Henry Moore Artwork Catalogue
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sheep pieces sketches
0009487
Publisher: Roland, Browse and Delbanco
Place Published: London
Year: 1950
Date & Collation: ..pp.
Description: Exhibits 23-29 Henry Moore: seven sculptures.
0008817
Publisher: Royal Academy of Arts
Place Published: London
Year: 1945
Date & Collation: (13 Oct-25 Nov).54pp.Preface.
Description: Over 1000 works, a larger selection of works purchased by the War Artists' Advisory Committee than had previously been possible, the majority of them having been circulating in the provinces, the Empire and the United States. It was anticipated that the National Maritime Museum, the Imperial War Museum and the Tate Gallery would receive many of the over 5000 works. 17 Shelter and Coal Mine Drawings by Henry Moore are listed.
0021755
Publisher: Gibberd Gallery
Place Published: Harlow
Year: 2010
Date & Collation: 2010(31 July-30 October)4pp.illus
Description: Booklet to accompany exhibition at the Gibberd Gallery of a selection of Moore's sheep etchings and drawings which inspired then. A selection of sculptural works is also included. List of related activities included, alsong with private view invitation, and details of the Harlow Summertime Sheep Trail, which includes 29 fibreglass sheep decorated by local artists, arranged throughout the town.
0010781
Publisher: Abbaye de Meymac-Corrèze
Place Published: Meymac
Year: 1979
Date & Collation: (5-20 Aug).1pp.In French.
Description: List of two dozen artists in exhibition which forms part of the Summer festival entitled Les Journées du Mouton. Attached to press release issued by Caroline Bissière (Paris).
0013888
Publisher: Century Galleries
Place Published: Henley-on-Thames
Year: 1981
Date & Collation: (29 June-14 July).2pp card(1 Moore illus).
Description: Invitation to private view of An exhibition of sculpture and pictures on the theme of the sheep". Lists 29 artists including Moore."
0002482
Author/Editor: BOTT Gerhard.
Publisher: Roether Verlag
Place Published: Darmstadt
Year: 1979
Date & Collation: .144pp(130 illus).Biog.Bibliog.Text in German.
Description: Book of exhibition on the occasion of the unveiling of Large Two Forms, 1966 and 1969 bronze at the Bundeskanzleramt (Federal Chancellery) in Bonn. Exhibition and catalogue organised by the Bundeskanzleramt, and toured Germany in 1980.
7 Handwritten letter from Henry MOORE to Federal Chancellor Schmidt.
(Expresses pleasure at Large Two Forms being on loan to the new Chancellery building, together with an exhibition to complement the ideas in the sculpture).
9 Foreword by Helmut SCHMIDT.
(The common theme between Large Two Forms and the smaller exhibits, and thanking Moore and others concerned in the exhibition).
10-11 Lebensdaten.
(Biographical summary 1898-1979).
12-13 Henry Moore zur Skulptur und zu seinen eigenen Werken.
(Henry Moore on sculpture and his own work. Three selected texts 1934-1951).
13-14 Eine Groskulptur von Henry Moore für den Vorplatz des Bundeskanzleramtes in Bonn.
(A large sculpture by Henry Moore for the forecourt of the Chancellery Building in Bonn. Outlines decision to enhance the merits of the building, Schmidt's visit to Much Hadham, Moore's journey to Bonn, and the selection of an existing work for long-term loan to the site).
15-18 Large Two Forms.
(Description of the sculpture, its links with the Reclining Figures and other Moore themes).
19-23 Auf dem Weg zur grossen Form: Maquette und Werkmodell.
(En route to the finished version: maquettes and working models. Moore's methods of working through drawings and/or maquettes, on to the working model, then the final piece).
24-28 Handzeichnungen und Druckgraphik.
(Sketches and graphic work. Drawings in relation to sculpture, early preoccupation with the human body, the wartime drawings, and the present drawing for pleasure).
29-143 Katalog.
(34 Sculptures 1938-1978, 41 Drawings and Prints 1922-1975).
144 Nachwort.
(Conclusion. Acknowledgement to all involved in arranging the exhibition and acquisition).
7 Handwritten letter from Henry MOORE to Federal Chancellor Schmidt.
(Expresses pleasure at Large Two Forms being on loan to the new Chancellery building, together with an exhibition to complement the ideas in the sculpture).
9 Foreword by Helmut SCHMIDT.
(The common theme between Large Two Forms and the smaller exhibits, and thanking Moore and others concerned in the exhibition).
10-11 Lebensdaten.
(Biographical summary 1898-1979).
12-13 Henry Moore zur Skulptur und zu seinen eigenen Werken.
(Henry Moore on sculpture and his own work. Three selected texts 1934-1951).
13-14 Eine Groskulptur von Henry Moore für den Vorplatz des Bundeskanzleramtes in Bonn.
(A large sculpture by Henry Moore for the forecourt of the Chancellery Building in Bonn. Outlines decision to enhance the merits of the building, Schmidt's visit to Much Hadham, Moore's journey to Bonn, and the selection of an existing work for long-term loan to the site).
15-18 Large Two Forms.
(Description of the sculpture, its links with the Reclining Figures and other Moore themes).
19-23 Auf dem Weg zur grossen Form: Maquette und Werkmodell.
(En route to the finished version: maquettes and working models. Moore's methods of working through drawings and/or maquettes, on to the working model, then the final piece).
24-28 Handzeichnungen und Druckgraphik.
(Sketches and graphic work. Drawings in relation to sculpture, early preoccupation with the human body, the wartime drawings, and the present drawing for pleasure).
29-143 Katalog.
(34 Sculptures 1938-1978, 41 Drawings and Prints 1922-1975).
144 Nachwort.
(Conclusion. Acknowledgement to all involved in arranging the exhibition and acquisition).
0016560
Publisher: Auditorio de Galicia
Place Published: Santiago de Compostela
Year: 1995
Date & Collation: (10 June-30 July).165pp.Illus.Biog.Bibliog.Prefatory texts.Introduction by Keith PATRICK.Text in English, Portuguese and Spanish.
Description: Exhibition also at Fundacao Serralves, Porto, 7 Sept-5 Nov 1995. Spanish title; Escultura Británica Contemporánea. Portuguese title: Escultura Britanica Contemporanea. Works by 14 artists. Moore full-page colour photographs:
Draped Reclining Figure, 1952-1953 bronze.
Working Model for Locking Piece, 1962 bronze.
Working Model for Sheep Piece, 1971 bronze.
Oval with Points, 1968-1970 bronze.
The introduction is a detailed outline of the early career of Moore and Hepworth, primitve art influences, Hampstead in the 1930s, war, and subsequent careers, and later development of British sculpture: with a further five Moore illustrations, in black-and-white.
Draped Reclining Figure, 1952-1953 bronze.
Working Model for Locking Piece, 1962 bronze.
Working Model for Sheep Piece, 1971 bronze.
Oval with Points, 1968-1970 bronze.
The introduction is a detailed outline of the early career of Moore and Hepworth, primitve art influences, Hampstead in the 1930s, war, and subsequent careers, and later development of British sculpture: with a further five Moore illustrations, in black-and-white.
0003094
Publisher: Redfern Gallery
Place Published: London
Year: 1977
Date & Collation: (14 June-6 July).2pp card(1 illus).
Description: Maquettes, drawings and related material to Battersea Park exhibition (See 0003093). List of 48 artists on reverse of card bearing a photograph of Henry Moore with Sheep Piece, 1971-1972 bronze at Much Hadham.
0003093
Publisher: Battersea Park
Place Published: London
Year: 1977
Date & Collation: (2 June-4 Sept).118pp.Illus.Biog.
Description: London Celebrations Committee for The Queen's Silver Jubilee exhibition of works by 49 artists. Maquettes, drawings and related material were exhibited at Redfern Gallery 14 June-6 July 1977 (See 0003094).
CASSON Hugh. Foreword.
(Acknowledges support of Henry Moore as member of organizing Committee).
PACKER William. The post-war phase.
(Mentions Moore's output and position in art).
ROBERTSON Bryan. Notes on British sculpture 1952-1977.
(Pays homage to Moore's output and contribution).
MARTIN Barry. Developments in the Sixties and Seventies.
(Includes passing-mentions of Moore).
Cover,86-87(3 illus) Henry Moore.
(List of exhibitions, and photographs of the artist and his contribution to the exhibition: Sheep Piece, 1971-1972 bronze).
CASSON Hugh. Foreword.
(Acknowledges support of Henry Moore as member of organizing Committee).
PACKER William. The post-war phase.
(Mentions Moore's output and position in art).
ROBERTSON Bryan. Notes on British sculpture 1952-1977.
(Pays homage to Moore's output and contribution).
MARTIN Barry. Developments in the Sixties and Seventies.
(Includes passing-mentions of Moore).
Cover,86-87(3 illus) Henry Moore.
(List of exhibitions, and photographs of the artist and his contribution to the exhibition: Sheep Piece, 1971-1972 bronze).
0021332
Publisher: Tate
Place Published: London
Year: 2008
Date & Collation: (13 Oct 2008-13 Apr 2009)192pp.Illus.Text by Patrick CESCAU, Vicente TODOLÍ, Jessica MORGAN, Jeff NOON, Catherine DUFOUR, Luc LAGIER, Philippe PARRENO, Enrique VILA-MATAS, Lisette LAGNADO.
Description: Catalogue for Tate Modern exhibition TH.2058 by Dominque Gonzalez-Foerster. Held in the Turbine Hall, the show includes several enlarged replica sculptures by well-known artists, including a version of Henry Moore's Sheep Piece. Several mentions of Moore throughout including:
Page 121: Stolen from its bucolic habitat a work by Henry Moore opens the age of dedication to volumes and curves the natural concavity of shelter". page 167: illustration of Tube Shelter Perspective: The Liverpool Street Extension 1941 drawing (HMF 1801); accompanying interview text with Gonzalez-Foester.page 167: illustration of Tube Shelter Perspective: The Liverpool Street Extension 1941 drawing (HMF 1801); accompanying interview text with Gonzalez-Foester. Includes exhibition ephemera. See also 0021331.
0022396
Publisher: Flint Institute of Arts
Place Published: Michigan
Year: 2012
Date & Collation: 2012 (05 May-19 August)143pp.illus
Description: Catalogue published on the occasion of exhibition with same title. Pages 38-39 show Working Model for Sheep Piece 1971 bronze, (LH 626).
0011582
Publisher: National Art Gallery
Place Published: Wellington
Year: 1987
Date & Collation: (12 Dec)-1988(14 Feb).48pp.Illus.Bibliog.Foreword by Luit H.BIERINGA.Catalogue by Jim and Mary BARR.
Description: Exhibition at Shed 11, The Temporary-Contemporary, in association with the Evening Post.
11-12,21-22,32,45(7 illus) Henry Moore.
The 1956 Auckland criticism by Mayor J.H. Luxford, and support for Moore by Peter Tomory. Includes cartoons, and contemporary press quotations. Sheep Piece, 1971-1972 bronze was rejected by the Regional Planning Authority in 1974 and 1978.
11-12,21-22,32,45(7 illus) Henry Moore.
The 1956 Auckland criticism by Mayor J.H. Luxford, and support for Moore by Peter Tomory. Includes cartoons, and contemporary press quotations. Sheep Piece, 1971-1972 bronze was rejected by the Regional Planning Authority in 1974 and 1978.
0000488
Publisher: Art Gallery of Ontario
Place Published: Toronto
Year: 1985
Date & Collation: .23pp(15 illus).Bibliog.Text by Alan G.WILKINSON.
Description: Catalogue of an exhibition organized by the A.G.O. and circulated to Woodstock Art Gallery 15 May-16 June 1985; Oakville Galleries 8 Aug-1 Sept 1985; The Gallery, Stratford 18 Oct-24 Nov 1985; Thunder Bay National Exhibition Centre and Centre for Indian Art 20 Dec 1985-20 Jan 1986; Laurentian University; Sudbury 12 Feb-9 March 1986; Art Gallery of Peterborough 27 March-20 April 1986.
11 Drawings 1923-1961, 21 Sculptures 1939-1975, 12 Prints 1969-1974.
4-5 Life drawing.
(Importance of life drawing, particularly the figure in repose, in Moore's early years. Incorporates statements by the artist. Echoes of his figure studies are to be found in sculptures executed many years after he had given up drawing from life).
6-8 Drawing for sculpture.
(Few great sculptors have left through their drawings such a complete and extensive record of the genesis of their sculptural ideas." Incorporates statements by Moore in outlining techniques and working methods and eventual break between sculpture and pure drawing).
9-10 Shelter drawings.
(Describes briefly discovery of the shelterers Moore's working methods and sees them as "a turning-point in the evolution of Moore's work they are among the supreme achievements in English art").
11-16 Sculpture.
(Commentary on seven works incorporating statements by Moore: Stringed Head 1938 bronze and string; Time-Life Screen: Maquette No. 3 1952 bronze; Warrior with Shield 1953-1954 bronze; Mother and Child Against Open Wall 1956 bronze; Headless Animal 1960 bronze; Maquette for Two Forms 1966 bronze; Maquette for Three-Piece Reclining Figure: Draped 1975 bronze).
17-19 Prints with Comments by Henry Moore.
(Statements on Stonehenge lithographs Sheep etchings and Elephant Skull etchings).
20-23 Notes Catalogue of the Exhibition."
11 Drawings 1923-1961, 21 Sculptures 1939-1975, 12 Prints 1969-1974.
4-5 Life drawing.
(Importance of life drawing, particularly the figure in repose, in Moore's early years. Incorporates statements by the artist. Echoes of his figure studies are to be found in sculptures executed many years after he had given up drawing from life).
6-8 Drawing for sculpture.
(Few great sculptors have left through their drawings such a complete and extensive record of the genesis of their sculptural ideas." Incorporates statements by Moore in outlining techniques and working methods and eventual break between sculpture and pure drawing).
9-10 Shelter drawings.
(Describes briefly discovery of the shelterers Moore's working methods and sees them as "a turning-point in the evolution of Moore's work they are among the supreme achievements in English art").
11-16 Sculpture.
(Commentary on seven works incorporating statements by Moore: Stringed Head 1938 bronze and string; Time-Life Screen: Maquette No. 3 1952 bronze; Warrior with Shield 1953-1954 bronze; Mother and Child Against Open Wall 1956 bronze; Headless Animal 1960 bronze; Maquette for Two Forms 1966 bronze; Maquette for Three-Piece Reclining Figure: Draped 1975 bronze).
17-19 Prints with Comments by Henry Moore.
(Statements on Stonehenge lithographs Sheep etchings and Elephant Skull etchings).
20-23 Notes Catalogue of the Exhibition."
0022141
Author/Editor: FELDMAN Anita and WOODWARD Malcolm
Publisher: Royal Academy of Arts
Place Published: London
Year: 2011
Date & Collation: (1st April 2011 - 30th October 2011)160pp.illus.bibliography.index.Foreword by Richard CALVOCORESSI.
Description: Book to accompany exhibition of the same name at Sheep Field Barn Gallery, Perry Green. Explores the creation and development of Moore's work in plaster, with many illustrations of the works, and supplimentary biographical photos from the archive. Contains extended captions as well as the following essay texts:
7 - Foreword by Richard Calvocoressi
11 - Moore: The Plasters by Anita Feldman
31 - Thoughts and Observations on Assisting Henry Moore by Malcolm Woodward; particular focus on Reclining Figure: Angles 1979, Reclining Figure: Prop 1976, Reclining Mother and Child 1975-6 and Helmet Head No. 6 1975.
43 - Sculptures; commetaries by Claire Smith
63 - Assisting Henry Moore 1951-3 by Anthony CARO; focusing on the influence of Greek statuary on Draped Reclining Figure 1952-53.
95 - Assisting Henry Moore 1959-60 by Phillip KING; with reference to Seated Woman 1957
111 - Assisting Henry Moore 1964-70 by Derek HOWARTH; particular focus on Three Way Piece No.1: Points 1964-65 and Three Way Piece No.2: Archer 1964-65, also with reference to T.S Eliot homage at Globe Theatre, London.
155 - Moore's Assistants
156 - Select Bibliography
158 - Index
7 - Foreword by Richard Calvocoressi
11 - Moore: The Plasters by Anita Feldman
31 - Thoughts and Observations on Assisting Henry Moore by Malcolm Woodward; particular focus on Reclining Figure: Angles 1979, Reclining Figure: Prop 1976, Reclining Mother and Child 1975-6 and Helmet Head No. 6 1975.
43 - Sculptures; commetaries by Claire Smith
63 - Assisting Henry Moore 1951-3 by Anthony CARO; focusing on the influence of Greek statuary on Draped Reclining Figure 1952-53.
95 - Assisting Henry Moore 1959-60 by Phillip KING; with reference to Seated Woman 1957
111 - Assisting Henry Moore 1964-70 by Derek HOWARTH; particular focus on Three Way Piece No.1: Points 1964-65 and Three Way Piece No.2: Archer 1964-65, also with reference to T.S Eliot homage at Globe Theatre, London.
155 - Moore's Assistants
156 - Select Bibliography
158 - Index
0010275
Publisher: Chiostro di S. Agostino
Place Published: Pietrasanta
Year: 1983
Date & Collation: c.1983(10 July-20 Aug).62pp.Illus.Preface by Jette MUHLENDORPH.Text in Italian.
Description: Subtitle: Bozetti e fotografie, una documentazione dell'attività artistica in Versilia. (Sketches and photographs, a documentation of artistic activity in Versilia). Sculpture by two dozen artists who have worked in Versilia.
18-19(1 illus) Henry Moore.
Maquette for Warrior with Shield, 1952-1953 bronze.Henry Moore is more a modeller than a chiseller. He is known for his delicate refined sketches in plaster."
18-19(1 illus) Henry Moore.
Maquette for Warrior with Shield, 1952-1953 bronze.Henry Moore is more a modeller than a chiseller. He is known for his delicate refined sketches in plaster."
0012535
Publisher: William Weston Gallery
Place Published: London
Year: 1988
Date & Collation: .84pp.Illus.Commentaries.
Description: Catalogue No. 2 1988 (Year 21 Issue No. 209)". An Exhibition of Works on Paper.
Part 1: Drawings and Watercolours.
(Includes a photograph of Seated Figures 1938 and 1956 drawing with commentary noting the break up of form by using drapery. Exhibit 13).
Part 2: Original Prints...
(Exhibit 42 Head of Prometheus 1950 lithograph. Photograph and caption that it is a trial proof before the edition of 183).
Exhibit 43 The Four Sketches 1950 lithograph. Illustration and further commentary on theme of draped figure in Moore's work).
Title as printed: 20th Century Art in Britain."
Part 1: Drawings and Watercolours.
(Includes a photograph of Seated Figures 1938 and 1956 drawing with commentary noting the break up of form by using drapery. Exhibit 13).
Part 2: Original Prints...
(Exhibit 42 Head of Prometheus 1950 lithograph. Photograph and caption that it is a trial proof before the edition of 183).
Exhibit 43 The Four Sketches 1950 lithograph. Illustration and further commentary on theme of draped figure in Moore's work).
Title as printed: 20th Century Art in Britain."
0023257
Publisher: The Yomiuru Shimbun, The Japan Association of Art Museums
Place Published: Tokyo
Year: 2015
Date & Collation: (4 April-12 May 2015)233pp.Illus.Selected bibliography.Chapter commentaries.Copyrights.
Description: Catalogue of touring exhibition of the same name. Includes the work of 33 artists including Moore. 94-95 five illus from Prométhée sketchbook: Book Jacket 1950 (CGM 18); Head of Prometheus 1950 (CGM 22); The Four Sketches 1950 (CGM 23); Death of Mira 1950 (CGM 30); Prometheus on the Rock 1950 (CGM 32). 200 lists Moore's works and 222 brief section on Moore (in Japanese). The exhibition opens at the Kawamura Memorial DIC Museum of Art (4 April - 12 May) and then tours to The Museum of Modern Art, Hayama (24 May - 20 July); Shimane Art Museum (29 July - 10 September); Kitakyushu Municipal Museum of Art, Riverwalk Gallery (19 September - 3 November).
0016090
Publisher: Reuchlinhaus
Place Published: Pforzheim
Year: 1994
Date & Collation: .161pp(115 illus).Bibliog.Text in English & German.Prefatory texts by Tim LLEWELLYN, Klaus SCHWEICKART, Joachim BECKER.Translations by Sally ARNOLD-SEIBERT.
Description: Exhibition also at Sinclair-Haus, Bad Homburg. 38 Bronzes 1959-1983.
8-13 Prefatory texts by Director of the Henry Moore Foundation; Vorsitzender des Vorstands, Atlanta AG; Oberbürgermeister der Stadt Pforzheim.
14-19 MITCHINSON David and SUMMERS Julie. Henry Moore: a short biography.
(Includes an outline of Moore's contacts with Germany over the years).
20-71 LICHTENSTERN Christa. Henry Moore and antiquity: the long voyage of self-discovery.
(A major essay, with 65 accompanying illustrations, is part of a planned larger study. Moore's original stimulus was from primitive art, but at the same time he was taking note of Cycladic art. As a student he drew from plaster casts and assimilated antique knowledge, as seen from his History of Sculpture: Notes (See 0010633). He saw sculpture from all periods in the British Museum and other collections. His world view of art is evident from drawings in the early sketchbooks. His early preference for Cycladic sculpture is recalled in Henry Moore at the British Museum (See 0000000). He drew Mycenaen tombs in his early sketchbooks, and Hellenistic themes are seen in his preparatory sketches for the West Wind, 1928-1929 Portland stone. The Lyre Player from Keros influenced his sculpture, as did Etruscan sarcophagi. These aspects are related to surrealist and landscape elements in Moore's work, including Sculptural Objects, 1949 lithograph. Moore's Homer illustrations for The Rescue (See 0000000) are discussed, and their drapery is related to Moore's sculpture of the time, including Three Standing Figures, 1947-1948 Darley Dale stone. Warriors, antiquity and Moore's 1951 visit to Greece are linked and the sculptor's possible sources indicated. The Elgin Marbles and drapery in Moore's work, leading to the unique synthesis of his three compelling endeavors of the 1950s: drapery analogy with nature and the all-round-round view". Victory of Sam othrace as an influence on Moore's Knife Edge Figures. "Moore was not in need of direct dependent relationships in order to bring something Greek into his work...the Greek element was alive in him").
72-77 SUMMERS Julie. Henry Moore's late bronze sculpture.
(Introduction to the exhibition of bronzes from the Henry Moore Foundation many in their working model size. The main themes of Moore's work were re-explored in what is only superficially abstract form).
78-153 Plates.
(Catalogue full-page photographs of 38 bronzes 1959-1983).
154-157 SCHIFF Gert. Sculpture man and nature: impressions of a visit to Henry Moore.
(From Frankfurter Allgemeine Zeitung 9 Jan 1954. See 0007762)."
8-13 Prefatory texts by Director of the Henry Moore Foundation; Vorsitzender des Vorstands, Atlanta AG; Oberbürgermeister der Stadt Pforzheim.
14-19 MITCHINSON David and SUMMERS Julie. Henry Moore: a short biography.
(Includes an outline of Moore's contacts with Germany over the years).
20-71 LICHTENSTERN Christa. Henry Moore and antiquity: the long voyage of self-discovery.
(A major essay, with 65 accompanying illustrations, is part of a planned larger study. Moore's original stimulus was from primitive art, but at the same time he was taking note of Cycladic art. As a student he drew from plaster casts and assimilated antique knowledge, as seen from his History of Sculpture: Notes (See 0010633). He saw sculpture from all periods in the British Museum and other collections. His world view of art is evident from drawings in the early sketchbooks. His early preference for Cycladic sculpture is recalled in Henry Moore at the British Museum (See 0000000). He drew Mycenaen tombs in his early sketchbooks, and Hellenistic themes are seen in his preparatory sketches for the West Wind, 1928-1929 Portland stone. The Lyre Player from Keros influenced his sculpture, as did Etruscan sarcophagi. These aspects are related to surrealist and landscape elements in Moore's work, including Sculptural Objects, 1949 lithograph. Moore's Homer illustrations for The Rescue (See 0000000) are discussed, and their drapery is related to Moore's sculpture of the time, including Three Standing Figures, 1947-1948 Darley Dale stone. Warriors, antiquity and Moore's 1951 visit to Greece are linked and the sculptor's possible sources indicated. The Elgin Marbles and drapery in Moore's work, leading to the unique synthesis of his three compelling endeavors of the 1950s: drapery analogy with nature and the all-round-round view". Victory of Sam othrace as an influence on Moore's Knife Edge Figures. "Moore was not in need of direct dependent relationships in order to bring something Greek into his work...the Greek element was alive in him").
72-77 SUMMERS Julie. Henry Moore's late bronze sculpture.
(Introduction to the exhibition of bronzes from the Henry Moore Foundation many in their working model size. The main themes of Moore's work were re-explored in what is only superficially abstract form).
78-153 Plates.
(Catalogue full-page photographs of 38 bronzes 1959-1983).
154-157 SCHIFF Gert. Sculpture man and nature: impressions of a visit to Henry Moore.
(From Frankfurter Allgemeine Zeitung 9 Jan 1954. See 0007762)."
0013992
Publisher: National Gallery of Art
Place Published: Washington, D.C.
Year: 1991
Date & Collation: (17 March-16 June).xii,528pp.Illus.Bibliog.Supplementary 15pp inserted loose in pocket at back.
Description: Exhibition book. Illustrations, documentation and commentaries on the works, including:
354-355 LEWIS Douglas. Henry Moore: Figures in an Underground Shelter, 1941 drawing. Gift of Dr. Ruth B. Benedict.
Outlines how Moore came upon the shelterers in 1940 and produced the two Sketchbooks. This drawing is an enlargement of one of the sketches from the second Shelter Sketchbook. Quotes the artist and others in describing the War Drawings. The gravely somber rhythms of his figure groupings suggest timeless images of endurance monumentality and grandeur...The National Gallery owns thirteen prints by Moore and six sculptures. The present work is our first drawing and is one of the finest Moore drawings anywhere"."
354-355 LEWIS Douglas. Henry Moore: Figures in an Underground Shelter, 1941 drawing. Gift of Dr. Ruth B. Benedict.
Outlines how Moore came upon the shelterers in 1940 and produced the two Sketchbooks. This drawing is an enlargement of one of the sketches from the second Shelter Sketchbook. Quotes the artist and others in describing the War Drawings. The gravely somber rhythms of his figure groupings suggest timeless images of endurance monumentality and grandeur...The National Gallery owns thirteen prints by Moore and six sculptures. The present work is our first drawing and is one of the finest Moore drawings anywhere"."
0009811
Publisher: Staatsgalerie Stuttgart
Place Published: Stuttgart
Year: 1971
Date & Collation: (27 Nov)-1972(30 Jan)..pp.Illus.Biog.Text in German.
Description: Aquarelle, Pastelle, Tempera- und Farbstiftblätter seit 1900 aus dem Besitz der Graphischen Sammlung der Staatsgalerie Stuttgart. (Water colour, pastel, tempera and crayon sketches since 1900 from the Print Collection of Stuttgart's State Gallery).
Exhibits 98-100(2 illus) Henry Moore: three Drawings 1930-1942 with short biography and commentaries.
Exhibits 98-100(2 illus) Henry Moore: three Drawings 1930-1942 with short biography and commentaries.
0001463
Publisher: Wissenschaftszentrum
Place Published: Bonn-Bad Godesberg
Year: 1982
Date & Collation: (22 March-2 May).211pp.Illus.Biog.Bibliog.Text in German.
Description: Exhibition also at Goethe Museum, Frankfurt am Main, 26 May-31 Aug 1982; Goethe Museum, Düsseldorf, 12 Sept-31 Oct 1982.
Catalogue of exhibition commemorating the 150th anniversary of Goethe's death, organised by Freien Deutschen Hochstift and Frankfurter Goethe Museum.
244 works by two dozen artists, including eleven Moore Lithographs.
25-44(18 illus) LICHTENSTERN Christa. Henry Moore in der Begegnung mit Goethe: die Prometheus-Illustrationen.
(Henry Moore's confrontation with Goethe: the Prometheus illustrations. Notes Moore's interest in literature, and his association with writers in the 1930s. Outlines the way the Prometheus illustrations started from an idea by Henri Jonquières, and the resulting major livre d'artiste. 80 preparatory sketches were made, some in a Prometheus Sketchbook, since broken up. Outlines the meaning of Goethe's work and discusses in detail each lithograph, its technique and its colouring, in relation to the text, to Moore's encounter with Goethe, and his own work.
Summarises Moore's public position about 1950, with his reputation established in relation to Goethe's characters; and sees common links in the philosophy of Goethe and Moore's form-world).
Title as printed: Goethe in der Kunst des 20. Jahrhunderts: Weltliteratur und Bilderwelt.
Catalogue of exhibition commemorating the 150th anniversary of Goethe's death, organised by Freien Deutschen Hochstift and Frankfurter Goethe Museum.
244 works by two dozen artists, including eleven Moore Lithographs.
25-44(18 illus) LICHTENSTERN Christa. Henry Moore in der Begegnung mit Goethe: die Prometheus-Illustrationen.
(Henry Moore's confrontation with Goethe: the Prometheus illustrations. Notes Moore's interest in literature, and his association with writers in the 1930s. Outlines the way the Prometheus illustrations started from an idea by Henri Jonquières, and the resulting major livre d'artiste. 80 preparatory sketches were made, some in a Prometheus Sketchbook, since broken up. Outlines the meaning of Goethe's work and discusses in detail each lithograph, its technique and its colouring, in relation to the text, to Moore's encounter with Goethe, and his own work.
Summarises Moore's public position about 1950, with his reputation established in relation to Goethe's characters; and sees common links in the philosophy of Goethe and Moore's form-world).
Title as printed: Goethe in der Kunst des 20. Jahrhunderts: Weltliteratur und Bilderwelt.
0008241
Publisher: Lefevre Gallery
Place Published: London
Year: 1950
Date & Collation: 8pp(4 illus).Text by Sacheverell SITWELL.
Description: Exhibition brochure of scarves designed by artists for Ascher. Includes a colour reproduction of Bird Design, 1945 textile by Henry Moore, printed in a limited edition of about 375. The most difficult of all the sketches to adapt and reproduce for scarves are those by Henry Moore but the results have been extraordinarily successful and they announce the new era in industrial design. They can be included already among the outstanding textiles of our century." See also 0008242."
0008143
Publisher: Philadelphia Museum of Art
Place Published: Philadelphia
Year: 1951
Date & Collation: (June-Sept).8pp.
Description: Summer exhibition listing about 150 works by many artists, including Moore. Sheet of Sketches colored crayon given by Curt Valentin"."
0004268
Publisher: Bon à Tirer
Place Published: Milan
Year: 1972
Date & Collation: .8pp(6 illus).Text by Ezio GRIBAUDO in Italian.
Description: Exhibition of drawings on occasion of publication of Henry Moore Unpublished Drawings (See 0004472). Small-format catalogue. Gribaudo describes briefly his decision to publish after a visit to Much Hadham where he saw some sketches which filled a gap in his knowledge about Moore's creative processes.
Exhibition also at Galleria d'Arte Davico, Turin (See 0004365) and Galleria Lo Spazio, Rome (See 0004276).
Exhibition also at Galleria d'Arte Davico, Turin (See 0004365) and Galleria Lo Spazio, Rome (See 0004276).