Henry Moore Artwork Catalogue
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0014880
Author/Editor: COLLINS Judith.
Publisher: Lund Humphries
Place Published: London
Year: 1992
Date & Collation: 127pp.Illus.Biog.Bibliog.Foreword John HOOLE.
Description: Published in association with the Barbican Art Gallery, to accompany the 11 Nov 1992-7 Feb 1993 exhibition which travelled to Powys and Leeds until June 1993. Acknowledges the support of the Henry Moore Foundation and Henry Moore Centre for the Study of Sculpture. Includes one or two passing mentions of Moore, including Gill's acquisition in 1934 of a small stone sculpture by Henry Moore"."
0014924
Author/Editor: GRIEVE Alastair.
Publisher: Lund Humphries
Place Published: London
Year: 1992
Date & Collation: 264pp.Illus.Biog.Bibliog.Catalogue of sculptures.
Description: Published in association with the Henry Moore Foundation. British Sculptors and Sculpture series. Includes a dozen incidental passing mentions of Moore.
0014922
Author/Editor: HILTON Tim.
Publisher: Lund Humphries
Place Published: London
Year: 1992
Date & Collation: 127pp.Illus.Biog.Bibliog.
Description: Published in association with the Henry Moore Foundation. British Sculptors and Sculpture series. Mentions King's period as an assisitant to Henry Moore 1959-1960 and how he gained confidence working on a larger scale. King was not totally convinced by the sculpture he helped to produce. It was not the modern art he wanted...The future of sculpture was elsewhere"."
0016033
Author/Editor: GARDINER Margaret.
Publisher: Lund Humphries
Place Published: London
Year: 1994
Date & Collation: 63pp.Illus.
Description: New edition of book first published 1982 by Salamandar Press (See 0001405) with its mentions of Moore as a member of the Communist Party and For Intellectual Liberty. See also 0011048.
0022129
Author/Editor: BLACKWOOD Jonathan
Publisher: Lund Humphries
Place Published: Surrey
Year: 2011
Date & Collation: ix.134pp.illus.index.
Description: Book, published in association with The Henry Moore Foundation, with extended essay text and complete catalogue of the artist's sculptural work. List mentions of Moore throughout. Notable reference to Moore, pages 35-36, refers to a handwritten diatribe, discovered during conservation work in 1991, hidden by Skeaping in 1933 within his wooden sculpture The Horse. The remaining fragments of the note, expressing Skeaping's personal opinion on fellow artists, including Moore and Hepworth, are reproduced within the book Material Matters - The Conservation of Modern Sculpture, see 0018759.
0021008
Publisher: Lund Humphries
Place Published: Aldershot
Year: 2008
Date & Collation: 26pp.Illus.
Description: Lund Humphries Ashgate Publishing catalogue. Page 5 contains a full-page feature on the book Henry Moore Textiles published to coincide with the forthcoming exhibition. The front cover of the catalogue shows a Matt Pia photograph of Reclining Figures 1944-46 serigraphy, cotton printed by Ascher (TEX 8). Four other Moore titles are included pages 13 and 21.
0014802
Publisher: Lund Humphries
Place Published: London
Year: 1969
Date & Collation: xliii(25illus),277pp(376illus).Biog.Bibliog.Texts by Henry MOORE.
Description: Published with Zwemmer. 1969 reprint, with a slightly different dust jacket, of fourth completely revised edition 1957 of work published 1944. See 0007333 for description.
0022144
Publisher: Lund Humphries
Place Published: Surrey
Year: 2011
Date & Collation: 208pp.illus.glossary.chronology.bibliography.index.
Description: Monograph on Hepworth's plaster works published on the occasion of the opening of The Hepworth Wakefield gallery. Edited by Dr. Sophie Bowness with contributions from Simon WALLIS, Frances GUY, Gordon WATSON, David CHIPPERFIELD, Jackie HEUMAN and Tessa JACKSON. Mentions of Moore throughout, with the following of greater interest:
Page 11: Brief mention of the acquisition of Moore's Reclining Figure in 1938. Mention of Ernest Musgrave.
Page 31: Bowness makes distinction between the working methods of Hepworth and Moore.
Page 36: Quote from Hepworth to Ben Nicholson; The reason Henry Moore and I do good bronzes is because we are carvers.
Page 55: Notes Hepworth's concerns that large scale Moore bronze sculptures were monopolising the Morris Singer foundry. Page 57 shows illustration of Moore's Sheep Piece 1970-71 bronze (LH 627) at the foundry with Hepworth's figures from Conversation with Magic Stones.
0016123
Publisher: Lund Humphries
Place Published: London
Year: 1994
Date & Collation: 6pp(12 illus).
Description: Brochure advertising the catalogue raisonné, particularly Volume 5 (See 0016047) and Volume 6 (0016048). The subject of extensive press advertising, particularly Thomas Heneage The Art Book Survey, Spring 1994, Page 28 (Full back-page advertisement of newspaper format publication).
0016062
Author/Editor: HAMILTON James.
Publisher: Lund Humphries
Place Published: London
Year: 1994
Date & Collation: 152pp.Illus.Biog.Bibliog.Catalogue of works.Statements by Wright.
Description: Published in association with the Henry Moore Foundation. British Sculptors and Sculpture series. Includes a dozen mentions of Moore, who encouraged Wright's career as a sculptor when Wright visited him in London in the 1930s. Notes the influence of Moore's work on Wright's sculpture and drawings.
0009493
Publisher: Lund Humphries
Place Published: London
Year: 1951
Date & Collation: 96pp.Illus.Plates.Texts.Adverts.
Description: Festival of Britain 1951 Official Souvenir Programme, May-June 1951, published for the Arts Council of Great Britain by Lund Humphries. Includes a photograph of Henry Moore at work on Reclining Figure, 1951 plaster, and mention of Moore in text by Kenneth CLARK entitled Arts in the Festival of Britain. Moore is listed as a member of the Art Panel of the Arts Council, on page 2, and his Tate Gallery exhibition is listed on page 20.
0019961
Publisher: Lund Humphries
Place Published: Aldershot.
Year: 2002
Date & Collation: 24pp(4 Moore illus).
Description: Lund Humphries Ashgate Publishing catalogue with page 5 a full-page feature on London's War (See 0020104), and fifteen other Henry Moore books on pages 12,15-16. The Henry Moore Foundation British Sculptors and Sculpture Series are included on pages 4,18-19.
0007333
Author/Editor: edited by SYLVESTER David
Publisher: Lund Humphries
Place Published: London
Year: 1957
Date & Collation: xliiipp(25 illus).277pp(376 illus).Biog.Bibliog.
Description: Edited by David Sylvester, with an introduction by Herbert Read.
Fourth, completely revised edition of work published 1944 (See 0008893), second edition 1946 (See 0008704), third edition 1949 (See 0008336).
viii Editorial Note.
(Documents the changes to the illustrations, content and layout).
ix-xxviii READ Herbert. Introduction (See 0008893).
xxx-xxxvi Writings by Henry Moore.
(A View of Sculpture (See 0009419); The Sculptor's Aims (See 0009258); Mesopotamian Art (See 0009251); Notes on Sculpture (See 0009196); Primitive Art (See 0009071)).
xxxviii-xxxix Biographical Summary (1898-1956).
xi One-Man Exhibitions. (1928-1957).
xli-xliii Select Bibliography. (88 entries).
1-16 Catalogue. (Entries 1-268).
17-270 Plates.
272 Index of Collections: Sculpture.
273 Index of Collections: Drawings.
274-275 Concordance: Sculpture.
276-277 Concordance: Drawings.
278 in one printing is Errata.
Fourth, completely revised edition of work published 1944 (See 0008893), second edition 1946 (See 0008704), third edition 1949 (See 0008336).
viii Editorial Note.
(Documents the changes to the illustrations, content and layout).
ix-xxviii READ Herbert. Introduction (See 0008893).
xxx-xxxvi Writings by Henry Moore.
(A View of Sculpture (See 0009419); The Sculptor's Aims (See 0009258); Mesopotamian Art (See 0009251); Notes on Sculpture (See 0009196); Primitive Art (See 0009071)).
xxxviii-xxxix Biographical Summary (1898-1956).
xi One-Man Exhibitions. (1928-1957).
xli-xliii Select Bibliography. (88 entries).
1-16 Catalogue. (Entries 1-268).
17-270 Plates.
272 Index of Collections: Sculpture.
273 Index of Collections: Drawings.
274-275 Concordance: Sculpture.
276-277 Concordance: Drawings.
278 in one printing is Errata.
0005861
Author/Editor: READ Herbert
Publisher: Lund Humphries
Place Published: London
Year: 1965
Date & Collation: xxxpp.Illus.144 plates.Biog.Bibliog.
Description: Published with Zwemmer. Revised edition of 1955 work (See 0007557).
ix-xii READ Herbert. Introduction.
xiv-xvi MOORE Henry. Observations.
xvii Biographical summary 1947-1954.
xviii One man exhibitions 1949-1954.
xix Some mixed exhibitions 1948-1955.
xx-xxiii Bibliography 1948-1955 (119 entries).
xxiv-xxx BOWNESS Alan. Catalogue of sculpture (269-364).
Plates.
The introduction has been slightly amended, and there are minor alterations to the plates and the list of exhibitions. Additions also appear in the catalogue which continues the documentation of Henry Moore's work begun in Volume One.
For third revised edition see 0000062.
ix-xii READ Herbert. Introduction.
xiv-xvi MOORE Henry. Observations.
xvii Biographical summary 1947-1954.
xviii One man exhibitions 1949-1954.
xix Some mixed exhibitions 1948-1955.
xx-xxiii Bibliography 1948-1955 (119 entries).
xxiv-xxx BOWNESS Alan. Catalogue of sculpture (269-364).
Plates.
The introduction has been slightly amended, and there are minor alterations to the plates and the list of exhibitions. Additions also appear in the catalogue which continues the documentation of Henry Moore's work begun in Volume One.
For third revised edition see 0000062.
0019940
Publisher: Lund Humphries
Place Published: Aldershot.
Year: 2002
Date & Collation: 1pp.
Description: Publicity sheet for 'London's War: the shelter drawings of Henry Moore' by Julian Andrews, to be published October 2002.
0000971
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1983
Date & Collation: 46pp(143 illus).184 plates(215 illus).Biog.Bibliog.Introduction by Alan BOWNESS.
Description: Published with Zwemmer, London. Distributed in the U.S.A. by Allanheld and Schram.
7-9 BOWNESS Alan. Introduction.
11 Biographic summary 1974-80.
12-14 Exhibitions 1974-80.
15 Public collections.
16 Short bibliography 1974-80.
17-46 Catalogue 1974-80 (Items 640-782).
49-232 Plates 1-184.
Catalogues and illustrates 143 sculptures produced from late 1973 until early 1980. The introduction notes Moore's late style as dating from around 1960, and the most original and challenging sculpture being produced anywhere in the world" in the following 15 years. The work has seen a consolidation since 1973 drawing together "the threads of a long and various career" with the natural flow of sculptural ideas. Bowness discusses briefly a few of the works which stand out noting the large commissions the marble carvings and the continuation of the Reclining Figure and other themes."
7-9 BOWNESS Alan. Introduction.
11 Biographic summary 1974-80.
12-14 Exhibitions 1974-80.
15 Public collections.
16 Short bibliography 1974-80.
17-46 Catalogue 1974-80 (Items 640-782).
49-232 Plates 1-184.
Catalogues and illustrates 143 sculptures produced from late 1973 until early 1980. The introduction notes Moore's late style as dating from around 1960, and the most original and challenging sculpture being produced anywhere in the world" in the following 15 years. The work has seen a consolidation since 1973 drawing together "the threads of a long and various career" with the natural flow of sculptural ideas. Bowness discusses briefly a few of the works which stand out noting the large commissions the marble carvings and the continuation of the Reclining Figure and other themes."
0021245
Author/Editor: BAYNES Ken.
Publisher: Lund Humphries
Place Published: London.
Year: 1967
Date & Collation: 96pp.Illus.Bibliography.
Description: Book discussing industrial design and community with the emphasis on mass production within an increasingly commercial world. Many black and white photographs illustrate individual products. One Moore illus: Page 39: UNESCO Reclining Figure 1957-58 Roman Travertine marble, (LH 416). Accompanying texts states the best modern environments do not lack excitment and drama as shown by this photograph of sunlight on the windows of the UNESCO building in Paris. In the foreground is Henry Moore's great sculpture"."
0021235
Author/Editor: BIRD Michael.
Publisher: Lund Humphries
Place Published: Aldershot.
Year: 2008
Date & Collation: 192pp.Illus.Bibliography.Index.
Description: Book which seeks to fully integrate the St. Ives artists into the cultural narrative of twentieth-century Britain, with main focus on Barbara Hepworth. Mentions of Moore throughout; particular reference to the comparisons made between Moore and Hepworth on page 141. No Moore illus.
0009564
Publisher: Lund Humphries
Place Published: London
Year: 1951
Date & Collation: ix,249pp.Illus.
Description: For description see 0009713.
0012740
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1991
Date & Collation: 264pp.Illus.Biog.Bibliog.
Description: Reprint of 0003018, with new title. Omits Zwemmer who were named as joint publisher of original 1977 edition.
0015414
Publisher: Lund Humphries
Place Published: London
Year: 1993
Date & Collation: 127pp(49 illus).Biog.Bibliog.
Description: Half title page reads: Moore in Paris.
7 CHIRAC Jacques. Foreword.
(Mayor of Paris recalls 1992 exhibition opened by Queen Elizabeth II of works by Moore created largely between 1960s and 1980s).
9-36 COHEN David. Landscape and the Sculpture of Henry Moore.
(The exhibition's setting and the photographs by Michel Muller who helped in the practical realisation of the sculptures. Outdoor locations for Moore's bronzes, and Moore's belief in universal form. Outlines Moore's career and influences, particularly the primitive. Sculptural commitment to vitality, truth to material and carving, the rapport between the feminine and nature. Moore in the 1930s avant garde, the writers on his work, the organic metaphor. Moore raided Surrealism for formal ideas which he then, characteristically, neutralised. The idea of automatism in drawing, the notion of the found object. The Reclining Figure theme and the mother-child relationship, holes, woman and landscape, prehistory and megaliths like Stonehenge. Moore's public works and use of bronze. Quotes from Moore and relates discussion to works in the Bagatelle gardens).
39-107 In the Bagatelle Gardens.
(48 plates of the exhibits on display).
109-117 Sculptures Exhibited in the Bagatelle Gardens, Paris 1992.
(Maps, and catalogue of 27 bronzes 1948-1984. Photograph of the Paris skyline).
119-127 Chronology.
For exhibition brochures see 0014970 and 0014971.
7 CHIRAC Jacques. Foreword.
(Mayor of Paris recalls 1992 exhibition opened by Queen Elizabeth II of works by Moore created largely between 1960s and 1980s).
9-36 COHEN David. Landscape and the Sculpture of Henry Moore.
(The exhibition's setting and the photographs by Michel Muller who helped in the practical realisation of the sculptures. Outdoor locations for Moore's bronzes, and Moore's belief in universal form. Outlines Moore's career and influences, particularly the primitive. Sculptural commitment to vitality, truth to material and carving, the rapport between the feminine and nature. Moore in the 1930s avant garde, the writers on his work, the organic metaphor. Moore raided Surrealism for formal ideas which he then, characteristically, neutralised. The idea of automatism in drawing, the notion of the found object. The Reclining Figure theme and the mother-child relationship, holes, woman and landscape, prehistory and megaliths like Stonehenge. Moore's public works and use of bronze. Quotes from Moore and relates discussion to works in the Bagatelle gardens).
39-107 In the Bagatelle Gardens.
(48 plates of the exhibits on display).
109-117 Sculptures Exhibited in the Bagatelle Gardens, Paris 1992.
(Maps, and catalogue of 27 bronzes 1948-1984. Photograph of the Paris skyline).
119-127 Chronology.
For exhibition brochures see 0014970 and 0014971.
0009713
Publisher: Lund Humphries
Place Published: London
Year: 1968
Date & Collation: xxii,254pp.Illus.Bibliog.
Description: Original edition 1951 (See 0009564) in collaboration with the Institute of Contemporary Arts on the occasion of their exhibition Growth and Form.
50-51,55(2 illus) Henry Moore.
In a chapter The Character of Biological Form by C.H. WADDINGTON, two carvings by Henry Moore are related to pebbles and other Natural forms.
50-51,55(2 illus) Henry Moore.
In a chapter The Character of Biological Form by C.H. WADDINGTON, two carvings by Henry Moore are related to pebbles and other Natural forms.
0009800
Publisher: Lund Humphries
Place Published: London
Year: 1971
Date & Collation: 118pp.Illus.
Description: L.O.M.A. Literature on Modern Art. French title: Littérature sur l'Art Moderne. German title: Literatur über Moderne Kunst. First issue of an annual selective bibliography, continued for the years 1972 until 1976-1977 under the title Art Design Photo; compiled and published by Alexander Davis. The series contained about 200 Henry Moore references, with photographs of five Moore publications.
0004047
Author/Editor: DE LUCIO-MEYER J.J.
Publisher: Lund Humphries
Place Published: London
Year: 1973
Date & Collation: 240pp.Illus.Bibliog.
Description: Introduction to basic design and art appreciation with photographs of three Henry Moore sculptures, and a passing mention in the text.