Henry Moore Artwork Catalogue
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0021716
Publisher: Denver Botanic Gardens
Place Published: Colorado
Year: 2010
Date & Collation: (1 Mar 2010-31 Jan 2011)92pp.illus.chronology.bibliograpy.
Description: Exhibition catalogue, highly illustrated with photographs of Moore's works within the botanical garden. Foreword by Brian VOGT, Chief Executive Officer of the Denver Botanic Gardens. Includes map of the garden showing the location of all 18 Moore sculptures sited within the grounds. Installation photographs included. Most works accompanied by additional text. Essay by Anita FELDMAN. Photography by Scott DRESSEL-MARTIN. Preview invitation is MISC 2010
0021739
Publisher: Tate
Place Published: London
Year: 2010
Date & Collation: 2010(June/July)64pp.illus
Description: Small booklet which promotes exhibitions, displays and events at all Tate galleries from June and July. Moore content:
page 3 - promotes current Henry Moore exhibition.
Page 4 - advert for Tate Fund illustrated with Girl 1931 Ancaster stone, (LH 109)
page 6-7 - one page of text to promote Moore exhibition in Linbury Galleries, with two illustrations.
Page 39 - Not so Gentle? War, Conflict and Henry Moore promotional details of talk given by Monica BOHM-DUCHEN at Tate Britain 17 June 2010. One Illus shows Three Points 1939-40, (LH 211).
Page 50 - On Form: Modernist Poetry and Moore promotional details of a reading of modernist poems selected and introduced by Fiona SAMPSON. One illus shows Three Way Piece No.2: Archer 1964-65 bronze, (LH 535).
0021702
Author/Editor: FRASER Holly
Publisher: Grazia
Place Published: London
Year: 2010
Date & Collation: 2010(1 Mar) 128(1 illus)
Description: Woman's fashion/gossip magazine, published weekly. Tate Britain's Moore exhibition is included as a cultural highlight; This is a fascinating retrospective of British history through the eyes of one of our most iconic artists. One Moore illus:
Reclining Figure 1939 elmwood, (LH 210).
0021737
Publisher: Bonhams
Place Published: Knightsbridge, London
Year: 2010
Date & Collation: 2010(25 May)
Description: Sale 17927. Lots 170-173 Henry Moore: four graphic works 1973-1980. Illus:
Seated Mother and Child 1979 etching, (CGM 518)
Head and a Girl II 1979 etching, (CGM 505)
Six Stones 1973 lithograph, (CGM 300)
Female Figures with a Grey Background 1980 lithograph, (CGM 576).
0021738
Author/Editor: ARMSTRONG Sue
Publisher: Hertfordshire Life
Place Published: High Wycombe
Year: 2010
Date & Collation: 2010(April) 78-79(4 Moore illus)
Description: Article promoting the highlights of the Bishop's Stortford area. Includes two page, photo lead, article on Perry Green. Highlights visitor season. Statement from Director Richard Calvocoressi. Four illus show works in the estate:
Large Figure in a Shelter 1985 bronze, (LH 652c)
King and Queen 1952-53 bronze, (LH 350)
Draped Reclining Figure 1952-53 bronze, (LH 336)
part image of Three Piece Sculpture: Vertebrae 1968 bronze, (LH 580) with Jessica Townsend of The Henry Moore Foundation.
Text also draws attention to St. Elizabeth's Centre.
0022067
Author/Editor: TREND Nick
Publisher: The Telegraph
Place Published: London
Year: 2010
Date & Collation: 2010 (27 March) (2 Moore illus)
Description: Article within Travel section. Provides basic biographical information linked to five key locations; Yorkshire and Derbyshire, North Norfolk, Perry Green and Dumfries. Each heading explores how the landscape may have influenced Moore. Two Moore illus show Large Reclining Figure 1984 bronze, (LH 192b) at Perry Green.
0021731
Publisher: The Henry Moore Foundation
Place Published: Perry Green
Year: 2010
Date & Collation: 4pp.illus
Description: Printed invitation card to Summer Party event at Perry Green, dated Wednesday 16 July 2010. Illustrated with general images of the grounds, installation shots of the Sheep Field Barn exhibition, Henry Moore Duluxe (see 0000000). Front image shows Moore's Two Seated Women 1967 lithograph, (CGM). Rear image shows biographical image of Moore relaxing at Perry Green, circa 1957.
0021742
Publisher: Pallant House Magazine
Place Published: Chichester
Year: 2010
Date & Collation: (March-June 2010)20 10,17,58(3 Moore illus)
Description: Seasonal magazine from Pallant House gallery. List mention of Moore, page 10, included in Modern British Art: A Collection of Collections, perminant exhibition at Pallant House. One illus shows Two Sleepers 1941 drawing, (HMF). Collection News - More Moore, page 17, explans that Suckling Child 1930 alabaster, (LH 96) has gone to Tate Britain for inclusion in the Henry Moore show. Photo-article page 58 shows representatives of HMF with their counterparts from Pallant House at the Private View of the textile exhibition. Chris Stephens, of Tate Britain, is also present. Richard Calvocoressi can be seen with Frank Dunphy.
0021754
Author/Editor: STONARD John-Paul.
Publisher: Burlington Magazine
Place Published: London
Year: 2010
Date & Collation: 2010(May) 340-342 (3 Moore illus)
Description: Favourable exhibition review of Tate Henry Moore show. Summery of the accompanying exhibition catalogue, with particular focus upon Girl with Clasped Hands 1930 Cumberland Alabaster, (LH 47), Grey Tube Shelter 1940 drawing, (HMF 1724) and Maquette for Mother and Child 1952 bronze, (LH 314). Stonard states After 1945, and in particular following the success of the shelter drawings, Henry Moore became 'Henry Moore'. His own public reputation became unfolded inot his sculpture, in addition to a whole set of other 'pasts' that shaped his conservative formal reportory, including a strong sense of prehistory that had first emerged in the 1930s. Three Moore illus show:
Girl with Clasped Hands 1930 Cumberland Alabaster, (LH 47)
Reclining Figure 1929 brown Hornton stone, (LH 59)
Grey Tube Shelter 1940 drawing, (HMF 1724).
Mention of Moore within Art History Reviewed IX: Kenneth Clark's 'The Nude. A Study of Ideal Art', 1956 also by Stonard, pages 317-321. List detail of Henry Moore Deluxe exhibition in Sheep Field Barn, page 357.
0021766
Publisher: Sainsbury Centre for Visual Arts - Exhibitions and Events
Place Published: Norwich
Year: 2010
Date & Collation: 2010(Summer) Front Cover 1,2,3-4,10,13, (8 Moore illus)
Description: Quarterly booklet of exhibitions and events of World Art Collections Exhibitions at Sainsbury Centre for Visual Arts. Front cover shows still from the 1947 film They Made me a Fugitive with Sally Gray in a Henry Moore textile dressing gown. Pages 3-4 two page promotional text on Henry Moore Textile exhibition. Images of Moore's textile designs accompany text. Page 10 lists Exhibition Films, at Cinema City. Showing The Art of Henry Moore, Thursday 1 July. To include discussion led by Anita FELDMAN. Page includes biographical image of Moore. Several other images throughout.
0021749
Author/Editor: CARLISLE Carla
Publisher: Country Life
Year: 2010
Date & Collation: 2010(14 Jul) 104(no Moore illus)
Description: Column offering favourable review of Tate Britain Henry Moore exhibition. Carlisle compares her Red Poll cows to Moore's monumental bronzes. Note on audio guide. Also states she was put off by critic's negative reviews of Moore and his work; It was as if the artist now triggered generational warfre, with young critics determined to dismiss him as the second-rate producer of civic art only worth of the Queen's Award for Export. But there was something more than a general rejection. Carlisle puts this down to a kind of snobbish intelluctual disdain for sculpture that is too accessable, too beautiful, too popular, too loved and concludes that she believes Moore's sculpture will outlive contemporary taste, haste and greed.
0021750
Publisher: Chelsea Space
Place Published: London
Year: 2010
Date & Collation: 2010(12 May-12 June)27pp.illus.Preface by Donald SMITH.Text by Natasha De SAMARKANDI.
Description: Title of the exhibition is taken from the poem by Dudley SUTTON, reproduced page 7. Exhibition of archival items from Chelsea School of Art relating to Moore's Two Piece Reclining Figure No.1 in their collection. Highlights include an unsigned unattributed sketch, envelope marked 'HM 13.03.63' and a selection of programmes for the Chelsea School of Art End of Term Stunts 1936 & 1938. Also includes a selection of installation photographs from 1964 to 2010 and a film of Dudley Sutton performing his poem. Text by De SAMARKANDI incorrectly states, page 13, that Moore was relocated to Kingston where he lived full time during the war. Includes reference, page 17, to Moore's use of assistants; Moore's mass production of works, his army of assistants and factory at Perry Green encouraged the art market to imbibe to the Henry Moore aesthetic. As a result we 'know' Henry Moore. Page 19, mention of Moore's use of college studios at Manresa Road. On the subject of Moore's popularity, and fame, versus his relationship with nature, De Samarkandi writes, page 21; Moore's pseudo-shamanistic engagements were diluted by his incessant engagement with the cult of celebrity. This is also covered in her conclusion. Website contains images of the exhibtion as well as photographs of those attending the Private View.
0021755
Publisher: Gibberd Gallery
Place Published: Harlow
Year: 2010
Date & Collation: 2010(31 July-30 October)4pp.illus
Description: Booklet to accompany exhibition at the Gibberd Gallery of a selection of Moore's sheep etchings and drawings which inspired then. A selection of sculptural works is also included. List of related activities included, alsong with private view invitation, and details of the Harlow Summertime Sheep Trail, which includes 29 fibreglass sheep decorated by local artists, arranged throughout the town.
0021756
Publisher: The Hepworth Wakefield
Place Published: Wakefield
Year: 2010
Date & Collation: 2010(Spring) (one Moore illus)
Description: A5 booklet providing updates on the new gallery. Includes column reporting on loans of Moore works to Tate Britain exhibition; lists Reclining Figure, Four Sleepers and Open Work Head No.2. One illus:
Reclining Figure 1942 elm wood, (LH)
0022072
Publisher: Suntory Museum, Osaka
Place Published: Japan
Year: 2010
Date & Collation: 2010(10 July-20 September)156pp.illus.chronology.biography.Text in Japanese
Description: Catalogue to accompany exhibition of the same name. Features one Moore work on paper:
Page 89 Seated Women in a Tube Shelter 1941 drawing, (HMF 1805).
0021740
Publisher: The Gallery, Parndon Mill
Place Published: Harlow
Year: 2010
Date & Collation: 2010 (1st July - 8th August)
Description: Mixed exhibition of works by three former assistants to Moore and one Foundation sculpture conservator at Parndon Mill, Harlow. Contains information sheet, combining written statements from all four artists with reference to their relationship with Moore and how he influenced their own work, with biographical details. Text on Derek Howarth notes that he introduced polystyrene as a new material for sculpting to Moore. Text by Malcolm Woodward comments on his time as assistant in Moore's later years, and specifically refers to the carving Reclining Figure: Holes 1976-78 Elm wood, (LH 657).
Includes list of works and prices.
0021741
Publisher: Prospect
Place Published: London
Year: 2010
Date & Collation: 2010(May) 94(no Moore illus)
Description: List of events; details His Darkened Imagination: Surrealist Moore; talk by Andrew CAUSEY at Tate Britain, Thursday 13th May 2010.
0021713
Publisher: Osborne Samuel
Place Published: London
Year: 2010
Date & Collation: 2010(14-28 Apr, 29 Apr-3 May)32pp.illus.Introduction by Peter OSBORNE.
Description:
Selling exhibition at Osborne Samuel gallery moving to the London Original Print Fair, Royal Academy of Arts, Stand 55. Show promotes the release of two Moore Graphics made available in limited edition to celebrate the publication of David MITCHINSON'S book Henry Moore: Prints and Portfolios, see 0000000. Includes brief quotes from Mitchinson's book to accompany illustrated graphics. Photos of Moore by Gemma LEVINE. Illus:
Composition for a Poem by Herbert Read c.1946 etching and aquatint, (CGM 4)
Seated Figures 1949 lithograph, (CGM 8)
Standing Figures 1949 colograph, (CGM 9)
Mineva, Prometheus and Pandora 1950 lithograph, (CGM 24)
The Four Skethces 1950 lithograph, (CGM 23)
Twilight Landscape 1950 lithograph, (CGM 28)
Thirteen Standing Figures 1958 lithograph, (CGM 41)
Four Mothers 1971-72 etching, (CGM 186)
Four Mother and Child Studies 1976 etching and aquatint, (CGM 422)
Reclining Mother and Child Studies 1977 lithograph, (CGM 453)
Reclining Figure 3 1977-78 etching and aquatint, (CGM 474)
Reclining Figure 5 1977-78 etching, (CGM 476)
Reclining Figure 7 1977-78 etching, drypoint and aquatint, (CGM 478)
Reclining Figure 6 1977-78 etching, (CGM 477)
Mother and Child XVI 1983 etching and aquatint, (CGM 686)
Mother and Child XXIV 1983 etching and aquatint, (CGM 694)
Mother and Child XXI 1983 etching and aquatint, (CGM 691)
Mother and Child III 1983 etching and aquatint, (CGM 673)
Mother and Child XX 1983 etching and aquatint, (CGM 690)
Mother and Child XXVV 1983 etching and aquatint, (CGM 695)
Zebra 1981 etching and aquatint, (CGM 639)
Antelope 1981 etching, (CGM 642)
Tiger 1981 etching, (CGM 643)
Reclining Mother and Child with Grey Background 1982 lithograph, (CGM 655)
Two Women Seated on a Beach 1984 lithograph, (CGM 719) Reclining Figure in Dark Landscape 1980 etching, aquatint and carborundum, (CGM 565).
0021736
Publisher: Sotheby's at Auction
Place Published: New York
Year: 2010
Date & Collation: 2010(5 May-22 May) 15(one Moore illus)
Description: Favourable exhibition review of Tate Britain show; reasserting Henry Moore's position as one of Britain's greatest artists. With quote from Sotheby's Senior Director of Impressionist & Modern Art, Alexander Platon; the exhibition makes the creative force of this great master tangible in powerful and surprising ways. One Moore illus:
Reclining Figure 1939 Elm wood, (LH 210)
0021760
Author/Editor: CORK Richard
Publisher: The Independent on Sunday
Place Published: London
Year: 2010
Date & Collation: 2010(14 Feb)
Description: On the eve of a major retrospective, Richard Cork recalls the extraordinary day he called on the sculptor Henry Moore - and opened some old wounds. Cork recounts his visit to Perry Green in 1981 to engage Moore in a conversation about the West Wind relief carving for the St. James' Underground station.
I soon noticed that, while Moore was talking, his arms and hands never stopped moving. Everything he said was backed up by restless physical gestures - not bombastic but unexpectedly gentle, even feminine. And once, when emphasising how "central" the umbilical was in his sculpture, he clutched dramatically at the protruding flesh around his stomach. (I was impressed by the sense that everything he said mattered a great deal).
Five Moore illus:
West Wind 1928-29 Portland stone, (LH 58)
Ideas for the West Wind Sculpture 1928 drawing, (HMF 646)
UNESCO Reclining Figure 1957-58 Roman Travertine marble, (LH 416)
Large Upright Internal/External Form 1981-82 bronze, (LH 297a)
Standing Figure 1950 fibreglass, (LH 290).
Details of how Moore carved the West Wind Figure, and his disagreement with the Royal Academy over the Epstein relief, and his opinion of Alfred Munnings; "He used to carry a photograph of my Northampton Madonna and Child around in his pocket, and show it to people in order to mock it."
0022045
Publisher: Christie's
Place Published: London
Year: 2010
Date & Collation: 2010(11 November)
Description: Sale: Megan-7879. Lots 99, 101, 103, 122 (4 illus) Henry Moore: two drawings 1933-1951, two sculpture 1952-1953. Illus:
Studies for Sculpture 1933 drawing, (HMF 1025)
Sculpture in Landscape 1951 drawing, (HMF 2702), notes that this drawing is from the family estate of Graham GREENE, as is the following lot 103;
Maquette for Warrior with Shield 1952-53 bronze, (LH 357)
Time-Life Screen: Maquette No. 1 1952 bronze, (LH 339).
0022053
Publisher: Camden Arts Centre
Place Published: London
Year: 2010
Date & Collation: (16 December 2010-20 February 2011)
Description: Booklet to accompany mixed exhibition, curated by Simon STARLING, in which works are selected from previous Camden Arts Centre shows and re-sited in their original exhibition location. Features one Moore sculpture:
Half-figure 1932 bronze, (LH 116), illus.
Mention of Moore within text by Starling. Compares Half-Figure to the exhibited sculpture of Des HUGHES. See 0003348 for original Roland Collection Camden Arts Centre exhibition.
0022300
Publisher: Associated Editions
Place Published: Ireland
Year: 2010
Date & Collation: 230pp.illus.
Description: Selected essays recounting and contextualising Trinity College's collection of modern and contemporary art, supported by fomer Professor of Genetics, George Dawson (1927-2004). Three Moore illus: Page 25 King and Queen 1952-53 bronze, (LH 350), incorrectly titled Two Seated Figures. Page 36 Seated Figures 1957 lithograph, (CGM 37), incorrectly titled Studies for Sculpture: Green Background 1959. Page 48 Reclining Connected Forms 1969 bronze, (LH 612).
0021721
Publisher: Tate Publishing
Place Published: London
Year: 2010
Date & Collation: 10pp.illus
Description: Gatefold leaflet promoting the services of the Tate Fund. Illustrates the work carried out on Moore's carving Girl 1931 Ancaster stone, (LH 109) prior to it being exhibited in the Tate Britain Moore exhibtion. Page 4 shows three step-by-step illus of work being undertaken to remove dirt from the surface of the sculpture. Text notes that 100 individuals gave £50 in order for the work to be carried out.