Henry Moore Artwork Catalogue
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0014849
Author/Editor: STEELE Tom.
Publisher: Scolar Press
Place Published: Aldershot
Year: 1990
Date & Collation: x,284pp.8plates.Bibliog.
Description: Published in the U.S.A. by Gower Publishing Company (Brookfield, Va.). Orage was the editor of New Age, and is also described as an Aristocratic Socialist and a Mystic.
231-237 Herbert Read, Henry Moore and Barbara Hepworth.
(Read's promotion of Moore's art established a way of approaching the sculpture which has rendered it acceptable". Moore's early career Alice Gostick Ivan Mestrovic lecture and exhibition at Leeds in 1915. "Moore therefore at the age of seventeen had an opportunity of seeing both the sculpture and even the sculptor himself in Leeds". Kandinsky's writings Jacob Kramer Michael Sadler).
There are other mentions of Moore:
98 "Despite Henry Moore's protestations to the contrary sculpture was practised and taught in Leeds to a reputable degree...many of the elements which so inspired Moore such as Egyptian and medieval sculpture were already well-known. Rodin was also well-respected"."
231-237 Herbert Read, Henry Moore and Barbara Hepworth.
(Read's promotion of Moore's art established a way of approaching the sculpture which has rendered it acceptable". Moore's early career Alice Gostick Ivan Mestrovic lecture and exhibition at Leeds in 1915. "Moore therefore at the age of seventeen had an opportunity of seeing both the sculpture and even the sculptor himself in Leeds". Kandinsky's writings Jacob Kramer Michael Sadler).
There are other mentions of Moore:
98 "Despite Henry Moore's protestations to the contrary sculpture was practised and taught in Leeds to a reputable degree...many of the elements which so inspired Moore such as Egyptian and medieval sculpture were already well-known. Rodin was also well-respected"."
0015914
Author/Editor: DE COSSART Michael.
Publisher: Alan Sutton Publishing
Place Published: Gloucester and Wolfeboro Falls, N.H.
Year: 1990
Date & Collation: ix,246pp.16 plates.Bibliog.
Description: Includes half-a-dozen passing mentions of Moore, including exhibitions in which they both participated; and the 1954 controversy over Bristol's purchase of Draped Torso, 1953 bronze. Melhuish met the Moores at a party in the flat of Sir Francis Rose and Lady Frederica Rose (Dorothy Carrington) in Rosetti House, Flood Street.
0015920
Publisher: Art Gallery of Ontario Extension Services Newsletter
Place Published: Toronto
Year: 1990
Date & Collation: (July) 10 1(1 illus).
Description: One of three new 1992-1993 exhibitions in the Contact exhibition programme is Henry Moore: Mother and Child Prints, a small group of etchings and lithographs from the permanent collection of the Art Gallery of Ontario, curated by Alan G. Wilkinson.
See also 0014996.
See also 0014996.
0014845
Publisher: Galerie Dewart
Place Published: Mons
Year: 1990
Date & Collation: (10 May-22 June).10pp.Biog.Bibliog.Text in French.
Description: Typed list of 25 prints 1967-1981, together with short texts by Moore and others. Cette exposition a été réalisée grâce aux conseils et à la collaboration de Monsieur Patrick Cramer éditeur d'art à Genève"."
0015918
Author/Editor: MARTIN Douglas.
Publisher: Delacorte Press
Place Published: New York
Year: 1990
Date & Collation: 320pp(183 illus).Bibliog.
Description: First published in Great Britain 1989 by Julia MacRae Books.
15,28,29(1 illus) Henry Moore.
Introduction includes a full-page illustration of Prometheus on the Rock, 1951 lithograph, mention of Prométhée (See 0008261) and of the war drawings. Moore is also mentioned in a section on Nigel Lambourne.
15,28,29(1 illus) Henry Moore.
Introduction includes a full-page illustration of Prometheus on the Rock, 1951 lithograph, mention of Prométhée (See 0008261) and of the war drawings. Moore is also mentioned in a section on Nigel Lambourne.
0014850
Publisher: Agora
Place Published: Warsaw
Year: 1990
Date & Collation: 584pp.Illus.Bibliog.Text in Polish.
Description: 530-537(5 illus) OSEKA Andrzej. Henry Moore: wiecznoć i chwila.
Henry Moore: eternity and the moment. The eternal qualities of Moore's art in a century of changing artistic styles. Human figure as symbol, biological rather than geometric. Influences of past art and Moore's use of natural forms to create his own style. Tragedy is uncomfortably close in the War Drawings.
Henry Moore: eternity and the moment. The eternal qualities of Moore's art in a century of changing artistic styles. Human figure as symbol, biological rather than geometric. Influences of past art and Moore's use of natural forms to create his own style. Tragedy is uncomfortably close in the War Drawings.
0015921
Publisher: Phillips
Place Published: London
Year: 1990
Date & Collation: (31 May).
Description: Sale 28186. Lots 251-254 Henry Moore: four Prints 1949-1972.
0015924
Publisher: Phillips
Place Published: London
Year: 1990
Date & Collation: (6 Nov).
Description: Sale 28413. Cover title: British and Irish Traditional, Modern and Contemporary Paintings, Watercolours and Sculpture. Lots 110-111 Henry Moore: two drawings 1950, 1970. Illus:
110 Two Reclining Figures, 1970 drawing (Given by the artist to Henry Seldis, Editor of the Los Angeles Times).
111 Stevenage Family Group Cartoon, 1950 drawing (Large drawing, produced on site as a visual aid to enable the artist to make a decision on siting. Quotes a letter 20 April 1985 from T.R. Evans to F.R.S. Yorke's daughter describing how Moore produced the drawing on a board at the school site).
110 Two Reclining Figures, 1970 drawing (Given by the artist to Henry Seldis, Editor of the Los Angeles Times).
111 Stevenage Family Group Cartoon, 1950 drawing (Large drawing, produced on site as a visual aid to enable the artist to make a decision on siting. Quotes a letter 20 April 1985 from T.R. Evans to F.R.S. Yorke's daughter describing how Moore produced the drawing on a board at the school site).
0015986
Publisher: Israel Museum
Place Published: Jerusalem
Year: 1990
Date & Collation: .xx,240pp.Illus.Edited by Meira PERRY-LEHMANN.In English and Hebrew.
Description: 100 Twentieth-Century works from the collection of the Israel Museum, Jerusalem.
Exhibit 58(1 illus) Henry Moore: Five Seated Figures, 1934 drawing. Text by Ruth APTER-GABRIEL. The five seated figures in our sketch are quite monumental"."
Exhibit 58(1 illus) Henry Moore: Five Seated Figures, 1934 drawing. Text by Ruth APTER-GABRIEL. The five seated figures in our sketch are quite monumental"."
0015915
Author/Editor: WISEMAN Carter.
Publisher: Abrams
Place Published: New York
Year: 1990
Date & Collation: 320pp.Illus.Bibliog.Catalogue of works.
Description: American edition of 0011389, with a different title.
0015917
Author/Editor: KRUMRINE Mary Louise.
Publisher: Thames and Hudson
Place Published: London
Year: 1990
Date & Collation: 321pp.Illus.Biog.Bibliog.Catalogue.Texts.
Description: This book is published by the Offentliche Kunstsammlung Basel in association with Eidolon AG (Einsiedeln) on the occasion of the exhibition at the Kunstmuseum Basel 1989. Conception and realization of the exhibition and the catalogue Christian Geelhaar and Mary Louise Krumrine.
275-303(1 Moore illus) GEELHAAR Christian. The Painters who had the Right Eyes: on the reception of Cézanne's Bathers. (On the influence of Cézanne. Includes a photograph of Maquettes After Trois Baigneuses by Cézanne, 1978 plaster, and quotations from Moore's published statements).
275-303(1 Moore illus) GEELHAAR Christian. The Painters who had the Right Eyes: on the reception of Cézanne's Bathers. (On the influence of Cézanne. Includes a photograph of Maquettes After Trois Baigneuses by Cézanne, 1978 plaster, and quotations from Moore's published statements).
0015923
Publisher: Phillips
Place Published: London
Year: 1990
Date & Collation: (24 Oct).
Description: Sale 28395. Lot 398 Henry Moore: one Print 1977.
0015987
Publisher: Kunsthallen
Place Published: Copenhagen
Year: 1990
Date & Collation: (3 Oct).In Danish.
Description: Lot 208 Henry Moore: one Print 1973. Illus: Two Reclining Figures, 1973 lithograph.
0015913
Publisher: Chambers
Place Published: Edinburgh and New York
Year: 1990
Date & Collation: xii,1604pp.
Description: 1036 Henry Spencer Moore. 24-line entry in the premier one-volume biographical dictionary, First edition 1897. 2nd edition 1929. 3rd edition 1935. 4th edition 1961, 33 line Moore entry.
0015919
Publisher: National Museum of Women in the Arts
Place Published: Washington, D.C.
Year: 1990
Date & Collation: .79pp.Illus.Biog.Bibliog.Prefatory texts by Wilhelmina Cole HOLLADAY, Charles A. SANDERS.Text by Bryan ROBERTSON.
Description: 17-38 The Context. British art of the 1940s and 1950s. Includes several mentions of Moore's sculpture, and opens with a description of the Shelter Drawings which established his reputation. To this day he retains a special place in the English cultural hierarchy and the appreciation of him was never stronger than in the 1950's"."
0014722
Author/Editor: SPALDING Frances.
Publisher: Antique Collectors' Club
Place Published: Woodbridge
Year: 1990
Date & Collation: 482pp.Illus.Bibliog.
Description: Dictionary of British Art, Volume 6. Introduction, followed by Artist A-Z entries. The introduction mentions Moore's carvings and war drawings, with a photograph of Reclining Figure, 1929 brown Hornton stone. There is a 27-line biographical entry on page 328.
0014724
Publisher: Jullien Cornic
Place Published: Paris
Year: 1990
Date & Collation: 135pp.Illus.Preface Patrick MAURIES.
Description: Stock catalogue with illustrations and brief description of Heads, Figures and Ideas on page 47; and listings of the print catalogues raisonnés on page 107.
0015916
Author/Editor: ANDERSEN Wayne.
Publisher: Fabriart
Place Published: Geneva
Year: 1990
Date & Collation: 587pp.Illus.Bibliog.Index.
Description: Journal by author and professor at Massachussets Institute of Technology.
501-502 Henry Moore.
Text of 30 May 1973 letter from Moore to Andersen postponing a visit to the USA because of illness. This in response to Andersen's invitation to Moore to site a sculpture in the Great Court at M.I.T.
501-502 Henry Moore.
Text of 30 May 1973 letter from Moore to Andersen postponing a visit to the USA because of illness. This in response to Andersen's invitation to Moore to site a sculpture in the Great Court at M.I.T.
0015922
Publisher: Phillips
Place Published: London
Year: 1990
Date & Collation: (25 June).
Description: Sale 28244. Lots 419-427 Henry Moore: nine Prints 1975-1979. Illus:
419 Three Seated Figures in Setting, 1976 lithograph.
425 Figures in Snow, 1976 lithograph.
419 Three Seated Figures in Setting, 1976 lithograph.
425 Figures in Snow, 1976 lithograph.
0014728
Author/Editor: FILHO Antonio Gonçalves.
Publisher: Folha de São Paulo
Place Published: São Paulo
Year: 1990
Date & Collation: (5 June)..(2 illus).Text in Portuguese.
Description: Review of British Council exhibition in São Paulo Museum of Art (See 0011449). Moore's stature, importance as a draughtsman, influences and ability to work with different techniques. The artist's feeling for the human figure. Personal and artistic biography in outline.
0014727
Author/Editor: ARAUJO Celso.
Publisher: Jornal de Brasilia
Place Published: Brasilia
Year: 1990
Date & Collation: (18 April)..(4 illus).Text in Portuguese.
Description: British Council print exhibition in Galerie de Arte of the Caixa Económica Federal (See 0011449). Moore's stature. His preference for simplicity of form and his prolific production. Outline biography.
0014768
Author/Editor: GOMBRICH E.H.
Publisher: De Haan
Place Published: Houten
Year: 1990
Date & Collation: xi,546pp.Illus.Bibliog.Text in Dutch.
Description: Dutch edition of The Story of Art 15th edition. See 0012605 for description.
0014789
Publisher: N.H.K.
Place Published: Tokyo
Year: 1990
Date & Collation: 2 hours.Colour.Sound.In Japanese.
Description: A series of four 30-minute television programmes 8-11 October 1990, broadcast on N.H.K's educational channel. Sculptor Yoshikuni IIDA speaks to camera, with illustrations and brief film of Much Hadham and in Japanese sculpture parks. He reads quotations from Henry Moore.
Part 1 is on Moore's life and career, Castleford background, education, influences. Cycladic art, Stonehenge, Chacmool, Brancusi. Moore had a subconscious predilection for primitive art and how the ancients worked with stone. His early carvings were entirely different from previous Western sculptural tradition.
Part 2 examines the Mother and Child theme and the Family Groups. His lifelong obsession came from his family background. One of the eternal themes of mankind which Moore expressed in the language of the ancients rather than through traditional Christian art. Style resolved by War Drawings and by Madonna and Child 1943-1944 Hornton stone. Influence of Picasso. Mother and Child became one unit eventually. King and Queen, 1952-1953 bronze an expression of loneliness, and a high point in Moore's art.
Part 3 concentrates on the internal-external theme in nature and how Moore was responsible for this notion in 20th century sculpture. Influence of Picasso and of Giacometti, with reptilian figures reflecting modern view of absurdity of existence, in contrast to ideal depictions of Greek sculpture. Helmet Heads likened to aliens from space. Early criticism of Moore's work.
Part 4 is on the theme of art and nature, Moore's reclining figures giving a sense of peace and recalling the soft hills of England. Organic shapes, and Moore's use of space. Iida visited Much Hadham in 1982 and describes the estate. Mentions Archipenko and compares Arp and Moore. Giacometti's art embodies the crisis of mankind, Moore's work overrides problems and creates harmony. Film and appreciation of Bronze Form, 1985-1986 bronze.
The Henry Moore Foundation possesses an audio tape English translation by Sim on R. PRENTIS of these programmes.
Part 1 is on Moore's life and career, Castleford background, education, influences. Cycladic art, Stonehenge, Chacmool, Brancusi. Moore had a subconscious predilection for primitive art and how the ancients worked with stone. His early carvings were entirely different from previous Western sculptural tradition.
Part 2 examines the Mother and Child theme and the Family Groups. His lifelong obsession came from his family background. One of the eternal themes of mankind which Moore expressed in the language of the ancients rather than through traditional Christian art. Style resolved by War Drawings and by Madonna and Child 1943-1944 Hornton stone. Influence of Picasso. Mother and Child became one unit eventually. King and Queen, 1952-1953 bronze an expression of loneliness, and a high point in Moore's art.
Part 3 concentrates on the internal-external theme in nature and how Moore was responsible for this notion in 20th century sculpture. Influence of Picasso and of Giacometti, with reptilian figures reflecting modern view of absurdity of existence, in contrast to ideal depictions of Greek sculpture. Helmet Heads likened to aliens from space. Early criticism of Moore's work.
Part 4 is on the theme of art and nature, Moore's reclining figures giving a sense of peace and recalling the soft hills of England. Organic shapes, and Moore's use of space. Iida visited Much Hadham in 1982 and describes the estate. Mentions Archipenko and compares Arp and Moore. Giacometti's art embodies the crisis of mankind, Moore's work overrides problems and creates harmony. Film and appreciation of Bronze Form, 1985-1986 bronze.
The Henry Moore Foundation possesses an audio tape English translation by Sim on R. PRENTIS of these programmes.
0014723
Publisher: Kunstforum der GrundkreditBank
Place Published: Berlin
Year: 1990
Date & Collation: (19 Jan-18 Feb).100pp.Illus.Prefatory texts by Dieter HONISCH, Eduard TRIER(1980).Text in German.Ausstellung und Katalog Brigit BLASS-SIMMEN.
Description: Exhibition also at Sparkassenhaus in Lage (Lage) 6 April-11 May 1990 and Wissenschaftszentrum Bonn (Bonn-Bad Godesberg) July-Aug 1990. Copyright Staatliche Museen Prussischer Kulturbesitz, Berlin.
58-59(1 illus) Henry Moore: Family Group, 1944 bronze with brief commentary noting the fundamental humanitarian element in both the sculpture and Moore's war drawings.
58-59(1 illus) Henry Moore: Family Group, 1944 bronze with brief commentary noting the fundamental humanitarian element in both the sculpture and Moore's war drawings.