Henry Moore Artwork Catalogue
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0003123
Publisher: Buffalo Fine Arts Academy
Place Published: Buffalo, N.Y.
Year: 1977
Date & Collation: 38 mins.Black and white.Produced by Nancy MILLER and Christopher CROSMAN.
Description: Albright-Knox Art Gallery short interviews with ten British artists, including a three minute section edited from 0003124 with Henry MOORE speaking about his early career and modelling and carving.
0003119
Publisher: Radio France
Place Published: Paris
Year: 1977
Date & Collation: 2 hours.Sound recording.Music.In French, with English.
Description: L'Après-midi de France-Culture radio broadcast 9 May 1977, at time of exhibitions at L'Orangerie (See 0003082) and the B.N. (See 0003079). Prepared by Pierre DESCARGUES and André MATHIEU. Henry MOORE is introduced; followed by interview recorded at Much Hadham. Discussion on Natural objects, Paris 1920s, Paul Cézanne, Sculpture in the 1920s, Art collection of Henry Moore (Georges Seurat, Primitive art, Cézanne's Trois Baigneuses, Rodin), Sheep, Sculpture in the Open Air, Stonehenge.
In Paris at the Orangerie, Moore is interviewed by Marie-Hélène FRAISSE, and by Martine CADEAU on his views on music (Beethoven Bach Handel are the ones that I enjoy most").
There follows a telephone link discussion between Pierre DESCARGUES and Dominique BOZO in Paris Pierre ROUVE in London Jean LEYMARIE and Giulio Carlo ARGAN in Rome and James Johnson SWEENEY in New York. Participants speak of Moore's reputation and of their first contacts with the artist. A question on Moore's significance results in answers describing him variously as one of the last classic artists an English artist with a Romantic basis a metaphysical... Moore's relationship with nature and with myth are discussed.
For an edited version of this programme broadcast 28 August 1978 see 0003120."
In Paris at the Orangerie, Moore is interviewed by Marie-Hélène FRAISSE, and by Martine CADEAU on his views on music (Beethoven Bach Handel are the ones that I enjoy most").
There follows a telephone link discussion between Pierre DESCARGUES and Dominique BOZO in Paris Pierre ROUVE in London Jean LEYMARIE and Giulio Carlo ARGAN in Rome and James Johnson SWEENEY in New York. Participants speak of Moore's reputation and of their first contacts with the artist. A question on Moore's significance results in answers describing him variously as one of the last classic artists an English artist with a Romantic basis a metaphysical... Moore's relationship with nature and with myth are discussed.
For an edited version of this programme broadcast 28 August 1978 see 0003120."
0003117
Publisher: International Film Bureau
Place Published: Chicago
Year: 1977
Date & Collation: 18 mins.Colour.Sound.
Description: Created by George BARFORD, Illinois State University. Produced by Egons TOMSONS. Film, to guitar music and commentary, of spiral forms and other shapes in nature influencing artists and architects. Includes a 40-second film of Nuclear Energy, 1964-1966 bronze, noting Moore's inspiration from bones. Distributed in Europe by Edward Patterson Associates, in Australia and New Zealand by Focal Communications, in Hong Kong, China and Singapore by Educational Film Services.
0003122
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1977
Date & Collation: 5 min extract.Sound recording.
Description: Radio 3 broadcast 4 Dec 1977. Interviewer Basil TAYLOR. Written and presented by Hugh Sykes DAVIES. Contributions by Henry MOORE, totalling about 5 minutes, include how he welcomed Surrealism as an antidote to pure abstraction which neither he nor Read believed in completely. Moore spoke of Read as champion of contemporary art in England at a time when modern art needed the support of critics. Moore also mentions Read's scholarship and dedication.
0016262
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1977
Date & Collation: 4 mins.Sound recording.
Description: Tape inscribed: Henry Moore Transfer of Title 1/31/77". In Munson Williams Proctor Institute Guy Farmer representing Henry Moore transfers title of 81 graphics on exhibit to Robert J. Corber representing the Henry Moore Foundation. Also present Becky J. Koch. See 0003269 0003591."
0003118
Publisher: Centre National de la Recherche Scientifique
Place Published: Paris
Year: 1977
Date & Collation: 27 mins.Colour.Sound.
Description: Produced by Yves BREUX and François LUXEREAU. French commentary and voice-over of Henry MOORE's statements. Interview with Moore in his Much Hadham studios and estate, on Open Air, reality of three-dimensional form and placing of his sculpture. Film of Sheep Piece, 1971-1972 bronze at Much Hadham, brief views of Castleford and Stonehenge. Sequence at Glenkiln with King and Queen, 1952-1953 bronze and glimpses of the other works. Brief glimpses of works in London, including Two Piece Reclining Figure No. 3, 1961 bronze on the Brandon Estate; Large Spindle Piece, 1968 and 1974 bronze; Locking Piece, 1963-1964 bronze; Knife Edge Two Piece, 1962-1965 bronze; Draped Seated Woman, 1957-1958 bronze on Stifford Estate; and Birdcage Walk Reclining Mother and Child, 1960-1961 bronze.
0003121
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1977
Date & Collation: 8 min extract.Colour.Sound.
Description: Interview with Henry MOORE walking in grounds of his estate on announcement that his property is bequeathed to nation (in form of Henry Moore Foundation). Views of sculpture and studios, and brief discussion on importance of country setting to enable Moore to produce his work, ability to view sculpture from all angles, and the representational element in all of his work based on the human form.
0003124
Publisher: Buffalo Fine Arts Academy
Place Published: Buffalo N.Y.
Year: 1977
Date & Collation: 25 mins.Black and white.Produced by Nancy MILLER and Christopher CROSMAN.
Description: Albright-Knox Art Gallery interview with Henry MOORE in Hoglands in October 1976, incorporating film of the estate and still photographs of individual art works. Moore speaks of his early studies and the art scene in England in the 1920s, the influence of the British Museum, the processes of carving, modelling, drawing and working from maquettes. Working in stone and wood, the main themes of his art, the two-and three-part Reclining Figures, the importance of the human figure, and the great artists of the past. About three minutes of this interview is incorporated in 0003123.
0013819
Publisher: Archives of American Art
Place Published: Washington, D.C.
Year: 1977
Date & Collation: Microfilm.Illus.
Description: Roll 2803. Owned and filmed by the Archives of American Art Smithsonian Institution. Gift of Kate S. Emil New York City September 16 1977".
Includes 21 October 1966 letter from Moore to Allan D. Emil explaining how he came to produce one of the Hand Reliefs 1952 owned by Emil.
The microfilm also includes outdoor art in the city from Cue 3 May 1969 which mentions Henry Moore."
Includes 21 October 1966 letter from Moore to Allan D. Emil explaining how he came to produce one of the Hand Reliefs 1952 owned by Emil.
The microfilm also includes outdoor art in the city from Cue 3 May 1969 which mentions Henry Moore."