Henry Moore Artwork Catalogue
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0021702
Author/Editor: FRASER Holly
Publisher: Grazia
Place Published: London
Year: 2010
Date & Collation: 2010(1 Mar) 128(1 illus)
Description: Woman's fashion/gossip magazine, published weekly. Tate Britain's Moore exhibition is included as a cultural highlight; This is a fascinating retrospective of British history through the eyes of one of our most iconic artists. One Moore illus:
Reclining Figure 1939 elmwood, (LH 210).
0021738
Author/Editor: ARMSTRONG Sue
Publisher: Hertfordshire Life
Place Published: High Wycombe
Year: 2010
Date & Collation: 2010(April) 78-79(4 Moore illus)
Description: Article promoting the highlights of the Bishop's Stortford area. Includes two page, photo lead, article on Perry Green. Highlights visitor season. Statement from Director Richard Calvocoressi. Four illus show works in the estate:
Large Figure in a Shelter 1985 bronze, (LH 652c)
King and Queen 1952-53 bronze, (LH 350)
Draped Reclining Figure 1952-53 bronze, (LH 336)
part image of Three Piece Sculpture: Vertebrae 1968 bronze, (LH 580) with Jessica Townsend of The Henry Moore Foundation.
Text also draws attention to St. Elizabeth's Centre.
0021742
Publisher: Pallant House Magazine
Place Published: Chichester
Year: 2010
Date & Collation: (March-June 2010)20 10,17,58(3 Moore illus)
Description: Seasonal magazine from Pallant House gallery. List mention of Moore, page 10, included in Modern British Art: A Collection of Collections, perminant exhibition at Pallant House. One illus shows Two Sleepers 1941 drawing, (HMF). Collection News - More Moore, page 17, explans that Suckling Child 1930 alabaster, (LH 96) has gone to Tate Britain for inclusion in the Henry Moore show. Photo-article page 58 shows representatives of HMF with their counterparts from Pallant House at the Private View of the textile exhibition. Chris Stephens, of Tate Britain, is also present. Richard Calvocoressi can be seen with Frank Dunphy.
0021754
Author/Editor: STONARD John-Paul.
Publisher: Burlington Magazine
Place Published: London
Year: 2010
Date & Collation: 2010(May) 340-342 (3 Moore illus)
Description: Favourable exhibition review of Tate Henry Moore show. Summery of the accompanying exhibition catalogue, with particular focus upon Girl with Clasped Hands 1930 Cumberland Alabaster, (LH 47), Grey Tube Shelter 1940 drawing, (HMF 1724) and Maquette for Mother and Child 1952 bronze, (LH 314). Stonard states After 1945, and in particular following the success of the shelter drawings, Henry Moore became 'Henry Moore'. His own public reputation became unfolded inot his sculpture, in addition to a whole set of other 'pasts' that shaped his conservative formal reportory, including a strong sense of prehistory that had first emerged in the 1930s. Three Moore illus show:
Girl with Clasped Hands 1930 Cumberland Alabaster, (LH 47)
Reclining Figure 1929 brown Hornton stone, (LH 59)
Grey Tube Shelter 1940 drawing, (HMF 1724).
Mention of Moore within Art History Reviewed IX: Kenneth Clark's 'The Nude. A Study of Ideal Art', 1956 also by Stonard, pages 317-321. List detail of Henry Moore Deluxe exhibition in Sheep Field Barn, page 357.
0021766
Publisher: Sainsbury Centre for Visual Arts - Exhibitions and Events
Place Published: Norwich
Year: 2010
Date & Collation: 2010(Summer) Front Cover 1,2,3-4,10,13, (8 Moore illus)
Description: Quarterly booklet of exhibitions and events of World Art Collections Exhibitions at Sainsbury Centre for Visual Arts. Front cover shows still from the 1947 film They Made me a Fugitive with Sally Gray in a Henry Moore textile dressing gown. Pages 3-4 two page promotional text on Henry Moore Textile exhibition. Images of Moore's textile designs accompany text. Page 10 lists Exhibition Films, at Cinema City. Showing The Art of Henry Moore, Thursday 1 July. To include discussion led by Anita FELDMAN. Page includes biographical image of Moore. Several other images throughout.
0021749
Author/Editor: CARLISLE Carla
Publisher: Country Life
Year: 2010
Date & Collation: 2010(14 Jul) 104(no Moore illus)
Description: Column offering favourable review of Tate Britain Henry Moore exhibition. Carlisle compares her Red Poll cows to Moore's monumental bronzes. Note on audio guide. Also states she was put off by critic's negative reviews of Moore and his work; It was as if the artist now triggered generational warfre, with young critics determined to dismiss him as the second-rate producer of civic art only worth of the Queen's Award for Export. But there was something more than a general rejection. Carlisle puts this down to a kind of snobbish intelluctual disdain for sculpture that is too accessable, too beautiful, too popular, too loved and concludes that she believes Moore's sculpture will outlive contemporary taste, haste and greed.
0021756
Publisher: The Hepworth Wakefield
Place Published: Wakefield
Year: 2010
Date & Collation: 2010(Spring) (one Moore illus)
Description: A5 booklet providing updates on the new gallery. Includes column reporting on loans of Moore works to Tate Britain exhibition; lists Reclining Figure, Four Sleepers and Open Work Head No.2. One illus:
Reclining Figure 1942 elm wood, (LH)
0021741
Publisher: Prospect
Place Published: London
Year: 2010
Date & Collation: 2010(May) 94(no Moore illus)
Description: List of events; details His Darkened Imagination: Surrealist Moore; talk by Andrew CAUSEY at Tate Britain, Thursday 13th May 2010.
0021736
Publisher: Sotheby's at Auction
Place Published: New York
Year: 2010
Date & Collation: 2010(5 May-22 May) 15(one Moore illus)
Description: Favourable exhibition review of Tate Britain show; reasserting Henry Moore's position as one of Britain's greatest artists. With quote from Sotheby's Senior Director of Impressionist & Modern Art, Alexander Platon; the exhibition makes the creative force of this great master tangible in powerful and surprising ways. One Moore illus:
Reclining Figure 1939 Elm wood, (LH 210)
0022282
Author/Editor: WRIGLEY Amanda
Publisher: Radio Journal: International Studies in Broadcast and Audio Media
Place Published: Bristol
Year: 2010
Date & Collation: 2010 8(2) 86, 92, 95, 98, 100 (4 illus)
Description: Academic article in broadcast journal. Exploring aural impact of Sackville-West's The Rescue with comparison to the book published with Moore's drawings, see 0008810. Mention of influence of Leo Frobenius's photographs and classical Greek mythology. Four works from Moore's suite of drawings for The Rescue highlight Wrighley's text.
0021746
Publisher: The Art Fund
Place Published: London
Year: 2010
Date & Collation: 2010(Summer) 47, 61, 161, 164 (one illus)
Description: Page 164 of Gifts and Bequests: Note that four Moore lithographs from the collection of Naomi Weaver have been bequested to the Falmouth Art Gallery. Text states that amongst the unamed prints is a charming image of the artist's daughter at her school desk. No illus. See also page 161 for list mention of Moore within Ann Forsdyke Bequest.
Page 61 contains a listing for the Tate Britain exhibition with illus of Reclining Figure 1929 brown Hornton Stone, (LH 59).
Page 47 contains quart-page advert for the 2010 Visitor Season at Perry Green, including Two-for-One ticket offer.
0021745
Author/Editor: FEEKE Stephen
Publisher: Museums Journal
Place Published: London
Year: 2010
Date & Collation: 2010(Apr) 11, 48-51 (5 Moore illus)
Description: Review of the Henry Moore exhibition at Tate Britain, see 0021726. Stephen Feeke examines, in great curatorial detail, the pros and cons of the Tate show, with attention to layout and selection. In conclusion Feeke states "Ultimately, the exhibition succeeds, not because it sheds new light on a familar master but because it gives us the chance to look at work we might otherwise have thought safe and formulaic; the selection commands our attention and questions erroneous preconceptions".
Four Moore illus:
Reclining Woman 1930 green Hornton stone, (LH 84)
Reclining Figure 1929 brown Hornton stone, (LH 59)
Recumbent Figure 1938 green Hornton stone, (LH 191)
Tube Shelter Perspective: Liverpool Street Extension 1941 drawing, (HMF 1801).
An additional image of Moore's scultpure can be seen on page 11:
Three Way Piece No.2: The Archer 1964-65 bronze, (LH 535) can be seen outside of the Neue Nationalgalerie in Berlin.
0022062
Publisher: The Art Newspaper
Year: 2010
Date & Collation: 2010(April)18(212) 80(1 illus)
Description: Elevated coloumn listing Hauser & Wirth, Zürich exhibition. Features one Moore illus:
Helmet Heads 1950-51 drawing, (HMF 2643).
Text explains that the exhibition follows on from the London show and that the book Henry Moore - Ideas for Sculpture, see 0021806, featuring text by Mary Moore, is published to coincide.
0022055
Author/Editor: GOODWIN Ben
Publisher: Museums Journal
Place Published: London
Year: 2010
Date & Collation: 2010(December) 28 (1 illus)
Description: Aticle about how use of social media has transformed how museums and galleries engage with audiences. Page 28 features illustration by Michael KIRKHAM which includes artist's interpretation of Moore's Large Reclining Figure 1983 fibreglass, (LH 192b) displayed on a computer screen.
0022246
Author/Editor: HERREROS María Teresa
Publisher: La Panera
Place Published: Sanitago, Chile
Year: 2010
Date & Collation: 2010 (October) 8-10(Cover, 8 illus)
Description: Spanish language art newspaper style periodical published to coinside with Tate Britain exhibition, see 0021726. Eight Moore illus, plus front cover shows Tate poster image, featuring Recumbent Figure 1938 green Hornton stone, (LH 191).
0022632
Publisher: Atelier
Place Published: Czech Republic
Year: 2010
Date & Collation: 5 2010 (4 March) 9 (2 illus)
Description: Short article on Henry Moore. Illus of Tube Shelter Perspective: The Liverpool Street Extension 1941 drawing, (HMF 1801) and Reclining Figure 1939 elm, (LH 210)
0022596
Author/Editor: WILSON Simon
Publisher: RA Magazine
Place Published: London
Year: 2010
Date & Collation: 2010 (Spring) (106) 45,77 (2 illus)
Description: Copy of three pages from RA magazine.
45 Preview: Comment - article on Tate Britain's tribute to Moore. His second solo show at the Leicester Galleries, London 1931 brought a "storm of execration". People recoiled from "Moore's willingness to deal with the darker forces of the human psyche, those of Eros and Thanatos - death and the erotic. They were averse to his presentation of the human body as anxious, anguished and instinctual". In the catalogue essay, Chris STEPHENS wrote that Moore survived a gas attack in the First World War, he was one of 52 out of a battalion of 400 that survived. STEPHENS argued that Moore's work "spoke of and to the crisis of civilisation that was felt to have followed the war, as well as being close to the fresh ideas of the body and sex supported by the new vogue for psychoanalysis". Illus of Composition 1932 African Wonderstone, (LH 119). Draws attention to shock of early critics but criticism by later critics, e.g. Guardian critic, Jonathan Jones. Final comparison to Picasso and reference to a story about Picasso seeing Moore's work.
77 advertisement for a book for sale, Henry Moore Prints and Portfolios.
Additional page - advertisement for exhibition at Osborne Samuel, Henry Moore 14-30 April 2010. Illus of Two Women Seated on Beach 1984 (CGM 719).
45 Preview: Comment - article on Tate Britain's tribute to Moore. His second solo show at the Leicester Galleries, London 1931 brought a "storm of execration". People recoiled from "Moore's willingness to deal with the darker forces of the human psyche, those of Eros and Thanatos - death and the erotic. They were averse to his presentation of the human body as anxious, anguished and instinctual". In the catalogue essay, Chris STEPHENS wrote that Moore survived a gas attack in the First World War, he was one of 52 out of a battalion of 400 that survived. STEPHENS argued that Moore's work "spoke of and to the crisis of civilisation that was felt to have followed the war, as well as being close to the fresh ideas of the body and sex supported by the new vogue for psychoanalysis". Illus of Composition 1932 African Wonderstone, (LH 119). Draws attention to shock of early critics but criticism by later critics, e.g. Guardian critic, Jonathan Jones. Final comparison to Picasso and reference to a story about Picasso seeing Moore's work.
77 advertisement for a book for sale, Henry Moore Prints and Portfolios.
Additional page - advertisement for exhibition at Osborne Samuel, Henry Moore 14-30 April 2010. Illus of Two Women Seated on Beach 1984 (CGM 719).
0022746
Author/Editor: SIMMONS Hon. RE Rosemary
Publisher: Printmaking Today
Place Published: Oxfordshire
Year: 2010
Date & Collation: 2013(Summer)22(2) 22(1 illus)
Description: 22 Preview of the personal collection of Rosemary Simmons, artist and founding editor of Printmaking Today, reflects her lifelong passion for prints. Simmons recalls innovations in the print studio, with a move to drawing on transparent grained plastic rather than zinc a technique which Henry Moore exploited in his series of prints such as Four Reclining Figures - Caves. Illus of Four Reclining Figures - Caves 1974 (CGM 335). Simmons worked at the Curwen Studio."
0022797
Author/Editor: VANDENBROUCK Melanie
Publisher: Burlington Magazine
Place Published: London
Year: 2010
Date & Collation: 2013(July) 499-501(2 Moore illus)
Description: Favourable exhibition review of Moore Rodin exhibition (29 March – 27 October 2013). 500 Illus of Three Piece sculpture: Vertebrae 1968-69 bronze, (LH 580) alongside Rodin's The Fallen Caryatid with Stone 1911-18; and illus of Working model for Locking Piece 1962 bronze, (LH 514).
0022785
Author/Editor: CORK Richard
Publisher: RA Magazine
Place Published: London
Year: 2010
Date & Collation: 2010 (Winter) (109) 46-49 (1 illus)
Description: Review of Modern British Sculpture exhibition at the Royal Academy of Arts, 22 January - 7 April 2010. 46 Cork writes that sculpture in Britain underwent an astonishing and irrepressible revolution during the twentieth century. Even when Moore gained an immense international reputation his formal language was challenged by outstanding members of the next generation". 48 reference to Moore "enthralled when he encountered the Chacmool reclining figures carved by Aztec sculptors". Highlighted quote "Moore preferred to keep his sculpture separate from the buildings it enhanced. He wanted to free the modern sculptor from being "just a decorator for the architect" and Hepworth agreed with him". 49 illus of Reclining Figure 1951 bronze (LH 293). Reference to support by Epstein; concern with the naked body; focus on female reclining figures; preoccupation with childhood memories of his mother; the importance of parental love; simplified abstraction of the human figure; shared interest with Hepworth; resentment of architecture as "the mother of all arts"; turned down invitation to produce eight seated figures for the façade of London University's Senate House in 1938."
0021790
Publisher: Atelier des Images
Place Published: Paris
Year: 2010
Date & Collation: 71 2010(Septembre) 9-12 (1 illus)
Description: Pages open out as a small poster of Henry Moore's Draped Reclining Mother and Baby 1983 bronze, (LH 822), photographed at New York Botanical Gardens, with text on the back. Supplimentary pages provide activities for students. This issue of the educational magazine L'Atelier des Images is on the theme Le Corps.
0021791
Publisher: RA: Royal Academy Magazine
Place Published: London
Year: 2010
Date & Collation: 107 2010(Summer) (3 Moore illus)
Description: Page 45 features quarter-page advert for the Henry Moore Foundation's 2010 Perry Green Visitor Season, which includes Two-for-One ticket offer for readers of RA Magazine.
Page 70 exhibition listing for Tate Britain Henry Moore show. Scant adjoining text.
Page 74 exhibition listing for Perry Green Henry Moore Deluxe: Books, Prints and Portfolios exhibition. Scant adjoining text.
Page 75 advert for Henry Moore Mother & Child Portfolio exhibition at Bircham Gallery, Holt, Norfolk. One illus: Mother and Child XI 1983 etching, (CGM 681).
0021789
Author/Editor: VINCZE Jay
Publisher: Christie's Bulletin
Place Published: London
Year: 2010
Date & Collation: 2010(June/July) 8-9 (two illus)
Description: Highlights from the King Street sales.
Mother and Child 1953 bronze, (LH 315)
Architectural Prize (Two Piece Reclining Figure: Cut) 1979-81 bronze, (LH 756).
Mention of Moore within adjoining text by Vincze.
0021786
Author/Editor: HOFFMAN Lauren
Publisher: Go Do
Place Published: London
Year: 2010
Date & Collation: 2010(Summer) 18 (5 illus)
Description: On board magazine pubished by train operator First Great Western. Features article protmoting the Tate Britain exhibition of Moore's work. Divided into four sections; Who was he, Early Career, The war years and What to see and where. Offers a two for one ticket entry for readers. Provides basic biographical information. Five illus:
Head 1930 ironstone, (LH 88)
Seated Figure 1930 alabaster, (LH 92)
Reclining Figure 1939 elm wood, (LH 210)
Four Grey Sleepers 1941 drawing, (HMF 1847)
biographical photograph shows Moore at work within Park Hill Road studio.