Henry Moore Artwork Catalogue
Henry Moore Intime.(An Intimate View of Henry Moore).
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Japanese edition of 0014956 with a List of Exhibits, brief prefatory texts by Alan BOWNESS, Didier IMBERT, and a Message from Mary MOORE on the pioneering exhibition: I grew up in Hoglands and witnessed these rooms take shape and this wonderful collection of paintings drawings sculpture objects and books grow while my father worked creating his own sculpture and drawings". After the text by Timothée TRIMM come two additional texts: MITCHINSON David and SUMMERS Julie. The method of Henry Moore's work.
(See 0011447 for description).
FUKUNAGA Osamu. Henry Moore in Japan.
(The Moore exhibitions held in Japan and the significance of this current exhibition. The main section of the text examines any influences that Moore might have absorbed from Japan but concludes that it would be impossible to establish any significant link with his art. Instead examines the common ground that can be perceived in Moore's work and the traditional art of Japan particularly the use of natural forms. The similarity is however superficial. In Moore's use there is a much more conscious re-working and adaption of natural forms rather than a simple imitation of nature.
Final section comments on works acquired by the Hiroshima Museum.
Japanese title as cited in English: Henry Moore: the creation of original landscapes seen through his own and collected works."
Bib. Number0014955
Henry Moore Intime.(An Intimate View of Henry Moore).
PublisherSezon Museum of Art
Place PublishedTokyo
Year1992
Date & Collation(15 Sept-3 Nov).207pp(241 illus).Biog.Bibliog.Text in Japanese, title in French also.Prefatory texts in English and Japanese.
LanguageJapanese/English/
More InformationExhibition also at: Kitakyushu Municipal Museum of Art (Kitakyushu) 21 Nov 1992-24 Jan 1993, Hiroshima City Museum of Contemporary Art (Hiroshima) 9 April-16 May 1993, Oita Prefectural Museum of Art (Oita) 25 June-8 Aug 1993.Japanese edition of 0014956 with a List of Exhibits, brief prefatory texts by Alan BOWNESS, Didier IMBERT, and a Message from Mary MOORE on the pioneering exhibition: I grew up in Hoglands and witnessed these rooms take shape and this wonderful collection of paintings drawings sculpture objects and books grow while my father worked creating his own sculpture and drawings". After the text by Timothée TRIMM come two additional texts: MITCHINSON David and SUMMERS Julie. The method of Henry Moore's work.
(See 0011447 for description).
FUKUNAGA Osamu. Henry Moore in Japan.
(The Moore exhibitions held in Japan and the significance of this current exhibition. The main section of the text examines any influences that Moore might have absorbed from Japan but concludes that it would be impossible to establish any significant link with his art. Instead examines the common ground that can be perceived in Moore's work and the traditional art of Japan particularly the use of natural forms. The similarity is however superficial. In Moore's use there is a much more conscious re-working and adaption of natural forms rather than a simple imitation of nature.
Final section comments on works acquired by the Hiroshima Museum.
Japanese title as cited in English: Henry Moore: the creation of original landscapes seen through his own and collected works."