Search

0003494

Publisher: Gartenbau

Place Published: Solothurn

Year: 1976

Date & Collation: (9 Sept)..(5 illus).Text in German.

Description: Sheep Piece, 1971-1972 bronze remained after the Zürich Expo (See 0003359 and 0009937), and is discussed as to how well it fits into natural setting.

0010115

Author/Editor: COLLIER Zena.

Publisher: New Letters

Place Published: Kansas City

Year: 1980

Date & Collation: 47(1) 113-117(2 illus).

Description: History of controversy on acquisition of Sheep Piece, 1971-1972 bronze for Kansas City. On his death on 8 June 1967 farmer N. Clyde Degginger bequeathed $300,000 to the city to buy a sculpture. Laurence Sickman, Director of Nelson Gallery of Art, was charged with acquiring a work. In 1974 Ralph Coe of the Nelson Gallery visited Much Hadham, and on 9 September 1974 Mayor Charles Wheeler announced the commission. Lengthy deliberations took place on siting the work, which arrived on 5 June 1975, only to be placed in a warehouse. In a brief visit in April 1976 Moore rejected one planned site and requested an open air setting. The bronze was installed finally on 8 May 1976 in the grounds of the Nelson Gallery of Art.

0003244

Publisher: British Museum Society Bulletin

Place Published: London

Year: 1977

Date & Collation: 25 1977(July) 30(1 illus).

Description: News from the Museum column note that Lady Clark, who died in 1976, bequeathed her Shelter Sketchbook to the British Museum.

0005583

Author/Editor: WEISS Evelyn.

Publisher: Z.B.: Ziviler Bevölkerungsschutz

Place Published: Munich

Year: 1967

Date & Collation: (Oct) 12(10) Cover,12-17(6 illus).Text in German.

Description: Written at the time of the Stuttgart exhibition (See 0005383). A shortened version of this article, with basically the same illustrations, appeared in Norwegian in Norsk Sivilforsvarsblad (See 0005286). Explains the background of the war artists scheme, and notes war elements in Moore's sculpture such as Helmet Heads and Warriors. Describes events leading to creation of shelter sketches with their mythical-like figures. Notes Moore's long-standing interest in hollows and tunnels. These anonymous forms do not speak of the immediate danger but hint at the fact that there is something threatening the very core of the human race"."

0009920

Publisher: Harvard Advocate

Place Published: Cambridge, Mass.

Year: 1975

Date & Collation: c1975 108(2 and 3) 17(1 illus).

Description: Sketches of Auden, 1973 lithograph, overprinted with poem by Alexander Theroux: in special issue on W.H. Auden.

0012721

Author/Editor: SAITO Yasuyoshi.

Publisher: Taiyo

Place Published: Tokyo

Year: 1990

Date & Collation: 1990(Nov) Supplement: 38-40,104(10 illus).Text in Japanese.

Description: Journal title also printed as The Sun. New Year cards for the year of the sheep, and special issue on sheep in art. Moore article recalls a 1983 visit to Much Hadham and features in words and illustrations the Sheep graphic works and Sheep Piece, 1971-1972 bronze.
Title romanized: Henri Muua to ushi.

0002979

Author/Editor: DAVENTRY June.

Publisher: World Times

Place Published: London

Year: 1978

Date & Collation: (27 July) 1(26) Cover,4-6(6 illus).

Description: Report of interview during the mounting of the Serpentine Gallery exhibition (See 0002718 and 0002719). Moore was pleased even though Exhibitions are false. Each work creates its own individual problem and they're not intended to be seen en masse altogether". Moore summarised his philosophy: "The basis of my working belief is bound up in humanity and that's my total belief. For me everything may be related to it and derives from it. Sculpture my sculpture shows the relation of humanity with nature. It's an expression of an organic evolution with mankind and so belongs everywhere." The remainder of the article is an outline of Moore's career with mention of the influences and themes."

0022848

Publisher: Lebendige Erde

Place Published: Stuttgart

Year: 2008

Date & Collation: 1 2008 (February) 22-23 (6 Illus)

Description: Review of exhibition of German touring exhibition Henry Moore und die Landschaft (Henry Moore: Imaginary Landscapes). 6 illus fro Moore's Sheep Sketchbook. See 0021059 for dual language catalogue.

0003729

Author/Editor: STRACHAN W.J.

Publisher: Countryman

Place Published: London

Year: 1975

Date & Collation: (Spring) 42-48(4 Moore illus).

Description: The Sheep as a theme in art with particular attention to Moore's work. Henry Moore told me that sheep had always had a particular significance for him... In electing Henry Moore as their President for 1974 the National Sheep Association honoured both the sculptor and themselves.""

0004171

Publisher: Country Life

Place Published: London

Year: 1973

Date & Collation: (16 Aug) 452(1 illus).

Description: Note on the Fischer Fine Art exhibition (See 0004071), with particular mention of Sheep etchings.

0014334

Author/Editor: GLICKMAN Susan.

Publisher: Malahat Review

Place Published: Victoria, B.C.

Year: 1989

Date & Collation: 86 1989(Spring) 29-38.

Description: Poem in ten stanzas. First line:The first page of the notebook reads.
(For published version of the Sheep Sketchbook see 0002132). The poem is preceded on pages 24-28 by Four Photographs by Bonnie Curran of sheep taken in July 1988 in Scotland."

0002020

Publisher: Art News

Place Published: New York

Year: 1981

Date & Collation: (Feb) 80(2) 10(2 illus).

Description: Brief note on The Sheep Sketchbook (See 0002132) within regular column, The Vasari Diary.

0010159

Publisher: Atlantic Monthly

Place Published: Boston

Year: 1981

Date & Collation: (Jan) 247(1) 88.

Description: Seven-line note on U.S.A. edition (See 0002132): the sheepiest sheep that ever were a delightful mixture of the monumental and the ridiculous.""

0010113

Publisher: Booklist

Place Published: Chicago

Year: 1980

Date & Collation: (15 Nov) 77(6) 431.Text initialled J.B.

Description: 16-line note on Thames and Hudson/Norton edition: A charming and unexpected work" (See 0002132)."

0002343

Author/Editor: WALSH Philip.

Publisher: Ottawa Revue

Place Published: Ottawa

Year: 1980

Date & Collation: (Dec)..(1 illus).

Description: Seen as a strangely entertaining and thoroughly fascinating book (See 0002132).

0002330

Publisher: Du

Place Published: Zürich

Year: 1980

Date & Collation: (July) i-ii,4-17(12 illus).Text in English and German.

Description: Feature on the Sheep Sketchbook (See 0002132), which reprints the Moore and Clark texts.

0002329

Publisher: Dalesman

Place Published: Lancaster

Year: 1980

Date & Collation: (Oct)..(5 illus).

Description: Short feature on the Sheep Sketchbook (See 0002132), with a brief quotation from Moore's text.

0002346

Publisher: Publishers Weekly

Place Published: New York

Year: 1980

Date & Collation: (1 Aug) 42.

Description: 17-line review of Thames and Hudson edition distributed by Norton (See 0002132). Notes Moore's affectionate and playful enjoyment of the gentle animals..."."

0005530

Author/Editor: JOLLEY David.

Publisher: Burlington Magazine

Place Published: London

Year: 1967

Date & Collation: (Sept) 533,535(2 illus).

Description: Recent Museum Acquisitions. Brief description of Two Piece Sculpture No. 7: Pipe, 1966 bronze and other Moore works in the Whitworth Art Gallery.

0022314

Author/Editor: STONARD John-Paul

Publisher: The Burlington Magazine

Place Published: London

Year: 2011

Date & Collation: 1297 2011 (April) 249-255

Description: In-depth article, based on a paper first given at Colloquium CCXLII at the Center for Advanced Study in Visual Arts, examining the acquisition and display of Moore's Mirror Knife Edge 1977 bronze, (LH 714). The National Gallery of Art, Washington incorrectly refer to the work as Knife edge mirror two piece. Quotes from archive correspondence between Moore and J. Carter Brown throughout. Explores Moore's feelings towards architecture; examples of archival material relating to the siting of Moore's sculpture in relation to I M Pei's building. Stonard suggests that the orginial Polystyrene working model was cut up to be used as packing material in the crates for the sea-freight journey.

0004605

Author/Editor: HENNING Edward B.

Publisher: Bulletin of the Cleveland Museum of Art

Place Published: Cleveland

Year: 1971

Date & Collation: (Oct) 235-239(6 illus).Bibliog.

Description: One of a set of articles on acquisitions to the Museum, this Working Model for Three Way Piece No. 2: Archer, 1964 bronze being an anonymous gift. Notes controversy surrounding Moore's art, and places the artist in an historical context of 20th century art. Moore is quoted on Michelangelo and aspects of sculptural form. The bronze is described, and its inspiration suggested as Ashurnasirpul II Killing Lions, the Assyrian relief in the British Museum. A photograph of Working Model for Three Way Piece No. 2: Archer, 1964 bronze appeared also in C.M.A. Bulletin, February 1971 (See 0004604).

0023554

Author/Editor: MCDONALD Allison

Publisher: Gagosian Quarterly

Place Published: New York

Year: 2017

Date & Collation: 2017(Fall).184pp.Illus.

Description: There is an eleven page feature article on pages 76 to 86 titled 'An Evolving Legacy' on the history, current position and future of Moore's life and legacy at Perry Green that began in 1940 and is, this year, celebrating the 40th anniversary of the establishment of the Henry Moore Foundation with both the exhibition Becoming Henry Moore and the opening of the new visitor centre and archive facility. The article takes the form of a three way conversation between the Gagosian's Zoё Santa-Olalla, Godfrey Worsdale, the director of the Henry Moore Foundation and Gus Danowski, Moore's first grandchild. Topics discussed include: the new visitor centre and archive facility designed by architects Hugh Broughton; Gus Danowski's childhood recollections of his grandfather and of Hoglands, the studios and gardens; and, the work of the Foundation and its ambitions. The article is richly illustrated with images of the following: on the inside cover, Moore in his studio working on Two Piece Reclining Figure 1960; the new archive building; Moore standing in the sheep field with Sheep Piece 1971-72 (LH 627) in the background; Upright Motive No.9 1979 (LH 586); Upright Motive No.9 1979 (LH 586), Torso 1967 (LH 569) and other works in Moore's enlargement studio at Perry Green; Moore with some of his Upright Motive sculptures including Upright Motive No.5 1955-56 (LH 383) taken in 1964; a double page image of Sheep Piece 1971-72 (LH 627); an internal and external image of the new visitors' cafe and offices; Godfrey Worsdale, Zoё Santa-Olalla and Gus Danowski in conversation in front of Knife Edge Two Piece 1962-63 (LH 516); Moore working in his revolving summer house in Perry Green 1956; a double page image of Family Group 1948-49 (LH 269) in the grounds of Perry Green; Gus Danowski with his grandfather in a studio at Perry Green; and, Zoё Santa-Olalla, Gus Danowski and Godfrey Worsdale walking back to Hoglands. Short biographies of Guston Danowski and Godfrey Worsdale presented on page 37. Thanks to the Foundation's Emma Stower and Sarah Mercer recorded on page 7.

0003287

Publisher: Spectator

Place Published: London

Year: 1977

Date & Collation: (28 May) Cover,25,26(3 illus).

Description: MCEWEN John. The public Moore.
(One-page note on Moore's standing at the time of the Orangerie exhibition (See 0003082) and the publication of Henry Moore: sculpture and environment (See 0003357)).
ROBERTSON Bryan. Moore's Sheep Piece.
(Short text on the Sheep Piece, 1971-1972 bronze, plus an earlier drawing of the theme, both of which are illustrated. biomorphic connotations of a shape that's beyond any known congress")."

0020756

Publisher: Enter Ltd.

Place Published: London

Year: 2005

Date & Collation: .Volume Two.Autumn/Winter.312pp.Index.Illus.

Description: Fashion magazine including 'Moore', a photoshoot taken in the grounds of the Henry Moore Foundation, photography by Koto Bolofo and creative direction and fashion by Ann Shore. Images include:
Large Figure in a Shelter, bronze 1985-86 (LH 652c)
Double Oval, bronze 1966 (LH 560)
Knife Edge Two Piece, bronze 1962-65 (LH 516)
Two Piece Reclining Figure: Cut, bronze 1979-81 (LH 758)
Oval with Points, bronze 1968-70 (LH 596)
Sheep Piece, bronze 1971-72 (LH 627)
With three internal shots of the Bourne Maquette Studio.