Henry Moore Artwork Catalogue
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0017089
Publisher: Channel Four
Place Published: London
Year: 1996
Date & Collation: 7 minute extract.Colour.Sound.Programme Director Stephen Rankin.Presenter Jon Snow.
Description: An ITN production for Channel Four. Screened 5 June 1996. Nicholas Glass reports on A Century of British Sculpture exhibition (See 0000000) at the Jeu de Paume and surrounding Tuilieries Gardens. Contribiutions from Daniel Abadie, Alan Bowness, Andrea Rose. Includes glimpses of Moore bronzes being loaded at Much Hadham, and on display in Paris.
0017093
Publisher: British Broadcasting Cooperation
Place Published: Norwich
Year: 1996
Date & Collation: 30mins.Colour.Sound.Producer Steve BOULTON.Series Producer Diana HARE.
Description: BBC2 East regional television programme of local events, presented by
0014829
Publisher: Central Office of Information
Place Published: London
Year: 1978
Date & Collation: 5 mins.Colour.Sound.Director Peter GREENAWAY.
Description: Producer Annabel OLIVIER-WRIGHT, Writer-Researcher Jenny LUCAS. Presenter Maggie PALMER. Sculpture at the Serpentine exhibition (See 0002718 and 0002719) to mixed public reactions. They should be placed in museums...one of the greatest and most interesting pollutors in the art world". Alan WILKINSON refers to Moore as one of the major sculptors alive today and comments on the use of assistants. Sculpture is also seen at Much Hadham where Henry MOORE comments on natural forms the change in the appreciation of sculpture over the years open air art in old age."
0014827
Publisher: Central Office of Information
Place Published: London
Year: 1976
Date & Collation: 5 mins.Colour.Sound.
Description: Film of sculpture in Florence (See 0004285) and at Much Hadham. Interview with Henry Moore working in his studio, and views of Three Piece Reclining Figure: Draped 1975 bronze. a gift from Britain to the European Court of Justice in Luxembourg. Moore comments on art as a human activity, and three dimensionality. I'm a staunch believer in Europe and in the European Community".
For version with French commentary and voice-over see 0014828."
For version with French commentary and voice-over see 0014828."
0017091
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1996
Date & Collation: 45mins.Colour.Sound.Written and presented by Andrew GRAHAM-DIXON.Director Paul TICKELL.
Description: Concluding film of a television series, screened on BBC 2 on 26 May 1996. Includes a two-minute section of film of maquettes and bronzes at Much Hadham, to pop music and commemtary on the benign softness of Moore's Mother and Child figures, and their deadening repetitiveness.
For book version see 0017032.
For book version see 0017032.
0017092
Publisher: News Multimedia
Place Published: London
Year: 1996
Date & Collation: CD-ROM.
Description: CD-Rom with booklet, in carton. Started life as a series in the Sunday Times. Contains 20 minutes of film from over 50 clips, 14 minutes of audio from over 40 recordings, over 40 illustrative animations, over 2000 newspaper articles, 750 photographs, 3500 captions, 3500 flying facts, over 750000 words in total.
Includes Henry Moore text and illustrations.
Includes Henry Moore text and illustrations.
0007179
Publisher: (Altana)
Place Published: London
Year: 1959
Date & Collation: 14 mins.Colour.Sound.
Description: Produced with the Arts Council of Great Britain. Directed by Dudley Shaw ASHTON. Commentary written and spoken by Philip HENDY. Views of U.N.E.S.C.O. Reclining Figure, 1957-1958 travertine marble in Paris, to quotations from published statements by Moore on carving. The initial concepts of groups of figures in bronze, superimposed on background of U.N.E.S.C.O. building, and with their own walls as background. Decision to make a single large figure in the same material as the building. Moore spent six months creating a half size plaster in England. Moore in Carrara which he visited five times to select and approve the four stones to be put together in one 60 ton figure, to instruct the carvers, and to put finishing touches on his last visit in August 1958. Moore is seen in Paris with the carving, and Hendy comments on the power of the work as a symbol of man and nature.
For Spanish version of the commentary see 0007146.
For Spanish version of the commentary see 0007146.
0007185
Author/Editor: READ John
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1958
Date & Collation: 27 mins.Black and white.Sound.
Description: Written and produced by John READ. Narration spoken by Sir Ralph Richardson. Music by Humphrey Searle. Photographed by Walter Lassally. Moore is seen at work with his assistants at Much Hadham, and there are views of Sculpture on the estate. Seen on film are Draped Torso, 1953 bronze; Draped Reclining Figure, 1952-1953 bronze; Falling Warrior, 1956-1957 bronze and other works. A Maquettes section shows Family Groups, Seated Figures, Upright Figures, and Reclining Figures. There is film of Moore drawing with commentary and quotations from Moore on the subject, including the importance of the Human figure. There are sections on L.C.C. Open Air exhibition (See 0007208) showing Warrior with Shield, 1953-1954 bronze; some views of Primitive sculpture; film at Glenkiln showing Upright Motive No. 1: Glenkiln Cross, 1955-1956 bronze, King and Queen, 1952-1953 bronze and Standing Figure, 1950 bronze. There is also film of Harlow Family Group, 1954-1955 Hadene stone in situ. Other aspects touched upon include Landscape influence and Moore's use of Natural objects. The film ends with Moore carving Upright Figure, 1956-1960 elm wood, a sequence which opens John Read's 1967 film Henry Moore: one Yorkshireman looks at his world (See 0005603).
Also screened by C.B.C. in 1962 on The Lively Arts (See 0010783).
0017094
Publisher: National Trust
Place Published: London
Year: 1996
Date & Collation: 25mins.Colour and Black-and-White.Sound.
Description: A Uden Associates Production for the National Trust. Title on screen: 2 Willow Road. Title on cassette case: The National Trust: Willow Road. Historical and modern film and photographs of Erno Goldfinger and the house and its contents, with commentary.
Contributions by Alan Powers, Jim Cadbury-Brown, and also Peter Goldfinger, Liz Goldfinger, Jacob Blacker, Rosamind Julius, James Dunnett.
Includes a photograph of Moore as one of the artists in Hampstead in the 1930s, and views of Moore sculpture and drawing. Aid to Russia exhibition (See 0016331).
Contributions by Alan Powers, Jim Cadbury-Brown, and also Peter Goldfinger, Liz Goldfinger, Jacob Blacker, Rosamind Julius, James Dunnett.
Includes a photograph of Moore as one of the artists in Hampstead in the 1930s, and views of Moore sculpture and drawing. Aid to Russia exhibition (See 0016331).
0017095
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1996
Date & Collation: 30mins.Colour.Sound.
Description: Granada Television production for BBC North. Cassette dated 20 December 1995. Final of television quiz programme between teams from British universities. Producer Peter Gwyn. Director Vernon Antcliff. Questions by Jeremy Paxman. The contest was won by Imperial College London, one of whose questions involved identifying Moore as the sculptor of a 1934 carving.
0014828
Publisher: Central Office of Information
Place Published: London
Year: 1976
Date & Collation: 5 mins.Colour.Sound.In French.
Description: 0014827 with French commentary and voice-over of Moore's words.
0014841
Publisher: Triangle Two
Place Published: London
Year: 1988
Date & Collation: 14mins.Colour.Silent.
Description: Film of a dozen sculptures from various angles and in close-up. With time coder. Includes about four minutes of Madonna and Child, 1943-1944 Hornton stone, and two minutes of Warrior with Shield, 1953-1954 bronze. See also Henry Moore: a private view (0011197). For catalogue see 0011076.
0019474
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2001
Date & Collation: 34mins.Colour and Black-and-White.Sound.Produced and directed by James ERSKINE.V335
Description: Matthew Collings presents a tribute to curator and art critic David Sylvester 1924-2001. Focuses mainly on Alberto Giacometti, and film interviews with Francis Bacon.
Includes 45 seconds in which Nicholas Serota recalls the 1968 Henry Moore exhibition curated by David Sylvester (See 0005063). This is illustrated with black-and-white photographs.
(David Sylvester was Henry Moore's secretary in the 1960s, and he became a trustee of the Henry Moore Foundation in the 1990s).
Broadcast on BBC2 on 23 Aug 2001, and recorded off-air under Clause 75 of the Copyright Act 1988.
Includes 45 seconds in which Nicholas Serota recalls the 1968 Henry Moore exhibition curated by David Sylvester (See 0005063). This is illustrated with black-and-white photographs.
(David Sylvester was Henry Moore's secretary in the 1960s, and he became a trustee of the Henry Moore Foundation in the 1990s).
Broadcast on BBC2 on 23 Aug 2001, and recorded off-air under Clause 75 of the Copyright Act 1988.
0014647
Publisher: Finnish Broadcasting Company (Y.L.E.)
Place Published: Helsinki
Year: 1987
Date & Collation: 59mins.Colour.Sound.In Finnish.
Description: TV 1 Asiaohjelmat programme dedicated to women. Includes a two minute section depicting half-a-dozen Moore Mother and Child bronzes.
0002991
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1978
Date & Collation: 46 min.Colour.Sound.Producer Kenneth SHEPHEARD.
Description: B.B.C. 2 television programme on Florence in early 1400s, with Sir Denys LASDUN commenting on Brunelleschi, Bridget RILEY on Masaccio, and Henry MOORE on Donatello. Moore notes Donatello's greatness and humanity, and describes how he copied a Donatello relief to discover how the Italian sculptor used light and shade. In commenting on other Donatello works Moore notes variously his affirmation of life, his energy, use of drapery, heads and hands.
0002994
Publisher: Blackwood Productions
Place Published: New York
Year: 1978
Date & Collation: 58 mins. Colour.Sound.Produced and directed by Michael BLACKWOOD.
Description: Includes a six-minute section on Barbara Hepworth and Henry Moore. Views of Stonehenge and Moore's works at Much Hadham and Toronto. Moore comments briefly on Adel Rock, preference for carving, expression of energy, sheep, placing of sculpture in nature rather than architecture. Elsewhere in the film Surrealism is cited as shaping Moore's early career; and Anthony Caro mentions briefly his time as assistant to Moore.
0017122
Publisher: Funk and Wagnalls
Place Published: New York
Year: 1995
Date & Collation: CD-ROM.
Description: Compact Disc encyclopedia, which includes biographical information on Henry Moore.
0019473
Publisher: British Broadcasting Corporation
Place Published: Scotland
Year: 2001
Date & Collation: 58mins.Colour and Black-and-White.Sound.Producer and director: Sarah ASPINALL. Narrator: Kirsty WALK.
Description: Documentary on the life and career of photographer Lee Miller 1907-1977.
Includes a glimpse of Mother and Child, 1936 green Horton stone (LH 171) in Roland Penrose's garden in Hampstead, and a later photograph of Henry Moore with the carving at the Penrose's Farley Farm.
Broadcast on BBC2 on 25 Aug 2001, and recorded off-air under Clause 75 of the Copyright Act 1988.
0000398
Publisher: R.T.H.K.
Place Published: Hong Kong
Year: 1986
Date & Collation: 24 mins.Chinese + 24 mins.English versions.Colour.Sound.Producer Edwin MAK.(Director C.LAI).V84
Description: Video cassette containing Chinese and English versions of some R.T.H.K. documentaries first broadcast to the Chinese audience". Opens with views of Hong Kong and Sculptures at February 1986 exhibition (See 0000083). Moore's voice is heard reading the letter printed in the catalogue. The Duchess of Kent is seen opening the exhibition and touring the Museum of Art. The planning and coordination of the exhibition by organizations concerned is recorded. An exciting sequence shows the arrival of the exhibits and their delivery to sites by R.A.F. Wessex helicopters. Installation and guarding by police is seen together with the unpacking of smaller works. The various sites are pictured and described. David MITCHINSON outlines Moore's production methods. There is a biographical section built around black and white photographs of the artist. Views of works already in Hong Kong sites for many years. Puzzled comments are recorded from the public and Dr. TAO HO provides a simple approach to Moore's forms and draws parallels with Chinese written characters and Moore's sculpture. Some individual works and themes are discussed. Children are seen drawing as part of the competition (See 0000084)."
0014786
Publisher: Glaxo India Ltd.
Place Published: Bombay
Year: 1988
Date & Collation: 18 minute audio tape, plus 135 slides.
Description: Slide-tape programme prepared for Henry Moore in India: the exhibitions Henry Moore, New Delhi 1987 (See 0010902) and Henry Moore, India 1987 (See 0010894). Script and direction Jane SWAMY. Photography Gerry D'Rozario. Images of Moore's art, of New Delhi installation views and visitors to the exhibition. To music, superimposed captions, or voice, sculptures, drawings and prints are seen with commentary or quotations from Moore's statements.
Also supplied to the Henry Moore Foundation in 1992 as an 18 minute video cassette (See 0014787), along with an 18pp listing of images and script.
Also supplied to the Henry Moore Foundation in 1992 as an 18 minute video cassette (See 0014787), along with an 18pp listing of images and script.
0002990
Publisher: Stanford University Medical Center
Place Published: Stanford
Year: 1978
Date & Collation: 60 mins.Colour.Sound.Written and produced by Edward RUBENSTEIN.Directed by Richard O.MOORE. Narrator: Eric SEVAREID.
Description: Mankind and creativity, consisting of interviews and comments by Yehudi MENUHIN, Arthur RUBINSTEIN, Henry MOORE, Linus PAULING and others, linked by Sevareid. Moore is filmed in his studio and home, and comments on the pleasure of creativity, work, the ripeness of old age, and how he decided to become a sculptor on hearing a Sunday school story about Michelangelo when he was about 11 years old. There are views of the artist at work, and of sculpture on his estate. The music often in the background of shots of Moore's work, is by Bach, played by Yehudi Menuhin.
0014789
Publisher: N.H.K.
Place Published: Tokyo
Year: 1990
Date & Collation: 2 hours.Colour.Sound.In Japanese.
Description: A series of four 30-minute television programmes 8-11 October 1990, broadcast on N.H.K's educational channel. Sculptor Yoshikuni IIDA speaks to camera, with illustrations and brief film of Much Hadham and in Japanese sculpture parks. He reads quotations from Henry Moore.
Part 1 is on Moore's life and career, Castleford background, education, influences. Cycladic art, Stonehenge, Chacmool, Brancusi. Moore had a subconscious predilection for primitive art and how the ancients worked with stone. His early carvings were entirely different from previous Western sculptural tradition.
Part 2 examines the Mother and Child theme and the Family Groups. His lifelong obsession came from his family background. One of the eternal themes of mankind which Moore expressed in the language of the ancients rather than through traditional Christian art. Style resolved by War Drawings and by Madonna and Child 1943-1944 Hornton stone. Influence of Picasso. Mother and Child became one unit eventually. King and Queen, 1952-1953 bronze an expression of loneliness, and a high point in Moore's art.
Part 3 concentrates on the internal-external theme in nature and how Moore was responsible for this notion in 20th century sculpture. Influence of Picasso and of Giacometti, with reptilian figures reflecting modern view of absurdity of existence, in contrast to ideal depictions of Greek sculpture. Helmet Heads likened to aliens from space. Early criticism of Moore's work.
Part 4 is on the theme of art and nature, Moore's reclining figures giving a sense of peace and recalling the soft hills of England. Organic shapes, and Moore's use of space. Iida visited Much Hadham in 1982 and describes the estate. Mentions Archipenko and compares Arp and Moore. Giacometti's art embodies the crisis of mankind, Moore's work overrides problems and creates harmony. Film and appreciation of Bronze Form, 1985-1986 bronze.
The Henry Moore Foundation possesses an audio tape English translation by Sim on R. PRENTIS of these programmes.
Part 1 is on Moore's life and career, Castleford background, education, influences. Cycladic art, Stonehenge, Chacmool, Brancusi. Moore had a subconscious predilection for primitive art and how the ancients worked with stone. His early carvings were entirely different from previous Western sculptural tradition.
Part 2 examines the Mother and Child theme and the Family Groups. His lifelong obsession came from his family background. One of the eternal themes of mankind which Moore expressed in the language of the ancients rather than through traditional Christian art. Style resolved by War Drawings and by Madonna and Child 1943-1944 Hornton stone. Influence of Picasso. Mother and Child became one unit eventually. King and Queen, 1952-1953 bronze an expression of loneliness, and a high point in Moore's art.
Part 3 concentrates on the internal-external theme in nature and how Moore was responsible for this notion in 20th century sculpture. Influence of Picasso and of Giacometti, with reptilian figures reflecting modern view of absurdity of existence, in contrast to ideal depictions of Greek sculpture. Helmet Heads likened to aliens from space. Early criticism of Moore's work.
Part 4 is on the theme of art and nature, Moore's reclining figures giving a sense of peace and recalling the soft hills of England. Organic shapes, and Moore's use of space. Iida visited Much Hadham in 1982 and describes the estate. Mentions Archipenko and compares Arp and Moore. Giacometti's art embodies the crisis of mankind, Moore's work overrides problems and creates harmony. Film and appreciation of Bronze Form, 1985-1986 bronze.
The Henry Moore Foundation possesses an audio tape English translation by Sim on R. PRENTIS of these programmes.
0002993
Publisher: Yorkshire Television
Place Published: Leeds
Year: 1978
Date & Collation: 23 mins.Colour.Sound.
Description: Copyright Trident Television Ltd. Director Nick GRAY. Executive Producer John WILFORD. Introduced by Austin MITCHELL. An exhibition at the Cartwright Hall Bradford opened by J.B. Priestley: a birthday tribute." Extracts from the brief opening speeches by Priestley and Henry Moore a note on Moore's standing film of the exhibits and interview by Austin Mitchell commenting briefly on exhibitions art in the Open Air creative process uniqueness of art. For exhibition catalogue see 0002722."
0014787
Publisher: Glaxo India Ltd.
Place Published: Bombay
Year: 1988
Date & Collation: 18mins.Colour.Sound.
Description: Video cassette of slide-tape programme. See 0014786 for description. Script and direction Jane SWAMY. Photography Gerry D'Rozario.