Skip to main content

Henry Moore Artwork Catalogue

1966 Arnhem, Sonsbeek '66, 5e Internationale Beeldententoonstelling

Skip to main content
'Three Way Piece No.2: Archer' 1964 (LH535)
Bronze, Sonsbeek 1966
Photo: Errol Jackson
1966 Arnhem, Sonsbeek '66, 5e Internationale Beeldententoonstelling
'Three Way Piece No.2: Archer' 1964 (LH535)
Bronze, Sonsbeek 1966
Photo: Errol Jackson
'Three Way Piece No.2: Archer' 1964 (LH535) Bronze, Sonsbeek 1966 Photo: Errol Jackson

1966 Arnhem, Sonsbeek '66, 5e Internationale Beeldententoonstelling

27 May 1966 - 25 September 1966
5th International Sculpture Exhibition at Arrnhem - Sonsbeek '66
More Information
Exhibition includes 6 works by Henry Moore 1962-1965
2022 Eastbourne, Towner Art Gallery, A Life in Art: Lucy Wertheim
11 June 2022 - 25 September 2022
Exhibition Info: Lucy Carrington Wertheim (1883-1971) supported many public galleries and young artists, and bequeathed over 50 works to Towner Art Gallery. This exhibition will bring together paintings, drawings and sculptures from her disbanded collection for the first time in 50 years alongside works exhibited in the Wertheim Gallery, which she established in 1930. The exhibition includes Moore’s Head of a Girl which was shown at the Wertheim Gallery’s opening exhibition.
photo: Rob Harris
01 April 2022 - 30 October 2022
Exhibition Info: Henry Moore: The Sixties presents a fascinating insight into Moore’s life and work during this pivotal decade in his career. The exhibition reveals the dramatic shift in his working practices that enabled him to work on an increasingly monumental scale; his move towards greater abstraction; and the enormous global demand for his work during this period, along with the controversy this generated. The exhibition feautures sculptures, drawings, graphics and archive material drawn entirely from the Henry Moore Foundation’s collection.
photo: Jo Hounsome
3 May to 8 September 2024
Exhibition Info: Henry Moore in Miniature includes over 60 of Moore’s works that can fit in the hand. It features maquettes for some of his best-known public sculptures, alongside lesser-known works, including the display for the very first time in a museum exhibition of a recently discovered early lead cast of Mother & Child.
photo: Sebastiano Barassi
16 September 2022 - 31 March 2023
Exhibition Info: 50 years after the exhibition at the Forte di Belvedere, the English master Henry Moore returns to Florence. Two sculptures, Large Interior Form and Family Group, are exhibited respectively in Piazza della Signoria and outside the front entrance of the Abbey of San Miniato al Monte.
1968 London, Tate Gallery, Henry Moore
17 July 1968 - 22 September 1968
Exhibition Info: Retrospective exhibition of sculptures and drawings organised by the Arts Council of Great Britain and held at the Tate Gallery in honour of Moore's 70th birthday.
Installation view of Henry Moore: Configuration at the Henry Moore Institute 2021. photo: John …
17 September 2021 - 23 January 2022
Exhibition Info: Configuration brings together a small, focused selection of sculpture, drawings and collages highlighting Henry Moore’s ceaseless investigation into form, material and volume. Throughout his lifetime, Moore collected objects such as bones, stones, shells and driftwood which he would turn over in his hands, build up, press into clay, cast, or photograph. This haptic practice saw Moore humanise these forms, and capture their relationship to the body both physical and imaginative.
2024 Perry Green, Sculpture, Inspiration and our Natural Worlds
28 March 2024 - 03 November 2024
Exhibition Info: In 2024, a selection of over twenty of Moore’s bronzes will be displayed in the landscape adjacent to the studios where he developed his ideas. Natural and human forms can be seen to have inspired sculptures across all of Moore’s most iconic themes: the mother and child, the reclining figure, and the juxtaposition of internal / external forms. A number of Moore’s multi-part reclining figures, where he asks the viewer to imaginatively piece together the body, are joined by some of his purest organic abstractions in which we can trace the journey from handheld pebble to monumental work.