Henry Moore Artwork Catalogue
Henry Moore: sculpting the 20th century.
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8-9 LAND John R. Director's Foreword.
(Introduction to the exhibition. Acknowledgements)
10-19 Moore Photographs Moore; compiled by Elizabeth BROWN.
(12 photographs by Henry Moore of his own sculpture).
20-31 KOSINSKI Dorothy. Some Reasons for a Reputation.
(Critical responses to Moore over the years. Henry Moore's staggering success and popularity define his reputation and simultaneously render the man and his work untouchable beyond critical discourse").
32-41 WILKINSON Alan G. Moore: a modernist's primitivism.
(Henry Moore's dialogue with primitivism in his drawings and sculpture and in his writings and interviews).
42-51 NASH Steven A. Moore and Surrealism Reconsidered.
(Influence on Moore of Giacometti Picasso and others).
52-61 BENNET Anita Feldman. A Sculptor's Collection.
(Moore's collections of historical art in Hoglands and their influence on his work. Primitive art Seurat Cézanne and others).
Chronology and Plates; Gail DAVITT Eik KAHNG Jed MORSE.
62-143 1898-1939.
144-145 ANDREWS Julian. Henry Moore: the war years.
(Shelter and Coal Mine drawings).
146-175 1940-45.
176-209 1946-59.
210-261 1960-86.
262-275 COHEN David.Who's Afraid of Henry Moore?
("Henry More was loved by the Establishment and ignored by young artists. Today his reputation is precarious. Epstein Hepworth Caro Kapoor).
276-285 SENIE Harriet F. Implicit Intimacy: the persistent appeal of Henry Moore's public art.
("What precisely is the nature of his appeal to public art audiences?... His sculpture conveys the essence of stability in a notoriously unstable world").
286-295 BROWN Elizabeth. Moore Looking: photography and the presentation of sculpture.
(Moore's photographs and the relationship between sculpture and reproduction. Moore's art has always been involved with photography and his bibliography teems with collaborations with other photographers. Comments on the sculptor's depiction of women).
296-307 The Dallas Piece; Tom Jenkins.
(Photographs by Jennkins of Three Forms Vertebrae 1978-1979 bronze).
308-316 Checklist of Sculpture and Drawings.
(206 works 1922-1982).
317-323 Index.
324 Permissions and Photo Credits.
Also issued with the title 'Henry Moore: sculpting the 20th century' were four separate Private View cards a two-page publicity leaflet and a two-page sheet with details of a tour of London Amsterdam Copenhagen 19-26 September 2001.
For National Gallery of Art brochure see 0019579."
Bib. Number0019295
Henry Moore: sculpting the 20th century.
Author/Editoredited by KOSINSKI Dorothy
PublisherDallas Museum of Art
Place PublishedDallas, Tex.
Year2001
Date & Collation(25 Feb-27 May).324pp(464 illus).Biog.Bibliog.Texts by Dorothy KOSINSKI, and others.
LanguageEnglish
More InformationPublished with Yale University Press, New Haven and London. Book of exhibition also at Fine Arts Museums of San Francisco 24 June-16 Sept 2001, and National Gallery of Art, Washington, D.C. 21 Oct 2001-27 Jan 2002. Organised with the Henry Moore Foundation.8-9 LAND John R. Director's Foreword.
(Introduction to the exhibition. Acknowledgements)
10-19 Moore Photographs Moore; compiled by Elizabeth BROWN.
(12 photographs by Henry Moore of his own sculpture).
20-31 KOSINSKI Dorothy. Some Reasons for a Reputation.
(Critical responses to Moore over the years. Henry Moore's staggering success and popularity define his reputation and simultaneously render the man and his work untouchable beyond critical discourse").
32-41 WILKINSON Alan G. Moore: a modernist's primitivism.
(Henry Moore's dialogue with primitivism in his drawings and sculpture and in his writings and interviews).
42-51 NASH Steven A. Moore and Surrealism Reconsidered.
(Influence on Moore of Giacometti Picasso and others).
52-61 BENNET Anita Feldman. A Sculptor's Collection.
(Moore's collections of historical art in Hoglands and their influence on his work. Primitive art Seurat Cézanne and others).
Chronology and Plates; Gail DAVITT Eik KAHNG Jed MORSE.
62-143 1898-1939.
144-145 ANDREWS Julian. Henry Moore: the war years.
(Shelter and Coal Mine drawings).
146-175 1940-45.
176-209 1946-59.
210-261 1960-86.
262-275 COHEN David.Who's Afraid of Henry Moore?
("Henry More was loved by the Establishment and ignored by young artists. Today his reputation is precarious. Epstein Hepworth Caro Kapoor).
276-285 SENIE Harriet F. Implicit Intimacy: the persistent appeal of Henry Moore's public art.
("What precisely is the nature of his appeal to public art audiences?... His sculpture conveys the essence of stability in a notoriously unstable world").
286-295 BROWN Elizabeth. Moore Looking: photography and the presentation of sculpture.
(Moore's photographs and the relationship between sculpture and reproduction. Moore's art has always been involved with photography and his bibliography teems with collaborations with other photographers. Comments on the sculptor's depiction of women).
296-307 The Dallas Piece; Tom Jenkins.
(Photographs by Jennkins of Three Forms Vertebrae 1978-1979 bronze).
308-316 Checklist of Sculpture and Drawings.
(206 works 1922-1982).
317-323 Index.
324 Permissions and Photo Credits.
Also issued with the title 'Henry Moore: sculpting the 20th century' were four separate Private View cards a two-page publicity leaflet and a two-page sheet with details of a tour of London Amsterdam Copenhagen 19-26 September 2001.
For National Gallery of Art brochure see 0019579."
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