Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
63 results
for
*
0022283
Author/Editor: UPSON Nicola
Publisher: Overlook Book Press
Place Published: New York
Year: 1998
Date & Collation: 160pp.illus
Description: Book which acts as catalogue raisonée. Highly illustrated with photographs taken by David BUCKLAND. Brief mentions of Moore throughout, with particular reference to 1985 'dialogue' exhibition at the Alex Rosenberg Gallery, New York, see 0000486. Quote from 1934 Moore text, page 11. No Moore illus.
0019607
Author/Editor: WOLFE Tom.
Publisher: Cape
Place Published: London
Year: 1998
Date & Collation: 742pp.
Description: Published in New York by Farrar, Straus and Giroux. American novel set in Atlanta, Georgia. Contains fictional mentions of Moore sculpture in relation to buildings.
On page 73 the lobby of the tower at Croker Concourse has the Henry Moore sculpture out front".
On page 547 the lobby of the Peachtree Olympus has "a twelve-foot-high abstract sculpture by Henry Moore". To the black lawyer Roger White "it looked like a great melting doughnut. Atlanta's major developers all of whom were white looked upon Henry Moore as class when it came to sculpture. Look at the damned thing...absolutely stupid and pointless"."
On page 73 the lobby of the tower at Croker Concourse has the Henry Moore sculpture out front".
On page 547 the lobby of the Peachtree Olympus has "a twelve-foot-high abstract sculpture by Henry Moore". To the black lawyer Roger White "it looked like a great melting doughnut. Atlanta's major developers all of whom were white looked upon Henry Moore as class when it came to sculpture. Look at the damned thing...absolutely stupid and pointless"."
0021134
Author/Editor: FERRY Georgina.
Publisher: Granta Publications
Place Published: London
Year: 1998
Date & Collation: 423pp.Illus.Index.
Description: Biography of British, Nobel Prize winning, female crystallographer, whose arthritic hands Moore drew in 1978, (HMF 78(38)-HMF 78(47)). Brief mention of this on page 394, recounting how Hodgkin met Moore at Cambridge; states Sir Rex Richards made the initial approach to Moore. No Moore illus.
0019658
Author/Editor: STRONG Roy.
Publisher: Phoenix
Place Published: London
Year: 1998
Date & Collation: xv,461pp.Illus.20 plates of illus.
Description: Paperback edition of book first published by Weidenfeld and Nicholson 1997. Journals of gallery director and writer Roy Strong.
Includes half-a-dozen incidental passing mentions of Henry Moore, the longest being five lines on page 203 where the sculptor at seventy nine would beat anyone on the rugger field a tough northern lad revelling already in his eightieth next year"."
Includes half-a-dozen incidental passing mentions of Henry Moore, the longest being five lines on page 203 where the sculptor at seventy nine would beat anyone on the rugger field a tough northern lad revelling already in his eightieth next year"."
0018120
Author/Editor: BIRKS Tony.
Publisher: Pangolin Editions
Year: 1998
Date & Collation: ..pp.Illus.
Description: 16(1 illus) Henry Moore.
Photograph of Two Three-Quarter Figures, 1984 bronze after restoration at Pangolin Editions.
Photograph of Two Three-Quarter Figures, 1984 bronze after restoration at Pangolin Editions.
0018126
Publisher: Cambridge University Press
Place Published: Cambridge, New York, Melbourne
Year: 1998
Date & Collation: xvi,255pp.Illus.Bibliog.Index.
Description: Cambridge Studies in New Art History and Criticism. Grew out of a conference at University College London in June 1995. Supported by the Henry Moore Foundation. The Introduction points out that photoportraits of Moore carving were posed, being arranged solely for the benefit of the photographer, since most of his later carving was carried out by assistants working from models.
0018127
Author/Editor: BOWKER John.
Publisher: Dorling Kindersley
Place Published: London
Year: 1998
Date & Collation: 544pp.Illus.Bibliog.Index.
Description: 316-317(1 Moore illus) Mary, Mother of Jesus.
Includes a photograph of the Northampton Madonna and Child, 1943-1944 Hornton stone.
Includes a photograph of the Northampton Madonna and Child, 1943-1944 Hornton stone.
0018134
Publisher: Liverpool University Press
Place Published: Liverpool
Year: 1998
Date & Collation: vii,328pp.Illus.Bibliog.Index.
Description: An introduction by the editor, seventeen essays, and A Chronological Bibliography of Books and Pamphlets Written, Edited or Translated by Herbert Read. Two dozen references to Moore:
GOODWAY David. Introduction.
(Read's friendship with Moore, and the 1944 monograph (See 0008893)).
CECIL Hugh. Herbert Read and the Great War.
(Except for Moore, Read found the inspiration of the war veterens was exhausted).
BARKER Bob. Herbert Read as Novelist: The Green Child.
(Olivero's cell could be a hermit's cave designed by Moore).
CAUSEY Andrew. Herbert Read and Contemporary Art.
(Unit One. Read's closest friend was Moore. The sculptor's belief in the vital rhythms of nature followed Read's thinking inspired by Worringer. Illustrates a two-page opening from Henry Moore: Sculpture and Drawings (0008893)).
KINROSS Robin. Herbert Read and Design.
(Lists Moore as a hero of the British Council).
POTTER Norman. Herbert Read: word and object: in response to Robin Kinross.
(List mentions of Moore).
GOODWAY David. The Politics of Herbert Read.
(Moore considered Read fundamentally a romantic).
ROSS Malcolm. Herbert Read: art, education, and the means of redemption.
(Quotes Read's The Meaning of Art (See 0009325) on Moore's way of working).
THISTLEWOOD David. Herbert Read's Organic Aesthetics, 1: 1918-1950.
(Quotes Read on Moore's material and subject matter; and on the Surrealism and Abstraction dichotomy).
THISTLEWOOD David. Herbert Read's Organic Aesthetics, 2: 1950-1968.
(Read's move from Freud to Jung in understanding the work of Moore and others).
DAVEY Kevin. Herbert Read and Englishness.
(List mentions of Moore).
ZASLOVE Jerald. Herbert Read and Essential Modernism.
(List mentions of Moore).
GOODWAY David. Introduction.
(Read's friendship with Moore, and the 1944 monograph (See 0008893)).
CECIL Hugh. Herbert Read and the Great War.
(Except for Moore, Read found the inspiration of the war veterens was exhausted).
BARKER Bob. Herbert Read as Novelist: The Green Child.
(Olivero's cell could be a hermit's cave designed by Moore).
CAUSEY Andrew. Herbert Read and Contemporary Art.
(Unit One. Read's closest friend was Moore. The sculptor's belief in the vital rhythms of nature followed Read's thinking inspired by Worringer. Illustrates a two-page opening from Henry Moore: Sculpture and Drawings (0008893)).
KINROSS Robin. Herbert Read and Design.
(Lists Moore as a hero of the British Council).
POTTER Norman. Herbert Read: word and object: in response to Robin Kinross.
(List mentions of Moore).
GOODWAY David. The Politics of Herbert Read.
(Moore considered Read fundamentally a romantic).
ROSS Malcolm. Herbert Read: art, education, and the means of redemption.
(Quotes Read's The Meaning of Art (See 0009325) on Moore's way of working).
THISTLEWOOD David. Herbert Read's Organic Aesthetics, 1: 1918-1950.
(Quotes Read on Moore's material and subject matter; and on the Surrealism and Abstraction dichotomy).
THISTLEWOOD David. Herbert Read's Organic Aesthetics, 2: 1950-1968.
(Read's move from Freud to Jung in understanding the work of Moore and others).
DAVEY Kevin. Herbert Read and Englishness.
(List mentions of Moore).
ZASLOVE Jerald. Herbert Read and Essential Modernism.
(List mentions of Moore).
0019838
Author/Editor: HERON Patrick.
Publisher: Tate Gallery Publishing
Place Published: London.
Year: 1998
Date & Collation: xi,236pp.Illus.Bibliog by Janet Axten.Index.
Description: Fifty texts in chronological order, mainly on English artists. Nine have mostly brief mentions of Henry Moore, notably:
50-53 Contemporary British Sculpture.
(See 0009494).
60-62 A Master Potter's Aesthetic.
(Briefly compares Bernard Leach and Henry Moore).
66-68 Ivon Hitchens.
89-92 Barbara Hepworth: carver.
162-169 A Kind of Cultural Imperialism.
180-182 Ben Nicholson).
50-53 Contemporary British Sculpture.
(See 0009494).
60-62 A Master Potter's Aesthetic.
(Briefly compares Bernard Leach and Henry Moore).
66-68 Ivon Hitchens.
89-92 Barbara Hepworth: carver.
162-169 A Kind of Cultural Imperialism.
180-182 Ben Nicholson).
0019941
Publisher: Thames and Hudson
Place Published: London.
Year: 1998
Date & Collation: 320pp.Illus.Bibliog.
Description: World of Art series.
163-164(1 illus). COOKE Lynne Henry Moore.
Copyright 1985. First published in the World of Art series in 1988 as The Thames and Hudson Encyclopedia of British Art (See 0000464for description ). Reprinted 1998.
163-164(1 illus). COOKE Lynne Henry Moore.
Copyright 1985. First published in the World of Art series in 1988 as The Thames and Hudson Encyclopedia of British Art (See 0000464for description ). Reprinted 1998.
0021214
Author/Editor: CLAXTON Guy.
Publisher: Fourth Estate.
Place Published: London.
Year: 1998
Date & Collation: xi.259pp.Illus.Notes.Index.
Description: Popular Science book which explores creative thinking processes. Pages 94-95 quote from Moore, from Notes on Sculpture, (see 0000420 and 0009196). No Moore illus.
0019121
Author/Editor: SHULMAN Julius.
Publisher: Taschen
Place Published: Cologne, London, New York
Year: 1998
Date & Collation: 300pp.Illus.
Description: 207-211 (3 illus) Henry Moore.
American photographer Julius Shulman (1910-) reports on his 1965 visit to Much Hadham. The visit however was not a cordial one. From the outset I sensed friction. He was impersonal in his attitude towards me perhaps prompted by his not agreeing with my compositions of his works at his studios".
See also 0003037."
American photographer Julius Shulman (1910-) reports on his 1965 visit to Much Hadham. The visit however was not a cordial one. From the outset I sensed friction. He was impersonal in his attitude towards me perhaps prompted by his not agreeing with my compositions of his works at his studios".
See also 0003037."
0019035
Author/Editor: GIERUT Lodovico.
Publisher: Dialogo
Year: 1998
Date & Collation: c1998.4pp(3 Moore illus).In Italian.
Description: Four pages photocopied from a book, depicting photographs of Henry Moore or his work in Italy.
0018057
Author/Editor: YAPP Nick.
Publisher: Könemann
Place Published: Cologne
Year: 1998
Date & Collation: 398pp.Illus.Text in English,French,and German.
Description: Decades of the 20th Century series.
317(1 illus) Henry Moore.
In a section Design for Living, the April 1931 photograph of Moore with Standing Girl, 1926 carving.
Captioned Henry Moore 1948. After working as an official war artist Moore returned to his studies of semi-abstract female forms and family groups in the late 1940s"."
317(1 illus) Henry Moore.
In a section Design for Living, the April 1931 photograph of Moore with Standing Girl, 1926 carving.
Captioned Henry Moore 1948. After working as an official war artist Moore returned to his studies of semi-abstract female forms and family groups in the late 1940s"."
0018072
Author/Editor: PEARCE Christopher.
Publisher: Grange Books
Place Published: Rochester
Year: 1998
Date & Collation: 192pp.Illus.
Description: A Quantum Book. For description see 1990 Virgin Books edition at 0012688.
0019049
Publisher: North Carolina Museum of Art
Place Published: Raleigh
Year: 1998
Date & Collation: x,277pp.Illus.Glossary.Bibliog.
Description: Distributed by Hudson Hills Press, New York.
233-234(2 illus). Henry Moore.
Photographs and commentaries by H.P.(Huston Paschal) on Large Standing Figure: Knife Edge, 1961 bronze and Large Spindle Piece, 1968 and 1974 bronze.
Moore liked the shape of bones. He studied and drew them in museums, in the landscape, or in his kitchen... pointed projections, echoing machine parts, demonstrate that he was not unaffected by modern technology."
233-234(2 illus). Henry Moore.
Photographs and commentaries by H.P.(Huston Paschal) on Large Standing Figure: Knife Edge, 1961 bronze and Large Spindle Piece, 1968 and 1974 bronze.
Moore liked the shape of bones. He studied and drew them in museums, in the landscape, or in his kitchen... pointed projections, echoing machine parts, demonstrate that he was not unaffected by modern technology."
0018071
Author/Editor: WALSH Timothy.
Publisher: Southern Illinois University Press
Place Published: Carbondale and Edwardsville
Year: 1998
Date & Collation: xiv,207pp(5 illus).Bibliog.Index.
Description: 14-36 Chapter 2: Orchestras of Shadows.
Includes small photographs of two Moore bronzes, and mentions intentionally fragmentary form completely satisfactory in itself". Quotes from a published statement by Moore on how bronzes are cast in several fragmentary pieces which are then welded together. (An earlier version of this chapter appeared in Mosaic 1992(Spring) 25(2) entitled The Cognitive and Mimetic Functions of Absence in Art Music and Literature).
Page 85 also prints a Henry Moore quote on how a hole can have as much meaning as solid mass."
Includes small photographs of two Moore bronzes, and mentions intentionally fragmentary form completely satisfactory in itself". Quotes from a published statement by Moore on how bronzes are cast in several fragmentary pieces which are then welded together. (An earlier version of this chapter appeared in Mosaic 1992(Spring) 25(2) entitled The Cognitive and Mimetic Functions of Absence in Art Music and Literature).
Page 85 also prints a Henry Moore quote on how a hole can have as much meaning as solid mass."
0020851
Author/Editor: FINN, David.
Publisher: Millwood Publishing
Place Published: New York
Year: 1998
Date & Collation: 108pp.Index.Illus.
Description: Observations about human behaviour and motivations joined with Finn's photographs of sculpture. Includes four images of Moore's work and one quote:
It is natural to want to achieve recognition for our accomplishments. But too often we seek accolades for ourselves rather then for the work we have done. Rabbi Ben Azzai's wise counsel urges us to resist the temptation to seek honors that feed our ego. Humility is a far more admirable characteristic then hubris"."
It is natural to want to achieve recognition for our accomplishments. But too often we seek accolades for ourselves rather then for the work we have done. Rabbi Ben Azzai's wise counsel urges us to resist the temptation to seek honors that feed our ego. Humility is a far more admirable characteristic then hubris"."
0019450
Publisher: Fitzroy Dearborn
Place Published: Chicago and London
Year: 1998
Date & Collation: 2 Volumes.Bibliog.Index.
Description: Volume 2: 839-842 SCAVONE Daniel C. Henry Moore's is Inspired by Shapes in Subway Shelters.
0020748
Author/Editor: LEWIS Brian.
Publisher: Pontefract Press
Place Published: Pontefract
Year: 1998
Date & Collation: 70pp.Biog.1 colour illus.signed.
Description: An epic poem based on the journey of the central character, Jude, as she travels on the bus to Hope, a small industrial town in Derbyshire, a Dante-inspired metaphor for her travelling to Hell.
The poem details her meeting with Dante Virgil while working as a custodian at the Henry Moore Institute, coming across a Rushmore-style cliff face carving of 'Sculpture's Famous Five', including Moore, Damian Hurst, and Barbara Hepworth, and joking with Henry Moore-or-less on the bus to Hope.
P60, Mention of Alice Gostick, Moore's father and mining.
Cover, Draped Seated Woman, bronze 1957-58 (LH 428)
P23, King and Queen, bronze 1952-53 (LH 350)
The poem details her meeting with Dante Virgil while working as a custodian at the Henry Moore Institute, coming across a Rushmore-style cliff face carving of 'Sculpture's Famous Five', including Moore, Damian Hurst, and Barbara Hepworth, and joking with Henry Moore-or-less on the bus to Hope.
P60, Mention of Alice Gostick, Moore's father and mining.
Cover, Draped Seated Woman, bronze 1957-58 (LH 428)
P23, King and Queen, bronze 1952-53 (LH 350)
0018572
Author/Editor: BUCKMAN David.
Publisher: Art Dictionaries
Place Published: Bristol
Year: 1998
Date & Collation: 1344pp.Bibliog.Adverts.
Description: Over 10000 short biographical entries.
865 Henry Moore 1898-1986.
27-line entry outlining Moore's life and career.
Blond Fine Art advertisement on page 44 has an illustration of a 1977 print by Moore.
865 Henry Moore 1898-1986.
27-line entry outlining Moore's life and career.
Blond Fine Art advertisement on page 44 has an illustration of a 1977 print by Moore.
0019381
Publisher: Phaidon Press
Place Published: London and New York
Year: 1998
Date & Collation: 520pp.Illus.Glossary.
Description: Also published in a smaller paperback version in 2001. A-Z sequence with one page devoted to each of 500 fashion designers and photographers.
20 Ascher.
Detail of fabic designed in 1945 by Henry Moore for Zika Ascher.
20 Ascher.
Detail of fabic designed in 1945 by Henry Moore for Zika Ascher.
0017671
Author/Editor: CAUSEY Andrew.
Publisher: Oxford University Press
Place Published: Oxford and New York
Year: 1998
Date & Collation: 299pp.Illus.Bibliog.
Description: Oxford Histiry of Art.
25-28 Henry Moore and the Commemorative Function.
(Moore was the first twentieth-century Briish artist to be consciously framed as a national figure. His works are as solid and stable as the landscape. They are like national emblems, memorials to Britain's resilience as a nation).
A full page colour photograph of Draped Reclining Figure, 1952-1953 bronze appears on both pages 14 and 26, and ther are a dozen passing mentions of Moore throughout the rest of the book.
25-28 Henry Moore and the Commemorative Function.
(Moore was the first twentieth-century Briish artist to be consciously framed as a national figure. His works are as solid and stable as the landscape. They are like national emblems, memorials to Britain's resilience as a nation).
A full page colour photograph of Draped Reclining Figure, 1952-1953 bronze appears on both pages 14 and 26, and ther are a dozen passing mentions of Moore throughout the rest of the book.
0017668
Author/Editor: SOLHEIM Jorun.
Publisher: Pax Forlag
Place Published: Oslo
Year: 1998
Date & Collation: 142pp.Bibliog.
Description: Cover illustration is Moore's Maquette for Mother and Child: Hood, 1982 bronze.