Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
108 results
for
sheep pieces
0019037
Publisher: Didrichsen Art Museum
Place Published: Helsinki
Year: 2000
Date & Collation: 5+9 minutes.Colour.Sound.In English.
Description: Produced by Vistakuva Ltd. in asociation with Kupla Productions. View of Seven Hills exhibition in Berlin (See 0000000) and Didrichsen Art Museum and its collection. Focuses on restoration of Atom Piece (Working Model for Nuclear Energy), 1964-1965 bronze. before being sent to the exhibition.
Includes interviews with Maria Didrichsen, and conservators Lena Vikström and Lasse Mattila.
After 5 minutes and the credits there are further views of the sculpture undergoing cleaning, and extended interviews. These are interspersed with the heading Didrichsen Atom Piece (by Henry Moore) goes to Berlin.
The video cassette case uses the title Henry Moore: Atom Piece: from the Didrichsen Art Museum park to the Sieben Hügel exhibition in Berlin: story, images and words.
Includes interviews with Maria Didrichsen, and conservators Lena Vikström and Lasse Mattila.
After 5 minutes and the credits there are further views of the sculpture undergoing cleaning, and extended interviews. These are interspersed with the heading Didrichsen Atom Piece (by Henry Moore) goes to Berlin.
The video cassette case uses the title Henry Moore: Atom Piece: from the Didrichsen Art Museum park to the Sieben Hügel exhibition in Berlin: story, images and words.
0018353
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1999
Date & Collation: 15 mins.Sound recording.Producer Anne-Marie COLE.
Description: Transmitted on Radio 3 on 19 Sept 1999 in series Sounding the Century on 100 great artists. Tim Marlow and William Packer comment on Atom Piece (Working Model for Nuclear Energy), 1964-1965 bronze. Helmet-like and womb-like qualities of the work, commissioned for Chicago monument.Mentions war drawings, and influence of primitive art and of landscape. Moore's large public bronzes established sculptural tradition for younger British artists.
Incorporates brief comments from earlier recordings, notably the voice of Moore about Adel Rock, primitive art, and the artist's vision.
Recorded off-air under Clause 75 of the Copyright Act.
For BBC Web Site related to the programme see 0018354 and 0018355.
Incorporates brief comments from earlier recordings, notably the voice of Moore about Adel Rock, primitive art, and the artist's vision.
Recorded off-air under Clause 75 of the Copyright Act.
For BBC Web Site related to the programme see 0018354 and 0018355.
0022929
Publisher: Kew Publishing
Place Published: Kew
Year: 2007
Date & Collation: 1min54sec.Sound.
Description: Audio guide for Knife Edge Two Piece 1962-65 bronze (LH 516) at Moore at Kew at the Royal Botanic Gardens, Kew (September 2007-March 2008). Interview talking about this sculpture and its installation at Kew; composition and structure of the figure; presentation in the landscape.
0022928
Publisher: Kew Publishing
Place Published: Kew
Year: 2007
Date & Collation: 1min52sec.Sound.
Description: Audio guide for Locking Piece 1963-64 bronze (LH 515) at Moore at Kew at the Royal Botanic Gardens, Kew (September 2007-March 2008). Interview with Wolfgang Stuppy, botanist, talking about this sculptures and its installation at Kew; the organic and botanical references in the Moore’s work; inspiration and composition of this sculpture from curves and shapes in natural word; presentation of this sculpture in the open air provoking different looks.
0022935
Publisher: Kew Publishing
Place Published: Kew
Year: 2007
Date & Collation: 2min03sec.Sound.
Description: Audio guide for Two Piece Reclining Figure: Points 1969 bronze (LH 606) at Moore at Kew at the Royal Botanic Gardens, Kew (September 2007-March 2008). Interview with Rosemary Williams, talking about this sculpture and its installation at Kew; made for a semi-permanent exhibition in Yorkshire; location of this sculpture in the park in relation to the architecture; expressive and minimalist portraits having a presence and contemplating the world around.
0022971
Place Published: Houston
Year: 2012
Date & Collation: 5secs.Colour.Sound.V421
Description: TV advert for Houston Area Hyundai Dealers
0022939
Publisher: Kew Publishing
Place Published: Kew
Year: 2007
Date & Collation: 1min42sec.Sound.A223
Description: Audio guide for Three Piece Reclining Figure: Draped 1975 bronze (LH 655) at Moore at Kew at the Royal Botanic Gardens, Kew (September 2007-March 2008). Interview with David Mitchinson talking about this sculpture; synthesis of human figure; 3 dimensional sculpture; maquette and moulding in plaster; inspiration of natural forms; sculpture with three elements connected and independent.
0022933
Publisher: Kew Publishing
Place Published: Kew
Year: 2007
Date & Collation: 2min08sec.Sound.
Description: Audio guide for Large Spindle Piece 1974 bronze (LH 593) at Moore at Kew at the Royal Botanic Gardens, Kew (September 2007-March 2008). Interview with Rosemary Williams talking about this sculpture and its installation at Kew; organic and cyclonic sculpture in relation to the sky and its threats; torpedo forms; inspiration from curves and shapes in animal skull (elephant skull drawings and etchings).
0002596
Publisher: Dallas Museum of Fine Arts
Place Published: Dallas
Year: 1982
Date & Collation: 30 mins.Colour.Sound.Narration Howard FISHER. A film by Jim MURRAY.
Description: The 13-ton sculpture Three Forms Vertebrae, 1978-1979 bronze, is seen in production at the Morris Singer Foundry in Basingstoke, and journeying by road, sea and rail to Texas. It is assembled and polished in Dallas before being sited in the Plaza under the supervision of Moore and I.M. Pei. The film opens with the dedication and brief speech by Moore; and includes film of Much Hadham estate and Moore interviewed in his studios on Materials, inspiration from nature, the Elephant Skull, drawing and scale. There are also brief views of the four bronzes at Glenkiln and of Knife Edge Two Piece, 1962-1965 bronze in London.
0017128
Publisher: Columbia Broadcasting System
Place Published: New York
Year: 1974
Date & Collation: 55mins.Colour.Sound.Produced and directed by John MUSILLI.
Description: Film made on occasion of opening of Henry Moore Sculpture centre at the Art Gallery of Ontario. Moore is seen with the plasters. Views of Three Way Piece, No. 2: Archer, 1964-1965 bronze (LH 535). Bernier in conversation with Moore at Much Hadham, in grounds, studios, and Hoglands. Film and comments on sculpture, including Knife Edge Two Piece 1962-65 bronze (LH 516) and Standing Figure: Knife Edge, 1961 bronze (LH 482), Sheep Piece, 1971-1972 bronze (LH 627), holes and space. Moore working in Maquette Studio, with bones and other natural forms. Spindle Piece, 1968-1969 (LH 593) in polystyrene, and process of working in plaster and polystyrene. Now I don't care what the medium is. I now think the final result is what matters. Material is only a means of producing that result". Shelter and Coal Mine war drawings and blackness. Sheep Sketchbook is seen page by page on film with Moore describing how he worked on the drawings. Views of works by other artists in Moore's art collection. For 2000 Creative Arts Television version see 0019867."
0003118
Publisher: Centre National de la Recherche Scientifique
Place Published: Paris
Year: 1977
Date & Collation: 27 mins.Colour.Sound.
Description: Produced by Yves BREUX and François LUXEREAU. French commentary and voice-over of Henry MOORE's statements. Interview with Moore in his Much Hadham studios and estate, on Open Air, reality of three-dimensional form and placing of his sculpture. Film of Sheep Piece, 1971-1972 bronze at Much Hadham, brief views of Castleford and Stonehenge. Sequence at Glenkiln with King and Queen, 1952-1953 bronze and glimpses of the other works. Brief glimpses of works in London, including Two Piece Reclining Figure No. 3, 1961 bronze on the Brandon Estate; Large Spindle Piece, 1968 and 1974 bronze; Locking Piece, 1963-1964 bronze; Knife Edge Two Piece, 1962-1965 bronze; Draped Seated Woman, 1957-1958 bronze on Stifford Estate; and Birdcage Walk Reclining Mother and Child, 1960-1961 bronze.
0010720
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1983
Date & Collation: 3 hours 30 mins.Sound recording.
Description: Relates to film 0000946. Two audio cassettes of sounds of activity on Much Hadham estate; and interview between Henry MOORE and Huw WHELDON on Drawing, including Shelter and Coal Mine Drawings; Kenneth Clark and Herbert Read; Alice Gostick; Tip cat; Human figure; Materials; Holes; Carving; Jacob Epstein; Henri Gaudier-Brzeska; William Rothenstein's support of Moore against adverse press criticism; Words and literature; Michelangelo; Rembrandt; Maquettes; Northampton Madonna and Child, 1943-1944 Hornton stone and religion; Commission of Large Arch, 1979-1980 travertine marble for Hyde Park; Sheep Piece, 1971-1972 bronze; King and Queen, 1952-1953 bronze at Glenkiln and the contrast between the symbolic heads and the human hands; Rubbing his mother's back; Reclining Figure theme and Divided Figures; the Henry Moore Foundation; Tapestries; Yorkshire background; Curt Valentin; Elephant Skull; Cézanne; Art collection of Henry Moore; Giacometti; Stringed Figures; Much Hadham estate and sculpture in the Open Air; Pre-Columbian sculpture; Sheep Sketchbook; Picasso Guernica visit; Surrealism; Joan Miró; Blind and sculpture.
0010042
Publisher: La Mart
Place Published: Italy
Year: 1978
Date & Collation: 19 mins.Colour.Sound.In Italian.
Description: Maestri Contemporanei series edited by Giuliano MONTALDO. Produced and edited by Mario GALLO. Artistic advice: Alberto PIVI. Music: Egisto Macchi. To very brief commentary noting Moore's fame, influences and humanity, the artist is seen in his studios and in his home and estate at Much Hadham. Working on a plaster, supervising a crane lifting The Arch, 1963-1969 fibreglass. Views of bronzes at Much Hadham and at Serpentine exhibition (See 0002718 and 0002719). Henry Moore at Carrara, and walking on a beach. Good views of King and Queen, 1952-1953 bronze; Sheep Piece, 1971-1972 bronze; Hill Arches, 1973 bronze; Large Spindle Piece, 1968 and 1974 bronze; Three Piece Reclining Figure: Draped, 1975 bronze.
0010173
Publisher: Südwestfunk
Place Published: Baden-Baden
Year: 1981
Date & Collation: 30 mins.Colour.Sound.In German.
Description: A production of Interscience film GmbH for S.W.F. A film by Gero v. BOEHM. Executive producer Jürgen VANSKE. Moore at Much Hadham with German narration and voice-over. Views of sculpture, including Sheep Piece, 1971-1972 bronze and Three Piece Reclining Figure: Draped, 1975 bronze, Elephant Skull and Elephant Skull graphic works. Moore on Natural forms, maquettes rather than drawing for sculpture. Sunday School Michelangelo story, Michelangelo, sculpture seen from all angles and in all weathers, value appreciation of the arts.
0010676
Publisher: RAI Radiotelevisione Italiana
Place Published: Rome
Year: 1972
Date & Collation: 58 mins.Black and white.Sound.In Italian.
Description: Programme in television series built around interviews with G.C. ARGAN at the Florence exhibition (See 0004285), and Henry MOORE in his house, grounds and studios at Much Hadham, speaking in English to voice-over in Italian. There is a two-minute section of Moore and Argan together at the Florence exhibition. Argan comments on Moore's Classicism and influence by Greek and other ancient art. Mentions Moore's use of wall elements and his reliefs. Moore comments on his sculptural form; his use of Natural forms; his interest in the Human figure; Maquettes and his method of working; his use of lines: Reclining Figure: Festival, 1951 bronze; Elephant Skull and Elephant Skull graphic works; Sheep graphic works; Crowd Looking at a Tied-Up Object, 1942 drawing; War Drawings; Education; Castleford; his father; Childhood; Sunday School Michelangelo story; Monumentality; Reclining Figure theme; Open Air; Architecture and sculpture. There is a section on Henry Moore at the British Museum commenting on the qualities of ancient sculpture. Apart from sculpture on the Much Hadham estate and in the Florence exhibition, there is film of Glenkiln, with close-up views of King and Queen, 1952-1953 bronze. Works shown in situ in London include Three Standing Figures, 1947-1948 Darley Dale stone; Knife Edge Two Piece, 1962-1965 bronze; Locking Piece, 1963-1964 bronze; Draped Seated Woman, 1957-1958 bronze.
0022976
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2013
Date & Collation: 3mins29secs.Colour.Sound.V414
Description: Report by Julia Bradbury on the Henry Moore Foundation; views of sculptures park; interview with Sebastiano Barassi on his work and their relation to Perry Green; film strip of Moore in 1973; importance of the work’s title for understanding the work; Moore’s voice-over narration about his work on landscape and public settings; sheep as inspiration for sketching; combination of large and small forms and sense of protection which inspired him; “the mother and child” subject; Sheep Piece 1971-72 bronze (LH 627); Florence exhibition in 1972
0000634
Publisher: Canadian Broadcasting Corporation
Place Published: Toronto
Year: 1985
Date & Collation: 85 mins.Colour.Sound.Produced,directed and written by Harry RASKY.V72
Description: Centered around an interview with Henry MOORE in Hoglands by Harry RASKY, this shows film and still photographs of Moore, his family, Natural forms, landscape, trees, graphic works and sculpture - including pieces in public settings. Readings from Moore's published texts are featured throughout; and there are extracts from Emily Brontë, Michelangelo and others. A 'Song of Henry Moore' is also featured.
Subjects discussed and shown include: blind people with Moore maquettes; the mystery of art work; Art Gallery of Ontario collection, and Toronto; Moore's own collection of art works; Drawings; Castleford; Childhood, Education, Helmet Heads, primitive sculpture; Michelangelo; Cézanne; the Human figure; sheep; the influence of Picasso; Shelter and Coal Mine Drawings; Stonehenge; Maquettes; hands; Three Standing Figures, 1947-1948 Darley Dale stone in Battersea Park.
Subjects discussed and shown include: blind people with Moore maquettes; the mystery of art work; Art Gallery of Ontario collection, and Toronto; Moore's own collection of art works; Drawings; Castleford; Childhood, Education, Helmet Heads, primitive sculpture; Michelangelo; Cézanne; the Human figure; sheep; the influence of Picasso; Shelter and Coal Mine Drawings; Stonehenge; Maquettes; hands; Three Standing Figures, 1947-1948 Darley Dale stone in Battersea Park.
0010721
Publisher: D.R. Televisa
Place Published: México City
Year: 1983
Date & Collation: 50 mins.Colour.Sound.In Spanish.
Description: Produced and directed by Francisco Lopez TORRES. Built around commentary by Abraham ZABLUDOVSKY at the exhibition (See 0001472) and Octavio PAZ, and with interviews with Rufino TAMAYO, and Henry MOORE in Much Hadham with his voice dubbed. Maquettes, Natural objects, Drawings, Prints and Sculpture seen in the Museum and surrounding park and in film and photographs of Much Hadham estate. Incorporates black and white photographs, film of Moore drawing and carving, and war-time views of London, together with images of Chacmool, Pre-Columbian art, Mexican muralists. Coal Mine Drawings; War Drawings; Warriors; Sheep graphic works; Stringed Figures; Working Model for Three Piece No. 3: Vertebrae, 1968 bronze; Broken Figure, 1975 black marble and other works. Commentary ranges over Moore's career, themes, and influences. Moore on drawing, hands, the structure of the human body and his love of Pre-Columbian art. Tamayo on the Mexican influences and the importance of drawing in Moore's work. Paz on Moore's dialogue with the earth, the influence of the range of Pre-Columbian art and the Mexican muralists, the cosmos of the female presence...earth and woman.
0021331
Publisher: Guardian website
Place Published: London
Year: 2008
Date & Collation: 9mins. Sound
Description: Podcast from Guardian website. Adrian Searle visits Dominque Gonzalez-Foerster's TH.2058 at Tate Modern, see 0021332. Description of the enlarged sculptures, including mention of Moore's Sheep Piece replica: Over the back, rather a dull Henry Moore...aren't they all? I'm going to beat my head against it, my hands are full. (quiet thud) Yep... sounds like my brain.
0004214
Author/Editor: READ John
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1973
Date & Collation: 49 mins.Colour.Sound.Written and produced by John READ.
Description: B.B.C. T.V. Time-Life and R.M. Productions co-production. Additional narration spoken by Tony Church. A version exists with French commentary and voice-over. Moore's sculptures are seen on his estate at Much Hadham to an introductory commentary on his sculptural forms. Moore is seen drawing sheep, and he describes their ancient, Biblical quality, and how he came to understand the animals more from a period of drawing them each day. Moore gives his views on other animals seen at London Zoo: Guy the Gorilla, Elephants, Rhinoceroses, Gibbons. The Elephant Skull is seen and Moore describes how he drew directly on the etching plate. In Hoglands the sculptor comments on a dozen works in his art collection, ranging over the Romanesque marble pulpit, Greek figurine, Medieval earthenware pot, Mexican ancient art, African mask, Middle Eastern marble lynx and Eskimo whalebone figure. Paintings, drawings and sculpture by Rodin, Cézanne, Degas and Courbet are discussed and other works are seen briefly. Moore then comments on half-a-dozen of his own sculptures: Reclining Woman, 1927 cast concrete; Composition, 1931 blue Hornton stone; Three Points, 1939-1940 bronze; Helmet Head No. 1, 1950 bronze; Maquette for Mother and Child, 1952 bronze; Two Piece Points: Skull, 1969 fibreglass. Moore's techniques are described, and he affirms that material is secondary to the idea. Works are seen at Glenkiln in Scotland.
0003536
Publisher: Centron Corporation
Place Published: U.S.A.
Year: 1976
Date & Collation: 14 mins.Colour.Sound.Produced and directed by Arthur H. WOLF. V142.
Description: Views of King and Queen, 1952-1953 bronze and other works in Glenkiln, and Sheep Piece, 1971-1972 bronze and many other works at Much Hadham. Moore is seen at work in his studios and walking on his estate. There is a sequence at the Noack Foundry, Berlin. The commentary is Henry MOORE speaking about sculpture, Creative process, Maquettes, carving, the process of enlargement through working models to finished size, Bronze casting, and his experience of life. U.K. distribution: Viewtech Audio Visual Media, Bristol.
0003764
Publisher: R.T.V. Novi Sad
Place Published: Yugoslavia
Year: 1976
Date & Collation: 30 mins.Colour.Commentary in English. Editor Vladimir RAKIC. Producer Ivan CIRKOVIC. Scenario and directed by Stevan STANIC.
Description: Dokumentarno Feljtonski Program; editor Milorad STEVANCEV. Credits appear over views of sculpture on Moore's estate, before the film begins with scenes of London landmarks. Knife Edge Two Piece, 1962-1965 bronze and Locking Piece, 1963-1964 bronze are seen, together with some War Drawings from I.W.M. exhibition (See 0009939). Speaker's Corner at Hyde Park, and home of Serbian hero Dosity Obradovich 1742-1811 are also shown. Moore is seen in his studios and home commenting on his use of maquettes; his early life, particularly his father; sheep; Stonehenge and sculpture in the Open Air. There is a short sequence of film at Stonehenge, and Perry Green residents are interviewed revealing an indifference to Moore's work.
0009710
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1967
Date & Collation: 26 sound recordings.
Description: About 50 hours of tape recorded, informal conversations between Henry Moore and John Hedgecoe at Much Hadham, with contributions by Irina Moore. Made in preparation for the books Henry Spencer Moore (See 0005040) and also the 1986 Henry Moore (See 0000066). Typed transcripts exist of some of the tapes; and there are half-a-dozen additional typescripts, in varying stages of revision and duplication. Typed in January 1985 they are mostly recollections of childhood years. Identification is by the Henry Moore Foundation library accession numbers A74-A99. Tapes 84-99 were probably made during 1984 and 1985, towards the end of Moore's life. They are late, hesitant recollections, and lack the content of the artist's earlier statements.
Tape A74. (Inscribed 'Reel 1'. Discusses format of Henry Spencer Moore book, and comments on photographs on pages 1-67, thus providing edited extracts from the recording as some of the text which appears in the book).
Tape A75. (Inscribed 'Reel 2'. Much Hadham Church heads, Henry Spencer Moore photographs and text going back over early pages. Holes, Cubist and Cycladic art. Kent. Pebbles. Pages 68-75 approx.).
Tape A76. (Inscribed 'Reel 3'. Chalk stone. Courtney Pollack. Early press criticism and subsequent attacks on Moore's work. Pages 80-81 and continuation of Henry Spencer Moore. Tape bears mss. inscription 7.30. 22nd Oct").
Tape A77. (Inscribed 'Reel 4'. Kent. Maquettes. Wood. Henry Spencer Moore book: approx. page 100).
Tape A78. (Inscribed 'Reel 5'. Surrealist and abstract influences Michelangelo; Northampton Madonna and Child 1943-1944 Hornton stone; Religious art; Reclining Figure theme; Stringed Figures; Titles of art works; Form and space in sculpture; Natural forms; Three Standing Figures 1947-1948 Darley Dale stone; Memorial Figure 1945-1946 Hornton stone. Up to page 175).
Tape A79. (Inscribed 'Reel 6' . Family Groups Rocking Chairs Leaf Figures Bronze casting Drapery Much Hadham Church heads. Time-Life Screen 1952-1953 Portland stone and its maquettes. King and Queen 1952-1953 bronze Hands. Henry Spencer Moore coverage pages approx. 174-239).
Tape A80. (Inscribed 'Reel 7'. Harlow Family Group 1954-1955 Hadene stone; Upright Motives; Sectional lines; Wall Relief 1955 brick; Reclining Figures. Relates to Henry Spencer Moore approx. pages 240-339).
Tape A81. (Inscribed 'Reel 8'. Moore describes his time as a student teacher immediately before and directly after World War 1. Leeds School of Art. Henry Spencer Moore book pages 340-357. Two-part Reclining Figures and rock formations and their construction in plaster. Critics. Royal College of Art William Rothenstein and others).
Tape A82. (Inscribed 'Reel 10'. Follows on directly from Reel 8. Comments on Henry Spencer Moore pages 358-435. 1960 Whitechapel Art Gallery exhibition (See 0006882); Much Hadham gardens and space for work Natural forms. Bridges and Arches. Forte dei Marmi. Holidays and work).
Tape A83. (Described as 'Reel 12 the last'. Side B seems to continue briefly the conversation on Forte dei Marmi from Tape A82. Side A discusses a city like a house in its placing of sculpture. Open Air sculpture exhibitions. Henry Spencer Moore pages approx. 478-to end. Three Way Piece No. 2: Archer 1964 plaster and the T.S. Eliot stage design (See 0005927)).
Tape A84. (Inscribed 'Done by...October 1984'. Carving holes; sculpture as full-time work; ambition to be a writer; architecture; countryside and change).
Tape A85. (Typescript inscribed 'Typed 19 Dec 1984'. Touching sculpture Rodin Natural forms financial security personal and domestic matters).
Tape A86. (Inscribed 'Henry Moore 3.2.85. Typed'. Drawing; Leon Underwood as a teacher; British Council; Curt Valentin and other dealers and friends).
Tape A87. (Conversational recollections on pre-war Paris, English artists, J.B. Priestley's recent death (i.e. August 1984). Meeting Irena Radetzky and early married life in Dedham (Cuckoo Cottage) before moving to Hampstead. Appreciation of abstraction. Drapery. Wood as a material. Art and life and reality).
Tape A88. (Inscribed 'Henry Moore. March 1985 tape (2) Typed'. Early life: Castleford; Alice Gostick; World War 1. It's 2 March 1985. Domestic conversation on children and grandchildren, and friends. Forte dei Marmi).
Tape A89. (Inscribed 'Henry Moore conversation about photographs April 1985. Typed'. John Hedgecoe, Irina Moore and Henry Moore looking admiringly at photographs from 1986 book).
Tape A90. (Inscribed 'Henry Moore conversation June 1985. Typed'. Recollections of the 1930s, the Human figure, Landscape).
Tape A91. (Inscribed 'Henry Moore Tape 4. Typed'. Sheep drawings, Stonehenge, Glenkiln, Irina Moore on Dedham).
Tape A92. (Inscribed 'Henry Moore 7. Typed'. John Hedgecoe and Henry Moore looking at photographs for 1986 book. Public acclaim, drawing, art).
Tape A93. (Inscribed 'Tape 8 Henry Moore. Typed'. Three-dimensional form, Raymond Spencer Moore (father)).
Tape A94. (Inscribed 'Henry Moore Tape 9. Typed'. Leeds School of Art and Royal College of Art student life, Michael Rothenstein).
Tape A95. (Inscribed 'Tape 10. Henry Moore. Typed'. Nostalgic recollections, mainly of 1920s and 1930s as student and as teacher).
Tape A96. (Inscribed 'Henry Moore. Tape 11. Typed'. Hesitant, late comments on the arts/ Mentions recent visit of President Mitterrand (i.e. October 1984)).
Tape A97. (Inscribed 'Henry Moore. Tape 14. Typed'. Cézanne and historical art).
Tape A98. (Inscribed 'Repeating Conversations with H.M. on Heredity'. 10 mins. John Hedgecoe, dictating, paraphrases Moore's comments on heredity and environment. See 1986 book pages 101, 149).
Tape A99. (Inscribed 'Henry Moore August 7th 1984' and 'Last Visit'. John Hedgecoe announces Ebury Press book. Recollections of Castleford, childhood, Yorkshire landscape, early education, World War 1, Northampton Madonna and Child, 1943-1944 Hornton stone, Shelter drawings, early married life in several locations).
Tape A74. (Inscribed 'Reel 1'. Discusses format of Henry Spencer Moore book, and comments on photographs on pages 1-67, thus providing edited extracts from the recording as some of the text which appears in the book).
Tape A75. (Inscribed 'Reel 2'. Much Hadham Church heads, Henry Spencer Moore photographs and text going back over early pages. Holes, Cubist and Cycladic art. Kent. Pebbles. Pages 68-75 approx.).
Tape A76. (Inscribed 'Reel 3'. Chalk stone. Courtney Pollack. Early press criticism and subsequent attacks on Moore's work. Pages 80-81 and continuation of Henry Spencer Moore. Tape bears mss. inscription 7.30. 22nd Oct").
Tape A77. (Inscribed 'Reel 4'. Kent. Maquettes. Wood. Henry Spencer Moore book: approx. page 100).
Tape A78. (Inscribed 'Reel 5'. Surrealist and abstract influences Michelangelo; Northampton Madonna and Child 1943-1944 Hornton stone; Religious art; Reclining Figure theme; Stringed Figures; Titles of art works; Form and space in sculpture; Natural forms; Three Standing Figures 1947-1948 Darley Dale stone; Memorial Figure 1945-1946 Hornton stone. Up to page 175).
Tape A79. (Inscribed 'Reel 6' . Family Groups Rocking Chairs Leaf Figures Bronze casting Drapery Much Hadham Church heads. Time-Life Screen 1952-1953 Portland stone and its maquettes. King and Queen 1952-1953 bronze Hands. Henry Spencer Moore coverage pages approx. 174-239).
Tape A80. (Inscribed 'Reel 7'. Harlow Family Group 1954-1955 Hadene stone; Upright Motives; Sectional lines; Wall Relief 1955 brick; Reclining Figures. Relates to Henry Spencer Moore approx. pages 240-339).
Tape A81. (Inscribed 'Reel 8'. Moore describes his time as a student teacher immediately before and directly after World War 1. Leeds School of Art. Henry Spencer Moore book pages 340-357. Two-part Reclining Figures and rock formations and their construction in plaster. Critics. Royal College of Art William Rothenstein and others).
Tape A82. (Inscribed 'Reel 10'. Follows on directly from Reel 8. Comments on Henry Spencer Moore pages 358-435. 1960 Whitechapel Art Gallery exhibition (See 0006882); Much Hadham gardens and space for work Natural forms. Bridges and Arches. Forte dei Marmi. Holidays and work).
Tape A83. (Described as 'Reel 12 the last'. Side B seems to continue briefly the conversation on Forte dei Marmi from Tape A82. Side A discusses a city like a house in its placing of sculpture. Open Air sculpture exhibitions. Henry Spencer Moore pages approx. 478-to end. Three Way Piece No. 2: Archer 1964 plaster and the T.S. Eliot stage design (See 0005927)).
Tape A84. (Inscribed 'Done by...October 1984'. Carving holes; sculpture as full-time work; ambition to be a writer; architecture; countryside and change).
Tape A85. (Typescript inscribed 'Typed 19 Dec 1984'. Touching sculpture Rodin Natural forms financial security personal and domestic matters).
Tape A86. (Inscribed 'Henry Moore 3.2.85. Typed'. Drawing; Leon Underwood as a teacher; British Council; Curt Valentin and other dealers and friends).
Tape A87. (Conversational recollections on pre-war Paris, English artists, J.B. Priestley's recent death (i.e. August 1984). Meeting Irena Radetzky and early married life in Dedham (Cuckoo Cottage) before moving to Hampstead. Appreciation of abstraction. Drapery. Wood as a material. Art and life and reality).
Tape A88. (Inscribed 'Henry Moore. March 1985 tape (2) Typed'. Early life: Castleford; Alice Gostick; World War 1. It's 2 March 1985. Domestic conversation on children and grandchildren, and friends. Forte dei Marmi).
Tape A89. (Inscribed 'Henry Moore conversation about photographs April 1985. Typed'. John Hedgecoe, Irina Moore and Henry Moore looking admiringly at photographs from 1986 book).
Tape A90. (Inscribed 'Henry Moore conversation June 1985. Typed'. Recollections of the 1930s, the Human figure, Landscape).
Tape A91. (Inscribed 'Henry Moore Tape 4. Typed'. Sheep drawings, Stonehenge, Glenkiln, Irina Moore on Dedham).
Tape A92. (Inscribed 'Henry Moore 7. Typed'. John Hedgecoe and Henry Moore looking at photographs for 1986 book. Public acclaim, drawing, art).
Tape A93. (Inscribed 'Tape 8 Henry Moore. Typed'. Three-dimensional form, Raymond Spencer Moore (father)).
Tape A94. (Inscribed 'Henry Moore Tape 9. Typed'. Leeds School of Art and Royal College of Art student life, Michael Rothenstein).
Tape A95. (Inscribed 'Tape 10. Henry Moore. Typed'. Nostalgic recollections, mainly of 1920s and 1930s as student and as teacher).
Tape A96. (Inscribed 'Henry Moore. Tape 11. Typed'. Hesitant, late comments on the arts/ Mentions recent visit of President Mitterrand (i.e. October 1984)).
Tape A97. (Inscribed 'Henry Moore. Tape 14. Typed'. Cézanne and historical art).
Tape A98. (Inscribed 'Repeating Conversations with H.M. on Heredity'. 10 mins. John Hedgecoe, dictating, paraphrases Moore's comments on heredity and environment. See 1986 book pages 101, 149).
Tape A99. (Inscribed 'Henry Moore August 7th 1984' and 'Last Visit'. John Hedgecoe announces Ebury Press book. Recollections of Castleford, childhood, Yorkshire landscape, early education, World War 1, Northampton Madonna and Child, 1943-1944 Hornton stone, Shelter drawings, early married life in several locations).
0022951
Author/Editor: The Henry Moore Foundation
Place Published: Perry Green
Year: 2004
Date & Collation: 13mins13secs.Colour.Sound.V428
Description: Homemade video on the movement of Large Two Forms 1969 bronze (LH 556); stages of the raise; ties and crane; views of the sculpture park with Sheep Piece 1971-72 bronze (LH 627) and Large Upright Internal/External Form 1981-82 bronze (LH 297a).