Henry Moore Artwork Catalogue
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0023171
Author/Editor: Gagosian
Publisher: Gagosian Gallery
Place Published: New York
Year: 2015
Date & Collation: 2015 (February-April) 76-81 (1 Moore illus)
Description: Magazine promoting current and forthcoming Gagosian Gallery exhibitions. 18-19 advertisement and 76-81 article on Henry Moore: Wunderkammer Origin of Forms. Conversation between Richard Calvocoressi and Edmund de Waal about the 'curiosities of Henry Moore's Wunderkammer' and how integral Moore's collections were to his artistic process. Illus of Upright Motive: Saw Edge 1961 (LH 498); Mother and Child 1961 bronze (LH 479); Maquette for Stone Memorial No. 2 1961 (LH 491); Frontal Sculpture 1961 bronze (LH 494a); Split Head (LH 494); Seated Figure: Cross-Hatch 1961 (LH 484) and Sculpture: Hollow and Bump 1961 (LH 496). Reference to installation at the Kunsthistoriches Museum, Vienna; historic use of cabinets of curiosities; role to increase knowledge; proximity of objects; idea of taxonomy; chaos and order; sense of affinity; man-made and manufactured objects; Surrealists; Paul Nash; sui generis, of its own kind/genus; bones and natural objects; John BERGER; process, hollowing-out, scarifying and dropping movements; Richard Serra; pre-Columbian, Cyladic and African sculpture; Jim Ede and Kettle's Yard; Francis Bacon; Moore's maquette studio; Kenneth Clark; Rodin; British Museum; and Duchamp 'Boîte-en-valise'. Two illus of Moore's maquette studio.
0023503
Author/Editor: PARIGORIS Alexandra
Publisher: Burlington Magazine
Place Published: London
Year: 2015
Date & Collation: 2015 (July) 3pp (no Moore illus)
Description: Review of exhibition of the same name at the Yorkshire Sculpture Park (YSP) 1 April to 21 June 2015. The preiod covered by the works on show spans the opening of the YSP and establishment of the Henry Moore Foundation, 1977. It was during this period Moore's substantial legacy was secured. Refernce to setting up the Henry Moore Foundation and Institute.
0023504
Author/Editor: MOORE Susan
Publisher: Apollo
Place Published: London
Year: 2015
Date & Collation: (July) 7pp (no Moore illus).
Description: Sale N08675 Primadonna. Lots 23, 32, 42 3 illus Henry Moore: 3 sculptures 1956-1976. Illus:
Working Model for Reclining Figure: Prop 1976 bronze, (LH 677)
Working Model for Reclining Figure: Angles 1975 bronze, (LH 674)
Maquette for Mother and Child with Apple 1956 bronze, (LH 406a)
0023267
Publisher: Kasel Magazine
Place Published: Berlin
Year: 2015
Description: Article on the first Documenta in 1955. Illus of King and Queen 1952-53 bronze (LH 350); Three Standing Figures 1953 bronze (LH 322) and Time/Life Screen: Working Model 1952 (LH 343). Interview or conversation with Heiner GEORGSDORF and Annette KULENKAMPFF.
0023217
Publisher: InSight
Place Published: Palm Springs
Year: 2015
Date & Collation: 2015 (February-May) 8(2) 6-7(1 Moore illus)
Description: Article in InSight membership magazine, on the new installation of the modern art collection at Palm Springs Museum. Reference to and illus of Two Piece Reclining Figure No. 3 1961 bronze (LH 478).
0023240
Author/Editor: COLLON Domiminique
Publisher: Burlington Magazine
Place Published: London
Year: 2015
Date & Collation: 2015 (May) 1pp (no illus)
Description: Review of book The Infinite Image. Art, Time and the Aesthetic Dimension of Antiquity by Zainab BAHRANI. Chapter 1 discusses the influence of Sumerian art of the third millennium BC and the contents of the 'Royal Graves' of Ur and the statues of Gudea of Lagash on twentieth century sculpture. Moore quoted for me Sumerian sculpture ranks [with] the great sculpture of the world . . . the effect of this figure [of Gudea] has been ruined by the way it been abominably mounted on a wooden stand" He also deplored how it's green diorite surface was blackened with wax."
0023241
Author/Editor: HALLMAN Lee
Publisher: Burlington Magazine
Place Published: London
Year: 2015
Date & Collation: 2015 (May) 2pp (no Moore illus)
Description: Book review. Writing on the immediate aftermath of the Second World War and Cold War era. Reference to Moore in list of artists opposed to the development of nuclear power, alongside Barbara Hepworth, Ben Nicholson, Patrick Heron and Richard Hamilton. They signed the British Campaign for Nuclear Disarmament in February 1958. Reference to Moore's Atom Piece 1964-65 bronze (LH 525) and Nuclear Energy 1964-66 bronze (LH 526), commissioned to commemorate the first nuclear chain reaction, invoking a mushroom cloud and a human skull.
0023264
Author/Editor: STREHLKE Sade
Publisher: Wall Street Journal Magazine
Place Published: New York
Year: 2015
Date & Collation: 58 2015 (April) 30 (2 Moore illus).
Description: Article on Bonham's auction of the late Lauren Bacall's art collection. Illus of Standing Man and Woman 1981 bronze (LH 833) and Moore and Bacall in 1977 standing in front of Two Piece Reclining Figure No. 3 1961 (LH 478).
0023223
Publisher: Christie's Interiors - Objects, art & ideas
Year: 2015
Date & Collation: 03 2015 (Jan / Feb) 3 (1 Moore illus)
Description: 3 Items from Sarah Miller's Regency London Town house, including Moore's Eight Reclining Figures 1961-62 (HMF 3069).
0023245
Author/Editor: DAVIES Lucy
Publisher: World of Interiors
Place Published: London
Year: 2015
Date & Collation: 2015 (1 June)4pp.Illus
Description: Review of exhibition of photographs André Kertész in Europe at the James Hyman Gallery, London (13 May-13 June). Includes a portrait of Moore during a visit to his studio at Perry Green in 1980. 'We don't actually see Moore himself, only his shadow . . . his profile is distorted by the slant of the light, and yet instantly recognisable'. Behind the Staffordshire figures on the mantlpliece is a print of Kertész's, Mondrian's Glasses and Pipe 1926.
0023246
Author/Editor: TURNER Christopher
Publisher: Icon Magazine
Year: 2015
Date & Collation: 2015 (1 June)2pp.Illus
Description: Review of exhibition Magnificent Obsessions: The Artist as Collector at the Barbican including reference to Andy Warhol, Howard Hodgkin, Martin Parr, Jim Shaw, Damien Hirst, Moore, Picasso and Sol LeWitt.
0023248
Publisher: Tate etc.
Place Published: London
Year: 2015
Date & Collation: 2015 (1 June)4pp.Illus.
Description: Article on Conrad Shawcross's Three Perpetual Chords on display at Dulwich Park, London, to replace the Hepworth sculpture stolen three years ago. Reference to Moore in relation to holes. Nineteen thirty three was the year of the hole when Henry Moore claimed to have pierced his forms before Barbara Hepworth circumscribed an absence or presence in hers"."
0023268
Author/Editor: MAUGHAN Philip
Publisher: New Statesman
Place Published: New York
Year: 2015
Date & Collation: 2015(5 June)9pp.(no Moore illus)
Description: Article on the life and work of John Berger. 3 In 1946 Berger enrolled at the Chelsea School of Art under the tutelage of Henry Moore. A decade later Berger referred to Moore's work as meaningless mess" in a review in the New Statesman."
0023280
Publisher: Swiss Magazine
Place Published: Basel
Year: 2015
Date & Collation: 2015 (May)13 (1 Moore illus).
Description: In flight magazine. Short review of exhibition at Zentrum Paul Klee, Bern. Illus of Working Model for Three Way Piece No. 2: Archer 1964 bronze (LH 534).
0023263
Author/Editor: Gagosian
Publisher: Gagosian Gallery
Place Published: New York
Year: 2015
Date & Collation: 2015 (Summer) 117 (1 Moore illus)
Description: Magazine promoting current and forthcoming Gagosian Gallery exhibitions. 117 Reference to exhibition From Ancient to Modern: Archaeology and Aesthetics at the Institute for the Study of the Ancient World at New York University, 12 February - 7 June. Illus of Seated Figure 1929 cast concrete (LH 65).
0023281
Author/Editor: JACKSON Lesley
Publisher: Crafts Magazine
Year: 2015
Date & Collation: 2015 (July)10pp.(no Moore illus)
0023214
Author/Editor: BREDIN Lucinda
Publisher: Bonhams Magazine
Place Published: London
Year: 2015
Date & Collation: 42 2015 (Spring) 35(6 illus)
Description: Article on Lauren Bacall's collection of art and antiques. Bacall first becuase interested in Moore's work in Los Angeles in the 1950s. She visited his Forte di Belvedere exhibition in Florence in 1972. In 1975, Robert Lewin of the Brook Street Gallery introduced Bacall to Moore. She visited Perry Green, whilst in London and collected more than 30 of Moore's sculptures and lithographs. Illus of Moore and Bacall leaning on one of his works; Three-Quarter Mother and Child on Round Base 1982 bronze (LH 875); two lithographs; photograph of Moore's lithographs in her Manhattan apartment above the grand piano; detail of one of Moore's sculptures with Moore's writing on.
0023194
Author/Editor: MURDOCH Isobel
Publisher: Country Life
Place Published: Biggleswade
Year: 2015
Date & Collation: 8 2015 (Spring) 10,12 (2 Moore illus).
Description: Article marking the 30th anniversary of Moore's death reflects on his childhood; the Hoglands home, studios and life at Perry Green, Hertfordshire; World War II and the Battle of Cambrai; Leeds School of Art; Royal College of Art; and Moore's contemporaries. Illus of Draped Reclining Figure 1952-3 bronze (LH ) and Moore in his maquette studio c.1960.
0023309
Author/Editor: STOCKER Mark
Publisher: Burlington Magazine
Place Published: London
Year: 2015
Date & Collation: 2015 (July) 776-780 (no Moore illus)
Description: Article on the sculptor and monumental mason William Thomas Trethewey (1892-1956). 780 'Tretheway's preamture death in 1956 occurred in the same year that the British Council-sponsored Henry Moore exhibition brought New Zealand, belatedly but not without protest, into the modern era.'
0023310
Author/Editor: COLLINS Judith
Publisher: Burlington Magazine
Place Published: London
Year: 2015
Date & Collation: 2015 (July) 801-802 (no Moore illus)
Description: Article on the Caro exhibition at the Yorkshire Sculpture Park. Passing reference to Moore in relation to Moore and Hepworth's association with Yorkshire; Caro worked as part-time assistant to Moore.
0023295
Author/Editor: DOMERCQ Julien
Publisher: Apollo
Place Published: London
Year: 2015
Date & Collation: (July) 10pp (no Moore illus).
Description: Article on curious objects from the Pacific, which were brought to England on the Endeavour by Captain Cook, between 1768 and 1780. Reference to a wooden sculpture known as A'a (illustrated) originating from Rurutu in the Austral Islands, in the British Museum. 4 'A'a caught the eye of a young Henry Moore in the 1920's and 30's, and he later had a copy cast in bronze, which became one of his most prized possessions.' Moore described his excitement about the piece as coming from its sense of life-force with all those small figures springing from the parent figure" and even altered his version in an effort to regain the piece's original impact: "On my cast I have made up the edge of the chin where it is damaged in the original because I so like its razor sharpness"."
0023307
Author/Editor: FLETCHER Valerie
Publisher: Apollo
Place Published: London
Year: 2015
Date & Collation: (November) 3pp (1 Moore illus).
Description: Article written by Valerie FLETCHER who worked at the Hirshhorn Museum, Washington. FLETCHER observed that books and exhibitionson Surrealism often omitted three-dimensional works.This led to the conception of Marvelous Objects: Surrealist Sculpture from Paris to New York at the Hirshhorn Museum 29 October 2015–February 15, 2016. Illus of Stringed Figure No. 1 1937 cherry wood and string (LH 183). Reference to Moore's involvement in Surrealism. See also press cuttings.
0023308
Author/Editor: PARIGORIS Alexandra
Publisher: Burlington Magazine
Place Published: London
Year: 2015
Date & Collation: 2015 (July) 781-786 (no Moore illus)
Description: Passing reference to Moore. 781 'For a long time Hepworth's critical reputation has been overshadowed by Henry Moore, whose work was vigorously promoted by the British Council in and beyond his lifetime. 782 'Unlike Moore who was preserving and to some degree extending the language of classical sculpture, Hepworth was inventing, alongside other sculptors, a new language of abstract form.' 783 Reference to the impact of Moore and Hepworth on each other; 784 Moore and Hepworth in relation to D' Arcy Wentworth Thompson's On Growth and Form; 'Hepworth was feminising the landscape, not in a way that Moore had done with his reclining figures, where the female figure becomes emblematic of the land, but by carving shapes that would evince the internal structures and products if the female body.' Discussion of the language of psychoanalysis and phenomenology in relation to Hepworth and Moore's mother and child subject. Moore described as 'rather mawkish' by comparison.
0024101
Publisher: Christie's
Place Published: London
Year: 2015
Date & Collation: June-July.266pp.illus.
Description:
Suummer season auction preview highlights listed include Rocking Chair No.2 (p.246) from the 25th June Modern British and Irish Art sale, illus. with short commentary. "That Was Then" (p.266) is based on the famous photo of Henry and Irina Moore with Barbara Hepworth, Ben Nicholson, Ivon Hitchens and Mary Jenkins on the beach in Happisborough.