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Henry Moore Artwork Catalogue

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0023835
Publisher: Christie's
Place Published: London
Year: 2016
Date & Collation: 3 February, 363pp.
Description: Lot 212. Sheep and Two Lambs, 1981 (HMF 81 (156)) illust.
Lot 213. Bust of a Woman, 1980 (HMF 80 (205)) illust.
Lot 265. Seated Mother and Child, 1980 (HMF 80 (100)) illust.
Lot 266. Two Women and a Child, 1980 (HMF 80 (28)) illust.
Lot 308. Reclining Mother and Child III, 1979 (LH 780, cast 4) illust.
Lot 309. Reclining Figure: Wedge Base, 1981 (LH 732, cast 2x1) illust.
Lot 310. Reclining Figure: Matrix, 1976 (LH 711, cast 1) illust.
0023836
Publisher: Sotheby's
Place Published: London
Year: 2016
Date & Collation: 3 February, 193pp.
Description:

Property from the collection of Willy and Marina Staehelin-Peyer:

Lot 2. Maquette for King and Queen, 1952 (LH 348) illust. and accompanying text. Also includes image of King and Queen, 1952-53 (LH 350) overlooking the Glenkiln Resivoir.
Lot 3. Family Group, 1945 (LH 237) illust. and accompanying text.

0023838
Publisher: Deutscher and Hackett
Place Published: Melbourne
Year: 2016
Date & Collation: 4 May, 215pp.
Description: Lot 88. Skeleton Figure, 1984 (LH 912) illust.
0023839
Publisher: Christie's
Place Published: London
Year: 2016
Date & Collation: 21 June, 159pp.
Description: Lot 125. Reclining Figure: Blanket, 1939 (LH 203) illust. and accompanying text.
Lot 126. Girl Reading, 1947 (HMF 2393b) illust.
Lot 143. Reclining Figure, 1938 (LH 193) illust. and accompanying text.
Lot 150. Mother and Child: Arch, 1959 (LH 453a) illust. and accompanying text.
Lot 169. Sculptural Drawings, 1934 (HMF 1082) illust.
Lot 173. Three Piece Reclining Figure: Maquette No.5, 1977 (LH 720) illust. and accompanying text.
Lot 174. Animal Form, 1959 (LH 443) illust.
0023840
Publisher: Sotheby's
Place Published: London
Year: 2016
Date & Collation: 23 November, 140pp.
Description: Lot 503. Two Half Figures, 1934 (HMF 1076) illust.
Lot 519. Figure in a Shelter, 1941 (HMF 1763) illust. and biographical photograph of Moore sketching in the undergound, taken by Lee Miller during the filming of 'Out of Chaos', 1943.
0023842
Publisher: Christie's
Place Published: London
Year: 2016
Date & Collation: 2-13 December, 95pp.
Description: Lot 13. Upright Motive B, 1968 (LH 587) illust.
Lot 51. Maquette for Two Nuns, 1966 (LH 561) illust.
Lot 102. Two Bulb Forms, 1983 (LH 887) illust.
0023843
Publisher: Sotheby's
Place Published: New York
Year: 2016
Date & Collation: 16 December, 84pp.
Description: Lot 62. Wall Relief, Maquette No.6, 1955 (LH 370, cast e) illust.
Lot 63. Standing Figure on a Round Base, 1981 (LH 813, cast 3) illust.
0023868
Publisher: Sotheby's
Place Published: New York
Year: 2016
Date & Collation: 9 May, 263pp.
Description: Lot 21. Working Model for Reclining Figure: Bone Skirt, 1977-79 cast in 1979 (LH 723, cast 9) illust. and accompanying text.
0023871
Publisher: Sotheby's
Place Published: London
Year: 2016
Date & Collation: 10 November, 187pp.
Description:

Sale of artworks from the collection of David Bowie.

Lot 12. Family Group, 1944 cast in 1956-57 (LH 230, cast -f) illust. and accompanying text.

0024020
Publisher: Henry Moore Studios & Gardens
Place Published: Perry Green
Year: 2016
Date & Collation: 2pp.
Description:

Map & Information for the Henry Moore Studios & Gardens visitor season 2016.

The information section includes information on the: Sculpture Gardens, Studios, Archives, Hoglands, Aisled Barn and Food & Drink. It also includes a brief biographical note on Moore and his life in Perry Green. The map section of the document includes a map of the estate as well as a list of all of the sculptures onsite for the 2016 season.

0023512
Author/Editor: SPAWLS Alice
Publisher: Apollo
Place Published: London
Year: 2016
Date & Collation: (01 May) 74-78 (no Moore illus)
Description: Article on the Artists' International Association intention to address the social and political issues of the 1930s. Focuses on James Boswell, one of the founding members. 75 passing reference to Moore as one of the association's 1000 members in 1936 who exhibited with the AIA out of political feeling, without making the struggle their primary subject. The Spanish Civil War galvanised many artists around the association.
0023313
Author/Editor: GAMWELL Lynn
Publisher: Princeton University Press
Place Published: New York
Year: 2016
Date & Collation: xviii.556pp.Illus.Notes.Acknowledgments.Credits.Index
Description: A cultural history of mathematics and art, from antiquity to present. Forward by Neil deGrasse Tyson. 215 reference to Moore in chapter titled Logic, in relation to Roger Fry, founder and contributor to The Burlington Magazine; British formalist artists of the 1920s; the Bloomsbury group; Barbara Hepworth. 217-218 section titled British Sculpture: Henry Moore and Barbara Hepworth. Reference to twentieth century sculptors drawing inspiration from the classical tradition, imitating nature as the Greeks had done; chance encounter of Moore and Fry in 1921; Fry's writing emphasising the emotional elements of design in nature. Moore quoted Roger Fry's Vision and Design was the most lucky discovery for me. I came on it by chance while looking for another book in Leeds Reference Library. In his essay 'Negro Sculpture' Fry stressed the 'three dimensional realisation' that characterised African art and its 'truth to material'. Moreover Fry opened the way to other books and to the realisation of the British Museum. That was really the beginning." (525 footnote: Moore interview by James Johnson Sweeney c. 1974). Illus of Reclining Figure 1935-36 Elmwood (LH 162). Reference to a vocabulary of organic forms as opposed to pure geometry; Plato; pre-Columbian and African sculpture; Cézanne; Leeds School of Art; Royal college of Art; Ben Nicholson; László Moholy-Nagy; Naum Gabo; Jean Arp; Constantin Brancusi; Theo van Doesburg; Herbert Read and art historian William WORRINGER. 223 Reference to German mathematician and philosopher Gottlob FREGE and British logician Bertrand Russell: 'Frege and Russell's ideal mathematical objects inspired sculptors Moore and Hepworth to disregard the transitory appearance of individuals and capture the underlying form of the human figure.' 270 in chapter titled Symmetry passing reference to Moore and Konkrete Kunst 1944 exhibition organised by Max Bill. 310-311 in chapter titled Utopian Visions after World War I reference to and illus of Stringed Mother and Child 1938 lead and string (LH 186f)"
0023333
Author/Editor: HÉRAN Emmanuelle
Publisher: Somogy éditions d'art
Place Published: Paris
Year: 2016
Date & Collation: 96pp.Illus.Glossary of garden terminology.Chronology.Key figures.Bibliographical section.Practical information.Photo credits.
Description: Guide book for the Tuileries Gardens, created in the sixteenth century for Catherine de' Medici's new Tuileries Palace, landscaped in the seventeenth century by André Le Notre and renovated in the twentieth century by Loius Benech and Pascal Cribier. The gardens are an 'open-air museum' in the heart of Paris. 20 illus of Reclining Figure: Festival 1951 (LH 293) in 'Composition and illusion' in chapter entitled The Sun King's Garden.
0023344
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2016
Date & Collation: (5 April - 12 June 2016)8pp.Illus.Map.
Description: Eight page fold out leaflet and map of the work located in Salamanca. The exhibition tours San Sebastian, Cadiz, Logrono, Valladolid. The exhibition was organised by the Henry Moore Foundation and Fundación Bancaria ‘la Caixa’. It forms part of Art on the Street, the La Caixa" Foundation programme for taking art to people outside the usual framework of museums and exhibition halls. It includes six sculptures curated by Sebastiano Barassi. Includes reference to and illus of Oval with Points 1968-1970 bronze (LH 596); Reclining Connected Forms 1969 bronze (LH 612); Large Standing Figure: Knife Edge 1976 bronze (LH 482a); Locking Piece 1963-64 bronze (LH 515); Reclining Figure 1982 bronze (LH 677a) and Two Piece Reclining Figure No. 2 1960 bronze (LH 458). Moore travelled to Spain in the summer of 1934 visiting the Altamira caves Toledo Madrid and Vic."
0023328
Author/Editor: BARBERO Luca Massimo
Publisher: Marsilo
Place Published: Florence
Year: 2016
Date & Collation: 19 March - 24 July 2016.346pp.Illus.
Description: Catalogue for exhibition of the same name at the Fondazione Palazzo Strozzi, Florence. The exhibition brings together more than 100 major works of European and American art from the 1920s to the 1960s in a narrative that explores the ties across the two sides of the Atlantic through two leading American art collectors, Peggy Guggenheim and Solomon R. Guggenheim. 276-277 illus of Ideas for Sculpture 1937 (HMF 1305) and Four Figures in a Setting 1937 (HMF 1307).
0023325
Publisher: Uehara Museum of Buddhist Art
Place Published: Shizuoka, Japan
Year: 2016
Date & Collation: 2pp.1 poster
Description: I large poster, 1 medium poster and a double sided A4 flyer. Illus of Mother and Child: Uncrossed Feet 1956 bronze (LH 408).
0023322
Author/Editor: Jobo
Place Published: Isle of Mull
Year: 2016
Date & Collation: 5pp.
Description: Giclee print, letter and information sheet on Jobo fine art image maker. Poster 00/50 with title 'Please sir I want some Moore. Illus of Pink and Green Sleepers 1941 (HMF 1845) and underneath 'Make art not war'.
0023334
Publisher: Tower Hamlets
Place Published: London
Year: 2016
Date & Collation: 2016 (27 May) 1 Moore illus.
Description: Tower Hamlets Council has been reconfirmed as the legal owner of Moore's Draped Seated Woman 1957-58. Bromley Council launched an appeal which was rejected at the Court of Appeal on 19 May 2016. The council is working to find possible locations for the sculpture. See folder for other press articles.
0023368
Author/Editor: KOESTLÉ-CATE Jonathan
Publisher: Routledge
Year: 2016
Date & Collation: x.Acknowledgements.237pp.Illus.Bibliography.Index.
Description: Book exploring the expanding programme of art installations and commissions for ecclesiastical spaces. Rather than 'religious art' reflecting Christian ideology, current practices frequently initiate projects that question the values and traditions of the host space, or present objects and events that challenge its visual conventions. In the light of these developments, the book asks what conditions are favourable to enhancing and expanding the possibilities of church-based art, and how can these conditions be addressed? 73 reference to Moore and artist David Mach in chapter titled Sanctury and section titled Non-believing Artists. Adrienne CHAPLIN writes 'Works like Mach's challenge the assumption that only artists of faith can produce religious art. Indeed, it can sometimes be the artist without faith who does the better job, unencumbered by expectations of conforming to the standard interpretations of either the church or the history of art'. The author is not convinced that Mach's works would have the long-term religious significance of Henry Moore or Henri Matisse. 96-97 and 190-191 reference to and illus of Madonna and Child 1943-44 Horton stone (LH 226) in St. Matthew's Church, Northampton, including reference to commission by Walter Hussey; public response to the work; Kenneth Clark; Epstein; Sutherland. KOESTLÉ-CATE writes on appreciation of what 'Rowan Williams has called the 'beyond' of an artwork: 'that awareness of depth in the observable world beyond what is at any moment observable'. This awareness is, he continues, 'close to what seems to be meant by the scared"'. 105 'Moore and Sutherland's commissions for St. Matthew's Church now belong to a sanctioned ecclesiastical aesthetic'. 158 reference to Moore's Madonna and Child Sutherland's Crucifixion and Epstein's St. Michael and the Devil each make use of familiar religious vernacular. KOESTLÉ-CATE writes that 'Moore's Madonna set in chain a new attentiveness to the possibilities evinced by modern art for the church in this country'."
0023391
Author/Editor: BULLOUGH Charlie
Publisher: Pontefract & Castleford Express
Place Published: Wakefield
Year: 2016
Date & Collation: 2016 (6 October) 2pp.1 illus
Description: Article on exhibition 8-29 October 2016 in a new gallery in Castleford. Showing '20 rare collotype prints' of Moore's sketches and paintings, showing Londoners sheltering from the Blitz in the underground stations during the autumn of 1940. The prints have been loaned by Castleford born Sandra Worthington, who was given them by US artist, art dealer and collector Robert Glade. Illus of Sleeping Figures 1940-41 (HMF 1683).
0023403
Publisher: Square Rock Limited
Place Published: London
Year: 2016
Date & Collation: 2016.7pp.6illus.
Description: Article in magazine Galerien & Museum about exhibition at Arp Museum planned for May 2017. 56-62 article including illus of Three Piece Sculpture: Vertebrae 1968-69 bronze (LH 580); Portrait of Moore by Hedgecoe; Draped Reclining Figure 1952-53 bronze (LH 336); Large Standing Figure: Knife Edge 1961 bronze (LH 482a); Locking Piece 1962-63 fibreglass (LH 515); Large Reclining Figure 1984 fiberglass (192b).
0023426
Author/Editor: Buchhandlung Walthur Konig GMBH & Co.KG
Publisher: Buchhandlung Walthur Konig GMBH & Co.KG
Place Published: Cologne, Germany
Year: 2016
Date & Collation: 5 postcards.Illus.
Description: 5 postcards of works owned by the Tate, presented by the artist in 1978. Photo copyright Tate London 2016.
<i>Working Model for Three Way Piece No.2 Archer</i> 1964 (LH 534)
<i>Three Part Object</i> 1960 (LH 470)
<i>Atom Piece (Working Model for Nuclear Energy)</i> 1964/5 (LH 525)
<i>Seated Woman: Thin Neck</i> 1961 (LH 472)
<i>Working Model for Three Way Piece No.1: Points</i> (LH 532).
0023340
Author/Editor: GETLEIN Mark and HOWARD Annabel
Publisher: Laurence King Publishing Limited
Place Published: London
Year: 2016
Date & Collation: 312pp.Illus.Further reading.Index.Picture credits.Acknowledgements.
Description: Book chronicling seventy five of the most influential artists from around the world, from the dawn of the 20th century to the present. 96-99 section on Moore with brief reference to pre-Columbian artists; British Museum; Truth to materials; shape-consciousness; pebbles; Brancusi; and holes. Moore quoted: A hole can itself have as much shape-meaning as a solid mass". Moore 'rhymed the human form with landscape so that monumental reclining figures were brought in harmony with undulating hills sea-smothered rocks and wind-carved cliffs. Illus of Moore working on Bird basket 1939 by Kurt Hutton for Picture Post 1945; UNESCO Reclining Figure 1957-8 Roman Travertine Museum (LH 416); Family 1935 Elm wood; Pink and Green Sleepers 1941 (HMF 1845); King and Queen 1952-53 bronze (LH 350)"
0023352
Author/Editor: McCRUM Robert
Publisher: The Guardian
Place Published: London
Year: 2016
Date & Collation: 2016 (1 August) 4pp.2 illus(no Moore)
Description: Book review. See 0007442