Barbara Hepworth - sculpture for a modern world

0023456 Hepworth, Barbara; Sculpture for a Modern World at Tate Britain 2015; Venice Biennale 1948.; Standing Woman, 1923 walnut wood (LH 5); Art in Britain 1930-40 centered around Axis, Circle, Unit One; Axis; Reluctant Romantics: Axis magazine 1935-37; FORMA Warren; 5 British Sculptures Work and Talk; Kassel; Snake, 1924 marble; Seated Girl, 1931 anhydrite stone; Constructive Art in the 1930s, English; Constructive Art, Exhibition of Barbara Hepworth - sculpture for a modern world Tate Enterprises Ltd 2015 London Exhibition catalogue accompanying the exhibition Barbara Hepworth: Sculpture for a Modern World at Tate Britain 2015, Kröller-Müller Museum, Otterlo 2016 and Arp Museum, Rolandseck 2016. Page 8 reference to Moore's overwhelming critical success at the Venice Biennale 1948. 9 reference to Hepworth being dogged by comparison with Moore.13 passing reference to Moore's relationship with Hepworth. 15 Hepworth and Moore's shared reticence about technical training at Leeds and London art schools. 16 reference to Arts and Crafts training at the RCA. 17 reference to Moore's Standing Woman 1923 (LH 5). 27 reference to Moore learning by spending time in Zwimmer's bookshop just looking. 30-1 mention of Moore's connection with Unit One. 31 mention of Moore being part of group that set up the periodical Axis. Mention of the Constructive Art exhibition at the London Gallery in Cork Street. 81 reference to Warren Forma's 1964 film 5 British Sculptures Work and Talk. 92 mention of Hepworth being frustrated at being overshadowed by Moore at the exhibition in Kassel 1959. 101 mention of Hepworth and Moore's shared distrust of architectural commissions. 104 contrasts Hepworth and Moore's exhibition design and presentation at the respective exhibitions at the Tate 1968. Plate 6 shows image of of Moore's Snake 1924 marble (LH 20) and plate 14 shows Moore's Seated Girl 1931 anhydrite stone (LH 110).