Henry Moore Artwork Catalogue
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0015712
Publisher: Anglia Television
Place Published: Norwich
Year: 1993
Date & Collation: 25 mins.Colour.Sound.Researched, Written and Narrated by Paul BARNES.Produced and Directed by David C. KENTEN.
Description: Contemporary film, historic photographs and interviews with local residents. Includes a three-minute section on Moore's estate at Perry Green. Sculptures are seen in aerial shots and in artificial light at night. Angela Dyer of the Henry Moore Foundation comments on Moore's sincere and simple belief that his sculpture belonged out of doors.
0015704
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1993
Date & Collation: 55 mins.Colour.Sound.Producer John WYVER.
Description: An Illuminations Production for BBC screened on BBC2 10 October 1993. Mentions Clark's encouragement of Moore, shows two photographs of Moore with Clark and others, also Nine Heads, 1944 drawing. and film clip of unveiling of Harlow Family Group, 1954-1955 Hadene stone (See 0007550). An extract from one of the Civilization films shows Composition, 1932 dark African wood owned by Clark at Saltwood (See 0015790).
0015710
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1993
Date & Collation: 60 mins.Colour.Sound.Series Producer Keith ALEXANDER.
Description: Compilation broadcast 3 Sept 1993 of July 1993 series of programmes in which Muriel Gray and residents of the Byker housing estate in Newcastle upon Tyne select works for a local art exhibition. Includes glimpses of Moore bronzes in the Yorkshire Sculpture Park and at Chelsea School of Art.
0015709
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1993
Date & Collation: 20 mins.Sound recording.
Description: 25 May 1993 programme in which Mark Swemarton interviews Jeremy Dixon on his building for the Henry Moore Institute. Dr. Swemarton, Giles Oliver, Rab Bennetts and Margaret Richardson then visit the conversion in Leeds and discuss the building.
0015707
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1993
Date & Collation: 30 mins.Sound recording.
Description: Radio 4 arts programme broadcast 25 Nov 1993. Producer Neil Trevilhick. Introduced by Paul Allen. Includes an 8-minute section on Leeds City Art Gallery Herbert Read exhibition (See 0015455). Paul Allen mentions King and Queen, 1952-1953 bronze at entrance to exhibition, and interviews Ben Read and David Thistlewood. He then discusses the exhibition with Richard Cork who mentions Read's emergence as a critic after visiting the young Henry Moore in his studio and becoming a life-long friend and colleague of the sculptor.
0015713
Publisher: Anglia Television
Place Published: Norwich
Year: 1993
Date & Collation: 26 mins.Colour.Sound.Director Gary HUNTER.Series producer Mike LERNER.
Description: A Mentorn Films Production. West One West (London) video cassette inscribed 4 Nov 1993 of weekly television arts programme. Includes a three-minute section on Henry Moore and the Sea (See 0015445) at Wighton School House Gallery.
Diane Cohen in interview with presenter Robert Sandall explains how Moore worked at his sister's home in the 1920s which is now the gallery. William Packer comments on Moore's love of the sea and natural objects. Seen are photographs of Moore at the seaside and film of exhibits.
Diane Cohen in interview with presenter Robert Sandall explains how Moore worked at his sister's home in the 1920s which is now the gallery. William Packer comments on Moore's love of the sea and natural objects. Seen are photographs of Moore at the seaside and film of exhibits.
0015708
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1993
Date & Collation: 10 mins.Colour.Sound.Producer Jennie WALMSLEY.
Description: 5 May 1993 arts programme feature on newly-opened building in Leeds. Presented by Mark Lawson. Includes film of the building and comment by Robert Hopper, Director; Ben Heywood, Deputy Director; Sir Alan Bowness, Director of the Henry Moore Foundation, and others. Views of the opening exhibitions: Romanesque Sculpture, and Ulrich Ruckriem at Kirkstall Abbey.
0015714
Publisher: Channel 4
Place Published: London
Year: 1993
Date & Collation: 17 mins.Colour.Sound.Produced and Directed by Tony CASH.
Description: A Fulmar production for Channel 4 screened 9 March 1993. Television programme on the arts in which George Melly attacks the commercialisation of post-war work by Henry Moore. Filmed at the Henry Moore Foundation and at other sites, and from previous films (not credited), some depicting the sculptor. Includes interviews with Roger Berthoud, Richard Cork, William Feaver, Sarah Kent, David Mitchinson, Richard Wentworth.
Early work, Surrealism, Kenneth Clark. During the thirties he touched greatness...success and acceptance were to destroy the necessary tension...Perhaps the most dangerous to him as an artist was Kenneth Clark".
War Drawings. "These marked the beginning of Moore's decline. They're sentimental covered in icing sugar".
Madonna and Child 1943-1944 Hornton stone. "Such a repellent object...a soapy and sentimental monstrosity bordering on the kitsch".
Three Standing Figures 1947-1949 Darley Dale stone. "Now nobody sees it".
Draped Seated Woman 1957-1958 bronze "It isn't really a woman nor is it an autonomous object".
Commissions. "It was the great international public commissions that did the most damage...There's a kind of intimacy in Moore which is unable to survive beyond a certain scale".
Tate Gallery 1967 gift letter to The Times (See 0005439). "I don't think Moore ever wanted to dominate. He was concerned with his own position".
Art Gallery of Ontario plasters. "It got them out of the way...What better than to dump them in Toronto?"
Late bronze. "The sculptural equivalent of the male menopause...They are very closely connected with the phenomenon of the corporate logo...bland and boring and very undistinguished...they financed the Henry Moore Foundation...If we were to hide away...everything Moore did that was grandiose empty rhetorical and inflated we'd be able to see again a fine artist".
For Mary Moore's response to this film see 0015523."
Early work, Surrealism, Kenneth Clark. During the thirties he touched greatness...success and acceptance were to destroy the necessary tension...Perhaps the most dangerous to him as an artist was Kenneth Clark".
War Drawings. "These marked the beginning of Moore's decline. They're sentimental covered in icing sugar".
Madonna and Child 1943-1944 Hornton stone. "Such a repellent object...a soapy and sentimental monstrosity bordering on the kitsch".
Three Standing Figures 1947-1949 Darley Dale stone. "Now nobody sees it".
Draped Seated Woman 1957-1958 bronze "It isn't really a woman nor is it an autonomous object".
Commissions. "It was the great international public commissions that did the most damage...There's a kind of intimacy in Moore which is unable to survive beyond a certain scale".
Tate Gallery 1967 gift letter to The Times (See 0005439). "I don't think Moore ever wanted to dominate. He was concerned with his own position".
Art Gallery of Ontario plasters. "It got them out of the way...What better than to dump them in Toronto?"
Late bronze. "The sculptural equivalent of the male menopause...They are very closely connected with the phenomenon of the corporate logo...bland and boring and very undistinguished...they financed the Henry Moore Foundation...If we were to hide away...everything Moore did that was grandiose empty rhetorical and inflated we'd be able to see again a fine artist".
For Mary Moore's response to this film see 0015523."
0015705
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1993
Date & Collation: 10 mins.Sound recording.
Description: 11 May 1993 arts programme extract. Gill Pyrah visits Henry Moore and the Sea (See 0015445) in Dorset and looks at the exhibits with Margaret Somerville. She visits the Eastern Masonery Company to discuss Portland stone with Jeff Smith. Marina Vaizey is interviewed on the charming, small, late works on exhibit: Moore was a beachcomber throughout his life" and mention is made of the Henry Moore Foundation funded work by John Mayne."
0015711
Publisher: Roland Films on Art
Place Published: Northbrook, Ill.
Year: 1993
Date & Collation: 53 mins.Colour.Sound.
Description: The Anthony Roland Collection of Films on Art. English voice-over version, received 1993 of L'Art en Question: F.R.3 and Pathé Cinema 1980 film by Carlos Vilardebo, commentary by André Parinaud in the series L'Aventure de l'Art Moderne.
Happenings, Body Art, Minimal Art, Earth Art and Conceptual Art. Includes a 2.5 minute feature on Moore within a section on the history of sculpture. Moore's works are seen in Kensington Gardens and at Much Hadham, and Moore comments in his studio on his love of landscape and the open air.
Happenings, Body Art, Minimal Art, Earth Art and Conceptual Art. Includes a 2.5 minute feature on Moore within a section on the history of sculpture. Moore's works are seen in Kensington Gardens and at Much Hadham, and Moore comments in his studio on his love of landscape and the open air.
0015706
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1993
Date & Collation: 29 mins.Sound recording.
Description: 24 April 1993 arts programme produced by Robin Read. Title After Henry: Sculpture in Public Places". Tim Marlow reports on public art with interviews with a dozen sculptors and administrators. Mentions the Henry Moore Foundation and includes comment by Robert Hopper of the Henry Moore Sculpture Trust. Glyn Williams mentions Moore as opening the door to non-figurative art in public: the object as an object. He also points out that some non-site-specific works are so good that they work. Large Standing Figure: Knife Edge 1961 bronze works better in Greenwich Park than anywhere else although it certainly wasn't made to go there."
0017826
Publisher: Canadian Broadcasting Corporation
Place Published: Toronto.
Year: 1993
Date & Collation: ..mins.Colour.Sound.Produced by Helen KAFKA. Directed by Stacey Stewart CURTIS.
Description: One of a television series of courtroom dramas. Includes a one-and-a-half minute section where two of the characters meet in the Art Gallery of Ontario amongst the Moore plasters.