Inscription: pencil u.c. Hodin, pencil u.l.  X(circled) 1 A happy resolution/a resolved, happy fixed finality is its aim - / X(circled) 2 there is a huge arm remaining over from the previous state of the carving statue/into which the pieta was later changed – If/ X(circled)3 (Piera della Fancesca/you’ve / When the primitive, the primary element may seem to have/ disappeared, as say in the outward calm of Piero della Francesca,/but in him, in spite of his sophistication + conscious mastery of art, there is also a disturbing element. X It/X 4 Classical detachment alone escapes trying to solve/ X 5. In some periods of the country at on period may produce great music/but not very good paintings, like music around Beethoven’s time/or great poetry but not much music like England in the nineties/Wordsworth tried – one cannt say that)./or like a century or two of great poetry in England with not much good music of painting/contemporary with it + You can’t say that because there’s no church religious unity around any more, + no church to commission large mural decorations - /X 5 The human spirit expresses itself now through one act now through/another, now here + now there for this twenty years poetry will be good, then somewhere else for a hundred years painting will flourish./X 6 He had enough money to be lazy, or to go on modestly working in/isolation, no commissions, no being used public use +/ 6 (Newpart) Its just that in the head part of the figure I could focus/the intention the entire figure – the textures there a bull like though docile, but strong battered but strong, being a suffering but