Henry Moore Artwork Catalogue
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0003105
Author/Editor: SIIMES Anja.
Publisher: University of Helsinki
Place Published: Helsinki
Year: 1977
Date & Collation: ii,117pp(1 illus).Bibliog.
Description: Academic dissertation, with a small illustration of a Henry Moore sheep on page three.
0003287
Publisher: Spectator
Place Published: London
Year: 1977
Date & Collation: (28 May) Cover,25,26(3 illus).
Description: MCEWEN John. The public Moore.
(One-page note on Moore's standing at the time of the Orangerie exhibition (See 0003082) and the publication of Henry Moore: sculpture and environment (See 0003357)).
ROBERTSON Bryan. Moore's Sheep Piece.
(Short text on the Sheep Piece, 1971-1972 bronze, plus an earlier drawing of the theme, both of which are illustrated. biomorphic connotations of a shape that's beyond any known congress")."
(One-page note on Moore's standing at the time of the Orangerie exhibition (See 0003082) and the publication of Henry Moore: sculpture and environment (See 0003357)).
ROBERTSON Bryan. Moore's Sheep Piece.
(Short text on the Sheep Piece, 1971-1972 bronze, plus an earlier drawing of the theme, both of which are illustrated. biomorphic connotations of a shape that's beyond any known congress")."
0003114
Publisher: Municipal Art Commission
Place Published: Kansas City
Year: 1977
Date & Collation: ii,52pp.Illus.
Description: Cover title: Monuments. Guide book to 46 public sculptures.
39(1 illus) Henry Moore: Sheep Piece (N. Clyde Degginger Memorial).
Photograph of Sheep Piece, 1971-1972 bronze purchased 1974 through estate of N. Clyde Degginger who died in 1967. The work is shown on temporary site on 47th Street at the south-east corner of the William Rockhill Nelson Gallery grounds, placed 12 May 1976.
39(1 illus) Henry Moore: Sheep Piece (N. Clyde Degginger Memorial).
Photograph of Sheep Piece, 1971-1972 bronze purchased 1974 through estate of N. Clyde Degginger who died in 1967. The work is shown on temporary site on 47th Street at the south-east corner of the William Rockhill Nelson Gallery grounds, placed 12 May 1976.
0003106
Publisher: Institut Pasteur
Place Published: Paris
Year: 1977
Date & Collation: 16pp.Texts in French and some English.
Description: Souvenir programme to mark the first presentation in France of the B.B.C. 2 film by Peter Goodchild; in the Grand Amphithéâtre de l'Institut Pasteur, 16 November 1977. Reproduced on front cover, with permission of Henry Moore, is Sheep, 1972 etching and dry point. Pasteur employed sheep in the development of his vaccines.
0003079
Publisher: Bibliothèque Nationale
Place Published: Paris
Year: 1977
Date & Collation: .32pp(26 illus).Biog.Bibliog.Texts in French.
Description: Catalogue of print exhibition, also incorporated in slightly different form in Nouvelles de l'Estampe 32, March-April 1977 (See 0003272).
3 LE RIDER Georges. Preface.
(Acknowledgements to Henry Moore, Jean Adhémar, David Mitchinson, Nouvelles de l'Estampe and writers).
4 Letter from Henry MOORE to Georges Le Rider.
(Pays tribute to the print studios in Paris who have collaborated over the years in the technical production of his graphic works).
5-8 SIMMONS Rosemary. Introduction à l'õuvre gravé de Henry Moore.
(Moore's early printmaking activities. 1963 as an important date when he worked with Curwen Studio. Jacques Frélaut's help culminated in Elephant Skull (See 0004721), and later Sheep album (See 0003614) and Girl Doing Homework. Influences on Moore's printmaking include Hercules Seghers, and the drawings of Seurat. Technical aspects are discussed, while the integration of ideas and themes is stressed as an important feature of the artist's total output in different media. This text also appeared in XX Siècle 49 (See 0003293) and in English in Arts Review, 13 May 1977 (See 0003238)).
13-20 Catalogue.
(206 Prints 1931-1976, including Elephant Skull album, Stonehenge album (See 0003854), Sheep album).
25-29 Dossier Henry Moore; établi par Françoise WOIMANT.
(Biography, Bibliography).
Five of the illustrations feature Moore at work; by Jonathan Bayer and Errol Jackson. There are eight colour plates.
3 LE RIDER Georges. Preface.
(Acknowledgements to Henry Moore, Jean Adhémar, David Mitchinson, Nouvelles de l'Estampe and writers).
4 Letter from Henry MOORE to Georges Le Rider.
(Pays tribute to the print studios in Paris who have collaborated over the years in the technical production of his graphic works).
5-8 SIMMONS Rosemary. Introduction à l'õuvre gravé de Henry Moore.
(Moore's early printmaking activities. 1963 as an important date when he worked with Curwen Studio. Jacques Frélaut's help culminated in Elephant Skull (See 0004721), and later Sheep album (See 0003614) and Girl Doing Homework. Influences on Moore's printmaking include Hercules Seghers, and the drawings of Seurat. Technical aspects are discussed, while the integration of ideas and themes is stressed as an important feature of the artist's total output in different media. This text also appeared in XX Siècle 49 (See 0003293) and in English in Arts Review, 13 May 1977 (See 0003238)).
13-20 Catalogue.
(206 Prints 1931-1976, including Elephant Skull album, Stonehenge album (See 0003854), Sheep album).
25-29 Dossier Henry Moore; établi par Françoise WOIMANT.
(Biography, Bibliography).
Five of the illustrations feature Moore at work; by Jonathan Bayer and Errol Jackson. There are eight colour plates.
0010711
Author/Editor: SIPILA Jussi.
Publisher: Aamulehti
Place Published: Tampere
Year: 1977
Date & Collation: (15 July)..(1 illus).Text in Finnish.
Description: Review of Battersea Park Sculpture exhibition (See 0003093), with photograph and mention of Sheep Piece, 1971-1972 bronze.
0003047
Author/Editor: SANESI Roberto.
Publisher: Nuova Foglio
Place Published: Pollenza-Macerata
Year: 1977
Date & Collation: 250pp(c.148 illus).Text in English and Italian.
Description: Collana Altrouno. Sumptuous large-format book of black and white photographs, some in negative form, some on transparent pages, and including Natural forms, Stonehenge and other Megaliths, as well as Moore and his works. Redazione e grafica di Magdalo Mussio e Roberto Sanesi Fotografie di Maria Mulas Impaginazione Olivio Galassi Elaborazione fotografica Luisa Scarabotto Realizzazione grafica Giacomo Germondari Paolo Sacchetta."
The introduction (in sections dated 12 December 1971 18 August 1976 23 April 1975 and 20 May 1975) is an amalgam of informal/poetic evocations of Much Hadham incorporating comments by Moore. Followed by a discussion of Crowd Looking at a Tied-Up Object 1942 drawing and the Upright Figures and their symbolism. Poetic observations on Moore's forms and imagery are related to sources and subconscious interpretation citing specific works. Comments follow on Moore's use of pebbles Holes Mother and Child theme shells and bones. Concluding remarks concern Sheep Piece 1971-1972 bronze and the Stonehenge graphic works. See also 0010621."
The introduction (in sections dated 12 December 1971 18 August 1976 23 April 1975 and 20 May 1975) is an amalgam of informal/poetic evocations of Much Hadham incorporating comments by Moore. Followed by a discussion of Crowd Looking at a Tied-Up Object 1942 drawing and the Upright Figures and their symbolism. Poetic observations on Moore's forms and imagery are related to sources and subconscious interpretation citing specific works. Comments follow on Moore's use of pebbles Holes Mother and Child theme shells and bones. Concluding remarks concern Sheep Piece 1971-1972 bronze and the Stonehenge graphic works. See also 0010621."
0003234
Author/Editor: FEAVER William.
Publisher: Art News
Place Published: New York
Year: 1977
Date & Collation: (Oct)..
Description: Includes a note on A Silver Jubilee Exhibition of Contemporary British Sculpture (See 0003093) and Sheep Piece, 1971-1972 bronze, having pride of place but seemed here a tabletop idea grossly overblown"."
0003258
Author/Editor: WELLEMEYER Marilyn.
Publisher: Fortune
Place Published: Chicago
Year: 1977
Date & Collation: (Nov) 96(5) 55,58,62-67,70,74,78(1 illus).
Description: Feature on some businessmen who use the camera, including a note on David Finn. Page 67 is a full-page colour photograph of Sheep Piece, 1971-1972 bronze at Much Hadham.
0003270
Author/Editor: COLLENDER-TYBOUT Titia.
Publisher: Museumjournaal
Place Published: Amsterdam
Year: 1977
Date & Collation: (Oct) 22(5) 224(1 illus).
Description: Review of A Silver Jubilee Exhibition of Contemporary British Sculpture (See 0003093) with an illustration of Sheep Piece, 1971-1972 bronze and several mentions of Henry Moore in the text.
0003230
Author/Editor: BURR James.
Publisher: Apollo
Place Published: London
Year: 1977
Date & Collation: (June)..(1 illus).
Description: Includes a very brief review of A Silver Jubilee Exhibition of Contemporary British Sculpture (See 0003093), and a photograph of Sheep Piece, 1971-1972 bronze, seen as disappointing, overblown and shapelessly soft"."
0003233
Author/Editor: RATCLIFF Carter.
Publisher: Art International
Place Published: Lugano
Year: 1977
Date & Collation: (July-Aug) 21(4) 74(1 illus).
Description: Short review of Andrew Crispo Gallery exhibition (See 0009964) of Finn's photographs for Henry Moore: sculpture and environment (See 0003019). In the London Letter on pages 70-71 of this issue of Art International, Malcolm QUANTRILL reviews A Silver Jubilee Exhibition of Contemporary British Sculpture (See 0003093) with a mention of Moore and a photograph of Sheep Piece, 1971-1972 bronze.
0003094
Publisher: Redfern Gallery
Place Published: London
Year: 1977
Date & Collation: (14 June-6 July).2pp card(1 illus).
Description: Maquettes, drawings and related material to Battersea Park exhibition (See 0003093). List of 48 artists on reverse of card bearing a photograph of Henry Moore with Sheep Piece, 1971-1972 bronze at Much Hadham.
0003119
Publisher: Radio France
Place Published: Paris
Year: 1977
Date & Collation: 2 hours.Sound recording.Music.In French, with English.
Description: L'Après-midi de France-Culture radio broadcast 9 May 1977, at time of exhibitions at L'Orangerie (See 0003082) and the B.N. (See 0003079). Prepared by Pierre DESCARGUES and André MATHIEU. Henry MOORE is introduced; followed by interview recorded at Much Hadham. Discussion on Natural objects, Paris 1920s, Paul Cézanne, Sculpture in the 1920s, Art collection of Henry Moore (Georges Seurat, Primitive art, Cézanne's Trois Baigneuses, Rodin), Sheep, Sculpture in the Open Air, Stonehenge.
In Paris at the Orangerie, Moore is interviewed by Marie-Hélène FRAISSE, and by Martine CADEAU on his views on music (Beethoven Bach Handel are the ones that I enjoy most").
There follows a telephone link discussion between Pierre DESCARGUES and Dominique BOZO in Paris Pierre ROUVE in London Jean LEYMARIE and Giulio Carlo ARGAN in Rome and James Johnson SWEENEY in New York. Participants speak of Moore's reputation and of their first contacts with the artist. A question on Moore's significance results in answers describing him variously as one of the last classic artists an English artist with a Romantic basis a metaphysical... Moore's relationship with nature and with myth are discussed.
For an edited version of this programme broadcast 28 August 1978 see 0003120."
In Paris at the Orangerie, Moore is interviewed by Marie-Hélène FRAISSE, and by Martine CADEAU on his views on music (Beethoven Bach Handel are the ones that I enjoy most").
There follows a telephone link discussion between Pierre DESCARGUES and Dominique BOZO in Paris Pierre ROUVE in London Jean LEYMARIE and Giulio Carlo ARGAN in Rome and James Johnson SWEENEY in New York. Participants speak of Moore's reputation and of their first contacts with the artist. A question on Moore's significance results in answers describing him variously as one of the last classic artists an English artist with a Romantic basis a metaphysical... Moore's relationship with nature and with myth are discussed.
For an edited version of this programme broadcast 28 August 1978 see 0003120."
0003285
Author/Editor: MOZZAMBANI Alessandro.
Publisher: Scultura
Place Published: Milan
Year: 1977
Date & Collation: 4 1977(April-May) 20-23(4 illus).Text in English and Italian.
Description: Observations on Open Air sculpture with a photograph of Moore with Sheep Piece, 1971-1972 bronze.
0003161
Author/Editor: MERCKX A.
Publisher: Nieuwe Gazet
Place Published: Antwerp
Year: 1977
Date & Collation: (31 May)..(2 illus).Text in Dutch.
Description: Short review of the Orangerie exhibition (See 0003082) with illustrations of Reclining Figure: Arch Leg, 1969-1970 bronze and Sheep Piece, 1971-1972 bronze.
0003093
Publisher: Battersea Park
Place Published: London
Year: 1977
Date & Collation: (2 June-4 Sept).118pp.Illus.Biog.
Description: London Celebrations Committee for The Queen's Silver Jubilee exhibition of works by 49 artists. Maquettes, drawings and related material were exhibited at Redfern Gallery 14 June-6 July 1977 (See 0003094).
CASSON Hugh. Foreword.
(Acknowledges support of Henry Moore as member of organizing Committee).
PACKER William. The post-war phase.
(Mentions Moore's output and position in art).
ROBERTSON Bryan. Notes on British sculpture 1952-1977.
(Pays homage to Moore's output and contribution).
MARTIN Barry. Developments in the Sixties and Seventies.
(Includes passing-mentions of Moore).
Cover,86-87(3 illus) Henry Moore.
(List of exhibitions, and photographs of the artist and his contribution to the exhibition: Sheep Piece, 1971-1972 bronze).
CASSON Hugh. Foreword.
(Acknowledges support of Henry Moore as member of organizing Committee).
PACKER William. The post-war phase.
(Mentions Moore's output and position in art).
ROBERTSON Bryan. Notes on British sculpture 1952-1977.
(Pays homage to Moore's output and contribution).
MARTIN Barry. Developments in the Sixties and Seventies.
(Includes passing-mentions of Moore).
Cover,86-87(3 illus) Henry Moore.
(List of exhibitions, and photographs of the artist and his contribution to the exhibition: Sheep Piece, 1971-1972 bronze).
0003118
Publisher: Centre National de la Recherche Scientifique
Place Published: Paris
Year: 1977
Date & Collation: 27 mins.Colour.Sound.
Description: Produced by Yves BREUX and François LUXEREAU. French commentary and voice-over of Henry MOORE's statements. Interview with Moore in his Much Hadham studios and estate, on Open Air, reality of three-dimensional form and placing of his sculpture. Film of Sheep Piece, 1971-1972 bronze at Much Hadham, brief views of Castleford and Stonehenge. Sequence at Glenkiln with King and Queen, 1952-1953 bronze and glimpses of the other works. Brief glimpses of works in London, including Two Piece Reclining Figure No. 3, 1961 bronze on the Brandon Estate; Large Spindle Piece, 1968 and 1974 bronze; Locking Piece, 1963-1964 bronze; Knife Edge Two Piece, 1962-1965 bronze; Draped Seated Woman, 1957-1958 bronze on Stifford Estate; and Birdcage Walk Reclining Mother and Child, 1960-1961 bronze.
0003203
Author/Editor: COIA Emilio.
Publisher: The Scotsman
Place Published: Edinburgh
Year: 1977
Date & Collation: (15 Aug)..
Description: Note on Sheep Piece, 1971-1972 bronze in A Silver Jubilee Exhibition of Contemporary British Sculpture in Battersea Park (See 0003093).
0002996
Author/Editor: CLARK Kenneth.
Publisher: Thames and Hudson
Place Published: London
Year: 1977
Date & Collation: 240pp(219 illus).
Description: Largely pictorial survey, subtitled their relationship as reflected in Western art from prehistory to the present day".
164-165(1 illus) Henry Moore: Page from Sheep Sketchbook 1972 with caption on his sympathy for their naîve dignity."
164-165(1 illus) Henry Moore: Page from Sheep Sketchbook 1972 with caption on his sympathy for their naîve dignity."
0003248
Publisher: Connoisseur
Place Published: London
Year: 1977
Date & Collation: (Aug) 313(1 illus).Text initialled G.S.
Description: Brief note on the Orangerie exhibition (See 0003082). Everything here from the great figures inspired by Mexican sculpture to the sheep of these last years expresses a very individual style humanist and abstract at the same time...""