Henry Moore Artwork Catalogue
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sheep
0010781
Publisher: Abbaye de Meymac-Corrèze
Place Published: Meymac
Year: 1979
Date & Collation: (5-20 Aug).1pp.In French.
Description: List of two dozen artists in exhibition which forms part of the Summer festival entitled Les Journées du Mouton. Attached to press release issued by Caroline Bissière (Paris).
0002489
Publisher: Victoria and Albert Museum
Place Published: London
Year: 1979
Date & Collation: (12 Sept-18 Nov).138pp.Illus.Bibliog.Introduction by R.C.KENEDY.
Description: Over 700 exhibits by many artists.
7,10,31(1 illus) Henry Moore.
The Reclining Figure portfolio 1978 (See 0002892), and Sheep album 1975 (See 0003614).
7,10,31(1 illus) Henry Moore.
The Reclining Figure portfolio 1978 (See 0002892), and Sheep album 1975 (See 0003614).
0015838
Publisher: Sotheby Parke Bernet
Place Published: New York
Year: 1979
Date & Collation: (8 Nov).
Description: Sale 4303. Lots 805,810 Henry Moore: 2 Sculptures 1971-1972. Illus:
805 Working Model for Sheep Piece, 1971 bronze.
810 Working Model for Hill Arches, 1972 bronze.
805 Working Model for Sheep Piece, 1971 bronze.
810 Working Model for Hill Arches, 1972 bronze.
0002565
Author/Editor: TURNER John.
Publisher: Evening Post
Place Published: United Kingdom
Year: 1979
Date & Collation: (1 Nov)..(1 illus).
Description: Report on adverse comment from public at Sheep Piece, 1971-1972 bronze in Street. Moore refused to explain the work, other than to point out how the title evolved.
0002564
Publisher: Western Daily Press
Place Published: Bristol
Year: 1979
Date & Collation: (1 Nov)..(1 illus).
Description: Henry Moore in Street to site Sheep Piece, 1971-1972 bronze, on loan to Clark's, the shoemakers.
0002563
Publisher: Central Somerset Gazette
Place Published: Glastonbury
Year: 1979
Date & Collation: (1 Nov)..(1 illus).
Description: Sheep Piece, 1971-1972 bronze sited on 31 October 1979 at headquarters of C.J. Clark Ltd. in Street. Includes comment by Moore on the naming of the work.
0002629
Author/Editor: BASSIN Joan.
Publisher: City Magazine
Place Published: Kansas City
Year: 1979
Date & Collation: (May)..(1 Moore illus).
Description: Note on Kansas City public sculpture, with brief mention of Sheep Piece, 1971-1972 bronze.
0002593
Author/Editor: MOORE Henry.
Publisher: Henry Moore Foundation
Place Published: Much Hadham
Year: 1979
Date & Collation: 60 mins.Sound recording.
Description: Unpublished sound recording made with Juliet Wilson in preparation for Henry Moore: drawings 1969-79 (See 0002478). Moore speaks for an hour on his love of drawing; his Castleford childhood and his father; Leeds School of Art and reading Roger Fry; Royal College of Art, William Rothenstein and Epstein; Human figure and the science of drawing; drawing for pleasure, blotting paper drawings, and drawing sheep.
0002472
Publisher: Musée d'Art Moderne de la Ville de Paris.
Place Published: Paris
Year: 1979
Date & Collation: (17 May-7 Oct).92pp.Illus.Bibliog.Introduction by Bernadette CONTENSOU.Text in French.
Description: 50 years of copper-plate printing and engraving 1929-1979. 379 works by many artists, including the albums Elephant Skull (See 0004721) and Sheep (See 0003614), with one illustration.
0002478
Publisher: Wildenstein
Place Published: New York
Year: 1979
Date & Collation: (14 Nov)-1980(18 Jan).80pp(84 illus).Bibliog.Foreword by Harry A.BROOKS.Introduction and commentary on the drawings by Henry MOORE.
Description: Texts from tape recordings made especially for the exhibition (See 0002593-0002595). 172 drawings arranged as Drawings from Life; Landscape Subjects; Figures and Ideas for Sculpture; Drawings from Imagination; Interpretations.
In the introduction Moore speaks of his lifelong love of drawing, and of his techniques. While the drawings were at one time ideas for sculpture, they can now exist as an independent outlet for ideas. In his comments on individual works Moore speaks of drawing as a process of discovery, and also because of emotional involvement with the subject. There are reminiscences and comments on Hands theme, Sheep, Trees theme, the Landscape, Heads theme, Cézanne, etc. Moore comments on his obsessions and inexhaustible subjects: Mother and Child theme, Reclining Figure theme, Interior and Exterior theme. The Human figure is the basis of all my sculpture and that for me means the female nude. In my work women must outnumber men by at least fifty to one. Men get brought in when they are essential to the subject for example in a Family Group. I like women and find the female figure means more to me than the male."
In his Foreword Harry Brooks recalls his connections with Henry Moore dating back to 1946."
In the introduction Moore speaks of his lifelong love of drawing, and of his techniques. While the drawings were at one time ideas for sculpture, they can now exist as an independent outlet for ideas. In his comments on individual works Moore speaks of drawing as a process of discovery, and also because of emotional involvement with the subject. There are reminiscences and comments on Hands theme, Sheep, Trees theme, the Landscape, Heads theme, Cézanne, etc. Moore comments on his obsessions and inexhaustible subjects: Mother and Child theme, Reclining Figure theme, Interior and Exterior theme. The Human figure is the basis of all my sculpture and that for me means the female nude. In my work women must outnumber men by at least fifty to one. Men get brought in when they are essential to the subject for example in a Family Group. I like women and find the female figure means more to me than the male."
In his Foreword Harry Brooks recalls his connections with Henry Moore dating back to 1946."
0024207
Author/Editor: NEURATH E. U. and NEURATH T. M.
Publisher: Thames & Hudson
Place Published: London
Year: 1979
Date & Collation: October.
Description: Letter from Thames & Hudson to their authors, commemorating their winning the first Publisher of the Year Award by the Booksellers' Association of Great Britain and Ireland. Includes a limited edition black and white print of Henry Moore's drawing Studies of Sheep II 1972 (HMF 3368).