Welcome to the Henry Moore Archive Catalogue

Exhibition catalogue to accompany Drawn: 30 Portraits at Ordovas, 25 Saville Row, London, 6th June - 28th July 2023.
The second exhibition in a series which explores a range of techniques in twentieth-century and contemporary art.
Focusing on portraiture, the selection of works explores various drawing mediums and includes work by Henry Moore as well as other artists such as Pablo Picasso, Henri Matisse and David Hockney.
Reference to Moore on:
Pages 28 and 29 - Reclining Figures 1942
Page 66 - Reclining Figures 1942

O'Keeffe and Moore is a book published in conjunction with the exhibition 'O'Keeffe and Moore' presented at the San Diego Museum of Modern Art from May 13 - August 27, 2023; the Albuquerque Museum from October 14 - December 31, 2023; and the Montreal Museum of Fine Arts from February 6 to June 9, 2024.
This exhibition is the first time that the work of these two Artist's has been showcased together providing an examination of their work and the parallels that can be drawn between them. Anita Feldman's introduction on Page 11 sets the context; "the two artists pioneered and shared a coherent vision and approach to modernism" and "used natural forms as a pathway to abstraction” focusing their work around these natural forms and both amassing vast collections of natural objects over the course of their lifetimes.

Page 7 Director's Foreword by Roxana Velasquez Martinez del Campo
Page 11 Introduction and Catalogue by Anita Feldman

Followed by Essays;
Page 167 Georgia O’Keeffe and Henry Moore Icons, Innovators, Voices of Authority by Barbera Buhler Lynes
Page 187 Henry Moore Modernism Nature, and National Identity by Chris Stephens
Page 199 “A Revelation of the Perfect relation” The influence of D.H.Lawrence on the work of Henry Moore and Georgia O’Keeffe by Jennifer Laurent
Page 213 Finding the Form by Ariel Plotek
Page 221 Forms within Forms The Evolution of the Internal / External Theme in the Work of Henry Moore by Hannah Higham

Catalogue to an exhibition of works by Henry Moore and Alex Colville at the Mira Godard Gallery, Toronto, 14 October - 2 December 2023.
An introductory essay by Ray Cronin discusses the influence of Moore on Colville and compares their styles and processes, referencing Moore on pages 3, 4 and 5.
Moore works on:
Page 11: "Seated Figures II Pink Background" 1974
Page 21: "Four Reclining Figures"1974
Page 23: "Four Reclining Figures" 1974-1975
Page 31: "Figure in a Room" 1977
Page 43  "Two Figures at a Table" 1975
Page 47: "Seated Figure Back View" 1976
Page 53: "Open Work Basket Head" 1959
Page 55: "Seated Woman" (Verso)
Page 56: Henry Moore, Recent prints Curwen Gallery, UK. 1983
Page 57: Henry Moore, Royal Academy of Arts. 1988
Page 59: Henry Moore, Mira Godard Gallery, Toronto. April 1979 

Invitation to the exhibition 'Garro Editions, Collection #01' at 59 rue Charlot, 785003, Paris, 18 - 22 October 2023.
An exhibition showcasing textiles for interior decoration and furnishing from artists Henry Moore, Amer Musa, Claud Christian, Marcus Oakley, Pauline Deltour and Sybille Berger.
1 Moore illus on front cover: Six Reclining figures with Buff Background, 1963 (CGM 50).
See also: 0024319

Exhibition catalogue for the exhibition 'Collection #01' at 59 rue charlot, 75003, Paris, 18-22 October 2023.
A textiles exhibition from artists Henry Moore, Almer Musa, Claud Christian, Marcus Oakley, Pauline Deltour and Sybille Berger showcasing fabrics for interior decoration and furnishing.
Garro Editions collaborated with the Henry Moore Foundation to produce the textiles from six drawings by Henry Moore.
Reference to Moore from page 16.
Page 20: Entry to Dreams 1973 (CGM 255)
Page 21: Stonehenge Album: Trial for Title Page 1973 (HMF 73(42))
Page 23: Multicoloured Reclining Figure 1967 (CGM 99) 
Page 24 - 26: Six Reclining Figures with Buff Background 1970 (CGM 50)
Page 27: Haringey Circus Horses 1956 (HMF 2929)
Page 28: Seated Figures Studies 1931 (HMF 880a)
See also: 0024320

Catalogue published for Henry Moore: In Tuscany exhibition at the Museo Novecento. Also published in Italian as Henry Moore: In Toscana.

First part of the catalogue is made up of photographs of 17 bronzes, 7 works on paper, and a plaster-and-clay model related to Maquette for Square Form with Cut. Following are nine short essays, largely about Moore's connections with Italy: Sergio RISALTI writes about Moore in Tuscany; Emmanuele GRECO discusses Moore's visit to Italy in 1925; Marco BAZZINI discusses Moore and Marino MARINI; and Lucia MANINI focuses on Moore's connection with Il Bisonte. Federica BERTI discusses Moore and the Forte di Belvedere; Carlo Ludovico RAGGHIANTI's essay for the introduction to Il Bisonte's Five Engravings by Moore is reproduced; Giulio GORI writes on his friendship with Moore, and Sandro VERONESI on Large Square Form with Cut in Prato. Finally, Dominique PAPI writes about Giorgio CIPRIANI's photographs of Moore in the Papi Cipriani Archive. There are also two selections of press cuttings, one on the return of Warrior with Shield to Florence, and the other on the 1972 Mostra di Henry Moore exhibition at the Forte di Belvedere.

Catalogue for an exhibition focussing on "eerie representations of the British landscape" in 20th century art. One Moore work: Stonehenge V 1973 (CGM 212) (illus) on p.51, with commentary on Moore's interest in Stonehenge, and a comparison of Large Arch to the form of a Stonehenge trilithon. Moore's interest in Stonehenge mentioned on p.47 (introduction to the chapter "Ancient Landscapes: Shadows of the Past", which focusses on the representation of neolithic sites in modern British art). Moore also mentioned on p.99 (catalogue entry for Gertrude HERMES, Through the Windscreen 1929), as a "lifelong friend and supporter" of Hermes.

Catalogue accompanying exhibition celebrating the 800th anniversary of Salisbury Cathedral. Henry Moore's Large Reclining Figure was among the works exhibited. Sandy Nairne's introductory essay "Art in the Cathedral: A Spark of Inner Life" discusses Moore's Northampton Madonna and Child. pp.34-37 discuss Moore's Large Reclining Figure, with photos of it installed outside the cathedral. The cover illustration is also of Large Reclining Figure. Photographs of the work being installed are included on p.79.

Catalogue for exhibition at Musée des Beaux-Arts, Lyon.

pp.44-46: Section on "Henry Moore: dessins d'os à transformation, ossuaires sculpté" ("Henry Moore: bone transformation drawings and sculpted ossuaries"). Illustrations of HMF 974 and LH 140. Mentions in text of Two Forms 1934, Transformation Drawing: Ideas for Sculpture 1930, and Four Piece Composition: Reclining Figure 1934.

Large book of collected photographs of the Italian photographer Aurelio Amendola, produced for an exhibition of his works at the Fondazione Pistoia Musei. Two images of Moore in his studio from 1972 (pp.72-73). One shows Moore in the etching studio; the other, Moore in the plastic studio with part of the plaster Hill Arches in the background, and the matching segment from the plaster working model in front of him. Biographical note by Paola Goretti (p.354) mentions that Amendola was introduced to Moore by Giovanni CARENDENTE, who invited him to photograph Moore's works at the 1972 exhibition at the Forte di Belvedere.

Catalogue accompanying exhibition at the Ashmolean Museum. Several mentions of Moore, including in connection to Naum Gabo, Albert Garrett, Gertrude Hermes, Blair Hughes-Stanton, Leon Underwood, the Seven and Five Society. Moore's Figures, Sculptures (CGM 1) was included in the exhibition, and is illustrated in the catalogue alongside a brief biography.