Henry Moore Artwork Catalogue
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0014724
Publisher: Jullien Cornic
Place Published: Paris
Year: 1990
Date & Collation: 135pp.Illus.Preface Patrick MAURIES.
Description: Stock catalogue with illustrations and brief description of Heads, Figures and Ideas on page 47; and listings of the print catalogues raisonnés on page 107.
0018165
Publisher: Garton and Co.
Place Published: London
Year: 1990
Date & Collation: 28pp(3 Moore illus).
Description: Spring 1990 stock catalogue of three dozen prints.
Items 32-33 Henry Moore: two Prints 1950, one of which is also illustrated on the front cover: Family Group, 1950 lithograph.
Items 32-33 Henry Moore: two Prints 1950, one of which is also illustrated on the front cover: Family Group, 1950 lithograph.
0012697
Author/Editor: STALLABRASS Julian.
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1990
Date & Collation: 26pp.Bibliog.
Description: Original English text of 0011620, submitted to the Henry Moore Foundation 12 April 1990, and entitled Darkness in the Shelter.
0012696
Publisher: Leeds City Art Gallery
Place Published: Leeds
Year: 1990
Date & Collation: 16 plates.Illus.
Description: Subtitled: Thirteen Masterpieces from the Permanent Collection at Leeds City Art Gallery. The August 1991 plate shows two photographs of Reclining Figure, 1929 brown Hornton stone, one of them with the young Henry Moore. A commentary on plate 16 describes this as an original studio photograph, taken around 1930, and presented to the Henry Moore Centre for the Study of Sculpture by Lady Hendy in 1982.
0019003
Publisher: University of Leicester
Place Published: Leicester
Year: 1990
Date & Collation: 4pp(3 illus).
Description: Undate home-made brochure advertising course by G.M. Porter at University Centre Northampton. Acquired August 2000, together with a 1pp leaflet Visit to the Henry Moore Collection 11 July 1990. Tutor Gerald Porter, advertising a visit to Much Haddon" in Hertfordshire."
0021421
Publisher: Boundary Gallery
Place Published: London
Year: 1990
Date & Collation: 1990(1-19 Jun)
Description: Catalogue for exhibition by Moore's former dentist Richard Mitzman. Brief mentions of Moore within Introduction, page 1, by Peter Fuller, and Biographical Notes, page 2. Two internet print-outs of periodicals relating to Mitzman's third career as an award winning architect included; Blueprint, December 2004/January 2005 and Private Dentistry, February 2008. Both articles contain references to Moore.
0011486
Publisher: C.C.A.
Place Published: London
Year: 1990
Date & Collation: 32pp.Illus.
Description: This year we have divided our annual Modern Masters Catalogue into two sections. These correspond to two exhibitions we will be holding during the final months of 1990: 20th Century European Prints and Made in the USA."
39 works by a dozen artists including Moore's Mother and Child album (See 0011131). Includes illustrations of four etchings and aquatints from this album. The title page lists Berkeley Square Galleries (London) C.C.A. Galleries (London) and C.C.A. Galleries (Tokyo).
Title as printed: Modern Masters VIII."
39 works by a dozen artists including Moore's Mother and Child album (See 0011131). Includes illustrations of four etchings and aquatints from this album. The title page lists Berkeley Square Galleries (London) C.C.A. Galleries (London) and C.C.A. Galleries (Tokyo).
Title as printed: Modern Masters VIII."
0011484
Author/Editor: MITCHINSON David.
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1990
Date & Collation: 4pp.Text in French.
Description: Standard biographical text printed on very dark green paper.
0011483
Publisher: Pallant House
Place Published: Chichester
Year: 1990
Date & Collation: 60pp.Illus.Bibliog.Catalogue by David COKE.
Description: Introduction with mentions of Walter Hussey and Henry Moore, and catalogue of works with commentaries.
32-33,40-41,56(3 illus) Henry Moore: three Drawings 1939-1942, two Sculptures 1930-1952 and four prints.
Illustration and brief commentary on: Two Sleepers, 1941 drawing.
(a haunting and evocative picture").
Suckling Child 1930 alabaster.
("his most sentimental sculpture").
Helmet Head and Shoulders 1952 bronze.
("the protection of an inner vulnerable form by a strong armoured shell")."
32-33,40-41,56(3 illus) Henry Moore: three Drawings 1939-1942, two Sculptures 1930-1952 and four prints.
Illustration and brief commentary on: Two Sleepers, 1941 drawing.
(a haunting and evocative picture").
Suckling Child 1930 alabaster.
("his most sentimental sculpture").
Helmet Head and Shoulders 1952 bronze.
("the protection of an inner vulnerable form by a strong armoured shell")."
0011481
Author/Editor: DALLAPORTAS Joyce.
Publisher: U.M.I.
Place Published: Ann Arbor
Year: 1990
Date & Collation: viii,221pp.53 plates.Bibliog 183-219.
Description: U.M.I. Dissertation Services. Facsimile, made from the microfilm master copy of dissertation submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy in Humanities in the Graduate School of Syracuse University, June 1988.
1-8 Aims, thesis, and manner of conducting this analysis.
(that Lawrence's and Moore's treatments of the Archetypal Feminine are similar").
9-31 Erich Neumann's criticism and analysis of the Archetypal Feminine.
(The Great Mother: an analysis of the archetype. References to works by Moore).
32-52 Consideration of the author's and the sculptor's materials methods and medium of creating.
(A woman of words and a woman of stone. Nature and landscape as expressed in tactile form by Moore).
53-88 D.H. Lawrence and Henry Moore.
(Quotation from writings including Moore on Lawrence religion sculptural form).
89-129 Convergent perspective.
(Primitivism Reclining Figure theme figure as landscape sculpture form: contrasted with literary descriptions in Lawrence's writings).
130-177 Conclusion: A reassessment of Lawrence's and Moore's use of the Archetypal Feminine as propylaea to creative principle.
(Verbal metaphors and visual metaphors of Lawrence and Moore. Both acknowledged vitality as well as the underlying stillness of Greek art. Observations of nature. Lawrence's Snake paralleled with Moore's reptile-like heads. Meaning and content in the work of the two artists with quotations from their statements. Organic growth. Utopic vision. Movement from realism-naturalism to abstract-symbol to amorphous-universal).
Quotations.
178 Moore's explanation of vitality.
179 Michelangelo's definition of motion.
180 Frieda Lawrence's letter.
181 Lawrence's comments on coal mines.
Most of illustrations are taken from The Great Mother and Herbert Read's Henry Moore (See 0005623)."
1-8 Aims, thesis, and manner of conducting this analysis.
(that Lawrence's and Moore's treatments of the Archetypal Feminine are similar").
9-31 Erich Neumann's criticism and analysis of the Archetypal Feminine.
(The Great Mother: an analysis of the archetype. References to works by Moore).
32-52 Consideration of the author's and the sculptor's materials methods and medium of creating.
(A woman of words and a woman of stone. Nature and landscape as expressed in tactile form by Moore).
53-88 D.H. Lawrence and Henry Moore.
(Quotation from writings including Moore on Lawrence religion sculptural form).
89-129 Convergent perspective.
(Primitivism Reclining Figure theme figure as landscape sculpture form: contrasted with literary descriptions in Lawrence's writings).
130-177 Conclusion: A reassessment of Lawrence's and Moore's use of the Archetypal Feminine as propylaea to creative principle.
(Verbal metaphors and visual metaphors of Lawrence and Moore. Both acknowledged vitality as well as the underlying stillness of Greek art. Observations of nature. Lawrence's Snake paralleled with Moore's reptile-like heads. Meaning and content in the work of the two artists with quotations from their statements. Organic growth. Utopic vision. Movement from realism-naturalism to abstract-symbol to amorphous-universal).
Quotations.
178 Moore's explanation of vitality.
179 Michelangelo's definition of motion.
180 Frieda Lawrence's letter.
181 Lawrence's comments on coal mines.
Most of illustrations are taken from The Great Mother and Herbert Read's Henry Moore (See 0005623)."
0011487
Publisher: Hall Family Foundations
Place Published: Kansas City, Miss.
Year: 1990
Date & Collation: 32pp.Illus.
Description: Includes two photographs of sculpture at the Nelson-Atkins Museum of Art Henry Moore Sculpture Garden, opened 1989 as a result of collaboration with the Hall Family Foundations. Ten of the sculptures are on extended loan to the Museum from the Foundation's collection."
Title as printed: 1989 Annual Report."
Title as printed: 1989 Annual Report."
0011493
Publisher: Bishop's Stortford College
Place Published: Bishop's Stortford
Year: 1990
Date & Collation: 10pp(1 illus).Glossary.Preface by W.J.STRACHAN.
Description: List of 49 works by three dozen artists.
Item 2 Henry Moore: Six Reclining Figures, 1963 lithograph, reproduced on the front cover design.
Item 2 Henry Moore: Six Reclining Figures, 1963 lithograph, reproduced on the front cover design.
0011485
Publisher: Perry Green and Green Tye Society
Place Published: Much Hadham
Year: 1990
Date & Collation: 1pp.
Description: 20 July 1990 leaflet put through letterboxes calling a public meeting on 25 July 1990 at The Mission Hall, Green Tye to obtain the opinions of local people on the recent proposals made by the Foundation to extend the scale of its operations in Perry Green"."
0011491
Publisher: Roy Thomson Hall
Place Published: Toronto
Year: 1990
Date & Collation: 16pp.Illus.Biog.Texts.
Description: 21 October 1990 programme of performances in tribute to businessman who died 25 April 1990. For over thirty years Ed Bovey helped to shape the Art Gallery of Ontario. He played a crucial role in the establishment of our world renowned Henry Moore Sculpture Centre in the 1960's.""
0011489
Publisher: Berkeley Square Gallery
Place Published: London
Year: 1990
Date & Collation: 24pp.Illus.
Description: A Collection of British and European Sculpture" probably a stock catalogue illustrating 16 works by 13 artists including two Moore Bronzes 1955-1982."
0011492
Publisher: William Weston Gallery
Place Published: London
Year: 1990
Date & Collation: ..pp.Illus.
Description: Catalogue No. 3, 1990 (Year 23, Issue No. 225). Drawings, Watercolours and Paintings, Etchings and Lithographs.
Item 41(1 illus) Henry Moore: Two Found Objects: Ideas for Sculpture, 1982 drawing.
(Commentary on Moore's use of drawing and landscape. Description of the drawing typical of those he made in the later years of his life").
Catalogue and drawing exhibited at The 20th Century British Art Fair (See 0011480).
Title as printed: 20th Century British Art: From Sickert to Hockney."
Item 41(1 illus) Henry Moore: Two Found Objects: Ideas for Sculpture, 1982 drawing.
(Commentary on Moore's use of drawing and landscape. Description of the drawing typical of those he made in the later years of his life").
Catalogue and drawing exhibited at The 20th Century British Art Fair (See 0011480).
Title as printed: 20th Century British Art: From Sickert to Hockney."
0011482
Publisher: Towner Art Gallery and Local History Museum
Place Published: Eastbourne
Year: 1990
Date & Collation: 8pp folder(1 Moore illus).
Description: Family Group, 1948-1949 bronze is used on the front of this publicity sheet which includes details of 0011455 in Eastbourne 1 Dec 1990-13 Jan 1991.
0011488
Publisher: Paul Popper Ltd.
Place Published: London
Year: 1990
Date & Collation: 28pp.Illus.
Description: Publicity booklet of photo-library founded in 1934.
20(1 illus) Henry Moore.
Portrait photograph of Henry Moore, probably late 1920s.
20(1 illus) Henry Moore.
Portrait photograph of Henry Moore, probably late 1920s.
0011494
Publisher: Edward James Foundation
Place Published: Chichester
Year: 1990
Date & Collation: 12 cards in folder.
Description: Three cards devoted to Henry Moore tapestries: Draped Reclining Figure in a Landscape, 1986 tapestry.
(Woven by Valerie Power. Card includes a photograph of the tapestry displayed in the Aisled Barn at Much Hadham. Client Henry Moore Foundation).
Three Seated Figures, 1980 tapestry.
(Woven by Valerie Power. Client Fischer Fine Art).
Second Shelter Sketchbook: Study for Row of Sleepers, 1987 tapestry.
(Woven by Joan Baxter and Chris Cochius. Client the Henry Moore Foundation. Also includes a photograph of Second Shelter Sketchbook: Study for Row of Sleepers, 1941 drawing).
One of the cards contains a short text outlining the history of the West Dean Tapestry Studio from the initial Henry Moore commission in 1976.
(Woven by Valerie Power. Card includes a photograph of the tapestry displayed in the Aisled Barn at Much Hadham. Client Henry Moore Foundation).
Three Seated Figures, 1980 tapestry.
(Woven by Valerie Power. Client Fischer Fine Art).
Second Shelter Sketchbook: Study for Row of Sleepers, 1987 tapestry.
(Woven by Joan Baxter and Chris Cochius. Client the Henry Moore Foundation. Also includes a photograph of Second Shelter Sketchbook: Study for Row of Sleepers, 1941 drawing).
One of the cards contains a short text outlining the history of the West Dean Tapestry Studio from the initial Henry Moore commission in 1976.
0014368
Publisher: Hoffmann-La Roche
Place Published: Basle
Year: 1990
Date & Collation: c.1990.28pp(1 Moore illus).
Description: Medical booklet with a front cover photograph of Interlocking Two Piece Sculpture, 1968-1970 white marble in the garden of the Roche Headquarters.
0014364
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1990
Date & Collation: c1990.1pp(2 illus).
Description: Photocopy headed March-April 25th. B.W.A. Culture" advertising Metropolitan Museum of Manila exhibition (See 0011087 and 0014361). "Do take family friends and helpers to enjoy a few moments of air-con.-calm and an extraordinary opportunity to admire a great British artist"."
0014365
Publisher: Museum of London
Place Published: London
Year: 1990
Date & Collation: .20pp.Illus.Text Robert JACKSON.
Description: The London Connection, 16. The back cover reproduces Women in a Shelter, 1941 drawing.
0014367
Publisher: University of Leeds
Place Published: Leeds
Year: 1990
Date & Collation: c1990.1pp folded card(1 illus).
Description: Henry Moore Sculpture Trust undated invitation to a series of public lectures, the start of a collaboration between the Henry Moore Centre for the Study of Sculpture and the University of Leeds, with the establishment of the new Masters Degree in sculpture studies.
24 January: Alan Bowness. Inaugural lecture.
7 February: Charles Harrison.
7 March: Michael Craig-Martin.
14 March: Richard Wentworth.
21 March: Richard Cork.
24 January: Alan Bowness. Inaugural lecture.
7 February: Charles Harrison.
7 March: Michael Craig-Martin.
14 March: Richard Wentworth.
21 March: Richard Cork.
0014363
Publisher: Studio 15
Place Published: Milan
Year: 1990
Date & Collation: c1990.22pp.Illus.Edited by Cesare CAINI.In Italian.
Description: Illustrations of 40 prints, including Moore's Figures in Settings, 1949 collograph.