Scale in Sculpture: The Sixties and Henry Moore - Rothenstein Lecture

0022560 Tate Gallery; Size and scale; Found Objects; Tate Archive; Reclining Figure, 1929 brown Hornton stone; Mask, 1930 green stone; Large Square Form with Cut, 1969-1971 Rio Serra marble; Large Standing Figure: Knife Edge, 1961 bronze; Freud, Sigmund; The Arch, 1963-1969 fibreglass Scale in Sculpture: The Sixties and Henry Moore - Rothenstein Lecture Anne Middleton WAGNER Tate Online Research Publications London A4 copy of online research paper, originally written for presentation as the Rothenstein Lecture at Tate Britain 2010. Discussion of size and scale; position of the sculptor and the exhibition viewer in relation to the sculptural object; bodily relationships; small studies made by Moore, often using found objects; scaling up from maquette to monumental scale; perception and comparative relation of scale; working with assistants and production process; the practice of enlargement; substitution and Freud. Various illus: Moore's passport 1955; Tate quesionnaire completed by Moore 1940s (Tate archive); Moore with Reclining Figure 1929 (LH 59) and Mask 1930 green stone, (LH 77); viewers in Henry Moore exhibition, Tate 2010; Moore working on polystyrene for Large Square Form with Cut 1969-71; interior of polystyrene version of The Arch; view of a display illustrating enlargement techniques; polystyrene enlargement process; Large Standing Figure: Knife Edge 1961 bronze, (LH 482a).