Henry Moore Artwork Catalogue
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0016016
Publisher: Arcatos
Place Published: Lausanne
Year: 1993
Date & Collation: ..pp.Illus.Advertisements.Plates.Bibliog.
Description: 1 Jan-31 Dec 1992 Prints, Drawings, Watercolours, Paintings, Sculpture.
Estampes 200-201 Henry Moore: 18 Prints.
Dessins 149 Henry Moore: two Drawings.
Aquarelles 205 Henry Moore: three Drawings.
Sculptures 90-91 Henry Moore: 28 Sculptures.
Estampes 200-201 Henry Moore: 18 Prints.
Dessins 149 Henry Moore: two Drawings.
Aquarelles 205 Henry Moore: three Drawings.
Sculptures 90-91 Henry Moore: 28 Sculptures.
0019578
Author/Editor: RANKIN Robert.
Publisher: Corgi
Place Published: London
Year: 1993
Date & Collation: ..pp.
Description: Work of fiction published by Doubleday 1993. Page 120: "A fact which seem to have slipped by the grebeards of the art world. The same greybeards in fact who still refer to Henry Moore as a 'abstract' sculptor. I knew Moore for many years and can testify that he was a master of the lifelike representation. He just knocked around with some very funny-looking women. But I digress".
0016288
Publisher: Museo Thyssen-Bornemisxa
Place Published: Madrid
Year: 1993
Date & Collation: 175pp.Illus.Bibliog.Prefatory texts Tomàs Llorens SERRA, Valeriano BOZAL. Catalogue José Alvarez LOPERA, Concha VELA.Text in Spanish.
Description: Catalogue of works in the museum.
106-107(1 illus) J.A. Lopera. Henry Moore: Figuras Sentadas 1941 (Seated Figures, 1941 drawing). Historical background to the war drawings, quoting Moore's impression in seeing London's sleeping in the underground, and his method of working from notes and memory. Describes the figures as universal rather than individual, and the scenes full of silence, stillness and passivity.
106-107(1 illus) J.A. Lopera. Henry Moore: Figuras Sentadas 1941 (Seated Figures, 1941 drawing). Historical background to the war drawings, quoting Moore's impression in seeing London's sleeping in the underground, and his method of working from notes and memory. Describes the figures as universal rather than individual, and the scenes full of silence, stillness and passivity.
0016286
Author/Editor: LYNTON Norbert.
Publisher: Phaidon Press
Place Published: London
Year: 1993
Date & Collation: 472pp(441 illus).Biog.Bibliog.
Description: Comprehensive monograph of the painter, with a dozen brief references to Moore, mostly in the chapter on 1930s London in relation to artist groups and Barbara Hepworth.
0016287
Publisher: Routledge
Place Published: London and New York
Year: 1993
Date & Collation: ix,257pp.Bibliog.
Description: Collection of essays on sociology of culture. The cover design includes photographs of Madonna and Child, 1943-1944 Hornton stone, with photographs of a computer, BMW car, etc. Moore's name does not appear in the index.
0016327
Author/Editor: BERGER John.
Publisher: Granta Books
Place Published: London
Year: 1993
Date & Collation: 189pp.Illus.
Description: Published in association with Penguin Books.
72,135,136(1 illus) Henry Moore.
For description and previous editions see 0004833.
72,135,136(1 illus) Henry Moore.
For description and previous editions see 0004833.
0016322
Author/Editor: CLEMENT Russell T.
Publisher: Greenwood Press
Place Published: Westport,Conn. and London
Year: 1993
Date & Collation: xviii,393pp.1858 entries.Preface.Biographical Sketch.Chronology.Indexes.List of Exhibitions.
Description: Bio-Bibliographies in Art and Architecture, 2. Includes six brief references to Moore in general works which mention Matisse and Moore.
0016328
Author/Editor: ADAMS Laurie Schneider.
Publisher: Harper Collins
Place Published: New York
Year: 1993
Date & Collation: xv,367pp(135 illus).Bibliog.
Description: 73-116 Art and the Oedipus Complex.
(Includes a photograph of King and Queen, 1952-1953 bronze mentioning the Pan-like quality of the King's head as consistent with the artist's image of his father's sexuality).
198-224 Some Psychological Aspects of the Mother-Child Relationship in Western Art.
(Includes five photographs of works by Moore, and analysis variously as a merging of the two figures and as separation-individuation).
276-279 Henry Moore's Primal-Scene Anxiety.
(A coal mine drawing is reproduced, and discussed in relation to the miner boring into Mother-Earth).
Laaurie Schneider Adams has also published under the name Laurie Schneider (See 0001343).
(Includes a photograph of King and Queen, 1952-1953 bronze mentioning the Pan-like quality of the King's head as consistent with the artist's image of his father's sexuality).
198-224 Some Psychological Aspects of the Mother-Child Relationship in Western Art.
(Includes five photographs of works by Moore, and analysis variously as a merging of the two figures and as separation-individuation).
276-279 Henry Moore's Primal-Scene Anxiety.
(A coal mine drawing is reproduced, and discussed in relation to the miner boring into Mother-Earth).
Laaurie Schneider Adams has also published under the name Laurie Schneider (See 0001343).
0016329
Publisher: Stanford University Museum of Art
Place Published: Stanford, Calif.
Year: 1993
Date & Collation: 418pp.Illus.Biog.Bibliog.Index.
Description: Distributed by University of Washington Press, Seattle and London. Conceived as a catalogue of the permanent collection of drawings at the Stanford University Museum of Art, this book also accompanies an exhibition of selections from that collection. Stanford Art Gallery, February 1994.
284-285 FRYBERGER Betsy G. Henry Moore. Reclining Figures, 1940 drawing. Catalogue Number 806.
Produced during the early part of the war, this study represents tha late phase of his 1930s Surrealist work. Describes the drawings and quotes from Moore. Provenance: Carl and Norma Djerassi.
284-285 FRYBERGER Betsy G. Henry Moore. Reclining Figures, 1940 drawing. Catalogue Number 806.
Produced during the early part of the war, this study represents tha late phase of his 1930s Surrealist work. Describes the drawings and quotes from Moore. Provenance: Carl and Norma Djerassi.
0015378
Publisher: Ginn
Place Published: Aylesbury
Year: 1993
Date & Collation: 40 plates.
Description: Group Discussion Book. Key Stage Two. Ginn Approches to Art spiral bound poster book of art illustrations for 5-11 year olds, including a full-page photograph of King and Queen, 1952-1953 bronze at Glenkiln.
0015384
Author/Editor: NORRIE Jane.
Publisher: Arts Review Yearbook
Place Published: London
Year: 1993
Date & Collation: 113-115(1 Moore illus).
Description: Pallant House, Chichester. Mentions works by Moore, and forthcoming exhibition Henry Moore and the Sea (See 0015445). This issue of Arts Review Yearbook also carries the title The Art World Directory.
0015390
Author/Editor: GREENBERG Clement.
Publisher: University of Chicago Press
Place Published: Chicago and London
Year: 1993
Date & Collation: xxiii,305pp(2 illus).Biog.Bibliog.
Description: Includes half-a-dozen brief and dismissive mentions of Moore (Modernist trickiness...archaic artiness...") in the following texts:
99-106 Feeling is All (Partisan Review Jan-Feb 1952).
181-186 The Sculpture of Jacques Lipchitz (Commentary Sept 1954).
253-255 Polemic Against Modern Art (New Leader 12 Dec 1955).
270-273 Roundness Isn't All (New York Times Book Review 25 Nov 1956).
275-279 David Smith (Art in America Winter 1956-1957). Two of these texts also appeared in Art and Culture (See 0005786)."
99-106 Feeling is All (Partisan Review Jan-Feb 1952).
181-186 The Sculpture of Jacques Lipchitz (Commentary Sept 1954).
253-255 Polemic Against Modern Art (New Leader 12 Dec 1955).
270-273 Roundness Isn't All (New York Times Book Review 25 Nov 1956).
275-279 David Smith (Art in America Winter 1956-1957). Two of these texts also appeared in Art and Culture (See 0005786)."
0015377
Author/Editor: MACCLINTOCK Dorcas.
Publisher: Scribner's
Place Published: New York
Year: 1993
Date & Collation: ..pp.
Description: Charles Scribner's Sons Books for Young Readers.
52(1 illus) Henry Moore. Illustration of Sheep with Lamb, 1972 drawing with a brief commentary.
52(1 illus) Henry Moore. Illustration of Sheep with Lamb, 1972 drawing with a brief commentary.
0015383
Author/Editor: ATKINS Robert.
Publisher: Abbeville Press
Place Published: New York
Year: 1993
Date & Collation: 224pp.Illus.
Description: Mentions Moore in the entry for Official War Art, with a full-page black and white illustration of Pale Shelter Scene, 1941 drawing. List-mention under Surrealism. A companion volume to Artspeak: a guide to contemporary ideas, movements and buzzwords, published in 1990, which does not include Moore.
0015389
Publisher: World Book
Place Published: Chicago
Year: 1993
Date & Collation: 160pp.Illus.Editor Gerry BAILEY.
Description: Elementary book for children with a photograph of a Moore carving on page 32 in a section headed Parents.
0015379
Author/Editor: HOLAHAN Clodagh., ROCHE Maureen.
Publisher: Gill and MacMillan
Place Published: Dublin
Year: 1993
Date & Collation: iv,348pp.Illus.
Description: Largely visual book for schools with illustrations of three Moore works, in sections on Drawing, Printmaking and Three-Dimensional Work.
0015381
Author/Editor: GARDNER James.
Publisher: Lavis Marketing
Place Published: London
Year: 1993
Date & Collation: 464pp.Illus.
Description: Probably self-published recollections by a designer.
176-177(1 illus) Henry Moore.
Anecdotal mention of working with Moore to place Reclining Figure: Festival, 1951 bronze at the Festival of Britain. Records that the arm was broken off while being delivered, and had to be patched up on site.
176-177(1 illus) Henry Moore.
Anecdotal mention of working with Moore to place Reclining Figure: Festival, 1951 bronze at the Festival of Britain. Records that the arm was broken off while being delivered, and had to be patched up on site.
0015376
Author/Editor: ADES Jean., LEJOYEUX Michel.
Publisher: Editions Sanofi-Winthrop
Place Published: Montpellier
Year: 1993
Date & Collation: 136pp.Illus.Bibliog.Text in French.
Description: Départment CLIN DIPHAC booklet on alcoholism with chapter openings illustrated with photographs or works of art, including on page 68 a family group for the chapter La Famille de l'alcoolique est-elle en clause dans la maladie?
0015380
Publisher: Manchester University Press
Place Published: Manchester and New York
Year: 1993
Date & Collation: x,240pp(17 illus).Bibliog.
Description: Distributed in USA and Canada by St. Martin's Press. The essays collected here originated as papers at the 1991 conference of the Association of Art Historians hosted by the Courtauld Institute of Art.
68-81 HOLMAN Valerie. Framing critics: the publishing context.
(Mentions the popular Penguin Modern Painters series with an illustration of Grigson's Henry Moore (See 0008952)).
164-179 COHEN David. Herbert Read and Psychoanalysis.
(Read in relation to D.H. Lawrence Roger Fry Clive Bell Freud Jung etc. Mentions writing on Moore by Read and Neumann).
180-195 GARLAKE Margaret. Between Paris and New York: critical construction of Englishness c.1945-60.
("A strand of chauvinist sometimes xenophobic writing which sought to identify and promote a specifically English (rather than British) art practice". Mentions Read and Heron writing on Moore)."
68-81 HOLMAN Valerie. Framing critics: the publishing context.
(Mentions the popular Penguin Modern Painters series with an illustration of Grigson's Henry Moore (See 0008952)).
164-179 COHEN David. Herbert Read and Psychoanalysis.
(Read in relation to D.H. Lawrence Roger Fry Clive Bell Freud Jung etc. Mentions writing on Moore by Read and Neumann).
180-195 GARLAKE Margaret. Between Paris and New York: critical construction of Englishness c.1945-60.
("A strand of chauvinist sometimes xenophobic writing which sought to identify and promote a specifically English (rather than British) art practice". Mentions Read and Heron writing on Moore)."
0015385
Author/Editor: WALKER John A.
Publisher: John Libbey
Place Published: London, Paris, Rome
Year: 1993
Date & Collation: ix,244pp.Illus.Bibliog.
Description: Foreword by Will BELL, Arts Council of Great Britain. Fourth volume in a series of books on media and the arts. Includes half-a-dozen passing mentions of films on Henry Moore, and the front cover depicts Three Standing Figures, 1947-1948 Darley Dale stone.
0015387
Author/Editor: YENAWINE Philip.
Publisher: Carlsen
Place Published: Hamburg
Year: 1993
Date & Collation: ii,24pp.Illus.
Description: Museum of Modern Art, New York publication. Original title: Stories. One of a set of four books to interest children in modern art. The other three feature Form, Line, and Colour. This volume helps children to look at the possible stories surrounding different artworks.
One illustration is Family Group, 1948-1949 bronze, captioned What Can You Tell Us About This Family?" The works are also illustrated across the end papers at the back of the book with brief captions the Moore one reading "Entwined forms and rythmic contours of the family in Moore's sculpture"."
One illustration is Family Group, 1948-1949 bronze, captioned What Can You Tell Us About This Family?" The works are also illustrated across the end papers at the back of the book with brief captions the Moore one reading "Entwined forms and rythmic contours of the family in Moore's sculpture"."
0015386
Author/Editor: JENNINGS Sue., MINDE Ase.
Publisher: Jessica Kingsley Publishers
Place Published: London & Philadelphia
Year: 1993
Date & Collation: 222pp.Illus.Bibliog.
Description: Quotes Moore briefly on creativity, and mentions his interest in Cycladic art.
0015382
Author/Editor: COX Madison.
Publisher: Abrams
Place Published: New York
Year: 1993
Date & Collation: 208pp.Illus.
Description: Copyright 1993 Michel Aveline Editeur.
74-81(5 illus) Henry Moore.
Four photographs, two of them double-page spreads, of trees on the Hertfordshire estate, plus a photograph of Sheep Piece, 1971-1972 bronze. Describes the grounds, and the dynamic force they possessed during Moore's lifetime. Mentions role played by Irina Moore in developing the planted beds. Hoglands now remains under the care of the couple's daughter Mary Moore who is restoring the garden features nearest the house to their former glory". Trees delineate the property line between the Henry Moore Foundation land and the artist's private residence. Passing mention of Moore by Brooks Adams in the introduction."
74-81(5 illus) Henry Moore.
Four photographs, two of them double-page spreads, of trees on the Hertfordshire estate, plus a photograph of Sheep Piece, 1971-1972 bronze. Describes the grounds, and the dynamic force they possessed during Moore's lifetime. Mentions role played by Irina Moore in developing the planted beds. Hoglands now remains under the care of the couple's daughter Mary Moore who is restoring the garden features nearest the house to their former glory". Trees delineate the property line between the Henry Moore Foundation land and the artist's private residence. Passing mention of Moore by Brooks Adams in the introduction."
0015395
Author/Editor: THATCHER Margaret.
Publisher: Harper Collins
Place Published: London
Year: 1993
Date & Collation: xiv,914pp.Plates.Chronology.
Description: 24 I felt that Downing Street should have some works by contemporary British artists and sculptors as well as those of the past. I had met Henry Moore when I was Secretary of State for Education and much admired his work. The Moore Foundation let No.10 borrow one of his smaller sculptures which fitted perfectly in an alcove in the main hallway. Behind the sculpture was hung a Moore drawing which was changed every three months; among my favourites were scenes of people sleeping in the London Underground during the Blitz".
557 "The London European Council...Friday 5 and Saturday 6 December 1986...in the Queen Elizabeth II Conference Centre...I took care to have the battleship-grey walls covered up with beige hangings and pictures deliberately having some drawings by Henry Moore borrowed from the Moore Foundation placed opposite President Mitterrand who I knew loved Moore as much as I did"."
557 "The London European Council...Friday 5 and Saturday 6 December 1986...in the Queen Elizabeth II Conference Centre...I took care to have the battleship-grey walls covered up with beige hangings and pictures deliberately having some drawings by Henry Moore borrowed from the Moore Foundation placed opposite President Mitterrand who I knew loved Moore as much as I did"."