Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
58 results
for
*
0016006
Publisher: Eeva
Place Published: Helsinki
Year: 1993
Date & Collation: (4 Oct)..(2 Moore illus).In Finnish.
Description: Didrichsen Art Museum in Kuusisaari. In September 1993 the residence, designed by Viljo Revell was opened to the public. Ann Marie Didrichsen, the daughter, remembers visiting Moore as a child. There are two full-page photographs of Moore sculptures, one of which Archer, 1965 white marble Ann Marie Didrichsen regards as a symbol of perfection.
0016017
Author/Editor: PHILLIPS Edith.
Publisher: Casa a Decoracao
Year: 1993
Date & Collation: (July) 16-19(4 illus).Text in Portuguese.
Description: Henry Moore perpetuated. Moore's sculpture traces a direct line between primitive art and the fluid abstraction very much his own. For Moore sculpture grew out of nature and was in harmony with it. Outlines Moore's career, the inauguration of the Henry Moore Institute under the auspices of the Henry Moore Foundation. The universality of Moore's appeal.
0016007
Publisher: Kotimaa
Place Published: Helsinki
Year: 1993
Date & Collation: (10 Sept) 20-21(2 Moore illus).In Finnish.
Description: Feature on religious art, with photographs of Madonna and Child, 1943-1944 Hornton stone and Mother and Child: Hood, 1983 travertine marble. Caption by Maija Paavilainen on the serenity and individuality of the two works.
0016295
Author/Editor: MAIN Jeremy.
Publisher: Poole Arts Council Bulletin
Place Published: Poole
Year: 1993
Date & Collation: 14 1993(May-Aug) 8-11(1 illus).
Description: The Bournemouth and Poole College of Further Education collection, with a photograph of Mother and Child with Apple, 1956 bronze.
0016431
Author/Editor: SEKERA Jan.
Publisher: Ateliér
Place Published: Prague
Year: 1993
Date & Collation: 8 1993..(1 illus).Text in Czech.
Description: Review of Henry Moore (See 0015444) in bi-weekly journal of contemporary art.
0016432
Author/Editor: KESNER Ladislav.
Publisher: Ateliér
Place Published: Prague
Year: 1993
Date & Collation: 21 1993(14 Oct) 12(4 illus).Text in Czech.
Description: Full-page feature on Henry Moore (See 0015444) in bi-weekly journal of contemporary art.
0016433
Author/Editor: HALADA Andrej.
Publisher: Mladý Svet
Place Published: Prague
Year: 1993
Date & Collation: 37 1993(10 Sept)..(1 illus).Text in Czech.
Description: Review of Henry Moore (See 0015444).
0016434
Publisher: Profil
Place Published: Bratislava
Year: 1993
Date & Collation: (May)..(1 illus).Text in Czech.
Description: Photograph of Moore bronze advertising exhibition (See 0015444).
0016604
Author/Editor: RADAELLI Severo.
Publisher: Arte
Place Published: Milan
Year: 1993
Date & Collation: 1993(May) 82-85(1 Moore illus).Text in Italian.
Description: Interview with Didier Imbert, with passing mention of Moore and a photograph of a 1950 bronze. See also 0014956.
Arte 239 in April 1993 mentioned Moore in passing in an article on religious art on pages 68-73 by Enzo Fabiani entitled il Crocifisso èmScomparso.
Arte 239 in April 1993 mentioned Moore in passing in an article on religious art on pages 68-73 by Enzo Fabiani entitled il Crocifisso èmScomparso.
0017528
Author/Editor: VON SCHEMM Jürgen., HOHENADEL Claudia.
Publisher: Kunst und Unterricht
Place Published: Seelze
Year: 1993
Date & Collation: (Aug)40-42(8 illus).Text in German.
Description: Illustrates a 1955 Henry Moore bronze and children's art work.
Reprinted in 0019036.
Reprinted in 0019036.
0015613
Author/Editor: MONCRIEFF Elspeth.
Publisher: Antique Collector
Place Published: London
Year: 1993
Date & Collation: (March) 60-65(1 Moore illus).
Description: Includes a photograph of The Three Fates, 1983-1984 tapestry with a caption on Moore's fascination with the way that a drawing could be enlarged to a tapestry in the same way that a maquette could be transformed into a full scale bronze.
0015621
Publisher: Art in America
Place Published: New York
Year: 1993
Date & Collation: (Aug) 81(8) 272pp(Illus).Adverts.
Description: Annual directory listing, with 42 galleries quoting Moore representation. On page 67 is a display advertisement by Georgetown Gallery of Art Specializing in Henry Moore. Actively purchasing and selling Original Sculptures Drawings and Graphics"."
0015638
Author/Editor: SARA Mary.
Publisher: Contemporary Art
Place Published: Bath
Year: 1993
Date & Collation: (Summer) 1(4) 6-8(3 illus).
Description: The new Henry Moore Institute in Leeds, the Henry Moore Trust and patronage of the Henry Moore Foundation. Reviews exhibition programme, and is critical of policy. What they are doing is for themselves and people like them not for artists or the public". Contemporary Art thanks the Henry Moore Foundation for their assistance with this issue. Contemporary Art was formerly The Green Book. Advertisements for Pallant House and the Goldmark Gallery mention Henry Moore."
0015650
Author/Editor: WALTERS Margaret.
Publisher: Modern Painters
Place Published: London
Year: 1993
Date & Collation: (Summer) 6(2) 91-92(1 Moore illus).
Description: Exhibition review (See 0015457) opening with appreciation of Madonna and Child, 1943 bronze, and with a photograph of Mother and Child: Hood, 1983 travertine marble. On page 111 of the Autumn 1993 Modern Painters appears a letter from Arthur Dyer pointing out the error in the labelling of the photography. For other mentions of Moore in this issue of Modern Painters see 0015651.
0015656
Publisher: Smithsonian Associate
Place Published: Washington, D.C.
Year: 1993
Date & Collation: (Oct) 22(2) 19(1 illus).
Description: Note on lecture by Native American sculptor, who describes his admiration for the work of Brancusi Arp and Henry Moore". 15 Nov 1993 in Baird Auditorium Natural History Building."
0015619
Publisher: Art Gallery of Ontario Journal
Place Published: Toronto
Year: 1993
Date & Collation: (Sept-Oct) 1(5) 19(2 illus).
Description: Note on postage stamp (See 0015482), the original plaster of the Family Group being in the Art Gallery of Ontario collection.
0015625
Author/Editor: HALL James.
Publisher: Art News
Place Published: New York
Year: 1993
Date & Collation: (Sept) 92(7) 142-147(9 illus).
Description: Article in a section on Great Britain. Includes photographs of the Henry Moore Institute and the Tate Gallery St. Ives, mentioning the patronage of the Henry Moore Foundation. There is a passing mention of Moore in the following article on pages 148-151 on architect Norman Foster, Microchips and Zen Gardens by Paula DEITZ, which mentions the Sainsbury Centre for Visual Arts.
0015631
Publisher: Art Quarterly
Place Published: London
Year: 1993
Date & Collation: 13 1993(Spring) 51-60(10 illus).
Description: Article in The National Art Collections Fund magazine.
50-51 HOPPER Robert. The Henry Moore Institute.
(Robert Hopper decodes the Henry Moore institutional family. The Henry Moore Foundation was established in 1976. The Henry Moore Sculpture Trust was founded in 1988. The Henry Moore Institute opens to the public in 1993. Since 1982 the Henry Moore Foundation has also funded the activities of the Henry Moore Centre for the Study of Sculpture. The Henry Moore Sculpture Trust Studio opened in 1989. Mentions also Yorkshire Sculpture Park and Leeds University).
53-54 FRIEDMAN Terry. The Henry Moore Centre for the Study of Sculpture.
(Photograph of Reclining Figure, 1929 Hopton stone. Outlines the situation in Leeds when Moore was a student, and how in the 1970s Moore and the Foundation have funded Leeds City Art Gallery. Mentions the gallery displays, and the reference library and archive collections).
55-57 ROBERTSON Alex. Leeds City Art Gallery.
(History and collection, mentioning Moore Foundation funding).
58-60 LOMAX James. Temples of art.
(Temple Newsam House and Lotherton Hall).
On pages 47-50 there is a feature on Tate Gallery St. Ives by Michael TOOBY, including the Barbara Hepworth Museum and Garden. Also funded by the Henry Moore Foundation.
50-51 HOPPER Robert. The Henry Moore Institute.
(Robert Hopper decodes the Henry Moore institutional family. The Henry Moore Foundation was established in 1976. The Henry Moore Sculpture Trust was founded in 1988. The Henry Moore Institute opens to the public in 1993. Since 1982 the Henry Moore Foundation has also funded the activities of the Henry Moore Centre for the Study of Sculpture. The Henry Moore Sculpture Trust Studio opened in 1989. Mentions also Yorkshire Sculpture Park and Leeds University).
53-54 FRIEDMAN Terry. The Henry Moore Centre for the Study of Sculpture.
(Photograph of Reclining Figure, 1929 Hopton stone. Outlines the situation in Leeds when Moore was a student, and how in the 1970s Moore and the Foundation have funded Leeds City Art Gallery. Mentions the gallery displays, and the reference library and archive collections).
55-57 ROBERTSON Alex. Leeds City Art Gallery.
(History and collection, mentioning Moore Foundation funding).
58-60 LOMAX James. Temples of art.
(Temple Newsam House and Lotherton Hall).
On pages 47-50 there is a feature on Tate Gallery St. Ives by Michael TOOBY, including the Barbara Hepworth Museum and Garden. Also funded by the Henry Moore Foundation.
0015637
Publisher: Building Design
Place Published: London
Year: 1993
Date & Collation: (26 March)..
Description: Henry Moore Foundation proposed building developments have been turned down by the environment secretary Michael Howard, after a public inquiry. Seen as a victory for Moore's daughter, Mary, who believes the site should remain untouched.
Also reported in Leisure Week, 2 April 1993 and Planning, 23 April 1993.
Also reported in Leisure Week, 2 April 1993 and Planning, 23 April 1993.
0015643
Author/Editor: DOAN Laura.
Publisher: Genders
Place Published: University of Texas Press
Year: 1993
Date & Collation: 17 1993(Fall) 41-58(7 illus).Bibliog.
Description: The Helmet, 1939-1940 bronze and the Helmet Heads of 1950 raise questions about the gendering of war images and the interconnectedness of aggression and defense...and control over women's bodies in the sociopolitical sphere..." Summarises the comments of art critics on the Helmet Head series notes the break up of family life during the war and concludes that the "series is Moore's response to the shifting and conflicting ideologies of gender that wartime created and exposed". The role of women during the war. Moore's Family Groups and Mother and Child figures between 1943 and 1950 coincide with the all-time high in women's unemployment during the war. Post-war family ideology in the Family Groups and the Helmet Heads as opposition to war and militarism in art criticism. Moore's political commitment and the suggestions that the Helmet Heads imply "fury toward women" and "tenacious control of mothers" rape and the "necessary means of masculine control over momen's bodies...women may refuse to return to their pre-war status and thus have become a source of anxiety requiring masculine control...post-war male anxiety working to subdue the perceived newly found freedoms that upset and dislocate the conventional roles of domination and submission...Moore cannot abandon the body...because he cannot abandon the body politic...In The Helmet he produced at the onset of the Second World War Moore exhibits hopefulness in the ability of woman to control masculine aggression: the post-war Helmet Head No. 1 registers pessimism over feminine inability to contain male agression and...reveals how feminine power itself must be contained. In either scenario woman is the loser...Moore...Spearheading the campaign to restore women to their traditional roles"."
0015627
Author/Editor: MURRAY Peter.
Publisher: Art Quarterly
Place Published: London
Year: 1993
Date & Collation: (June)..(1 Moore illus).
Description: Yorkshire Sculpture Park, with a photograph of a Moore bronze being installed, and a paragraph on the 1987 exhibition Henry Moore and Landscape (See 0010891).
0015630
Publisher: Art Review
Place Published: London
Year: 1993
Date & Collation: (Dec)-1994(Jan) 11(1 illus).
Description: Note in Update column of Henry Moore forgeries in circulation.
0015636
Publisher: British Travel Report
Place Published: Washington, D.C.
Year: 1993
Date & Collation: (July)..
Description: Note on opening of the Henry Moore Institute funded by the Henry Moore Foundation.
0015642
Publisher: For the Learning of Mathematics
Place Published: White Rock, B.C.
Year: 1993
Date & Collation: 13(1) 5,28,29,54(1 Moore illus).
Description: Photographs in a Canadian periodical subtitled International Journal of Mathematics Education. Includes Three Piece Carving, 1934 ebony.