Henry Moore Artwork Catalogue
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0016002
Publisher: Waddington Galleries
Place Published: London
Year: 1993
Date & Collation: (8 Sept-2 Oct).108pp.Illus.Bibliog.Texts.
Description: Sumptuous catalogue of 50 works by 22 artists. Exhibit 28(1 illus) Henry Moore: Draped Seatced Figure Against Curved Wall, 1956-1957 bronze.
0016001
Publisher: Austin-Desmond and Phipps
Place Published: London
Year: 1993
Date & Collation: (20 Jan-7 Feb).20pp.Illus.Biog.Bibliog.Text by Julian FREEMAN.
Description: Drawings, watercolours and sculpture 1922-1939 exhibition organised by Wolseley Fine Arts in association with the Redfern Gallery and touring Worthing Museum and Art Gallery and National Museum of Wales (Cardiff) 13 Feb-30 May 1993. The introduction mentions Moore as Underwood's student, and quotes from Moore's text in The Times, 2 Nov 1967 (see 0005500) in which he mentioned Underwood's passionate attitude towards drawing from life. The Island is also mentioned (See 0009388) and some of the drawings reproduced are compared with those of Moore from the 1920s.
0020982
Publisher: RBS
Place Published: London
Year: 1993
Date & Collation: 84pp.Illus.Biog.
Description: Exhibition by The Royal Society of British Sculptors at the Chelsea Harbour: 14 June-18 September 1993 shows 59 works by 59 Sculptors. One Moore illus: page 9 photograph shows Moore with Aneurin Bevan and Mrs Strauss looking at Three Standing Figures 1947, Darley Dale stone (LH 268) in Battersea Park Open-Air Sculpture Exhibition 1948. Moore mentioned in the biography of Issac Witkin on page 76.
0016289
Publisher: Lotherton Hall
Place Published: Leeds
Year: 1993
Date & Collation: (2 Oct-13 March).16pp poster catalogue.Illus.Bibliog.Text by Samantha FLAVIN and Daru ROOKE
Description: An exhibition of the fashions of World War II. Some Moore drawings were included in this exhibition, although they are not mentioned in the catalogue.
0017370
Publisher: Theo Waddington
Place Published: London
Year: 1993
Date & Collation: (25 Nov-22 Dec).40pp.Illus.Introduction by Theo WADDINGTON.
Description: 49 works. Exhibits 39-40(2 illus) Henry Moore: two bronze maquettes 1952-1961.
0015430
Publisher: Barbican Centre
Place Published: London
Year: 1993
Date & Collation: (3 June-25 July).4pp.Illus.
Description: Sculpture in the Square Mile brochure describing 17 works in the Barbican and other sites, including Standing Figure: Knife Edge, 1961 bronze in Guildhall Yard, Aldermanbury.
0015436
Publisher: Harris Museum and Art Gallery
Place Published: Preston
Year: 1993
Date & Collation: (27 Nov)-1994(8 Jan).72pp.Illus.Notes.Text by Glenn SUJO.
Description: Exhibition also at Wolsey Art Gallery, Christchurch Mansions (Ipswich), Holbourne Museum (Bath), Brighton Art Gallery and Museum (Brighton) until 31 July 1994. 148 works.
Exhibits 83-85,93-94(2 illus) Henry Moore: five War Drawings.
These are discussed in a section entitled Dreams, Lives, Narratives: The miner's struggle is subsumed within the desire to create an archetype...Londoners' resilience in the face of war's senselessness and inhumanity"."
Exhibits 83-85,93-94(2 illus) Henry Moore: five War Drawings.
These are discussed in a section entitled Dreams, Lives, Narratives: The miner's struggle is subsumed within the desire to create an archetype...Londoners' resilience in the face of war's senselessness and inhumanity"."
0015442
Publisher: Margam Park
Place Published: Port Talbot
Year: 1993
Date & Collation: c.1993.Folder.
Description: Folder, with Henry Moore postcard inset in cover: Mother and Child: Hands, 1980 bronze. Head, Hands, Feet Exhibition. The back cover includes a text in English and Welsh by David ANDREWS, Chairman, Sculpture at Margam, which acknowledges public funding by the Henry Moore Foundation.
FENOULHET Simon. Heads, Hands and Feet: catalogue essay. 3pp.
(Marks the relaunch of Sculpture at Margam as an independent organisation. Quotes from Moore).
Head, Hands and Feet; curated by Stephen PETTET-SMITH. 3pp.
(Acknowledgements, and biographical notes on 22 artists, including Moore).
Sculpture at Margam: Current List of Works 1989-90. 2pp. Map.
(List of 18 works. No Henry Moore).
FENOULHET Simon. Heads, Hands and Feet: catalogue essay. 3pp.
(Marks the relaunch of Sculpture at Margam as an independent organisation. Quotes from Moore).
Head, Hands and Feet; curated by Stephen PETTET-SMITH. 3pp.
(Acknowledgements, and biographical notes on 22 artists, including Moore).
Sculpture at Margam: Current List of Works 1989-90. 2pp. Map.
(List of 18 works. No Henry Moore).
0015448
Publisher: Galerie Utermann
Place Published: Dortmund
Year: 1993
Date & Collation: (31 March-8 May).32pp(25 illus).Biog.In German.Bibliog.
Description: Exhibition also at: 24. Westdeutsche Kunstmesse International 20-28 March 1993. Includes two short statements by Moore, in German. 24 Sculptures, Drawings and Prints 1932-1980.
0015465
Publisher: Berkeley Square Gallery
Place Published: London
Year: 1993
Date & Collation: (4 Nov-4 Dec).iii,29pp.Illus.Preface by Peter OSBORNE.
Description: The Eleventh Annual Modern Masters Catalogue. Part 1 of exhibition 4 Nov-4 Dec 1993. Part 2 of exhibition 7 Dec 1993-29 Jan 1994. 91 works.
Exhibits 71-80 (5 illus) Henry Moore. 10 Etchings from the Zoo Portfolio (See 0001001) in Part 2.
Exhibits 71-80 (5 illus) Henry Moore. 10 Etchings from the Zoo Portfolio (See 0001001) in Part 2.
0015471
Publisher: Monnaie de Paris
Place Published: Paris
Year: 1993
Date & Collation: (28 April-27 July).144pp.Illus.Texts by Solange AUZIAS DE TURENNE and others.Text in French.Biog.
Description: Stamperia Artistica Nazionale Editrice catalogue.
30,133(2 illus). Henry Moore.
Photograph, in a section on Paris Match, of Moore at Much Hadham by Jack Garofalo. Full-page colour photograph of Reclining Figure, 1957 bronze. (A letter accompanying the catalogue, received in June 1993, points out that the bronze which was planned to appear in this exhibition has not been set up yet...")"
30,133(2 illus). Henry Moore.
Photograph, in a section on Paris Match, of Moore at Much Hadham by Jack Garofalo. Full-page colour photograph of Reclining Figure, 1957 bronze. (A letter accompanying the catalogue, received in June 1993, points out that the bronze which was planned to appear in this exhibition has not been set up yet...")"
0015446
Publisher: Pace Gallery
Place Published: New York
Year: 1993
Date & Collation: (3 Dec)-1994(15 Jan).70pp(31 illus).Biog.Introduction by Bernice ROSE.
Description: The exhibition...marks a double celebration: the initiation of Pace Wildenstein's Drawing Program in its new drawings gallery and the beginning of its association with the Estate of Henry Moore".
29 Drawings 1921-1949. Outlines Moore's career and influences commenting on the 1930s-1940s drawings on exhibit. "Henry Moore began with drawing and always drew. His drawing was about sculpture: he was unable to think of form in anything but three dimensions...""
29 Drawings 1921-1949. Outlines Moore's career and influences commenting on the 1930s-1940s drawings on exhibit. "Henry Moore began with drawing and always drew. His drawing was about sculpture: he was unable to think of form in anything but three dimensions...""
0015452
Publisher: Philip and Muriel Berman Museum of Art
Place Published: Collegeville, Pa.
Year: 1993
Date & Collation: (5 Oct)-1994(16 Jan).8pp folded sheet(4 illus).Introduction by Lisa Tremper BARNES.
Description: Checklist of over 140 prints and drawings and 23 sculptures from the collection built up over the previous 20 years. Includes portfolios & single prints, maquettes and casting moulds on loan from the Henry Moore Foundation. The exhibition was arranged thematically and sought to point out the relationships between the two- and three-dimensional images. Received in a folder together with an Invitation to the opening (See 0015453), nine colour slides and nine photographs of the installation, press and journal cuttings.
0015458
Publisher: Wight Art Gallery
Place Published: Los Angeles
Year: 1993
Date & Collation: (22 March-9 May).112pp.Illus.Texts.Edited by Cynthia BURLINGHAM and Elizabeth SHEPHERD.
Description: Celebrating twenty-five years of the Franklin D. Murphy Sculpture Garden. Wight Art Gallery, Grunwald Center for the Graphic Arts, University of California, Los Angeles. Catalogue published with the assistance of the Ahmanson Foundation and U.C.L.A. Art Council.
22-27 STRICK Jeremy. Originating sculpture.
(Mentions Moore's use of maquettes).
14-21 COGBURN Laura and BALDONADO Farida. Ralph D. Cornell: designing the sculptor's landscape.
Mentions bequest of Moore bronze from the David E. Bright estate in 1967).
28-33 BRENSEN Michael. Compatability and continuity: Franklin D. Murphy's garden of humanism.
(Mentions siting of Moore).
84-87 (7 illus) BURLINGHAM Cynthia. Henry Moore.
(Outline of Moore's career. Stresses theme of reclining figure. Incorporates quotations. Exhibits 57-67: four Drawings 1938-1966, one Print 1969, six Sculptures 1945-1975).
22-27 STRICK Jeremy. Originating sculpture.
(Mentions Moore's use of maquettes).
14-21 COGBURN Laura and BALDONADO Farida. Ralph D. Cornell: designing the sculptor's landscape.
Mentions bequest of Moore bronze from the David E. Bright estate in 1967).
28-33 BRENSEN Michael. Compatability and continuity: Franklin D. Murphy's garden of humanism.
(Mentions siting of Moore).
84-87 (7 illus) BURLINGHAM Cynthia. Henry Moore.
(Outline of Moore's career. Stresses theme of reclining figure. Incorporates quotations. Exhibits 57-67: four Drawings 1938-1966, one Print 1969, six Sculptures 1945-1975).
0015470
Publisher: Norwich Castle Museum
Place Published: Norwich
Year: 1993
Date & Collation: (15 May-5 Sept).8pp(9 illus).Foreword by Nicholas SEROTA.Text by Judith COLLINS.
Description: A Tate Gallery Collection Exhibition. 31 works.
Exhibit 29 Henry Moore: one Drawing 1927.
Exhibit 29 Henry Moore: one Drawing 1927.
0015434
Publisher: Piccadilly Gallery
Place Published: London
Year: 1993
Date & Collation: (26 Oct-20 Nov).8pp folded card(1 illus).
Description: List of 41 items by 30 artists. Exhibits 23-25(1 illus) Henry Moore: three Drawings c.1946. The cover illustrations (and title of all three exhibits) is Composition for a Poem by Herbert Read, c.1946 drawing.
0015440
Publisher: New Art Centre
Place Published: London
Year: 1993
Date & Collation: (4-24 Feb).2pp.
Description: Undated exhibition list of 13 exhibits, including four works by Moore: one Print 1980-1981, one Sculpture 1961, two Drawings 1926, 1954. The previous exhibition at New Art Centre on 7-30 January 1993, Twentieth Century British Paintings and Sculpture was a stock show changed during the month for which there was no catalogue, but which also included works by Moore.
0015463
Publisher: Philip and Muriel Berman Museum of Art at Ursinus College
Place Published: Collegeville, Penn.
Year: 1993
Date & Collation: (24 June-12 Sept).8pp(1 Moore illus).Text by Lisa Tremper BARNES.
Description: List 36 Moore print exhibits, and includes a photograph of Moore and Gérald Cramer.
0015469
Publisher: Yale Center for British Art
Place Published: New Haven, Conn.
Year: 1993
Date & Collation: (11 Dec)-1994(20 Feb).8pp.
Description: List of 100 photographs of sculpture. For Press Release see 0015454. For exhibition book see 0015468.
0015475
Publisher: Royal College of Art
Place Published: London
Year: 1993
Date & Collation: (22-26 Sept).92pp.Illus.Adverts.
Description: Moore is listed by four of the 45 exhibitors, with an illustration of a print under Wiseman Originals.
Title as printed: The 20th Century British Art Fair.
Title as printed: The 20th Century British Art Fair.
0015443
Publisher: Museum of Fine Arts
Place Published: Budapest
Year: 1993
Date & Collation: (16 April-30 May).18pp(23 illus).Text in English.
Description: Concertina folded sheet. Publisher: Miklós Mojzer General Director Museum of Fine Arts Budapest. Open Art". Organised by The Museum of Fine Arts The Henry Moore Foundation and The British Council. List of 125 sculptures prints and drawings 1922 to 1984 with a text outlining Moore's life and times."
0015449
Publisher: Galleria Pieter Coray
Place Published: Lugano
Year: 1993
Date & Collation: (April-May).92pp(82 illus).Biog.Bibliog.Introduction by Marlo BOTTA.Text in Italian.
Description: Catalogue published by Electa. Funded by Morval & Cie SA. Banque. 49 Drawings 1921-1982, 16 Bronzes 1927-1975, 15 Prints 1967-1983. The one page text by Botta notes the familiarity of Moore's drawings today, and the artist's ability to isolate a moment in order to comment on existence: everyday traces become moments of eternity...In Moore woman becomes a Classical figure". The cover illustration Ideas for Sculpture 1954 drawing also appears on a 4pp publicity card for the exhibition."
0015455
Publisher: Leeds City Art Galleries
Place Published: Leeds
Year: 1993
Date & Collation: .182pp.Illus.Bibliog.Texts.
Description: Published in association with the Henry Moore Foundation and Lund Humphries on the occasion of the exhibition 25 Nov 1993-5 Feb 1994.
7 READ Benedict. Preface.
(Acknowledgements, including Henry Moore Foundation).
9 BOWNESS Alan. Herbert Read: a foreword.
(Meeting Moore and Hepworth and Nicholson changed his life").
11-20 (1 Moore illus). READ Benedict. Herbert Read: an overview.
(Art Now with three Moore illustrations (See 0009284). Hampstead in the 1930s and Moore's drawing to Read's poem 1945).
25-33 PARASKOS Michael. Herbert Read and Leeds.
38-52 (1 Moore illus). CAUSEY Andrew. Herbert Read and the North European Tradition 1921-33.
(Read and Max Sauerlandt visited Moore from whose exhibition in April 1931 at the Leicester Galleries (See 0009327) Sauerlandt purchased a sculpture for Hamburg).
59-71 READ Herbert. A nest of gentle artists.
(Reprinted from Apollo September 1962 (See 0006559) with An Event of Some Importance in the History of English Art: postlude by Judith COLLINS.
Read briefly occupied Moore's studio flat in Hampstead in the Summer of 1933 while Henry and Irina were away in Kent. Quotes Read's writings on Moore including his Surrealist association).
76-94 (2 Moore illus). THISTLEWOOD David. Herbert Read's paradigm: a British vision of modernism.
(Read's shared Yorkshire background with Moore and his writing on the sculptor. Moore "appeared to exemplify a synthetic resolution of the polarities" between Abstraction and Surrealism. Organic vitalism in Moore's art).
95-102 THISTLEWOOD David. Herbert Read: a new vision of art and industry.
103-118 (3 Moore illus). FRIEDMAN Terry. Herbert Read on Sculpture.
("In 1928 or 1929 Read's boss at the Victoria and Albert Museum Eric Maclagan had introduced him to Henry Moore...The foundation of Moore's great reputation had begun to be laid in 1928 by other sympathetic critics. "Hampstead in the 1930s "these were the years Rea d most closely identified himself with Moore". Unit 1. The 1934 monograph (See 0009257): "the work of the late 1920s and early 1930s was his most brilliant achievement." Read's subsequent texts which mentioned Moore including The Art of Sculpture (See 0007425).
119-132 (3 Moore illus). BURSTON Robert. The Geometry of Fear: Herbert Read and British Modern Sculpture after the Second World War.
(Passing mentions of Moore in relation to the British Council Arts Council of Great Britain E.C. Gregory Read's texts on Moore comparison with Hepworth The Sculptor in Modern Society (See 0007724) "delivered by Moore but probably largely written by Read.").
133-139 DIAPER Hilary. The Gregory Fellowships.
(Eric Craven Gregory as an early promoter and lifelong friend of Henry Moore. The committee which directed the Fellowship project at the University of Leeds in 1943 consisted of Gregory Moore Read T.S. Eliot and Donamy Bobrée and others. The scheme was accepted in 1943 and got underway in 1949).
140-145 (1 Moore illus). A conversation between Patrick HERON and Benedict READ.
(Mentions the 1944 book on Moore: "I have always thought Herbert in that book alone created Henry Moore. It wasn't Sir Kenneth Clark...").
146-166 Herbert Read 1893-1968: the turbulent years of The Pope of Modern Art: a chronology and select bibliography compiled by Terry Friedman and David Thistlewood.
(Includes several references to Henry Moore).
168-178 Catalogue.
(224 exhibits including Ivon Hitchens' Henry Moore in his Parkhill Road studio and exhibits 139-149 Henry Moore: eight sculptures 1929-1956 two Drawings 1942-1946 one Print 1946).
The illustration pages also include a further Moore photograph on page 75."
7 READ Benedict. Preface.
(Acknowledgements, including Henry Moore Foundation).
9 BOWNESS Alan. Herbert Read: a foreword.
(Meeting Moore and Hepworth and Nicholson changed his life").
11-20 (1 Moore illus). READ Benedict. Herbert Read: an overview.
(Art Now with three Moore illustrations (See 0009284). Hampstead in the 1930s and Moore's drawing to Read's poem 1945).
25-33 PARASKOS Michael. Herbert Read and Leeds.
38-52 (1 Moore illus). CAUSEY Andrew. Herbert Read and the North European Tradition 1921-33.
(Read and Max Sauerlandt visited Moore from whose exhibition in April 1931 at the Leicester Galleries (See 0009327) Sauerlandt purchased a sculpture for Hamburg).
59-71 READ Herbert. A nest of gentle artists.
(Reprinted from Apollo September 1962 (See 0006559) with An Event of Some Importance in the History of English Art: postlude by Judith COLLINS.
Read briefly occupied Moore's studio flat in Hampstead in the Summer of 1933 while Henry and Irina were away in Kent. Quotes Read's writings on Moore including his Surrealist association).
76-94 (2 Moore illus). THISTLEWOOD David. Herbert Read's paradigm: a British vision of modernism.
(Read's shared Yorkshire background with Moore and his writing on the sculptor. Moore "appeared to exemplify a synthetic resolution of the polarities" between Abstraction and Surrealism. Organic vitalism in Moore's art).
95-102 THISTLEWOOD David. Herbert Read: a new vision of art and industry.
103-118 (3 Moore illus). FRIEDMAN Terry. Herbert Read on Sculpture.
("In 1928 or 1929 Read's boss at the Victoria and Albert Museum Eric Maclagan had introduced him to Henry Moore...The foundation of Moore's great reputation had begun to be laid in 1928 by other sympathetic critics. "Hampstead in the 1930s "these were the years Rea d most closely identified himself with Moore". Unit 1. The 1934 monograph (See 0009257): "the work of the late 1920s and early 1930s was his most brilliant achievement." Read's subsequent texts which mentioned Moore including The Art of Sculpture (See 0007425).
119-132 (3 Moore illus). BURSTON Robert. The Geometry of Fear: Herbert Read and British Modern Sculpture after the Second World War.
(Passing mentions of Moore in relation to the British Council Arts Council of Great Britain E.C. Gregory Read's texts on Moore comparison with Hepworth The Sculptor in Modern Society (See 0007724) "delivered by Moore but probably largely written by Read.").
133-139 DIAPER Hilary. The Gregory Fellowships.
(Eric Craven Gregory as an early promoter and lifelong friend of Henry Moore. The committee which directed the Fellowship project at the University of Leeds in 1943 consisted of Gregory Moore Read T.S. Eliot and Donamy Bobrée and others. The scheme was accepted in 1943 and got underway in 1949).
140-145 (1 Moore illus). A conversation between Patrick HERON and Benedict READ.
(Mentions the 1944 book on Moore: "I have always thought Herbert in that book alone created Henry Moore. It wasn't Sir Kenneth Clark...").
146-166 Herbert Read 1893-1968: the turbulent years of The Pope of Modern Art: a chronology and select bibliography compiled by Terry Friedman and David Thistlewood.
(Includes several references to Henry Moore).
168-178 Catalogue.
(224 exhibits including Ivon Hitchens' Henry Moore in his Parkhill Road studio and exhibits 139-149 Henry Moore: eight sculptures 1929-1956 two Drawings 1942-1946 one Print 1946).
The illustration pages also include a further Moore photograph on page 75."
0015461
Publisher: C.C.A. Galleries
Place Published: London
Year: 1993
Date & Collation: (20 Oct-13 Nov).2pp.
Description: Price List of 64 prints by six artists.
51-64 Henry Moore: 14 Prints 1971-1981.
51-64 Henry Moore: 14 Prints 1971-1981.