Henry Moore Artwork Catalogue
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sheep pieces sketches
0003950
Publisher: Bijutsu Techno
Place Published: Tokyo
Year: 1974
Date & Collation: 1974(July) 134-152,157-167(c.32 illus).Biog.Text in Japanese.
Description: SAKAI Tadayasu. Moore and Read: a synopsis.
(Imaginatively reconstructed account of the first encounter of Henry Moore and Herbert Read, and the latter's struggle to understand and then present Moore's work. Followed by survey of actual events of Read's life as it relates to Moore. Reprinted in 0010185).
IIDA Y. Between man and infinity: the questions Moore poses.
(Discussion on nature of sculpture: as subject or as general statement, as representation or as possessing invisible elements. Moore is familiar with the ancients and close to ourselves, his work is situated between man and infinity).
INOUE B. Holes and space.
(The undefinable and mysterious nature of the hole creates a tension in the sculpture that offers a glimpse of the infinite).
ODA J. Words and silence.
(There is a silent mass in the rhythmical flow between space and substance; and it is essential to see Moore's sculpture oneself, and not through the distorting media of film and print).
SUGAKI S. A different Henry.
(Whimsical piece on preference for the cowboy Henry Silver).
SEKINE N. Such simple form.
(Impressions of Moore works seen in galleries and other public places in Britain. Monumentality of outdoor works).
TADA M. Abundance of shape.
(Sculptor describes visit of one of Moore's assistants to his studio in Japan, and the insights it gave him into Moore's work).
For catalogue see 0009883.
Title romanized: 'Henri Muua ni yoru Henri Muua' ten kara.
(Imaginatively reconstructed account of the first encounter of Henry Moore and Herbert Read, and the latter's struggle to understand and then present Moore's work. Followed by survey of actual events of Read's life as it relates to Moore. Reprinted in 0010185).
IIDA Y. Between man and infinity: the questions Moore poses.
(Discussion on nature of sculpture: as subject or as general statement, as representation or as possessing invisible elements. Moore is familiar with the ancients and close to ourselves, his work is situated between man and infinity).
INOUE B. Holes and space.
(The undefinable and mysterious nature of the hole creates a tension in the sculpture that offers a glimpse of the infinite).
ODA J. Words and silence.
(There is a silent mass in the rhythmical flow between space and substance; and it is essential to see Moore's sculpture oneself, and not through the distorting media of film and print).
SUGAKI S. A different Henry.
(Whimsical piece on preference for the cowboy Henry Silver).
SEKINE N. Such simple form.
(Impressions of Moore works seen in galleries and other public places in Britain. Monumentality of outdoor works).
TADA M. Abundance of shape.
(Sculptor describes visit of one of Moore's assistants to his studio in Japan, and the insights it gave him into Moore's work).
For catalogue see 0009883.
Title romanized: 'Henri Muua ni yoru Henri Muua' ten kara.