Henry Moore Artwork Catalogue
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sheep
0003494
Publisher: Gartenbau
Place Published: Solothurn
Year: 1976
Date & Collation: (9 Sept)..(5 illus).Text in German.
Description: Sheep Piece, 1971-1972 bronze remained after the Zürich Expo (See 0003359 and 0009937), and is discussed as to how well it fits into natural setting.
0022848
Publisher: Lebendige Erde
Place Published: Stuttgart
Year: 2008
Date & Collation: 1 2008 (February) 22-23 (6 Illus)
Description: Review of exhibition of German touring exhibition Henry Moore und die Landschaft (Henry Moore: Imaginary Landscapes). 6 illus fro Moore's Sheep Sketchbook. See 0021059 for dual language catalogue.
0012721
Author/Editor: SAITO Yasuyoshi.
Publisher: Taiyo
Place Published: Tokyo
Year: 1990
Date & Collation: 1990(Nov) Supplement: 38-40,104(10 illus).Text in Japanese.
Description: Journal title also printed as The Sun. New Year cards for the year of the sheep, and special issue on sheep in art. Moore article recalls a 1983 visit to Much Hadham and features in words and illustrations the Sheep graphic works and Sheep Piece, 1971-1972 bronze.
Title romanized: Henri Muua to ushi.
Title romanized: Henri Muua to ushi.
0003729
Author/Editor: STRACHAN W.J.
Publisher: Countryman
Place Published: London
Year: 1975
Date & Collation: (Spring) 42-48(4 Moore illus).
Description: The Sheep as a theme in art with particular attention to Moore's work. Henry Moore told me that sheep had always had a particular significance for him... In electing Henry Moore as their President for 1974 the National Sheep Association honoured both the sculptor and themselves.""
0004171
Publisher: Country Life
Place Published: London
Year: 1973
Date & Collation: (16 Aug) 452(1 illus).
Description: Note on the Fischer Fine Art exhibition (See 0004071), with particular mention of Sheep etchings.
0014334
Author/Editor: GLICKMAN Susan.
Publisher: Malahat Review
Place Published: Victoria, B.C.
Year: 1989
Date & Collation: 86 1989(Spring) 29-38.
Description: Poem in ten stanzas. First line:The first page of the notebook reads.
(For published version of the Sheep Sketchbook see 0002132). The poem is preceded on pages 24-28 by Four Photographs by Bonnie Curran of sheep taken in July 1988 in Scotland."
(For published version of the Sheep Sketchbook see 0002132). The poem is preceded on pages 24-28 by Four Photographs by Bonnie Curran of sheep taken in July 1988 in Scotland."
0010115
Author/Editor: COLLIER Zena.
Publisher: New Letters
Place Published: Kansas City
Year: 1980
Date & Collation: 47(1) 113-117(2 illus).
Description: History of controversy on acquisition of Sheep Piece, 1971-1972 bronze for Kansas City. On his death on 8 June 1967 farmer N. Clyde Degginger bequeathed $300,000 to the city to buy a sculpture. Laurence Sickman, Director of Nelson Gallery of Art, was charged with acquiring a work. In 1974 Ralph Coe of the Nelson Gallery visited Much Hadham, and on 9 September 1974 Mayor Charles Wheeler announced the commission. Lengthy deliberations took place on siting the work, which arrived on 5 June 1975, only to be placed in a warehouse. In a brief visit in April 1976 Moore rejected one planned site and requested an open air setting. The bronze was installed finally on 8 May 1976 in the grounds of the Nelson Gallery of Art.
0002020
Publisher: Art News
Place Published: New York
Year: 1981
Date & Collation: (Feb) 80(2) 10(2 illus).
Description: Brief note on The Sheep Sketchbook (See 0002132) within regular column, The Vasari Diary.
0010159
Publisher: Atlantic Monthly
Place Published: Boston
Year: 1981
Date & Collation: (Jan) 247(1) 88.
Description: Seven-line note on U.S.A. edition (See 0002132): the sheepiest sheep that ever were a delightful mixture of the monumental and the ridiculous.""
0010113
Publisher: Booklist
Place Published: Chicago
Year: 1980
Date & Collation: (15 Nov) 77(6) 431.Text initialled J.B.
Description: 16-line note on Thames and Hudson/Norton edition: A charming and unexpected work" (See 0002132)."
0002343
Author/Editor: WALSH Philip.
Publisher: Ottawa Revue
Place Published: Ottawa
Year: 1980
Date & Collation: (Dec)..(1 illus).
Description: Seen as a strangely entertaining and thoroughly fascinating book (See 0002132).
0002330
Publisher: Du
Place Published: Zürich
Year: 1980
Date & Collation: (July) i-ii,4-17(12 illus).Text in English and German.
Description: Feature on the Sheep Sketchbook (See 0002132), which reprints the Moore and Clark texts.
0002329
Publisher: Dalesman
Place Published: Lancaster
Year: 1980
Date & Collation: (Oct)..(5 illus).
Description: Short feature on the Sheep Sketchbook (See 0002132), with a brief quotation from Moore's text.
0002346
Publisher: Publishers Weekly
Place Published: New York
Year: 1980
Date & Collation: (1 Aug) 42.
Description: 17-line review of Thames and Hudson edition distributed by Norton (See 0002132). Notes Moore's affectionate and playful enjoyment of the gentle animals..."."
0022029
Author/Editor: PRIOR Sue
Publisher: Widford Parish Magazine
Place Published: Hertfordshire
Year: 2011
Date & Collation: 2011(January) 8 (2 illus)
Description: Prior of Buckler's Hall Farm, Perry Green, provides history of how the Prior family came to supply sheep to graze on Moore's land. Also provides breed information. Illus show two Sheep Sketchbook graphics.
0021600
Publisher: Cambridgeshire Agenda
Place Published: Cambridge
Year: 2009
Date & Collation: 2009(Sep)84 6(one Moore illus)
Description: Column promoting the start of regional touring exhibition of Moore's Sheep Etchings at Saffron Walden Museum. One illus shows part image of Sheep Piece 1971-72 bronze, (LH 627).
0023554
Author/Editor: MCDONALD Allison
Publisher: Gagosian Quarterly
Place Published: New York
Year: 2017
Date & Collation: 2017(Fall).184pp.Illus.
Description: There is an eleven page feature article on pages 76 to 86 titled 'An Evolving Legacy' on the history, current position and future of Moore's life and legacy at Perry Green that began in 1940 and is, this year, celebrating the 40th anniversary of the establishment of the Henry Moore Foundation with both the exhibition Becoming Henry Moore and the opening of the new visitor centre and archive facility. The article takes the form of a three way conversation between the Gagosian's Zoё Santa-Olalla, Godfrey Worsdale, the director of the Henry Moore Foundation and Gus Danowski, Moore's first grandchild. Topics discussed include: the new visitor centre and archive facility designed by architects Hugh Broughton; Gus Danowski's childhood recollections of his grandfather and of Hoglands, the studios and gardens; and, the work of the Foundation and its ambitions. The article is richly illustrated with images of the following: on the inside cover, Moore in his studio working on Two Piece Reclining Figure 1960; the new archive building; Moore standing in the sheep field with Sheep Piece 1971-72 (LH 627) in the background; Upright Motive No.9 1979 (LH 586); Upright Motive No.9 1979 (LH 586), Torso 1967 (LH 569) and other works in Moore's enlargement studio at Perry Green; Moore with some of his Upright Motive sculptures including Upright Motive No.5 1955-56 (LH 383) taken in 1964; a double page image of Sheep Piece 1971-72 (LH 627); an internal and external image of the new visitors' cafe and offices; Godfrey Worsdale, Zoё Santa-Olalla and Gus Danowski in conversation in front of Knife Edge Two Piece 1962-63 (LH 516); Moore working in his revolving summer house in Perry Green 1956; a double page image of Family Group 1948-49 (LH 269) in the grounds of Perry Green; Gus Danowski with his grandfather in a studio at Perry Green; and, Zoё Santa-Olalla, Gus Danowski and Godfrey Worsdale walking back to Hoglands. Short biographies of Guston Danowski and Godfrey Worsdale presented on page 37. Thanks to the Foundation's Emma Stower and Sarah Mercer recorded on page 7.
0003287
Publisher: Spectator
Place Published: London
Year: 1977
Date & Collation: (28 May) Cover,25,26(3 illus).
Description: MCEWEN John. The public Moore.
(One-page note on Moore's standing at the time of the Orangerie exhibition (See 0003082) and the publication of Henry Moore: sculpture and environment (See 0003357)).
ROBERTSON Bryan. Moore's Sheep Piece.
(Short text on the Sheep Piece, 1971-1972 bronze, plus an earlier drawing of the theme, both of which are illustrated. biomorphic connotations of a shape that's beyond any known congress")."
(One-page note on Moore's standing at the time of the Orangerie exhibition (See 0003082) and the publication of Henry Moore: sculpture and environment (See 0003357)).
ROBERTSON Bryan. Moore's Sheep Piece.
(Short text on the Sheep Piece, 1971-1972 bronze, plus an earlier drawing of the theme, both of which are illustrated. biomorphic connotations of a shape that's beyond any known congress")."
0003733
Author/Editor: SANESI Roberto.
Publisher: Europa Letteraria e Artistica
Place Published: Chiasso
Year: 1975
Date & Collation: (May-June) 1(4-5) 132-140(5 illus).Text in Italian.
Description: Visit to Much Hadham recorded in poetic language and incorporating quotations from Moore. Inspiration is in the observation of nature, including sheep on the estate who in turn appreciate Sheep Piece, 1971-1972 bronze. Stonehenge was an influence, and Sanesi notes two thematic strains, the one pastoral, the other barbaric and megalithic.
0012836
Author/Editor: OVERY Paul.
Publisher: Art in America
Place Published: New York
Year: 1991
Date & Collation: (Sept) 79(9) 104-111,153-155(1 Moore illus).Bibliog.
Description:
In issue of Art in America on Art and National Identity. Opens with a full-page colour photograph of Sheep Piece, 1971-1972 bronze in the sheep meadow at Much Hadham. Mentions Moore's honours, the giant scale of the castings of his late work, and his promotion by the British Council. Moore's critical position may be in flux today but in terms of museum holdings and public sitings throughout the world he is still the best-known sculptor of the 20th century. Moore's Shelter drawings and his post-war family groups were both in keeping with the British image. His later public works "shipped to almost every part of the world (as formerly British armaments locomotives and machine tools had been) seemed like belated products of the no longer vital workshop of the world." Mentions the reaction of critics and of younger artists against Moore. Contemporary British sculptors, in particular Anish KAPOOR, but also Richard LONG, Barry FLANAGAN, and Nicholas POPE, react to Moore's (and Hepworth's) "modernist primitivizing".
Discussion of Moore's style from the 1930s (some works abstract and organic, similar to Jean ARP and Naum GABO; others fusing figurative and landscape imagery in his reclining figures) and the postwar period (a fusion of the two earlier styles). Mention of Moore's place in the Hampstead set of artists in the 1930s. Moore's reclining figures from the 1950s onwards, with allusions to Reclining Figure: Festival and the UNESCO Reclining Figure. Contrast between Moore and the Geometry of Fear school. Moore's public popularity contrasts with criticism from avant-garde art circles from the 1960s on.
0022071
Publisher: Brutus
Place Published: Tokyo
Year: 2006
Date & Collation: 2006(01 February)(587) 86(3 illus).Text in Japanese.
Description: Illustration of Moore's Sheep Piece 1971-72 bronze, (LH 627) at Perry Green, surrounded by sheep, in article in which reader's choose their favourite garden open to the public. Two smaller, inset images at the bottom of the page. Accompanying text in Japanese.
0002958
Publisher: M.S.F. News
Place Published: Basingstoke
Year: 1978
Date & Collation: 4pp(3 Moore illus).
Description: Morris Singer Foundry serial publication with illustrations and brief comment on Sheep Piece, 1971-1972 bronze and Mirror Knife Edge, 1977 bronze, and good wishes to Moore on his 80th birthday.
0022259
Publisher: Juming Museum Quarterly
Place Published: Taipei
Year: 2006
Date & Collation: 26 2006 (April-June) 12-13 (2 illus)
Description: Quarterly Chinese language booklet promoting forthcoming exhibitions and events at the Juming Musem. Pages 12-13 feature two Moore illus:
Sheep Piece 1971-72 bronze, (LH 627)
Large Figure in a Shelter 1985-86 bronze, (LH 652c).
0020331
Publisher: Casabella.
Year: 2001
Date & Collation: 2001 30-35(illus).Text in Italian.
Description: Architectural feature on the Sheep Field Barn.