Henry Moore Artwork Catalogue
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0014739
Author/Editor: KOLENBERG Hendrik.
Publisher: Art Gallery of Western Australia Bulletin
Place Published: Perth
Year: 1980
Date & Collation: 10-17(1 Moore illus).Bibliog.
Description: List-mention and illustration of Seated Figures: Ideas for Terra-Cotta, 1944 drawing acquired 1978.
0022841
Publisher: Cosas (Hello Magazine)
Place Published: Santiago
Year: 1980
Date & Collation: 109 1980 (4 December) 3pp.Illus.
Description: Article in Chile, Argentina and Paraguay version of Hello magazine. Nadie debe hacer arte con el solo fin de amasar fortunas" ("No one should make art with the sole purpose of amassing fortunes"). 43 three page article with illus of Moore; Sheep Piece 1971-2 bronze (LH 627); Three Piece Sculpture: Vertebrae 1968-9 bronze (LH 580); Oval with Points 1968-70 bronze (LH 596); Hill Arches 1973 bronze (LH 636); two illus of Moore's studio."
0011012
Author/Editor: MUR Genri.
Publisher: Sovetskaya Skul'ptura
Place Published: Moscow
Year: 1980
Date & Collation: 257-268(6 illus).Text in Russian cyrillic script.
Description: Published by Sovietsky Khudozhnik 1980 in issue Sovetskaya Skul'ptura '78. Extracts from Henry Moore on Sculpture (See 0005026).
0010114
Author/Editor: KIRKPATRICK Diane.
Publisher: Bulletin. Museums of Art and Archeology, The University of Michigan
Place Published: Ann Arbor
Year: 1980
Date & Collation: 3 64-75(Moore illus).
Description: Outlines the 20th century revival of sculpture in Britain, and documents in some detail the works by Henry Moore in the Museum. Seated Nude, 1928 drawing (The shapes are simple. The pose is one which establishes the beginnings of the anatomical thrust and counter-thrust that would mark Moore's mature work"); Figure 1932 lignum vitae ("a posture that establishes an inner structure of opposing tensions over which Moore has laid a composition of massive contours"); Stringed Reclining Figure 1939 bronze and string ("the sweep of the forms in the small bronze piece suggest allusions to hilly landscape"). Other works are documented in a foot-note. Quotes from published statements by Moore and others. Mentions Moore in the context of Barbara Hepworth and Robert Adams whose work is also discussed in this article. Part 2 is cited as covering the works of the next generation of British sculptors."
0010120
Publisher: Schweizer Buchhandel
Place Published: Switzerland
Year: 1980
Date & Collation: (1 Nov) Front cover.
Description: Der Schweizer Buchhandel/La Librairie Suisse/La Libreria Svizzera advertisement for 0002131.
0010112
Author/Editor: GOODING Mel.
Publisher: Arts Review
Place Published: London
Year: 1980
Date & Collation: (4 July)..(2 illus).
Description: Brenda Rawnsley commissioned prints from artists 1946-1949 for editioning in large numbers, and sale cheaply to schools. Moore's Sculptural Objects, 1949 lithograph was drawn direct on to plastic plates newly developed by Cowells of Ipswich: the objects like strange toys abandoned in a mysterious space; it is a compelling image.""
0010118
Author/Editor: CARTER Malcolm N.
Publisher: Saturday Review
Place Published: New York
Year: 1980
Date & Collation: (Dec) 60-64(4 illus).
Description: Great Private collections. One of the photographs shows a half-dozen Henry Moore sculptures gleam beside the bar...everyone should have at least a dozen.""
0010119
Author/Editor: ZALAR Franc.
Publisher: Sinteza
Place Published: Ljubljana
Year: 1980
Date & Collation: (Dec) 88-94(2 Moore illus).Text in Slovenian.
Description: Feature on For a Better World (See 0002500). The concluding paragraph mentions the works by Moore as a synthesis of modern concepts and classical ideals.
0010117
Author/Editor: STACY Graham.
Publisher: Paletten
Place Published: Gothenburg
Year: 1980
Date & Collation: (3) 27-33(illus).Text in Swedish.
Description: Article on Hubert Dalwood, Michael Kenny and Barry Flanagan, which opens with a brief summary of modern sculpture, mentioning Moore's massive figures which developed out of the human body and the English landscape.
0010122
Publisher: W.W.F. News
Place Published: Gland
Year: 1980
Date & Collation: 6 1980(Feb) 1(1 illus).
Description: Photograph of Henry Moore at unveiling of Large Standing Figure: Knife Edge, 1961 bronze in Greenwich. Hopes that Moore will attend the official opening of World Wildlife Fund Headquarters in Switzerland to unveil the sculpture he has agreed to site there on permanent loan.
0010115
Author/Editor: COLLIER Zena.
Publisher: New Letters
Place Published: Kansas City
Year: 1980
Date & Collation: 47(1) 113-117(2 illus).
Description: History of controversy on acquisition of Sheep Piece, 1971-1972 bronze for Kansas City. On his death on 8 June 1967 farmer N. Clyde Degginger bequeathed $300,000 to the city to buy a sculpture. Laurence Sickman, Director of Nelson Gallery of Art, was charged with acquiring a work. In 1974 Ralph Coe of the Nelson Gallery visited Much Hadham, and on 9 September 1974 Mayor Charles Wheeler announced the commission. Lengthy deliberations took place on siting the work, which arrived on 5 June 1975, only to be placed in a warehouse. In a brief visit in April 1976 Moore rejected one planned site and requested an open air setting. The bronze was installed finally on 8 May 1976 in the grounds of the Nelson Gallery of Art.
0002305
Author/Editor: JUSSIM Estelle.
Publisher: Afterimage
Place Published: Rochester
Year: 1980
Date & Collation: (March) 7(8) 16-17(2 illus).
Description: Report of meetings with Errol Jackson on Henry Moore's estate at Much Hadham and in the U.S.A. Outlines Jackson's career as government scientist and photographer, and how he met Moore through photographing the work of Isaac Witkin, at the time one of Moore's assistants. Records Jackson's approach to documenting the monumentality of Moore's art and the resulting creative interaction.
0002321
Author/Editor: JAY Bill.
Publisher: British Journal of Photography
Place Published: London
Year: 1980
Date & Collation: (12 Dec) 127 1238-1239,1254.
Description: The mind of the photographer plays a significant part in the production of the image. Includes a passing mention of Moore, who has stated that he prefers to take the photographs of his own sculptures because he can 'will' the pictures to be better"."
0002324
Publisher: Country Life
Place Published: London
Year: 1980
Date & Collation: (24 July)..(1 illus).
Description: Note on Victoria and Albert Museum exhibition (See 0002199) from West Dean.
0002327
Publisher: Crafts
Place Published: London
Year: 1980
Date & Collation: 47 1980(Nov-Dec) 42-44(5 illus).
Description: Three-page photo-feature on the Victoria and Albert Museum West Dean weaves exhibition (See 0002199).
0002319
Author/Editor: HARRISON Carl.
Publisher: Blackheath Local Guide
Place Published: London
Year: 1980
Date & Collation: 32 1980(28 March) 3(1 illus).
Description: Photograph of Large Standing Figure: Knife Edge, 1961 bronze in Greenwich Park, accompanying letter supporting Moore's work after it was criticised in a 1979 issue of the Guide.
0002322
Author/Editor: ARMSTRONG Dorothy.
Publisher: Cambridge Quarterly
Place Published: Cambridge
Year: 1980
Date & Collation: 9(2) 143-154(7 illus).
Description: Outlines approaches to the appreciation of sculpture, and continues with comments on individual torsos and Reclining Figures by Moore. Early torsos exhibit a stiff simplicity of form" their stylisation representing "a compromise between the form of a woman and the exigencies of the stone". The Reclining Figures represent "our fundamental physical being". Other figures show variously the influence of Landscape Surrealism and product design. They similarly exhibit degrees of sexuality threat unease tenderness anxiety. A disintegration of form is noticed particularly in some male figures. "Moore has made an important contribution to widening the possibilities of experience and to our imaginative liberation.""
0002341
Author/Editor: ROTHENBERG Albert.
Publisher: Leonardo
Place Published: Oxford
Year: 1980
Date & Collation: 13(1) 17-27(1 Moore illus).Bibliog.
Description: Unconscious and visual metaphors in creativity, including a note on Helmet Head No. 5, 1966 bronze, seen as a rather blatant example of sexual symbolism. The inner solid structure has definite phallic features and the outer encapsulating portion is clearly reminiscent of the female womb". Brief statements by Moore are incorporated in the article. See also 0002420."
0002344
Author/Editor: PETERS Mary Davis.
Publisher: Over Twenty-One.
Place Published: London
Year: 1980
Date & Collation: (Aug)..(4 illus).
Description: Report of visit to Much Hadham and conversation with Moore on the tapestries on display at the Victoria and Albert Museum from West Dean (See 0002199). Conversation included interpretation of drawings into another medium, and the Shelter drawings. On another page of this issue of Over 21, with two illustrations, is a short note on the Sheep Sketch Book (See 0002132) under the heading Henry Moore in Perspective.
Journal title as printed: Over 21.
Journal title as printed: Over 21.
0002308
Author/Editor: SUTTON Denys.
Publisher: Apollo
Place Published: London
Year: 1980
Date & Collation: (Nov)..(1 Moore illus).
Description: Concluding article, mentioning Sitwell's contact with artists, including Henry Moore; and a photograph of Moore's Edith Sitwell Memorial (Hand Relief No. 1, 1952 bronze) in Lowis Weedon Parish Church, Northamptonshire.
0002310
Author/Editor: BLUMENFELD Yorick.
Publisher: Architectural Digest
Place Published: Los Angeles
Year: 1980
Date & Collation: (March) 37(2) 22,128-135,180-181(21 illus).
Description: Colour photographs by Lord Moore of Henry Moore, his home, studios and work at Much Hadham in 1979. The text describes the estate and its contents, and incorporates comment by the sculptor. I like to work morning noon and night. Work is what one lives for. I hope that after I'm gone young sculptors will come to Hoglands to see how I worked."
For Italian version see 0001666. For Celebrity Homes 2 version see 0001758."
For Italian version see 0001666. For Celebrity Homes 2 version see 0001758."
0002313
Publisher: Art News
Place Published: New York
Year: 1980
Date & Collation: (Jan) 79(1) 161-162.
Description: Short review of Wildenstein exhibition (See 0002478) describing the drawing techniques and materials used: a sparkling look at just some of what Henry Moore has been doing for the past ten years...documents Henry Moore's vigor and growing flexibility and cannot fail to increase one's appreciation of the artist.""
0002316
Author/Editor: WRIGHT Barbara.
Publisher: Arts Review
Place Published: London
Year: 1980
Date & Collation: (4 July) 32(13) 270(1 illus).
Description: Exhibition review of 0002180: there are no signs anywhere of the master repeating himself or imitating himself but that fresh new vibrations pulse out of these living vivid works.""
0002332
Author/Editor: BOONSTRA Rommert.
Publisher: Elseviers Magazine
Place Published: Amsterdam
Year: 1980
Date & Collation: (20 Dec) 160-161,163(5 illus).Text in Dutch.
Description: Report of interview with Moore at Much Hadham, dealing with creativity, art in general, colour in sculpture, and women as the essential focus of his work.