Henry Moore Artwork Catalogue
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0000971
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1983
Date & Collation: 46pp(143 illus).184 plates(215 illus).Biog.Bibliog.Introduction by Alan BOWNESS.
Description: Published with Zwemmer, London. Distributed in the U.S.A. by Allanheld and Schram.
7-9 BOWNESS Alan. Introduction.
11 Biographic summary 1974-80.
12-14 Exhibitions 1974-80.
15 Public collections.
16 Short bibliography 1974-80.
17-46 Catalogue 1974-80 (Items 640-782).
49-232 Plates 1-184.
Catalogues and illustrates 143 sculptures produced from late 1973 until early 1980. The introduction notes Moore's late style as dating from around 1960, and the most original and challenging sculpture being produced anywhere in the world" in the following 15 years. The work has seen a consolidation since 1973 drawing together "the threads of a long and various career" with the natural flow of sculptural ideas. Bowness discusses briefly a few of the works which stand out noting the large commissions the marble carvings and the continuation of the Reclining Figure and other themes."
7-9 BOWNESS Alan. Introduction.
11 Biographic summary 1974-80.
12-14 Exhibitions 1974-80.
15 Public collections.
16 Short bibliography 1974-80.
17-46 Catalogue 1974-80 (Items 640-782).
49-232 Plates 1-184.
Catalogues and illustrates 143 sculptures produced from late 1973 until early 1980. The introduction notes Moore's late style as dating from around 1960, and the most original and challenging sculpture being produced anywhere in the world" in the following 15 years. The work has seen a consolidation since 1973 drawing together "the threads of a long and various career" with the natural flow of sculptural ideas. Bowness discusses briefly a few of the works which stand out noting the large commissions the marble carvings and the continuation of the Reclining Figure and other themes."
0012740
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1991
Date & Collation: 264pp.Illus.Biog.Bibliog.
Description: Reprint of 0003018, with new title. Omits Zwemmer who were named as joint publisher of original 1977 edition.
0000032
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1988
Date & Collation: 203pp(317 illus).Biog.Bibliog.
Description: Dust jacket title: Henry Moore, Volume 6: Complete Sculpture 1981-86.
7-8 BOWNESS Alan. Introduction.
(Outlines the 135 works documented which date between 1980 and 1985, together with a selection of works made during this time but conceived during the previous decade. "Titles should not be taken too seriously. Moore's is a very unliterary art". Moore was able to feel that he had completed his life's work although a sadness is seen in his last years. "Moore's sculpture always centered on a very limited number of subjects to which he returned again and again with new formal innovation. His art is one of durability permanence: a statement about the eternal relationship of man to man and of man to the natural environment in which we live. Fundamental is the image of woman as regenerator providing the continuity of human existence").
9 Biographical Summary 1980-86.
11-14 Major Exhibitions 1980-86.
15-21 Public Collections
(A list of museums municipalities and institutions that own sculptures by Henry Moore).
23-25 Short Bibliography 1980-86.
27-32 Addenda to Catalogues 1964-73 and 1974-80.
33-61 Catalogue 1980-86; preface by Alan BOWNESS.
(Items 783-919).
63-96 Addendum to Plates: Volumes 4 & 5.
97-203 Plates.
7-8 BOWNESS Alan. Introduction.
(Outlines the 135 works documented which date between 1980 and 1985, together with a selection of works made during this time but conceived during the previous decade. "Titles should not be taken too seriously. Moore's is a very unliterary art". Moore was able to feel that he had completed his life's work although a sadness is seen in his last years. "Moore's sculpture always centered on a very limited number of subjects to which he returned again and again with new formal innovation. His art is one of durability permanence: a statement about the eternal relationship of man to man and of man to the natural environment in which we live. Fundamental is the image of woman as regenerator providing the continuity of human existence").
9 Biographical Summary 1980-86.
11-14 Major Exhibitions 1980-86.
15-21 Public Collections
(A list of museums municipalities and institutions that own sculptures by Henry Moore).
23-25 Short Bibliography 1980-86.
27-32 Addenda to Catalogues 1964-73 and 1974-80.
33-61 Catalogue 1980-86; preface by Alan BOWNESS.
(Items 783-919).
63-96 Addendum to Plates: Volumes 4 & 5.
97-203 Plates.
0016049
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1994
Date & Collation: 50pp(151 illus).184 plates(225 illus).Biog.Bibliog.Introduction by Alan Bowness.
Description: Revised edition of 0000971, under a new title, and incorporating ten works cast after the 1983 edition had been published. These were included in the Addendum for Volume 6 (See 0000000).
Title page; Henry Moore: Complete Sculpture, Volume 5, Sculpture 1974-1980; edited by Alan Bowness
Title page; Henry Moore: Complete Sculpture, Volume 5, Sculpture 1974-1980; edited by Alan Bowness
0000033
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1986
Date & Collation: 232pp(372 illus).Biog.Bibliog.
Description: 2nd revised edition; edited by Alan BOWNESS, with an introduction by Herbert READ.
Half title: Henry Moore, Volume 3: Complete Sculpture 1955-64.
6-7 READ Herbert. Introduction.
(For description see 0005860)
8-9 Biographical Summary 1955-64.
10-12 Exhibitions 1955-64.
13-16 Short Bibliography 1955-64.
17-60 Catalogue 1955-64; preface by Alan BOWNESS.
(Items 365-515).
61-232 Plates.
Revised in the light of information which has come to hand since 1965, and entries originally included in the Addendum to Volume Three which appeared in Volume 4 (See 0003018) have been incorporated. Almost every entry is now illustrated. The layout of the plates section has been revised and a number of new photographs introduced.
Half title: Henry Moore, Volume 3: Complete Sculpture 1955-64.
6-7 READ Herbert. Introduction.
(For description see 0005860)
8-9 Biographical Summary 1955-64.
10-12 Exhibitions 1955-64.
13-16 Short Bibliography 1955-64.
17-60 Catalogue 1955-64; preface by Alan BOWNESS.
(Items 365-515).
61-232 Plates.
Revised in the light of information which has come to hand since 1965, and entries originally included in the Addendum to Volume Three which appeared in Volume 4 (See 0003018) have been incorporated. Almost every entry is now illustrated. The layout of the plates section has been revised and a number of new photographs introduced.
0005860
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1965
Date & Collation: 214pp(268 illus).Biog.Bibliog.
Description: Edited by Alan Bowness, with anintroduction by Herbert Read.
Distributed in the U.S.A. by Wittenborn.
6-7 READ Herbert. Introduction.
8-9 Biographical summary 1955-1964.
10-12 Exhibitions 1955-1964.
13-15 Public collections.
16-19 Short bibliography 1955-1964.
20-32 Catalogue 1955-1964 (Items 365-515) compiled by Alan Bowness.
33-212 Plates.
This volume excludes drawings as there were fewer of them and they related less directly to the sculpture than before. The introduction by Herbert Read is a new text, pointing out Moore's stylistic continuity, which at the same time contains a diverse stream of inspiration. The rigours of public commissions have caused new thinking on the integration of art and architecture, and have even introduced a wall theme into some of the figures. The archetype of the earth mother is discussed in the light of Neumann's Archetypal World of Henry Moore (See 0007016). Indeed Read suggests that Moore is plunging into themes as powerful and sinister as anything he has yet created. The sculptor's greatness lies in his power to realise these levels of consciousness onto plastic form.Almost all of the photographs were taken by the sculptor, or under his supervision.
A revised edition of this work was published in 1986."
Distributed in the U.S.A. by Wittenborn.
6-7 READ Herbert. Introduction.
8-9 Biographical summary 1955-1964.
10-12 Exhibitions 1955-1964.
13-15 Public collections.
16-19 Short bibliography 1955-1964.
20-32 Catalogue 1955-1964 (Items 365-515) compiled by Alan Bowness.
33-212 Plates.
This volume excludes drawings as there were fewer of them and they related less directly to the sculpture than before. The introduction by Herbert Read is a new text, pointing out Moore's stylistic continuity, which at the same time contains a diverse stream of inspiration. The rigours of public commissions have caused new thinking on the integration of art and architecture, and have even introduced a wall theme into some of the figures. The archetype of the earth mother is discussed in the light of Neumann's Archetypal World of Henry Moore (See 0007016). Indeed Read suggests that Moore is plunging into themes as powerful and sinister as anything he has yet created. The sculptor's greatness lies in his power to realise these levels of consciousness onto plastic form.Almost all of the photographs were taken by the sculptor, or under his supervision.
A revised edition of this work was published in 1986."
0018146
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1999
Date & Collation: 215pp(338 illus).Biog.Bibliog.
Description: Dust jacket title: Henry Moore, Volume 6: Complete Sculpture. Distributed in the USA by Antique Collectors' Club (Wappingers Falls). Revised edition of work published 1988 (See 0000032).
6 Editor's Note. Acknowledgements.
7-8 BOWNESS Alan. Introduction.
9-12 Biographical Summary 1980-86.
13-19 Public Collections.
20-21 Short Bibliography 1980-98.
23-31 Addenda to Volume 1: 1921-48.
32-34 Addenda to Volume 4: 1964-73.
36-63 Catalogue 1980-86 (Items 783-919).
65-92 Addenda to Plates, Volume 1: 1921-48.
93-112 Addenda to Plates, Volume 4: 1964-73.
113-215 Plates 1980-86.
6 Editor's Note. Acknowledgements.
7-8 BOWNESS Alan. Introduction.
9-12 Biographical Summary 1980-86.
13-19 Public Collections.
20-21 Short Bibliography 1980-98.
23-31 Addenda to Volume 1: 1921-48.
32-34 Addenda to Volume 4: 1964-73.
36-63 Catalogue 1980-86 (Items 783-919).
65-92 Addenda to Plates, Volume 1: 1921-48.
93-112 Addenda to Plates, Volume 4: 1964-73.
113-215 Plates 1980-86.
0003018
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1977
Date & Collation: 264pp.Illus.Biog.Bibliog.
Description: 7-18 BOWNESS Alan. Introduction.
19-20 Biographical summary 1964-1973.
21-23 Exhibitions 1964-1973.
24-25 Public Collections.
26-30 Short bibliography 1964-1973.
31-36 Addendum to Catalogue 1955-1964.
37-64 Catalogue 1964-1973 (Items 516-639, all illustrated).
65-264 Plates.
Catalogues and illustrates all sculptures made by Henry Moore between 1964 and 1973. Drawings are now excluded from this series of volumes. In his introduction Alan Bowness outlines the different stages of Henry Moore's work, and stresses the creative energy implicit in the more than 100 works produced during 1964-1973, that is between the artist's 66th and 75th years. Themes central to the earlier work, particularly the Reclining Figures, continue into this late period. The major works documented in this catalogue are discussed by Bowness, as are his working methods. Finally the power of the 'late style' is placed in historical perspective as a natural progression of Moore's work, and is likened to the greatest work produced by giants of the arts in past ages. The introduction is based on a lecture first given at the opening of the Henry Moore Center at the Art Gallery of Ontario in 1974 (See 0003846), and repeated, with modifications, as the Philip James Memorial lecture at Burleighfield House, and at the Universities of London and East Anglia.
Distributed in the U.S.A. by Allanheld and Schram.
19-20 Biographical summary 1964-1973.
21-23 Exhibitions 1964-1973.
24-25 Public Collections.
26-30 Short bibliography 1964-1973.
31-36 Addendum to Catalogue 1955-1964.
37-64 Catalogue 1964-1973 (Items 516-639, all illustrated).
65-264 Plates.
Catalogues and illustrates all sculptures made by Henry Moore between 1964 and 1973. Drawings are now excluded from this series of volumes. In his introduction Alan Bowness outlines the different stages of Henry Moore's work, and stresses the creative energy implicit in the more than 100 works produced during 1964-1973, that is between the artist's 66th and 75th years. Themes central to the earlier work, particularly the Reclining Figures, continue into this late period. The major works documented in this catalogue are discussed by Bowness, as are his working methods. Finally the power of the 'late style' is placed in historical perspective as a natural progression of Moore's work, and is likened to the greatest work produced by giants of the arts in past ages. The introduction is based on a lecture first given at the opening of the Henry Moore Center at the Art Gallery of Ontario in 1974 (See 0003846), and repeated, with modifications, as the Philip James Memorial lecture at Burleighfield House, and at the Universities of London and East Anglia.
Distributed in the U.S.A. by Allanheld and Schram.
0000062
Author/Editor: edited by BOWNESS Alan
Publisher: Lund Humphries
Place Published: London
Year: 1986
Date & Collation: 56pp(135 illus).152 plates(164 illus).Biog.Bibliog.Introduction by Herbert READ.
Description: Originally published 1955 (See 0007557) second revised edition 1965 (See 0005861), this 3rd revised edition 1986
6 Publisher's note.
7-10 READ Herbert. Introduction.
11-13 Observations by Henry MOORE.
14-15 Biographic Summary 1949-1954.
17-18 One-man Exhibitions 1949-1954.
19 Some mixed exhibitions.
20-24 Bibliography (112 entries).
25-54 Catalogue 1949-1954; introduction by Alan BOWNESS.
55-208 Plates.With the assistance of David Mitchinson the opportunity has been seized to update the catalogue in the light of information which has come to hand since 1965. With only one exception every entry in the catalogue is now illustrated and the plate section has been completely revised. The photographs for this edition come from the archives of the Henry Moore Foundation; most of them were taken by the artist or under his supervision. The selection of plates for this volume has been made by Alan Bowness with the artist's approval. Texts...have been reset to conform with the typographical style now adopted for the series."
6 Publisher's note.
7-10 READ Herbert. Introduction.
11-13 Observations by Henry MOORE.
14-15 Biographic Summary 1949-1954.
17-18 One-man Exhibitions 1949-1954.
19 Some mixed exhibitions.
20-24 Bibliography (112 entries).
25-54 Catalogue 1949-1954; introduction by Alan BOWNESS.
55-208 Plates.With the assistance of David Mitchinson the opportunity has been seized to update the catalogue in the light of information which has come to hand since 1965. With only one exception every entry in the catalogue is now illustrated and the plate section has been completely revised. The photographs for this edition come from the archives of the Henry Moore Foundation; most of them were taken by the artist or under his supervision. The selection of plates for this volume has been made by Alan Bowness with the artist's approval. Texts...have been reset to conform with the typographical style now adopted for the series."