Henry Moore Artwork Catalogue
Homage to Henry Moore: special issue of XXe Siècle review; edited by G. di SAN LAZZARO.
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3-6 LASSAIGNE Jacques. The genius of Henry Moore.
(Introduction to Moore's work, human and primitive influences, War Drawings).
7-12 PENROSE Roland. In the heart of the home country.
(Landscape influence on his sculptural form).
13-20 VOLBOUDT Pierre. Nature and culture: two great sources.
(Moore's aesthetic form, influenced by stones and shells and by ancient and primitive sculpture. Includes remarks on Primitive Art by Henry Moore, extracted from Henry Moore on Sculpture (See 0005627)).
21-40 The first monograph: Henry Moore Sculptor by Herbert Read.
(Text of the 1934 volume (See 0009257), preceded by a short statement by Henry MOORE on Zwemmer and the publication).
41-50 COURTHION Pierre. The key to the human figure.
(The Mother and Child theme, Reclining Figure theme and Moore's three fundamental poses: standing, seated, lying down).
51-58 TAILLANDIER Yvon. Nostalgia of the feminine.
(Female aspects of carving and hollows; landscape).
59-82 MARCHIORI Giuseppe. Henry Moore's themes.
(Mother and Child, Reclining Figure, and some other motifs and individual works).
83-94 CARANDENTE Giovanni. Moore and Italy.
(The 1972 Florence exhibition (See 0004285) and earlier associations with Italian art).
95-101 MELVILLE Robert. The Shelter Sketch-Book.
(From 1966 Marlborough Catalogue (See 0005670) plus a brief published statement by Moore: In the Mines of Castleford).
102-105 COGNIAT Raymond. Variance and vibration.
(The drawings and their relation to the sculpture).
106-108 VOLBOUDT Pierre. Elephant Skull: intricacies of the imaginary.
(Poetic observations on the Elephant Skull graphic works).
109-117 JAMES Philip. Henry Moore speaks.
(Review of the sayings and writings, incorporating quotations).
118-121 WITHROW William J. The Henry Moore Centre in Toronto.
(The background to the establishment of the centre in the Art Gallery of Ontario).
122-132 Remembrances.
(Critical anthology of texts selected from Geoffrey Grigson 1943, James Johnson Sweeney 1947, David Sylvester 1968, Andréi Boris Nakov 1970, Giulio Carlo Argan 1971, John Russell 1972, Elda Fezzi 1971).
133 SAN LAZZARO G. di. Moore the European.
(Moore as the first great European sculptor").
135-136 Biography.
(Documentation 1898-1972).
Bib. Number0004441
Homage to Henry Moore: special issue of XXe Siècle review; edited by G. di SAN LAZZARO.
PublisherZwemmer
Place PublishedLondon
Year1972
Date & Collation136pp(162 illus).Biog.
LanguageEnglish
More InformationEnglish-language edition of Hommage à Henry Moore (See 0009838). Translator Wade STEVENSON. Includes an original lithograph: Three Reclining Figures, 1971 lithograph.3-6 LASSAIGNE Jacques. The genius of Henry Moore.
(Introduction to Moore's work, human and primitive influences, War Drawings).
7-12 PENROSE Roland. In the heart of the home country.
(Landscape influence on his sculptural form).
13-20 VOLBOUDT Pierre. Nature and culture: two great sources.
(Moore's aesthetic form, influenced by stones and shells and by ancient and primitive sculpture. Includes remarks on Primitive Art by Henry Moore, extracted from Henry Moore on Sculpture (See 0005627)).
21-40 The first monograph: Henry Moore Sculptor by Herbert Read.
(Text of the 1934 volume (See 0009257), preceded by a short statement by Henry MOORE on Zwemmer and the publication).
41-50 COURTHION Pierre. The key to the human figure.
(The Mother and Child theme, Reclining Figure theme and Moore's three fundamental poses: standing, seated, lying down).
51-58 TAILLANDIER Yvon. Nostalgia of the feminine.
(Female aspects of carving and hollows; landscape).
59-82 MARCHIORI Giuseppe. Henry Moore's themes.
(Mother and Child, Reclining Figure, and some other motifs and individual works).
83-94 CARANDENTE Giovanni. Moore and Italy.
(The 1972 Florence exhibition (See 0004285) and earlier associations with Italian art).
95-101 MELVILLE Robert. The Shelter Sketch-Book.
(From 1966 Marlborough Catalogue (See 0005670) plus a brief published statement by Moore: In the Mines of Castleford).
102-105 COGNIAT Raymond. Variance and vibration.
(The drawings and their relation to the sculpture).
106-108 VOLBOUDT Pierre. Elephant Skull: intricacies of the imaginary.
(Poetic observations on the Elephant Skull graphic works).
109-117 JAMES Philip. Henry Moore speaks.
(Review of the sayings and writings, incorporating quotations).
118-121 WITHROW William J. The Henry Moore Centre in Toronto.
(The background to the establishment of the centre in the Art Gallery of Ontario).
122-132 Remembrances.
(Critical anthology of texts selected from Geoffrey Grigson 1943, James Johnson Sweeney 1947, David Sylvester 1968, Andréi Boris Nakov 1970, Giulio Carlo Argan 1971, John Russell 1972, Elda Fezzi 1971).
133 SAN LAZZARO G. di. Moore the European.
(Moore as the first great European sculptor").
135-136 Biography.
(Documentation 1898-1972).
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