Henry Moore Artwork Catalogue
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0022283
Author/Editor: UPSON Nicola
Publisher: Overlook Book Press
Place Published: New York
Year: 1998
Date & Collation: 160pp.illus
Description: Book which acts as catalogue raisonée. Highly illustrated with photographs taken by David BUCKLAND. Brief mentions of Moore throughout, with particular reference to 1985 'dialogue' exhibition at the Alex Rosenberg Gallery, New York, see 0000486. Quote from 1934 Moore text, page 11. No Moore illus.
0019553
Publisher: Der Bund
Place Published: Berne
Year: 1998
Date & Collation: (31 March)..(1 Illus).Text in German.
Description: Short review of Triple Gallery exhibition (See 19545).
0019607
Author/Editor: WOLFE Tom.
Publisher: Cape
Place Published: London
Year: 1998
Date & Collation: 742pp.
Description: Published in New York by Farrar, Straus and Giroux. American novel set in Atlanta, Georgia. Contains fictional mentions of Moore sculpture in relation to buildings.
On page 73 the lobby of the tower at Croker Concourse has the Henry Moore sculpture out front".
On page 547 the lobby of the Peachtree Olympus has "a twelve-foot-high abstract sculpture by Henry Moore". To the black lawyer Roger White "it looked like a great melting doughnut. Atlanta's major developers all of whom were white looked upon Henry Moore as class when it came to sculpture. Look at the damned thing...absolutely stupid and pointless"."
On page 73 the lobby of the tower at Croker Concourse has the Henry Moore sculpture out front".
On page 547 the lobby of the Peachtree Olympus has "a twelve-foot-high abstract sculpture by Henry Moore". To the black lawyer Roger White "it looked like a great melting doughnut. Atlanta's major developers all of whom were white looked upon Henry Moore as class when it came to sculpture. Look at the damned thing...absolutely stupid and pointless"."
0019552
Publisher: Triple Gallery Gazette
Place Published: Berne
Year: 1998
Date & Collation: 2(1) 6-7(19 illus).Text in German.
Description: Newspaper format gallery publication with two-page photographic feature Henry Moore zum 100. Geburtstag: Henry Moore Centenary Show. See also 0019545.
0020371
Publisher: The Gallery
Place Published: London.
Year: 1998
Date & Collation: (5-16 May).60pp.Illus.Adverts.Texts.
Description: 36-37(1 Moore illus) Society of Numismatic Artists and Designers.
(Section of the catalogue listing 16 works with small illustrations, one of which is 'Henry Moore' by Avril Vaughan, a medalion depicting Moore's head and hands).
There is passing mention of Henry Moore in two other catalogues recently acquired. The annual exhibition at The Gallery in Cork Street now seems to have the word 'Face' added to the catalogue title page:
Face 2002: The 39th Exhibition: The Society of Portrait Sculptors.
(24-25 WALTERS Ian. First Sight).
Face 2003: The 50th Anniversary Exhibition: The Society of Portrait Sculptors.
(70-80 CANNON-BROOKES Peter. 1953 and All That: The Beginnings of the Society of Portrait Sculptors).
(Section of the catalogue listing 16 works with small illustrations, one of which is 'Henry Moore' by Avril Vaughan, a medalion depicting Moore's head and hands).
There is passing mention of Henry Moore in two other catalogues recently acquired. The annual exhibition at The Gallery in Cork Street now seems to have the word 'Face' added to the catalogue title page:
Face 2002: The 39th Exhibition: The Society of Portrait Sculptors.
(24-25 WALTERS Ian. First Sight).
Face 2003: The 50th Anniversary Exhibition: The Society of Portrait Sculptors.
(70-80 CANNON-BROOKES Peter. 1953 and All That: The Beginnings of the Society of Portrait Sculptors).
0021134
Author/Editor: FERRY Georgina.
Publisher: Granta Publications
Place Published: London
Year: 1998
Date & Collation: 423pp.Illus.Index.
Description: Biography of British, Nobel Prize winning, female crystallographer, whose arthritic hands Moore drew in 1978, (HMF 78(38)-HMF 78(47)). Brief mention of this on page 394, recounting how Hodgkin met Moore at Cambridge; states Sir Rex Richards made the initial approach to Moore. No Moore illus.
0019711
Publisher: Elaine Coyne Galleries.
Year: 1998
Date & Collation: 3pp(6 illus).
Description: Printed 18 Feb 2002 from Internet www.ecg.com. Neiman Marcus company catalogue features some jewellery from Coyne Galleries inspired by the sculpture of Henry Moore.
0019545
Publisher: Triple Gallery
Place Published: Berne
Year: 1998
Date & Collation: .16pp.Text in English and German.
Description: Catalogue and Price List 2. Auflage 2nd edition, 6 May 1998.
11-13 Henry Moore zum 100 Geburtstag: Henry Moore Centenary Show: Skulpturen und Zeichnungen: sculpture and drawings.
(Items 85-115: 31 works 1928-1983).
14-16 Graphik: Graphics.
(Items 120-168 (including 153a): 50 works 1973-1983).
See also 0019552.
11-13 Henry Moore zum 100 Geburtstag: Henry Moore Centenary Show: Skulpturen und Zeichnungen: sculpture and drawings.
(Items 85-115: 31 works 1928-1983).
14-16 Graphik: Graphics.
(Items 120-168 (including 153a): 50 works 1973-1983).
See also 0019552.
0018276
Publisher: Kunstraum Innsbruck
Place Published: Innsbruck
Year: 1998
Date & Collation: 12pp(1 Moore illus).Text in German.
Description: Folded leaflet Begleitprogramm for exhibitions in Kunstraum Innsbruck, and Schlosspark Ambras, June 1998 to Sept 1999. Lists Moore as one of the sculptors in British Sculpture display in cooperation with Yorkshire Sculpture Park (See 0018275). Lists lectures, including one by Benedict Read entitled Henry Moore and the British Sculpture.
Ein Katalogbuch erscheint Während der Ausstellung."
Ein Katalogbuch erscheint Während der Ausstellung."
0019658
Author/Editor: STRONG Roy.
Publisher: Phoenix
Place Published: London
Year: 1998
Date & Collation: xv,461pp.Illus.20 plates of illus.
Description: Paperback edition of book first published by Weidenfeld and Nicholson 1997. Journals of gallery director and writer Roy Strong.
Includes half-a-dozen incidental passing mentions of Henry Moore, the longest being five lines on page 203 where the sculptor at seventy nine would beat anyone on the rugger field a tough northern lad revelling already in his eightieth next year"."
Includes half-a-dozen incidental passing mentions of Henry Moore, the longest being five lines on page 203 where the sculptor at seventy nine would beat anyone on the rugger field a tough northern lad revelling already in his eightieth next year"."
0018301
Publisher: Passauer Neue Presse
Place Published: Passau
Year: 1998
Date & Collation: (14 July)..Text in German.
Description: Review of exhibition in Vienna (See 0017731).
0018294
Publisher: Outside the Box
Place Published: Leeds
Year: 1998
Date & Collation: (7-30 April).2pp.
Description: Photocopies of a Chagall print, and a list of eight works by seven artists (in the form of a Consignment Note from Berkeley Square Gallery). Includes two Moore prints 1981-1983.
Title as printed: 20th Century Master Prints.
Title as printed: 20th Century Master Prints.
0018318
Publisher: Sotheby's
Place Published: London
Year: 1998
Date & Collation: 1998(24 March).
Description: Sale LN8136. Lots 82 and 320 Henry Moore: on Sculpture 1943, and one Drawing 1928. Illus:
82 Mother and Child, 1943 terracotta, (LH 221).
320 Reclining Nude, 1928 drawing, (HMF 589).
82 Mother and Child, 1943 terracotta, (LH 221).
320 Reclining Nude, 1928 drawing, (HMF 589).
0018302
Author/Editor: TOMERIUS Lorenz.
Publisher: Nurnberger Nachrichten
Place Published: Nuremberg
Year: 1998
Date & Collation: (15 July)..(1 illus).Text in German.
Description: Review of Henry Moore: Animals exhibition in Heilbronn (See 0017502).
0018312
Author/Editor: DEN AREND Lucien.
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1998
Date & Collation: 3pp(1 illus).
Description: 28 August 1999 Internet printout from Alta Vista Australia st-ives.net/denarend/persons.
Photograph of Henry Moore and Lucien de (sic) Arend in front of Morre's house in Italy. Followed by conversational report of meeting on 20 Aug 1971, a year after Den Arend's first meeting with Henry and Irina Moore in Forte dei Marmi.
The Dutch sculptor conversed with Irina Moore until G. di San Lazzaro left the house, and they were joined by Henry Moore. Mentioned briefly: Henraux, materials, Etruscan sculpture, Carlo Carra exhibition, Lucien Den Arend's own sculpture.
Also a 5pp printout from www.denarend.com on 25 Feb 2003 headed 'Lucien den Arend Encounters: Henry Moore' and Henry Moore: Encounters: the life and work of sculptor Lucien den Arend'.
Photograph of Henry Moore and Lucien de (sic) Arend in front of Morre's house in Italy. Followed by conversational report of meeting on 20 Aug 1971, a year after Den Arend's first meeting with Henry and Irina Moore in Forte dei Marmi.
The Dutch sculptor conversed with Irina Moore until G. di San Lazzaro left the house, and they were joined by Henry Moore. Mentioned briefly: Henraux, materials, Etruscan sculpture, Carlo Carra exhibition, Lucien Den Arend's own sculpture.
Also a 5pp printout from www.denarend.com on 25 Feb 2003 headed 'Lucien den Arend Encounters: Henry Moore' and Henry Moore: Encounters: the life and work of sculptor Lucien den Arend'.
0018308
Author/Editor: ARNOT Chris.
Publisher: Guardian
Place Published: London
Year: 1998
Date & Collation: (16 July)..(2 Moore illus).
Description: Feature on public sculpture, focussing on how it is subject to vandalism. Includes photographs of two carvings by Henry Moore which have been removed for their own safety.
0018309
Author/Editor: HENRY Clare.
Publisher: Glasgow Herald
Place Published: Glasgow
Year: 1998
Date & Collation: (16 July)..(1 illus).
Description: Centenary year consideration of Henry Moore's legacy. Outlines the sculptor's fame, and reports visit to the Henry Moore Foundation.
0018320
Author/Editor: JANUSZCZAK Waldemar.
Publisher: Sunday Times
Place Published: London
Year: 1998
Date & Collation: (19 July)..(3 illus).
Description: Three-page feature in Sunday Times Culture section. Cover title: The Most Overrated Hands in Britain? On the occasion of the Henry Moore Centenary 1898-1998, Januszczak comments on the televison film Henry Moore: Carving a Reputation (See 0017783). Argues against the relentless promotion campaign by the Henry Moore Foundation. He is a bone out of which all the nourishment has been sucked. And Moore was never as important or significant an artist as post-war Britain liked to imagine. His sculpture was often dull. Often mawkish. Rarely surprising once it had settled on its rules".
See 0018389 for response from the Henry Moore Foundation."
See 0018389 for response from the Henry Moore Foundation."
0018105
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1998
Date & Collation: 7mins.Sound recording.
Description: Female introduces Moore's centenary year, and at National Gallery interviews Margaret McLeod, the curator of the exhibition (See 0017650). Brief comments on Massacio, British Museum, direct carving, open-air. Outlines history and work of the Henry Moore Foundation, and mentions forthcoming Open Day on 20 June 1998 (See 0017796).
Repeated on 0018106.
Repeated on 0018106.
0018106
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1998
Date & Collation: 11minutes.Sound recording.
Description: Repeats 7 minute interview Henry Moore, McLeod (See 0018105).
Adds 4 minutes in which female interviews David Mitchinson in Aisled Barn on Moore's tapestries and textiles. Also Michel Muller on Moore's straightforward personality and routine working day.
Probably recorded on 20 June 1998 Open Day (See 0017796).
Adds 4 minutes in which female interviews David Mitchinson in Aisled Barn on Moore's tapestries and textiles. Also Michel Muller on Moore's straightforward personality and routine working day.
Probably recorded on 20 June 1998 Open Day (See 0017796).
0018307
Author/Editor: SPIRO Colin.
Publisher: Herts and Essex Observer
Year: 1998
Date & Collation: (16 July)..
Description: Jill Craigie, wife of former Labour leader Michael Foot, revealed her attraction to Henry Moore during World War Two. This in the television programme Henry Moore: carving a reputation (See 0017783).
0018319
Publisher: Westfalen-Blatt
Place Published: Bielefeld
Year: 1998
Date & Collation: (18 July)..(2 illus).Text in German.
Description: Note on Moore centenary.
0018321
Publisher: Sotheby's
Place Published: London
Year: 1998
Date & Collation: (31 March)
Description: Sale LN8199 in the Aeolian Hall.
Lot 298 Modern Artists. Collection of Letters Signed.
(Includes a letter from Henry Moore to Mr Thornton 21 January 1974 pointing out that the Sheep drawings are in a single notebook which I have given to my daughter" and are not available for sale)."
Lot 298 Modern Artists. Collection of Letters Signed.
(Includes a letter from Henry Moore to Mr Thornton 21 January 1974 pointing out that the Sheep drawings are in a single notebook which I have given to my daughter" and are not available for sale)."
0018112
Publisher: Beaverbrook Art Gallery
Place Published: Fredericton
Year: 1998
Date & Collation: (24 May-13 Sept).216pp.Illus.Bibliog.Index.Texts by Richard Shone, and Ian G. Lumsden.Catalogue entries by Ian G. Lumsden.Text in English and French.
Description: French title: De Sargent à Freud. Title as printed: De Sargent à to Freud.
Exhibition travelling 1998-2000 to: Arthur Ross Gallery (Philadelphia), Dalhousie Art Gallery (Halifax, N.S.), Mendel Art Gallery (Saskatoon), Canada House Gallery (London), Graves Art Gallery (Sheffield), London Regional Arts and Historical Museums (London, Ont.).
English Subtitle: Modern British Paintings and Drawings in the Beaverbrook Collection. French subtitle: Toiles et dessins de peintres britanniques modernes dans la collection Beaverbrook.
Moore is mentioned in passing in Schone's text 'Look Stranger at this Island Now: a View of British Painting in the 20th Century'.
110-111,188(2 illus) Henry Moore: Standing Nude, 1924 drawing with commentary and documentation. All Moore's drawings tend to conform to the following prototype: massive female figures with soft contours reminiscent of Renoir or Maillol usually in repose either standing or sitting and without the erotic overtones of an artist like Rodin"."
Exhibition travelling 1998-2000 to: Arthur Ross Gallery (Philadelphia), Dalhousie Art Gallery (Halifax, N.S.), Mendel Art Gallery (Saskatoon), Canada House Gallery (London), Graves Art Gallery (Sheffield), London Regional Arts and Historical Museums (London, Ont.).
English Subtitle: Modern British Paintings and Drawings in the Beaverbrook Collection. French subtitle: Toiles et dessins de peintres britanniques modernes dans la collection Beaverbrook.
Moore is mentioned in passing in Schone's text 'Look Stranger at this Island Now: a View of British Painting in the 20th Century'.
110-111,188(2 illus) Henry Moore: Standing Nude, 1924 drawing with commentary and documentation. All Moore's drawings tend to conform to the following prototype: massive female figures with soft contours reminiscent of Renoir or Maillol usually in repose either standing or sitting and without the erotic overtones of an artist like Rodin"."