Second edition of 0019047.

pp.63-66, on "Humanism and Realism: British and French Figuration in the 1950s" discusses Moore's place in British art in the 1950s, and draws a contrast with the work of Francis Bacon. Illus. of Working Model for Reclining Figure: Internal/External Form. Describes King and Queen as an example of Moore's capability for "blandness". Further mentions of Moore on pp.125 and 147.