the same time. His genius will exist forever, like the world itself.
0003286
Publisher: Scultura
Place Published: Milan
Year: 1977
Date & Collation: 1977(June-Sept) 6-11(9 illus).Text in English and Italian.
Description: 6-9 SPENCER Charles. Henry Moore in Paris.
(Review of Orangerie and Bibliothèque Nationale exhibitions (See 0003082 and 0003079) which outlines Moore's career and describes the exhibitions).
10-11 Moore su Michelangelo.
(Moore on Michelangelo. Text from Henry Moore on Sculpture (See 0005627) in English and Italian).
(Review of Orangerie and Bibliothèque Nationale exhibitions (See 0003082 and 0003079) which outlines Moore's career and describes the exhibitions).
10-11 Moore su Michelangelo.
(Moore on Michelangelo. Text from Henry Moore on Sculpture (See 0005627) in English and Italian).
0003245
Author/Editor: ROBERTS Keith.
Publisher: Burlington Magazine
Place Published: London
Year: 1977
Date & Collation: (July) 514-532(illus).
Description: Includes a note on page 516 on Henry Moore: sculpture and environment (See 0003357), the photographs from which were exhibited at Fischer Fine Art. It is a luxurious coffee table book that tells one as much about Henry Moore's reputation as about his art.""
0003248
Publisher: Connoisseur
Place Published: London
Year: 1977
Date & Collation: (Aug) 313(1 illus).Text initialled G.S.
Description: Brief note on the Orangerie exhibition (See 0003082). Everything here from the great figures inspired by Mexican sculpture to the sheep of these last years expresses a very individual style humanist and abstract at the same time...""
0003251
Publisher: Crafts
Place Published: London
Year: 1977
Date & Collation: (May-June)..(1 illus).
Description: Note on West Dean College tapestries including a Moore illustration, and brief reference to his commissions.
0003267
Publisher: Kunst Beeld
Place Published: Amsterdam
Year: 1977
Date & Collation: (June-July) 1(9) Cover,5-12(11 illus).Text in Dutch.
Description: 5-8 MEIJER Emile. Henry Moore en het wezen van de Beeldhouwkunst.
(Henry Moore and the essence of sculpture. On occasion of Galerie-T exhibition in Amsterdam, Moore is compared with Picasso. Moore is seen as less revolutionary, but chooses subjects with more care to bring out intrinsic beauty and to choose unfamiliar shapes. Obsession with Reclining Figure relates to essence of sculpture. Novel ways of expression come from study of nature).
9-10 BRAAT L.P.J. Er is niets zweverigs aan deze man.
(There is no unworldliness about this man. Describes visits to Perry Green and Moore's personality and commitment. Concern for placing works in public, method of working from maquettes and influence of Laurens).
11-12 VAN BEEK Marius. Strengheid van wiskunde en majestueuze emotie.
(Mathematical strength and majestic emotion. Outlines Moore's contribution to modern sculpture through basic form, use of space, semi-abstraction, rediscovery of Primitive art, integration with life. His work possesses a complete formal language, having a balance between mathematical strength and tender emotion).
(Henry Moore and the essence of sculpture. On occasion of Galerie-T exhibition in Amsterdam, Moore is compared with Picasso. Moore is seen as less revolutionary, but chooses subjects with more care to bring out intrinsic beauty and to choose unfamiliar shapes. Obsession with Reclining Figure relates to essence of sculpture. Novel ways of expression come from study of nature).
9-10 BRAAT L.P.J. Er is niets zweverigs aan deze man.
(There is no unworldliness about this man. Describes visits to Perry Green and Moore's personality and commitment. Concern for placing works in public, method of working from maquettes and influence of Laurens).
11-12 VAN BEEK Marius. Strengheid van wiskunde en majestueuze emotie.
(Mathematical strength and majestic emotion. Outlines Moore's contribution to modern sculpture through basic form, use of space, semi-abstraction, rediscovery of Primitive art, integration with life. His work possesses a complete formal language, having a balance between mathematical strength and tender emotion).