Henry Moore Artwork Catalogue
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0023344
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2016
Date & Collation: (5 April - 12 June 2016)8pp.Illus.Map.
Description: Eight page fold out leaflet and map of the work located in Salamanca. The exhibition tours San Sebastian, Cadiz, Logrono, Valladolid. The exhibition was organised by the Henry Moore Foundation and Fundación Bancaria ‘la Caixa’. It forms part of Art on the Street, the La Caixa" Foundation programme for taking art to people outside the usual framework of museums and exhibition halls. It includes six sculptures curated by Sebastiano Barassi. Includes reference to and illus of Oval with Points 1968-1970 bronze (LH 596); Reclining Connected Forms 1969 bronze (LH 612); Large Standing Figure: Knife Edge 1976 bronze (LH 482a); Locking Piece 1963-64 bronze (LH 515); Reclining Figure 1982 bronze (LH 677a) and Two Piece Reclining Figure No. 2 1960 bronze (LH 458). Moore travelled to Spain in the summer of 1934 visiting the Altamira caves Toledo Madrid and Vic."
0023328
Author/Editor: BARBERO Luca Massimo
Publisher: Marsilo
Place Published: Florence
Year: 2016
Date & Collation: 19 March - 24 July 2016.346pp.Illus.
Description: Catalogue for exhibition of the same name at the Fondazione Palazzo Strozzi, Florence. The exhibition brings together more than 100 major works of European and American art from the 1920s to the 1960s in a narrative that explores the ties across the two sides of the Atlantic through two leading American art collectors, Peggy Guggenheim and Solomon R. Guggenheim. 276-277 illus of Ideas for Sculpture 1937 (HMF 1305) and Four Figures in a Setting 1937 (HMF 1307).
0023422
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2016
Date & Collation: (21 January - 28 March 2016)8pp.Illus.Map.
Description: Eight page fold out leaflet and map of the work located in Santiago de Compostela. The exhibition tours Salamanca, San Sebastian, Cadiz, Logrono, Valladolid. The exhibition was organised by the Henry Moore Foundation and Fundación Bancaria ‘la Caixa’. It forms part of Art on the Street, the La Caixa" Foundation programme for taking art to people
0023370
Publisher: Hayward Publishing
Place Published: London
Year: 2016
Date & Collation: (16 July - 16 October 2016)96pp.Illus.List of works.Credits.Acknowledgements
Description: Catalogue for touring exhibition of the Arts Council Collection of the same name, Longside Gallery, Yorkshire Sculpture Park. Night in the Museum represents the work of over thirty artists including Angela Bulloch, Patrick Caulfield, Don Brown, Jacob Epstein, Liam Gillick, Roger Hiorns, David Hockney, Henry Moore, Ben Nicholson, Kerry Stewart, and Rebecca Warren. 56 illus of Seated Figure Against a Curved Wall 1956-57 bronze (LH 422). 72 and 75 Illus of Head of a King 1952-53 bronze (LH 351)
0023337
Author/Editor: PRICE Elizabeth
Publisher: Hayward Publishing
Place Published: London
Year: 2016
Date & Collation: 80pp.Illus.Works.
Description: Exhibition catalogue to accompany touring exhibition of the same name curated by Elizabeth Price. Price's video installations fuse image, text and music to explore aspects of social history. PRICE assembles images exploring the recumbent form in art, including the body in varying states of weariness, stupor, reverie, grief, death, erotic transport and languor. 70-71 Moore included in list of 'Works': Bunks and Sleepers 1941 drawing; Figures in Snow 1976 lithograph; Fitful Sleepers 1941 drawing; Groups of Shelterers 1941 drawing; Miners at Work 1941-3 drawing; Sleeping Figures 1941 drawing; Sleeping Figures 1941 drawing; Study for 'Shelter Scene': Three Groups of Sleeping Figures 1941 drawing; Study for 'Shelter Scene': Bunks and Sleepers 1941 drawing. Exhibition toured: The Whitworth, University of Manchester 10 June – 30 October 2016. De La Warr Pavilion, Bexhill-on-Sea, 28 January – 30 April 2017. Glynn Vivian Art Gallery, Swansea 13 May – 28 August 2017.
0023439
Publisher: Castleford Heritage Trust
Place Published: Castleford, Yorkshire
Year: 2016
Date & Collation: 1pp.Illus.
Description: Invitation flyer to a private preview of an exhibition of a collection of Henry Moore's sketchbook paintings plus works by the late Robert Glade titled Henry Moore an Artistic Legacy.
0023431
Author/Editor: WALSH David, PEARCE Elizabeth, PINKER Steven, BOYD Brian, MILLER Geoffrey, CHANGIZI Mark
Publisher: Museum of Old and New Art
Place Published: Hobart, Tasmania
Year: 2016
Date & Collation: (5 November 2016 - 17 April 2017).471pp.Exhibition credits.Additional illustrated works.Picture credits.
Description: Large hardback high quality production coffee table style publication to complement the exhibition On the Origin of Art structured around four major contributions from: Steven Pinker, Brian Boyd, Geoffrey Miller and Mark Changizi. Forward by David Walsh. Introduction by Elizabeth Pearce. Whole of page 436 is image of Moore's Helmet Head No.2 1950 bronze cast 1955 (LH 281) with title on page 437 presented as Helmet Head No.2 1955 Henry Moore, with the same image presented in miniature as part of the index of listed works on page 407 with same title together with Moore's birth and death places and dates and statement of ownership as being Art Gallery of New South Wales, Sydney purchased 1955.
0023446
Author/Editor: JOUARY Jean-Paul
Publisher: Beaux Arts Editions
Place Published: Paris
Year: 2016
Date & Collation: 192pp.Illus.Thanks,References.Photographic credits.
Description: Hard back glossy book to accompany the exhibition presented on the occasion of the inauguration of Lascaux IV with one of the rooms showing digital images on dozens of screens on which were projected images of modern and contemporary paintings and sculptures inspired by prehistoric art. On pages 158/9 there is reference to Moore taking inspiration from paleolithic art and the marrying of the ancient with the contemporary aesthetic. Pages 166/7 shows a double page image of Moore's Four Reclining Figures: Caves 1974 lithograph.
0023441
Author/Editor: Edited/curated by SELIGMAN Isabel
Publisher: Thames and Hudson
Place Published: U.K
Year: 2016
Date & Collation: 128pp.Illus.Notes.Select Bibliography.Illustration Credits.Index
Description: A glossy soft back of high production, richly illustrated, to accompany an exhibition and programme of workshops on drawing at the British Museum. The exhibition and programmes of workshops was designed to explore the process and practice of drawing, giving insight into the creative impulse of some of the world's greatest artist. There is a forward by Bridget Riley. In the section on brainstorming there is a passing reference on page 51 to Moore's ideas for a sculpture at the UNESCO building with further discussion accompanying two images on page 61: Three Reclining Figures 1957 referred to as Three Studies for the UNESCO sculpture1957 and UNESCO Reclining Figure 1957-58 Roman Travertine marble. On the section on Insight and Association on page 87 there is passing reference to Henry Moore followed on page 98 by an image of Moore's Tree Forms as Mother and Child1950 and discussion.
0023423
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2016
Date & Collation: (21 January - 28 March 2016)8pp.Illus.Map.
Description: Galician language version of eight page fold out leaflet and map of the work located in Santiago de Compostela. See 0023422.
0023447
Author/Editor: Edited by ENWEZOR Okwui, SIEGEL Katy, WILMES Ulrich
Publisher: Pestel
Place Published: Munich
Year: 2016
Date & Collation: 846pp.Illus.Selected documents.Artists' Biographies.Bibliography.About the Contributors.List of Works.Index.List of Lenders.List of Acknowledgments.Image Credits.Colophon.
Description: Heavy hard back book accompanying the exhibition, research and conference presented at the Haus der Kunst in Munich. It is an examination of the global development of modern art between the end of World War II and 1965. Foreward by the German Federal Minister for Foreign Affairs and statement by the Bavarian Minister of State for Education and Culture, Science and Art. There are a number of introductory essays. On page 30 in Okwui Enwezor's essay there is reference to Moore's Atom Piece (Working Model for Nuclear Energy) 1964-65 (LH 525), referred to here as Atom Piece 1964-65, with a whole page image of same piece on page 201. In Courtney J. Martin's essay on page 571 Moore is mentioned in the context of an assertion that, post-war, the United States usurped Paris as abstract art's main centre of activity and influence.
0023414
Author/Editor: GÕRGEN Annabelle., HARTLEY Keith., KAMPEN-PREIN Saskia van.
Publisher: The National Galleries of Scotland
Place Published: Edinburgh
Year: 2016
Date & Collation: (7 October 2016 to 22 January 2017)264pp.Exhibition Checklist.Bibliography.Notes and References.Photographic Credits.Index.
Description: Publication to complement exhibition of the same name Surreal Encounters: Collecting the Marvellous, containing works from the Collections of Roland Penrose, Edward James, Gabrielle Keiller and Ulla and Heiner Pietzsch. Plate125 The Helmet 1939-1940 lead (LH 212). Reference to Moore in essay titled Roland Penrose - Private Passions for the Public Good by Keith HARTLEY. 178 passing reference to Moore in relation to the International Surrealist Exhibition in London 1936 showing 'newly discovered' British Surrealists Eileen Agar, John Banting, Edward Burra, Humphrey Jennings, Henry Moore, Paul Nash, Julian Trevelyan and Penrose. 181 Wolfgang Paalen wrote to Penrose in March 1935 recommending him to meet Henry Moore. Penrose went on to meet Moore in London that autumn as well as Herbert Read, the leading critic and champion of modern art in Britain. 188 passing reference to Moore in relation to the British Council and so-called 'geometry of fear' sculptures. 192-193 brief references to Moore in essay titled Roland Penrose - The Quiet Collector in relation again to International Surrealist Exhibition 1936 mounted by Penrose, David Gascoyne, Herbert Read and a small committee; on a visit to Henry Moore's studio in 1938 Penrose purchased Mother and Child 1936 green Hornton stone (LH 171). 237-238 essay titled concerning the Ulla and Heiner Pietzsch collection and the reception of surrealism in Germany. Passing reference to Moore in relation to work confiscated by the Nazis and Moore on show in Hamburg in 1950.
0023611
Author/Editor: Edited by CRAMER Patrick
Publisher: Patrick Cramer Publisher
Place Published: Geneva
Year: 2016
Date & Collation: 143pp.illus.timeline.bibliog.
Description:
pp.16-18: Christian Rümelin gives a brief history of Moore's association with Cramer, especially discussing the Elephant Skull portfolio. pp.55-63, Paul Coldwell discusses the Elephant Skull portfolio.
0023442
Author/Editor: Curated by: Delphine DESVEAUX, Susana GÁLLEGO CUESTA, Françoise REYNAUD
Publisher: Petit Palais, museé des Beaux-Arts de la Ville de Paris. Paris Musées
Place Published: Paris
Year: 2016
Date & Collation: 304pp.Illus.Oeuvres exposées.Bibliographie sélective.
Description: Large, richly illustrated, high production, hard back book accompanying the exhibition that studies photographs of artists' studios. On page 142 there is a photograph taken by Jesse A FERNANDEZ, titled La Main de Henry Moore 1978, of Moore's hand holding a maquette in a studio. On page 227 there is a photograph by Jesse A FERNANDEZ, titled L'Atelier de Henry Moore à Much Hadham, Hertfordshire 1978, of Moore's elephant skull together with an array of tools.
0023430
Publisher: British Council headquarters London
Place Published: London
Year: 2016
Date & Collation: 1 December 2015 - 19 February 2016.50pp.illus.chronology.acknowledgements.
Description: Henry Moore Comes Home - Selected etchings and lithographs from the British Council Collection is a publication that complements the exhibition Henry Moore Comes Home celebrating the most recent results of a long and close relationship between the British Council and Henry Moore, and specifically, the achievements and lasting impact of the most recent tour of the exhibition titled Henry Moore - The Printmaker to Macedonia, Montenegro, Albania, Kazakhstan, Kosovo, Serbia and Uzbekistan between 2013 and 2015. On page 5 there is an image titled 'Henry Moore drawing on a copper etching plate with an old dental tool in his studio at Perry Green, 1970.' The introduction by Emma Dexter the Director of Visual Arts, British Council finishes with a credit to David Mitchinson 'for his contributions to and support for both of these exhibitions, and for his longstanding friendship with the British Council.' Page 8 there is an image of Henry Moore examining Draped Reclining Figure 1974 Lithograph (CGM 332), Gildmore Graphic studio. Page 9 there is a quote from a letter from Henry Moore to the Prime Minister Margaret Thatcher dated 10 November 1979 supporting the British Council in the face of financial cuts, and there are images of Moore's works: Brown Tube Shelter, 1940; Girl with Clasped Hands,1930 and Reclining Figure, 1939 all from the British Council Collection. Page 10 refers to Moore's gift of 200 prints to the British Council Collection to mark its 50th anniversary together with a quote from Moore and other information on the extent of the British Council's Moore collection of 427 works and image of Moore at the Venice Biennale, 1948. Page 11 shows an image of Standing Figure: Storm Sky, 1978 together with Moore quote from BBC Kaleidoscope 22 May 1975 on the subject of prints. Page 12 and 16 discuss Moore's theme of Internal/External Forms with quote from David Mitchinson 1981 and images of Standing Figures 1949 and Pandora and the Imprisoned Statues 1950. Pages 14 discusses Reclining Figures with quote from Moore published in the Sunday Times 17 and 24 December 1961 with image of Four Reclining Figures 1973. Page 15 discusses Mother and Child with image of Mother and Child V 1983 and quote from Moore on page 29 of Wildenstein's 1979 publication Henry Moore's Drawings 1969-79. Page 16 discusses the Elephant Skull theme with quote from Moore in Galleria il Fauna Turin October 1970 on his elephant skull etching series together with image of Elephant Skull Plate XVI 1970. Page 17 discusses Ideas for Sculpture with quotes from Moore in Atlantic Monthly 1962 and The Listener 1937 together with image of Studies for Sculpture: Two and Three Piece Reclining Figures 1967. Page 16 discusses Organic Forms with image of Stone 111 1977 and quote from Moore in John Hedgecoe's book titled Henry Spencer Moore 1968. Page 19 discusses Trees with quote from Moore in Wildenstein's 1979 book Henry Moore Drawings 1969-79 and image of Trees 1: Bole and Creeper 1979. Page 20 discusses Hands with image of Hands 11 1976 and a quote from taken from Henry Moore, The Artist's Hand Raymond Spencer Company Ltd, Much Hadham 1980. Animals is the subject of page 21 with an image of Elephant's Head 11 1981 and a quote from Moore taken from David Mitchinson (ed) Henry Moore: Sculpture, Macmillan 1981.Pages 22 to 23 cover Moore's life and work with image on page 22 of Henry Moore behind his Kimber and Hughes star-wheel etching press with master printer Jacques Frélaut in the Etching Studio at Perry Green, 1971 credit Errol Jackson and an image on page 25 credit Errol Jackson of Moore working on Elephant Skull etchings, with the elephant skull in foreground and Elephant Skull Plate XXVII (CGM 140) in the background. Pages 28 and 29 detail the itinerary of the exhibition Henry Moore - the Printmaker. Pages 30 to 34 reflect on Moore's influence on Maks Velo and Petar Hadzi Boskov. pages 40 to 41 present Moore's influence on Gayane Umerova, curaor of the National Museum of Arts Uzbekistan. Pages 42 to 43 refer to Henry Moore - the Printmaker impact as the first significant international exhibition to open at the National gallery of Kosovo. Pages 44 and 45 refer to printmaking and workshops held on subject in the State Museum of Arts of Kazakhstan. Page 47 shows an image of Moore working on alternative background for CGM 238.
0023550
Author/Editor: Edited by KALMAN Andrew
Publisher: Crane Kalman Gallery Ltd
Place Published: London
Year: 2016
Date & Collation: 82pp.Illus.
Description: Exhibition of 34 artists work representing trees in various mediums. Moore's drawing Tree in Winter 1, 1981 (HMF 81 (254)) is presented on page 46 with description, provenance and exhibition history on page 47.
0023617
Publisher: Hayward Publishing
Place Published: London
Year: 2016
Date & Collation: 26 February 2016 - 23 October 2017. 92pp.foreword.illus.
Description:
Catalogue to accompany the Arts Council exhibition Drawn From Life: People on Paper, which covered British drawings of the human figure from Gwen and Augustus John in the first decade of the 20th century up to Michael Landy's Finger Point (2013). One Moore work: Women Winding Wool 1948 (HMF 2497). Illustration and commentary. Passing mention of Women Winding Wool 1949 (HMF 2530) in the collection of the Museum of Modern Art, New York.
0023435
Author/Editor: Edited by JUNOD Barbara, JUBERT Roxanne, ROUARD-SNOWMAN Margo, SCHORRO Michal Florence, GENDRE Vanessa, GEYER Claire
Publisher: Museum für Gestaltung Zürich
Place Published: Zurich
Year: 2016
Date & Collation: 128pp.Illus.Abbreviations.Illustrations.Copyrights.Thanks.
Description: (German: Les Suisses de Paris: Grafik und Typografie). A dual language retrospective of Swish graphic artists and designers working in Paris after the second world war. Image 131 on page 102 shows poster by Bruno Pfäffi advertising 'Henry Moore - Orangerie des Tuileries 7 Mai-29 Aout 1977'; the image on the poster is Reclining Figure 1938 lead (LH 192).
0023443
Author/Editor: Edited by CONLON Rhys and PASTAN Amy
Publisher: Delmonico Books: Pestel
Place Published: Hirshorn Museum and Sculpture Garden, Washington DC
Year: 2016
Date & Collation: 29 October 2015 – 15 February 2016.192pp.Illus.Notes.Historical texts.Chronology.Exhibition Checklist.
Description: Glossy hard-back book to accompany an exhibition presenting a comprehensive analysis of Surrealism's three-dimensional works; curated by Valerie FLETCHER. In the chapter titled Biomorphism Goes International Moore is referred to and quoted on page 64 together with an image of Carving 1935. On page 65 there are images of Bird and Egg 1934 and Reclining Figure 1931. Page 66 shows whole page image of Two Forms 1934 and on page 67 there is an image of Ideas For Sculpture 1940 together with discussion of Moore's work and a quote from Geoffrey GRIGSON and reference to GRIGSON's coining of the term biomorphism. Page 68 shows whole page image of Moore's drawing Reclining Figure 1939 and on page 69 a whole page image of Moore's Reclining Figure 1939. Page 70 there is further discussion on Moore's relationship to Surrealism together with an image of Moore's drawing Two Heads (Drawing For Metal Sculpture) 1939. Page 71 shows image of Moore's Stringed Figure No. 1 1937. Page 72 shows half page images of Moore's drawings: Five Figures in a Setting 1937 and Sculptural Object in a Landscape 1939. On page 73 there is an image of Moore drawing Three Standing Figures 1948. Page 74 has a whole page image of Moore's Sculptural Objects 1949. Page 76 shows whole page image of Moore's Reclining Figure: Internal and External Forms 1951. Other works referred to but with no images are: Composition 1934 bronze cast 1961 (page 67); Untitled (Carving) 1935 Leaf Figure No. 4 1953 bronze and Moore's Upright Motifs series of 1955-56 (page 78). In the chronology from 174 to 182 Moore is referenced several times.
0023548
Author/Editor: Edited by IACONO Domenic J.
Publisher: Syracuse University Art Galleries
Place Published: New York
Year: 2016
Date & Collation: 18 August - 20 November.168pp.Illus.Works cited.Exhibition checklist.
Description: Book published on the occasion of the exhibition: 'About Prints: The Legacy of Stanley William Hayter and Atelier 17', August 18 - 20 November 2016 at Syracuse University Art Galleries, New York. Emily Unthank, Henry Moore Foundation is thanked in the Acknowledgements section on Page 9. There are two images of Moore's works: Standing and Reclining Figures 1950 (CGM 15), reproduced on page 99 with text reference to Mourlot Freres and upper half of Standing Figures 1950 (CGM 14) (which was used in the exhibition) presented on page 100 together with very brief biographical detail and reference to: Moore's contribution to School Prints, championed by Mrs Brenda Rawnsley; the printing firm Cowell's of Ipswich and to the Plasticowell technique.
0023637
Publisher: Hakone Open-Air Museum
Place Published: Hakone, Japan
Year: 2016
Date & Collation: 17 September 2016 - 5 April 2017. 108pp.illus.
Description:
Catalogue for an exhibition of photographs by KISHIN Shinoyama. pp.20-41: 10 Henry Moore works illustrated.
0023513
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2016
Date & Collation: (21 June - 4 September 2016)8pp.Illus.Map.
Description: Entire edition of Sculpture Journal dedicated to British modernism, with many of the essays featuring Moore content, as follows: Page 5 British modernism unbound - Christopher BEDFORD; introductory text examining the reputation and influence of Moore upon younger generation of sculptors, including Richard SERRA. Mention of Hilton Kramer and Henry Seldis. Page 9 Barbara Hepworth, prehistory and the Cornish landscape - Andrew CAUSEY; includes brief mentions of Moore and Stonehenge. Page 23 London pride: 1951 and figurative sculpture at the South Bank Exhibition - Catherine Jolivette; mentions of Moore's Reclining Figure: Festival 1951 bronze, (LH) throughout, illus page 28, including map siting sculpture. Page 37 'Sculpture in the Home': selling modernism to post-war British homemakers - Robert BURSTOW; refers to 0021349 exhibition at Henry Moore Institute. One Moore illus: page 39 Family Group 1945 bronze, as exhibited in 1953-54 Sculpture in the Home exhibition. Page 51 Materials, methods and modernism: British sculpture c.1950 - Margaret GARLAKE; list mentions of Moore only. Page 75 Tactility or opticality, Henry Moore and David Smith: Herbert Read and Clement Greenberg on 'The Art of Sculpture', 1956 - David J. GETSY; features one Moore illus, page 78 facsimile of Herbert Read's Art of Sculpture, showing Moore's Reclining Figure 1945 bronze, (LH 257). Page 89 'More light and less heat': the intersection of Henry Seldis's art criticism and the career of Henry Moore in America - Jennifer WULFFSON; six Moore illus including page 92, biographical image of Moore with Seldis at Perry Green, 1962 and page 97 Moore's Maquette for Atom Piece 1964 plaster, (LH 524). Mention of Hilton Kramer. Page 102 There's a sculpture on my shoulder: Bruce McLean and the anxiety of influence - Jo APPLIN; mention, page 113, of the McLean 24-hour retrospective King for a Day, 1972 Tate Gallery, in which McLean makes reference to Moore. Page 116 Fallen warriors and a sculpture in my soup: Bruce McLean on Henry Moore - Jon WOOD; discussion on McLean's 1970 film work Waiter, Waiter, There's a Sculpture in My Soup, which features an image of Locking Piece, see page 122, and McLean's interpretation of Moore's Falling Warrior. Mention of McLean's visit to Perry Green to meet Moore, c.1965, and McLean's sneaky" affection for the sculptor. Page 134 'There will always be' - Anne M. WAGNER; mention of Moore throughout with particular reference to Simon Starling's work Infestation Piece (Musselled Moore).
0023346
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2016
Date & Collation: (21 June - 4 September 2016)8pp.Illus.Map.
Description: Eight page fold out leaflet and map of the work located in San Sebastián (Donosti). The exhibition tours Salamanca, Cadiz, Logrono, Valladolid. The exhibition was organised by the Henry Moore Foundation and Fundación Bancaria ‘la Caixa’. It forms part of Art on the Street, the La Caixa" Foundation programme for taking art to people outside the usual framework of museums and exhibition halls. It includes six sculptures curated by Sebastiano Barassi. Includes reference to and illus of Oval with Points 1968-1970 bronze (LH 596); Reclining Connected Forms 1969 bronze (LH 612); Large Standing Figure: Knife Edge 1976 bronze (LH 482a); Locking Piece 1963-64 bronze (LH 515); Reclining Figure 1982 bronze (LH 677a) and Two Piece Reclining Figure No. 2 1960 bronze (LH 458). Moore travelled to Spain in the summer of 1934 visiting the Altamira caves Toledo Madrid and Vic."
0023345
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2016
Date & Collation: (21 June - 4 September 2016)8pp.Illus.Map.
Description: Eight page fold out leaflet and map of the work located in San Sebastián. The exhibition tours Salamanca, Cadiz, Logrono, Valladolid and Donosti. The exhibition was organised by the Henry Moore Foundation and Fundación Bancaria ‘la Caixa’. It forms part of Art on the Street, the La Caixa" Foundation programme for taking art to people outside the usual framework of museums and exhibition halls. It includes six sculptures curated by Sebastiano Barassi. Includes reference to and illus of Oval with Points 1968-1970 bronze (LH 596); Reclining Connected Forms 1969 bronze (LH 612); Large Standing Figure: Knife Edge 1976 bronze (LH 482a); Locking Piece 1963-64 bronze (LH 515); Reclining Figure 1982 bronze (LH 677a) and Two Piece Reclining Figure No. 2 1960 bronze (LH 458). Moore travelled to Spain in the summer of 1934 visiting the Altamira caves Toledo Madrid and Vic."