Henry Moore Artwork Catalogue
Dan Kiley: the complete works of America's master landscape architect.
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20-27(3 Moore illus) Miller House, Columbus, Indiana, 1955.
(Shows Henry Moore's Draped Seated Woman, 1957-1958 bronze).
56-57(1 Moore illus) Lincoln Center for the Performing Arts, New York, New York, 1960.
(One of the photographs shows Henry Moore's Reclining Figure, 1963-1965 bronze. When the Henry Moore piece was acquired we decided that the water element would by most effective as an uninterrupted expanse of calm from which the two-part Reclining Figure would emerge").
112-117(10 illus) Nelson -Atkins Museum of Art: The Henry Moore Sculpture Garden Kansas City Missouri 1988.
(Sculpture can be seen in five of the photographs. "While the small-scale details of sculpture placement were critical more challenging to us was the opportunity to produce a truly classic work in keeping with the museum's Beaux-Arts character (constructed in 1933)")."
Bib. Number0020002
Dan Kiley: the complete works of America's master landscape architect.
Author/EditorKILEY Dan., AMIDON Jane.
PublisherLittle, Brown
Place PublishedBoston, New York, London.
Year1999
Date & Collation224pp.Illus.Bibliog.Index.
LanguageEnglish
More InformationA Bulfinch Press Book. Published in London by Thames and Hudson. Copyright 1999 by The Office of Dan Kiley.20-27(3 Moore illus) Miller House, Columbus, Indiana, 1955.
(Shows Henry Moore's Draped Seated Woman, 1957-1958 bronze).
56-57(1 Moore illus) Lincoln Center for the Performing Arts, New York, New York, 1960.
(One of the photographs shows Henry Moore's Reclining Figure, 1963-1965 bronze. When the Henry Moore piece was acquired we decided that the water element would by most effective as an uninterrupted expanse of calm from which the two-part Reclining Figure would emerge").
112-117(10 illus) Nelson -Atkins Museum of Art: The Henry Moore Sculpture Garden Kansas City Missouri 1988.
(Sculpture can be seen in five of the photographs. "While the small-scale details of sculpture placement were critical more challenging to us was the opportunity to produce a truly classic work in keeping with the museum's Beaux-Arts character (constructed in 1933)")."