Henry Moore Artwork Catalogue
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0000083
Publisher: Hong Kong Museum of Art
Place Published: Hong Kong
Year: 1986
Date & Collation: (1 Feb-12 March).396pp(326 illus).Biog.Bibliog.Texts in Chinese and English.
Description: Catalogue, in slip case, published by the Urban Council, produced by the Hong Kong Museum of Art. Exhibition presented by Urban Council, Hong Kong, British Council, Hong Kong Arts Festival Society, Hong Kong Arts Centre, Henry Moore Foundation. Sponsored by American Express Company. From 1 Feb-9 March 1986 also shown at Hong Kong Arts Centre, American Express Travel Service Office: Central, The Hong Kong Academy for Performing Arts, City Hall Memorial Garden, Edinburgh Place, and Tsim Sha Tsui Promenade.
5-16 Prefatory texts by Hilton CHEONG-LEEN, William BLOMQUIST, James LI, Manuel DE TOLEDO, Richard WEDEN, Laurence C. S. TAM.
18-19 BOWNESS Alan. Introduction.
(Notes Moore's universality and humanity He is the heir of all sculptors and all sculptures of the past". Outlines the arrangement of the exhibition and the organic and timeless quality of the work).
20 Letter from Henry MOORE.
(Expresses the artist's pleasure at the exhibition and gratitude to all who have made it possible).
21-33 MITCHINSON David. Life and times.
(Describes with photographs Moore's estate and outlines the artist's life from his Yorkshire childhood through World War 1 to life in London. Moore's career as a sculptor and his public and critical reception is outlined from his early exhibitions as a World War 2 artist and through to the commissions and honours worldwide of recent years).
34-363 Catalogue.
(Map and photographs of the exhibits in thematic groupings incorporating published statements by Moore).
Hong Kong Museum of Art.
(Early Carvings; Stringed Figures; Heads Helmets and Warrior Maquettes; Hands; Mother and Child Maquettes; Reclining and Standing Figure Maquettes; Animal Form Maquettes; Working Process for Bronze Sculpture; Plasters and Found Objects; Late Carvings; Life Drawings; Mother and Child; Ideas for Sculpture; Heads; Bonfires; Trees; Sheep; Hands; Ideas for Sculpture: working processes).
City Hall Memorial Garden.
(Over life-size sculpture).
Edinburgh Place: Queen's Pier.
(Monumental Sculpture).
Hong Kong Academy for Performing Arts.
(Over life-size sculpture).
Hong Kong Arts Centre.
(Figurative bronzes; Organic Forms; Wood Engravings; Selection from Shelter Sketchbook lithographs; Selection from Elephant Skull album (See 0004721); Sculptural Ideas (See 0001886); Reclining Women Lithographs).
American Express Travel Service Office: Central.
(Figurative bronze).
Tsim Sha Tsui Promenade.
(Monumental Sculpture).
364-392 List of Exhibits. (165 Sculptures 1922-1983 60 Drawings 1921-1982 32 Prints 1931-1982).
393 Quotation List.
394 Bibliography.
In addition to this catalogue other publications included a letter-head jig-saw puzzles envelope poster invitation card timetable publicity brochure badge bookmark etc and the following six pamphlet publications plus Press Conference folder. Short Catalogue (See 0000086) Exhibition Guide (See 0000088) Lost-Wax Casting (See 0000085) Henry Moore Express (See 0000108) My Impression (See 0000084) Appreciation of Sculpture (See 0000087)."
5-16 Prefatory texts by Hilton CHEONG-LEEN, William BLOMQUIST, James LI, Manuel DE TOLEDO, Richard WEDEN, Laurence C. S. TAM.
18-19 BOWNESS Alan. Introduction.
(Notes Moore's universality and humanity He is the heir of all sculptors and all sculptures of the past". Outlines the arrangement of the exhibition and the organic and timeless quality of the work).
20 Letter from Henry MOORE.
(Expresses the artist's pleasure at the exhibition and gratitude to all who have made it possible).
21-33 MITCHINSON David. Life and times.
(Describes with photographs Moore's estate and outlines the artist's life from his Yorkshire childhood through World War 1 to life in London. Moore's career as a sculptor and his public and critical reception is outlined from his early exhibitions as a World War 2 artist and through to the commissions and honours worldwide of recent years).
34-363 Catalogue.
(Map and photographs of the exhibits in thematic groupings incorporating published statements by Moore).
Hong Kong Museum of Art.
(Early Carvings; Stringed Figures; Heads Helmets and Warrior Maquettes; Hands; Mother and Child Maquettes; Reclining and Standing Figure Maquettes; Animal Form Maquettes; Working Process for Bronze Sculpture; Plasters and Found Objects; Late Carvings; Life Drawings; Mother and Child; Ideas for Sculpture; Heads; Bonfires; Trees; Sheep; Hands; Ideas for Sculpture: working processes).
City Hall Memorial Garden.
(Over life-size sculpture).
Edinburgh Place: Queen's Pier.
(Monumental Sculpture).
Hong Kong Academy for Performing Arts.
(Over life-size sculpture).
Hong Kong Arts Centre.
(Figurative bronzes; Organic Forms; Wood Engravings; Selection from Shelter Sketchbook lithographs; Selection from Elephant Skull album (See 0004721); Sculptural Ideas (See 0001886); Reclining Women Lithographs).
American Express Travel Service Office: Central.
(Figurative bronze).
Tsim Sha Tsui Promenade.
(Monumental Sculpture).
364-392 List of Exhibits. (165 Sculptures 1922-1983 60 Drawings 1921-1982 32 Prints 1931-1982).
393 Quotation List.
394 Bibliography.
In addition to this catalogue other publications included a letter-head jig-saw puzzles envelope poster invitation card timetable publicity brochure badge bookmark etc and the following six pamphlet publications plus Press Conference folder. Short Catalogue (See 0000086) Exhibition Guide (See 0000088) Lost-Wax Casting (See 0000085) Henry Moore Express (See 0000108) My Impression (See 0000084) Appreciation of Sculpture (See 0000087)."
0014008
Publisher: Northern Centre for Contemporary Art
Place Published: United Kingdom
Year: 1986
Date & Collation: .36pp.Illus.Glossary.Foreword Tony KNIPE.Introduction Stephen MCNULTY.
Description: Approximately 140 images by over 50 artists from Britain, Europe and America. Includes two Moore prints 1963, 1974, one of which is illustrated: Sheep Resting, 1974 lithograph.
0000142
Publisher: Metropolitan Art Museum
Place Published: Tokyo
Year: 1986
Date & Collation: (11 April-5 June).226pp(364 illus).Biog.Bibliog.Texts in English and Japanese.
Description: Also shown at Fukuoka Art Museum, 21 June-27 July 1986. In association with the Henry Moore Foundation, the exhibition was organised by the two museums, the British Council, N.H.K. (Japan Broadcasting Corporation), the Tokyo Shimbun (Tokyo) and the Nishinihon Shimbun (Fukuoka). The catalogue was published by the Tokyo Shimbun.
5 Letter from Henry MOORE.
(Expresses the artist's pleasure at the exhibition and gratitude to all who have made it possible).
7 Message from H.R.H. The Prince of Wales (Prince CHARLES).
(Note on Britain's cultural links with Japan. Moore's art is tough but centred on nature and humanism and in this respect will be understood by those of different cultural roots". Prince Charles expresses his pleasure at the exhibition and offers it his good wishes).
13 The Organisers. Foreword.
(Moore's standing universal appeal aims and arrangement of the exhibition).
15 BURGH John. Message.
(Acknowledges the organization involved in the exhibition the works in the open surrounding the museums).
18-19 BOWNESS Alan. Introduction.
(The text from the Hong Kong catalogue: see 0000083).
20-27 MITCHINSON David. Life and times.
(The text and substantially the photographs from the Hong Kong catalogue: see 0000083).
32-41 PACKER William. The sculpture of Henry Moore.
(Notes the unity of Moore's work over the years and his growth to pre-eminence in art. His career is discussed from the early influences and the acquisition of technical skills through travel and the confrontation between Primitive and Classical art and the development of his own personal imagery. His emergence in the 1930s is placed within the cultural context of that decade. The war provided a useful pause to consolidate his sculptural thinking in the Shelter drawings before returning to sculpture through commissions in the 1940s and using Hoglands as a base for the production of monumental works of the later years which have their origins in the experiments of his youth. "Henry Moore is without the slightest doubt a very great artist who stands four-square in the great humanist tradition...").
43-130 Catalogue: Sculpture.
(Arranged thematically: Reclining and Standing Figures; Reclining and Standing Figure maquettes; Mother and Child; Mother and Child maquettes; Working Processes; Plaster maquettes; Organic Forms; Animal Forms; Animal Form maquettes; Warriors and Internal/External Forms; Heads Helmets Hands and Warrior maquettes; Stringed Figures; Early Carvings.
Interspersed with statements from Moore's published writings).
132-135 PACKER William. The drawings of Henry Moore.
(Discusses briefly graphic output of sculptors and argues that Moore's drawings by themselves would not "sustain a larger reputation as a draughtsman" although certain phases of his graphic output are praised - the early life drawings the wartime sketch books and the late works: "rich material and masterly results").
137-170 Catalogue: Drawings.
(Arranged thematically: Life Drawings; Mother and Child; Ideas for Sculpture; Heads; Bonfires; Trees; Sheep; Hands; Ideas for Sculpture - working processes)."
5 Letter from Henry MOORE.
(Expresses the artist's pleasure at the exhibition and gratitude to all who have made it possible).
7 Message from H.R.H. The Prince of Wales (Prince CHARLES).
(Note on Britain's cultural links with Japan. Moore's art is tough but centred on nature and humanism and in this respect will be understood by those of different cultural roots". Prince Charles expresses his pleasure at the exhibition and offers it his good wishes).
13 The Organisers. Foreword.
(Moore's standing universal appeal aims and arrangement of the exhibition).
15 BURGH John. Message.
(Acknowledges the organization involved in the exhibition the works in the open surrounding the museums).
18-19 BOWNESS Alan. Introduction.
(The text from the Hong Kong catalogue: see 0000083).
20-27 MITCHINSON David. Life and times.
(The text and substantially the photographs from the Hong Kong catalogue: see 0000083).
32-41 PACKER William. The sculpture of Henry Moore.
(Notes the unity of Moore's work over the years and his growth to pre-eminence in art. His career is discussed from the early influences and the acquisition of technical skills through travel and the confrontation between Primitive and Classical art and the development of his own personal imagery. His emergence in the 1930s is placed within the cultural context of that decade. The war provided a useful pause to consolidate his sculptural thinking in the Shelter drawings before returning to sculpture through commissions in the 1940s and using Hoglands as a base for the production of monumental works of the later years which have their origins in the experiments of his youth. "Henry Moore is without the slightest doubt a very great artist who stands four-square in the great humanist tradition...").
43-130 Catalogue: Sculpture.
(Arranged thematically: Reclining and Standing Figures; Reclining and Standing Figure maquettes; Mother and Child; Mother and Child maquettes; Working Processes; Plaster maquettes; Organic Forms; Animal Forms; Animal Form maquettes; Warriors and Internal/External Forms; Heads Helmets Hands and Warrior maquettes; Stringed Figures; Early Carvings.
Interspersed with statements from Moore's published writings).
132-135 PACKER William. The drawings of Henry Moore.
(Discusses briefly graphic output of sculptors and argues that Moore's drawings by themselves would not "sustain a larger reputation as a draughtsman" although certain phases of his graphic output are praised - the early life drawings the wartime sketch books and the late works: "rich material and masterly results").
137-170 Catalogue: Drawings.
(Arranged thematically: Life Drawings; Mother and Child; Ideas for Sculpture; Heads; Bonfires; Trees; Sheep; Hands; Ideas for Sculpture - working processes)."
0000091
Publisher: Earl's Court
Place Published: London
Year: 1986
Date & Collation: (March).12pp folder.Illus.Biog.
Description: Ideal Home Exhibition. An exhibition of recent art in domestic settings organised by the Arts Council in association with Liberty".
Works by more than 50 artists including Moore's Sheep Resting 1974 lithograph."
Works by more than 50 artists including Moore's Sheep Resting 1974 lithograph."