Henry Moore Artwork Catalogue
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0014776
Author/Editor: GOMBRICH E.H.
Publisher: Phaidon
Place Published: Oxford
Year: 1979
Date & Collation: 224pp.Illus.Bibliog.
Description: 131-166 Art History and the Social Sciences.
Expanded version of the Romanes Lecture for 1973 delivered at the Sheldonian Theatre, Oxford on 22 November 1973. Quotes Moore on Michelangelo from The Listener, 24 Jan 1974 (See 0003971): We have two thousand or three thousand more sculptural ideas from Michelangelo than...if he hadn't painted the Sistine Chapel".
For German version see 0014791."
Expanded version of the Romanes Lecture for 1973 delivered at the Sheldonian Theatre, Oxford on 22 November 1973. Quotes Moore on Michelangelo from The Listener, 24 Jan 1974 (See 0003971): We have two thousand or three thousand more sculptural ideas from Michelangelo than...if he hadn't painted the Sistine Chapel".
For German version see 0014791."
0002417
Author/Editor: LUCIE-SMITH Edward.
Publisher: Phaidon
Place Published: Oxford
Year: 1979
Date & Collation: 184pp.Illus.Bibliog.
Description: Also published by Dutton (New York). Popular survey of events in the arts year by year 1900-1975. Includes half-a-dozen mentions of Moore, together with illustrations of two works in the Tate Gallery.
0002437
Author/Editor: WENTINCK Charles.
Publisher: Phaidon
Place Published: Oxford
Year: 1979
Date & Collation: 112pp.Illus.
Description: Phaidon 20th-century Art series. Originally published as Moderne und Primitive Kunst by Smeets, Weert, the Netherlands. German text copyright 1974 by Verlag Herder (Freiburg im Breisgau): see 0003792. Published in the U.S.A. by Dutton. The relationship between modern and primitive art, set out in an introduction, followed by 40 photographic comparisons. Plates 18a and 18b and plates 23a and 23b (4 colour illus).
Photographs, with short captions, comparing Chacmool and the Reclining Woman, 1930 green Hornton stone, and a 2000 B.C. Syrian terracotta Head of Astarte (Moon Goddess) with Head of the King from the King and Queen, 1952-1953 bronze.
Photographs, with short captions, comparing Chacmool and the Reclining Woman, 1930 green Hornton stone, and a 2000 B.C. Syrian terracotta Head of Astarte (Moon Goddess) with Head of the King from the King and Queen, 1952-1953 bronze.
0002414
Author/Editor: HAYES Colin.
Publisher: Phaidon
Place Published: Oxford
Year: 1979
Date & Collation: 224pp.Illus.Glossary.
Description: A Q.E.D. book. Techniques book, with a small illustration of a Mother and Child lithograph on page 204 in the section on Planographic printing.
0002433
Author/Editor: MAIR Roslin.
Publisher: Phaidon
Place Published: Oxford
Year: 1979
Date & Collation: 96pp.Illus.Bibliog.
Description: Also published by Dutton, New York. Illustrated chronology of the most important works of art from 600 B.C. to A.D. 1970."
788081828486(1 illus) Henry Moore.
Very brief mentions of five Moore Sculptures between 1929 and 1960."
788081828486(1 illus) Henry Moore.
Very brief mentions of five Moore Sculptures between 1929 and 1960."
0002448
Publisher: Phaidon
Place Published: Oxford
Year: 1979
Date & Collation: 323pp.Illus.
Description: Also published by Dutton, New York. Western art through the ages: with over 1760 illustrations."
300(4 Moore illus) British Sculpture: Hepworth Moore Epstein.
Illustrations of three Sculptures 1924-1958 and one Drawing 1940."
300(4 Moore illus) British Sculpture: Hepworth Moore Epstein.
Illustrations of three Sculptures 1924-1958 and one Drawing 1940."
0002447
Publisher: Phaidon
Place Published: Oxford
Year: 1979
Date & Collation: 512pp.Illus.
Description: Originally published 1977 as L'Opera: repertorio della lirica dal 1597 by Mondadori, Milan.
95(1 illus) Scenery by Henry Moore for Mozart's Don Giovanni, produced by Gian Carlo Menotti for the 1967 Spoleto Festival. Full-page colour photograph of the singers on stage with an interpretation of Moore sculptures.
95(1 illus) Scenery by Henry Moore for Mozart's Don Giovanni, produced by Gian Carlo Menotti for the 1967 Spoleto Festival. Full-page colour photograph of the singers on stage with an interpretation of Moore sculptures.