Henry Moore Artwork Catalogue
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0023162
Author/Editor: Edited by AZARA Pedro, CHI Jennifer Y
Publisher: Institute for the Study of the Ancient World and Princeton University Press
Place Published: New York
Year: 2015
Date & Collation: (12 February - 7 June 2015)240pp.Illus.Appendix.Exhibition checklist.Bibliography.Photography and drawing credits
Description: Catalogue to accompany exhibition of the same name, at the Institute for the Study of the Ancient World, at New York University, 12 February - 7 June 2015. 13 Reference to Henry Moore and The Henry Moore Foundation curatorial team in the Acknowledgements. 18 Moore listed in section titled From Ancient to Modern: A Chronology, Modern Periodization. Entry reads '1929-31 Henry Moore's sculpture inspired by Sumerian art is on view at the British Museum'. 27 Illus of Seated Figure 1929 cast concrete (LH 65). 28 CHI and AZARA write artists such as 'Henry Moore viewed Sumerian art as a powerful expression of original but lost artistic energies, and some of their works directly reflect Sumerian material. 47 Moore referenced in section titled From Ancient to Modern and Beyond. Sumerian anthropomorphic figurines, such as the Diyala statuettes considered the first artistic manifestation of the human figure, fascinated Surrealists before the Second World War. Artists 'saw in Sumerian art and poetry the translation of original energies and values that had been lost'. CHI and AZARA write for Giacometti and Moore 'the discovery of Sumerian sculpture was a revelation, and they felt that something essential to the understanding of human life was revealed in these objects' ... 'Moore found Sumerian sculpture to be the simplicity and expression of life', with no decorative trimmings which are the sign of decadence of flagging inspiration" (written by Moore in 1935 in his review of Christian Zervos's book L'art de la Mésopotamie one of the first publications on Sumerian "art" considered as art). Page 53 Endnote 23 refers to Moore. 223 Two of Moore's works are listed in Exhibition checklist: Seated Figure 1929 cast concrete (LH 65) and Half Figure II 1929 cast concrete (LH 66)."
0023160
Publisher: Hayward Publishing
Place Published: London
Year: 2015
Date & Collation: (10 February - 26 April)196pp.Illus.List of Works.Acknowledgements.Biographies and bibliographies.
Description: Catalogue for exhibition of the same name at the Hayward Gallery, London. Seven artists explore the nation's recent past (post 1945) through over 250 artworks, images and objects. 18 Selection by Richard Wentworth. Henry Moore's pebbles collected along the British shore sit side by side with Robert Capa's photographs of the Normandy landings. WENTWORTH writes a good Henry Moore sculpture comes from carving peeling or whittling: from what we might call 'elbow work'. I like the tactility and thoughtfulness of Moore's stringed figures: they 'rhyme' with the feeling of a pebble in the hand and suggest skin to skin contact" reference to working with Moore as his assistant. 28 illus of Maquette for Atom Piece 1964 cast 1970 bronze (LH 524) and Helmet Head No.1 1950 lead (LH 279). 33 Illus of Maquette for Mother and Child 1938 plaster and string (LH 186). 34 Illus of Stringed Figure 1939 bronze and string (LH 199). 36 Illus of stones and pebbles collected by Moore. In List of Works 189-191 details '38 stones and pebbles in wooden crate from Henry Moore's maquette studio and seven works exhibitedincluding the above mentioned and also i>Stringed Figure 1938 bronze (LH 190); September 3rd 1939 (HMF 1551); Maquette for Stringed Reclining Figure 1939 plaster (LH ).
0023197
Author/Editor: Edited by EGGELHÖFER Fabienne
Publisher: Zentrum Paul Klee
Place Published: Bern
Year: 2015
Date & Collation: 160pp.Illus.Biography;Illustrated works;Bibliography.Copyright.
Description: Catalogue to accompany exhibition of the same name exhibitions at Zentrum Paul Klee (ZPK). Texts by Sebastiano BARASSI, Fabienne EGGELHÖFER and Matthew GALE. Illustrated throughout. 8-29 Henry Moore and Paul Klee - An Intellectual Rapprochement Fabienne EGGELHÖFER writes on virtual encounters; artists on art; against the academic tradition; Dualistic construct; and like nature. 30-47 Klee/Read/Moore - Reforming the World Matthew GALE makes indirect connections between the work of Paul Klee, Moore and Herbert Read, in the 1920s and 30s. 48-69 The Master of his Material - Henry Moore's Working Methods Sebastiano BARASSI writes on direct carving and the 'Truth to Material'; preparatory drawings and maquettes; and bronze casting. 70-77 Mother and Child 78-87 Masks and Heads 88-93 War artist 94-105 Figures 106-123 Reclining Figures 124-141 Abstractions 142-152 Henry Moore Biography.
0023220
Publisher: Zentrum Paul Klee
Place Published: Bern
Year: 2015
Date & Collation: 62pp.
Description: Small booklet to accompany the exhibition at Zentrum Paul Klee (ZPK), including floor plan and text: Introduction 1. Mother and Child 2. Masks and Heads 3. War Artist 4. Figures 5. Abstractions 6. Reclining Figures 7. Biography (no Moore illus) See also a poster published 2014 with illus of Working Model for Three Way Piece No. 2: Archer 1964 (LH 534)
0023232
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2015
Date & Collation: (16 April - 28 June 2015)8pp.Illus.Map.
Description: Eight page fold out leaflet on touring exhibition of the same name. Exhibition forms part of Art on the Street, the La Caixa" Foundation programme for taking art to people outside the usual framework of museums and exhibition halls. It includes six sculptures curated by Sebastiano Barassi. Includes reference to and illus of Oval with Points 1968-1970 bronze (LH 596); Reclining Connected Forms 1969 bronze (LH 612); Large Standing Figure: Knife Edge 1976 bronze (LH 482a); Locking Piece 1963-64 bronze (LH 515); Reclining Figure 1982 bronze (LH 677a) and Two Piece Reclining Figure No. 2 1960 bronze (LH 458). Moore travelled to Spain in the summer of 1934 visiting the Altamira caves Toledo Madrid and Vic."
0023212
Publisher: Bruce Silverstein
Place Published: New York
Year: 2015
Date & Collation: (26 February - 18 April 2015)34pp.Illus.
Description: Catalogue of exhibition of the same name, in collaboration with Damon Brandt. A group show featuring André Kertész's Distortions. Includes Moore's Reclining Figure 1945 bronze (LH 251); Emperor's Heads 1967 bronze (LH 493a); Ideas for Sculpture 1940 (HMF 1492).
0023257
Publisher: The Yomiuru Shimbun, The Japan Association of Art Museums
Place Published: Tokyo
Year: 2015
Date & Collation: (4 April-12 May 2015)233pp.Illus.Selected bibliography.Chapter commentaries.Copyrights.
Description: Catalogue of touring exhibition of the same name. Includes the work of 33 artists including Moore. 94-95 five illus from Prométhée sketchbook: Book Jacket 1950 (CGM 18); Head of Prometheus 1950 (CGM 22); The Four Sketches 1950 (CGM 23); Death of Mira 1950 (CGM 30); Prometheus on the Rock 1950 (CGM 32). 200 lists Moore's works and 222 brief section on Moore (in Japanese). The exhibition opens at the Kawamura Memorial DIC Museum of Art (4 April - 12 May) and then tours to The Museum of Modern Art, Hayama (24 May - 20 July); Shimane Art Museum (29 July - 10 September); Kitakyushu Municipal Museum of Art, Riverwalk Gallery (19 September - 3 November).
0023239
Publisher: Waddington Custot
Place Published: London
Year: 2015
Date & Collation: (22 May - 11 July 2015)161pp.Illus.Biography.Photographer's biographies.Print glossary
Description: Catalogue for exhibition of photographs of the same name, in collaboration with David Grob. Essay by Francis HODGSON Dancing from Three Dimensions to Dancing in Two. Illus of Moore working on the polystyrene enlargement for Large Spindle Piece 1968 (LH 593). Reference to Moore disrupting scale; Anne WAGNER; Michael Heseltine; inauguration of The Arch in Kensington Gardens; Perry Green; Moore's relationship with Bill Brandt; Moore's photography; Hedgecoe; Van Deren Coke; Moore using photography to generate ideas. 9 Illus of Animal Head 1978. Section on Moore listing works 40-58: Family Group 1948-9 silver gelatin print; Family Group (plaster maquette for UNESCO commission 1956-7) 1957 silver gelatin print, Lidbrooke; Mother and Child Against Open Wall (maquette for UNESCO commission 1956-7) 1956 silver gelatin print, Lidbrooke; Two Seated Figures against Curved Wall (plaster maquette for UNESCO commission 1956-7) 1957 silver gelatin print, Lidbrooke; Seated Figures against Curved Wall 1956-7 silver gelatin print; Draped Seated Figure against Curved Wall 1956-7 silver gelatin print, Lidbrooke; Seated Figure (plaster maquette for UNESCO commission 1956-7) 1956 silver gelatin print; Draped Reclining Woman (plaster maquette for UNESCO commission 1956-7) 1956-7 silver gelatin print, Lidbrooke; Maquette for UNESCO commission 1956 silver gelatin print, Lidbrooke; King and Queen 1952-4 silver gelatin print; Two Piece Reclining Figure No. 2 1960 silver gelatin print. 126 Moore's photographs are unsigned. He had a camera in the studio from the late 1930s and was assisted by numerous professional photographers. 142-145 Moore list of works. 155-159 Biography Moore.
0023193
Publisher: Art and Exhibition Hall of the Federal Republic of Germany GmbH
Place Published: Bonn
Year: 2015
Date & Collation: (6 February to 25 May 2015)287pp.Illus.Bibliography.Phot credits
Description: Catalogue of exhibition of the same name at the Bundeskunsthalle (Art and Exhibition Hall), Bonn 6 February to 25 May 2015. The exhibition demonstrates the immense effect of Michelangelo on European art . 216-217 reference to Moore and illus of Seventeen Reclining Figures with architectural Background 1963 (CGM 47); Recumbent Figure 1938 bronze (LH 184) and Four Reclining Figures 1974 lithograph (CGM 333).
0023266
Publisher: Mori Art Museum
Place Published: Tokyo
Year: 2015
Date & Collation: (25 April - 5 July 2015) 208pp.Illus.List of works.Photo credits.Acknowledgements.
Description: Catalogue of exhibition of the same name. 48 and 167 Illus of Maquette for Carving: Points 1974 bronze (LH 643a).
0023347
Publisher: Saint Louis Art Modern
Place Published: Saint Louis
Year: 2015
Date & Collation: 8 November 2015 to 31 January 2016.illus.184pp.endnotes.checklist.index.
Description: A companion to an exhibition of mid-century modern design in St. Louis at Saint Louis Art Museum to coincide with the fiftieth anniversary of Eero Saarinen's Gateway Arch completed on 28 October 1965. Page 58 refers to Moore's influence on the sculpture William Talbot. Page 59 refers to Moore's works Two Piece Reclining Figure No.1 1959 bronze, (LH 457) and Two Piece Reclining Figure No. 2 1960 bronze, (LH 458) as being two of three most important midcentury public sculptures in the area and shows an installation view of both located outside the main terminal at Lambert-St.Louis International Airport c.1961.
0023338
Author/Editor: Curated by STEPHENS Chris and COLOMBO Davide
Publisher: Mondadori Electa
Place Published: Verona
Year: 2015
Date & Collation: (24 Sept 2015 - 10 January 2016)100+pp.Illus.
Description: Catalogue for exhibition of the same name, shown at the Museo Nazionale Romano, Rome, 24 Sept 2015 - 10 January 2016. Illustrated throughout. 75 works were shown, mainly from the Tate, London, including sculpture, drawing and graphics. Catalogue illustrated throughout, in seven sections: Henry Moore: genealogia di un successo (Henry Moore: Genealogy of a success) Il più importante artista surrealista inglese (The most important English Surrealist artist) Londra sotterranea (London Underground) Sculture con vista (Sculptures with view) Cataologo (Catalogue) Moore: viaggio in italia (Moore: trip to Italy) Antologia e biografia (Anthology and biography)
0023418
Publisher: Fundación ‘la Caixa’
Place Published: Barcelona
Year: 2015
Date & Collation: 2015 (7 July) 2pp.Illus
Description: Invitation to the inauguration of the exhibition in Santander (7 July - 2 September 2015). Part of the Henry Moore - Arte en la Calle (Art on the Street) touring exhibition. Illus of Oval with Points 1968-70 bronze, (LH 596). See 0023233 for details of the exhibition.
0023606
Publisher: Yorkshire Sculpture Park
Place Published: Wakefield, UK
Year: 2015
Date & Collation: 18 July 2015-1 November 2015. 12pp.illus.
Description:
Leaflet to accompany the Caro in Yorkshire exhibition at YSP. Discusses influence of Moore, to whom Caro was an assistant. Caro's drawing Seated Woman 1951-52 (illustrated) has annotations by Moore.
0023646
Author/Editor: Edited by VERPOORTEN Frank
Publisher: The Baker Museum
Place Published: Naples, Florida
Year: 2015
Date & Collation: 14 February - 19 June. 269pp.illus.
Description:
One Moore work: Head c.1964 (LH 522d). illus. with brief description: "organic and fluid forms, with unfamiliar elements that resonate with Surrealism".
0023416
Author/Editor: LEMBKE Katja
Publisher: Lower Saxony State Museum Hanover
Place Published: Hanover
Year: 2015
Date & Collation: 398pp.illus.bibliography.notes.credits.
Description: Glossy softback publication of exhibition of the same name: Madonna. Frau-Mutter-Kultfigur. Page 303 shows image of Moore's work Madonna and Child 1943 bronze (LH 223) with accompanying commentary on 302. Pages 304 and 305 shows Moore's Working Model for Reclining Figure: Internal/External Form 1951 bronze (LH 298). Page 351 shows Moore's work Family Group 1944 bronze (LH 233). Catalogue entries for the three Moore works are listed pp.351-353 (cats. 197-199).
0023563
Author/Editor: OSBORNE Peter, MITCHINSON David
Publisher: Osborne Samuel
Place Published: London
Year: 2015
Date & Collation: 104pp.illus.hbk.
Description:
Published to accompany an exhibition of Moore's work at 23 Bruton Street held between 22 May and 27 June 2015.
0023586
Author/Editor: UHL Katharina
Publisher: Staatliches Museum
Place Published: Schwerin
Year: 2015
Date & Collation: 306pp.illus.
Description: Exhibition catalogue for exhibition at the Staatliches Museum, Schwerin. Biographical photograph of Moore by Eddy Novarro on p.26; pp.46 and 47 shows HMF 76(5a) and HMF 76(6). pp.289-299 is a catalogue of works in the Novarro collection; HMF 76(5a), HMF 76(5b) and HMF 76(6) are listed.
0023595
Author/Editor: Edited by MORRIS Polly
Publisher: Lynden Sculpture Garden
Place Published: Milwaukee, Wisconsin
Year: 2015
Date & Collation: 2015. 48pp.Field notes.Afterword.
Description: Photograph of Large Torso: Arch.
0023679
Author/Editor: CANTINOTTI Sophia and PAPILLOUD Jean-Henry
Publisher: Fondation Pierre Gianadda
Place Published: Martigny
Year: 2015
Date & Collation: 368pp.illus.
Description:
Exhibition celebrating Léonard Gianadda's 80th birthday.
pp.100-101: illus. of the Gianadda Foundation's grounds, featuring Moore's 1982 Reclining Figure (LH 677a). pp.149-150: discussion of the Gianadda Foundation's 1989 Henry Moore exhibition. p.191: illus. of press coverage of the 20th anniversary of the Foundation in 1998, showing Gianadda standing with LH 677a.
0023697
Author/Editor: MECKLENBURG Virginia M.
Publisher: Smithsonian
Place Published: London
Year: 2015
Date & Collation: 30 October 2015 - 3 April 2016. 232pp.illus.
Description:
Catalogue for an exhibition at the Smithsonian American Art Museum.One Moore mention in introduction (p.21); three page profile of Moore with image of Working Model for Draped Reclining Figure (pp.168-170). Discusses the reclining figure as a theme of Moore's work throughout his life, and his adoption of classically influenced drapery following his bomb-shelter sketches during the war and his visit to Greece in 1950.
0023456
Author/Editor: Edited by CURTIS Penelope, STEPHENS Chris
Publisher: Tate Enterprises Ltd 2015
Place Published: London
Year: 2015
Date & Collation: 208pp.Illus.Plates.Notes.Select Bibliography.Exhibited Works.Credits.Index.
Description: Exhibition catalogue accompanying the exhibition Barbara Hepworth: Sculpture for a Modern World at Tate Britain 2015, Kröller-Müller Museum, Otterlo 2016 and Arp Museum, Rolandseck 2016. Page 8 reference to Moore's overwhelming critical success at the Venice Biennale 1948. 9 reference to Hepworth being dogged by comparison with Moore.13 passing reference to Moore's relationship with Hepworth. 15 Hepworth and Moore's shared reticence about technical training at Leeds and London art schools. 16 reference to Arts and Crafts training at the RCA. 17 reference to Moore's Standing Woman 1923 (LH 5). 27 reference to Moore learning by spending time in Zwimmer's bookshop just looking. 30-1 mention of Moore's connection with Unit One. 31 mention of Moore being part of group that set up the periodical Axis. Mention of the Constructive Art exhibition at the London Gallery in Cork Street. 81 reference to Warren Forma's 1964 film 5 British Sculptures Work and Talk. 92 mention of Hepworth being frustrated at being overshadowed by Moore at the exhibition in Kassel 1959. 101 mention of Hepworth and Moore's shared distrust of architectural commissions. 104 contrasts Hepworth and Moore's exhibition design and presentation at the respective exhibitions at the Tate 1968. Plate 6 shows image of of Moore's Snake 1924 marble (LH 20) and plate 14 shows Moore's Seated Girl 1931 anhydrite stone (LH 110).
0023767
Publisher: Gagosian
Place Published: London
Year: 2015
Date & Collation: 9 Feburary - 2 April.190pp.illus.
Description:
Catalogue for exhibition at the Gagosian Gallery, London in spring 2015. Introductory essay, "The Possibility of Touch", by Richard Calvocoressi; Calvocoressi and Edmund de Waal in conversation in "In Moore's Maquette Studio". The remainder of the catalogue consists of photographs of works in the exhibition, divided into five sections: "Relief Sculptures", "Maquettes and Small Sculptures", "Large Sculptures", "Mother & Child and Crucifixion Drawings", and "Late Drawings".
0023196
Publisher: Fundacion Juan March
Place Published: Madrid
Year: 2015
Date & Collation: (4 February - 1 March 2015)4pp.Illus.
Description: Exhibition of work by Moore, Barbara Hepworth and Anthony Caro. Folded leaflet and with information and exhibition display. Moore's works exhibited: Mother and Child 1953 bronze (LH 315); Meditations on the Effigy 1968 10 lithographs and 2 etchings; Elephant Skull 1970 portfolio of 28 etchings; La Poésie 1974 10 lithographs. Illus of Mother and Child 1953 bronze; Moore in his studio looking through Upright Internal/External Form c. 1953