Henry Moore Artwork Catalogue
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Goslar Warrior
0003761
Publisher: Junior Galerie
Place Published: Germany
Year: 1975
Date & Collation: 14 mins.Colour.Sound.In German.
Description: Moore arrives by helicopter in Goslar with his daughter Mary and is seen at a press conference, and receiving the Kaiserring from Bürgermeister. Goslar Warrior, 1973-1974 bronze is seen in situ, and there are short sections showing the Much Hadham estate, and the bronze at Noack Foundry in Berlin. There is a linking narration, and the Bürgermeister reads the citation from the award.
Original 8mm film inscribed in manuscript Henry Moore in Goslar"."
Original 8mm film inscribed in manuscript Henry Moore in Goslar"."
0022938
Publisher: Kew Publishing
Place Published: Kew
Year: 2007
Date & Collation: 2min04sec.Sound.A222
Description: Audio guide for Goslar Warrior 1973-74 bronze (LH 641) at Moore at Kew at the Royal Botanic Gardens, Kew (September 2007-March 2008). Interview with David Mitchinson talking about this sculpture and its installation at Kew; synthesis of human figure of natural forms; male figure with forms based in prehistoric tools (flint); historical references (the Middle Ages) and title reference to a German city; landscape setting and sculpture in relation to classic architecture.
0011190
Publisher: Granada Television
Place Published: Manchester
Year: 1988
Date & Collation: 26 mins.Colour.Sound.
Description: On occasion of opening of Starlit Waters exhibition, Bruce McLEAN and some art students are seen in a disused warehouse in Liverpool with Falling Warrior, 1956-1957 bronze on loan from the Walker Art Gallery. A photograph is seen of McLean's performance piece based on the Warrior twenty years previously. McLean and the camera explore the bronze from all angles and distances, and still photographs are taken. The plinth is discussed in relation to other 'furniture', and the Warrior is viewed against different coloured screens. When the bronze had to be returned to the Walker Art Gallery, a slide of it was projected on the different coloured screens. Celebration edited by David BOULTON. Production Phil GRIFFIN, Rachel HEBDITCH. Camera Jon Woods.
0023120
Publisher: Colorado Public Radio
Place Published: Denver
Year: 2010
Date & Collation: 10 mins 30 secs.Sound.A245
Description: Interview with Anita Feldman at the time of Moore’s exhibition in Denver Gardens, Colorado, USA. The first major exhibition in USA outdoors. Reference to Large Reclining Figure 1983 fibreglass (LH 192b); Moore’s experimentation with surrealism in the 1930s; Moore’s origins and education; Word War I; Goslar Warrior 1973-74 bronze (LH 641) abstract and vulnerable; Moore became popular with his drawings of blitz and shelters during the Word War II; emergence of the ‘Mother and Child’ theme; Draped Reclining Mother and Baby 1983 bronze (LH 822); Reclining Figure: Angles 1979 bronze (LH 675); sculpture in landscape and garden settings.
0007185
Author/Editor: READ John
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1958
Date & Collation: 27 mins.Black and white.Sound.
Description: Written and produced by John READ. Narration spoken by Sir Ralph Richardson. Music by Humphrey Searle. Photographed by Walter Lassally. Moore is seen at work with his assistants at Much Hadham, and there are views of Sculpture on the estate. Seen on film are Draped Torso, 1953 bronze; Draped Reclining Figure, 1952-1953 bronze; Falling Warrior, 1956-1957 bronze and other works. A Maquettes section shows Family Groups, Seated Figures, Upright Figures, and Reclining Figures. There is film of Moore drawing with commentary and quotations from Moore on the subject, including the importance of the Human figure. There are sections on L.C.C. Open Air exhibition (See 0007208) showing Warrior with Shield, 1953-1954 bronze; some views of Primitive sculpture; film at Glenkiln showing Upright Motive No. 1: Glenkiln Cross, 1955-1956 bronze, King and Queen, 1952-1953 bronze and Standing Figure, 1950 bronze. There is also film of Harlow Family Group, 1954-1955 Hadene stone in situ. Other aspects touched upon include Landscape influence and Moore's use of Natural objects. The film ends with Moore carving Upright Figure, 1956-1960 elm wood, a sequence which opens John Read's 1967 film Henry Moore: one Yorkshireman looks at his world (See 0005603).
Also screened by C.B.C. in 1962 on The Lively Arts (See 0010783).
0011197
Publisher: Royal Academy of Arts
Place Published: London
Year: 1988
Date & Collation: 20 mins.Colour.Sound.
Description: Produced by Triangle Two for the Royal Academy of Arts and made at the exhibition (See 0011076). Devised by David MITCHINSON and Mary Anne STEVENS, produced by Vincent JOYCE, directed by Henry PEPLOW. Funded by the Henry Moore Foundation and an award under the Business Sponsorship Incentive Scheme. Alan BOWNESS introduces the exhibition and comments on Head of the Virgin, 1922-1923 marble, Masks, and Reclining Figure, 1929 brown Hornton stone. At the end of the film Sir Alan describes the technical miracle of balance in Large Four Piece Reclining Figure, 1972-1973 bronze.
Susan COMPTON notes Moore's preoccupation with the human figure, his use of drawings, and the landscape elements in his work. She comments particularly on Recumbent Figure, 1938 green Hornton stone; Rocking Chair No. 2, 1950 bronze; Rocking Chair No. 3, 1950 bronze; Reclining Figure: Festival, 1951 plaster; Draped Seated Woman, 1957-1958 bronze; Knife Edge Two Piece, 1962-1965 bronze; Animal Form, 1969 travertine marble.
Julian ANDREWS describes Moore's War Drawings, their Renaissance references and use of drapery. He notes Moore's humanist impulse in Family Group, 1948-1949 bronze; Madonna and Child, 1943-1944 Hornton stone; and King and Queen, 1952-1953 bronze with its archaic dignity. War references recur in Falling Warrior, 1956-1957 bronze and Warrior with Shield, 1953-1954 bronze.
Malcolm WOODWARD describes Moore's use of Shells and other Natural forms in the conception and development of his sculpture; and shows Working Model for Mother and Child: Hood, 1982 bronze as an intermediary between maquettes and larger works.
Susan COMPTON notes Moore's preoccupation with the human figure, his use of drawings, and the landscape elements in his work. She comments particularly on Recumbent Figure, 1938 green Hornton stone; Rocking Chair No. 2, 1950 bronze; Rocking Chair No. 3, 1950 bronze; Reclining Figure: Festival, 1951 plaster; Draped Seated Woman, 1957-1958 bronze; Knife Edge Two Piece, 1962-1965 bronze; Animal Form, 1969 travertine marble.
Julian ANDREWS describes Moore's War Drawings, their Renaissance references and use of drapery. He notes Moore's humanist impulse in Family Group, 1948-1949 bronze; Madonna and Child, 1943-1944 Hornton stone; and King and Queen, 1952-1953 bronze with its archaic dignity. War references recur in Falling Warrior, 1956-1957 bronze and Warrior with Shield, 1953-1954 bronze.
Malcolm WOODWARD describes Moore's use of Shells and other Natural forms in the conception and development of his sculpture; and shows Working Model for Mother and Child: Hood, 1982 bronze as an intermediary between maquettes and larger works.
0014841
Publisher: Triangle Two
Place Published: London
Year: 1988
Date & Collation: 14mins.Colour.Silent.
Description: Film of a dozen sculptures from various angles and in close-up. With time coder. Includes about four minutes of Madonna and Child, 1943-1944 Hornton stone, and two minutes of Warrior with Shield, 1953-1954 bronze. See also Henry Moore: a private view (0011197). For catalogue see 0011076.
0010721
Publisher: D.R. Televisa
Place Published: México City
Year: 1983
Date & Collation: 50 mins.Colour.Sound.In Spanish.
Description: Produced and directed by Francisco Lopez TORRES. Built around commentary by Abraham ZABLUDOVSKY at the exhibition (See 0001472) and Octavio PAZ, and with interviews with Rufino TAMAYO, and Henry MOORE in Much Hadham with his voice dubbed. Maquettes, Natural objects, Drawings, Prints and Sculpture seen in the Museum and surrounding park and in film and photographs of Much Hadham estate. Incorporates black and white photographs, film of Moore drawing and carving, and war-time views of London, together with images of Chacmool, Pre-Columbian art, Mexican muralists. Coal Mine Drawings; War Drawings; Warriors; Sheep graphic works; Stringed Figures; Working Model for Three Piece No. 3: Vertebrae, 1968 bronze; Broken Figure, 1975 black marble and other works. Commentary ranges over Moore's career, themes, and influences. Moore on drawing, hands, the structure of the human body and his love of Pre-Columbian art. Tamayo on the Mexican influences and the importance of drawing in Moore's work. Paz on Moore's dialogue with the earth, the influence of the range of Pre-Columbian art and the Mexican muralists, the cosmos of the female presence...earth and woman.
0010783
Publisher: Canadian Broadcasting Corporation
Place Published: Toronto
Year: 1962
Date & Collation: 28mins.Black and white.Sound.
Description: Television arts programme produced by Vincent Tovell and Barry Harris. 16 January 1962 screening of John Read's 1958 film (See 0007185) with a brief studio introduction and afterword by Henry Comor with Warrior with Shield, 1953-1954 bronze.
0016217
Author/Editor: MORRIS Jim.
Publisher: Channel 4
Place Published: London
Year: 1994
Date & Collation: 80 mins.Colour.Director Pip BROUGHTON.
Description: Television play in the series Alan Bleasdale Presents, in which Alan Bleasdale and Keith Thompson produce plays by writers new to television. Originally staged at the Liverpool Playhouse in 1981.
Includes a 2-minute section where two unemployed youths enter Walker Art Gallery, Liverpool and admire Falling Warrior, 1956-1957 bronze. An attendent explains to them the landscape and other references in the figure, and how it is an archetypal image of the soldier.
Includes a 2-minute section where two unemployed youths enter Walker Art Gallery, Liverpool and admire Falling Warrior, 1956-1957 bronze. An attendent explains to them the landscape and other references in the figure, and how it is an archetypal image of the soldier.
0019910
Publisher: Channel 5
Place Published: London.
Year: 2002
Date & Collation: 25mins.Colour.Sound.Directed by Andrew Hutton.Written and presented by Tim Marlow.
Description: Seventh Art Productions for Channel 5 Broadcasting Ltd. The last of a four-part series on the collections of Tate Modern. Broadcast 14 June 2002, dealing with the theme of History. Includes a two-minute section on Henry Moore's Falling Warrior, 1956-1957 bronze, produced at the time of the Suez Crisis and the Hungarian Uprising. Recorded off-air under Clause 75 of the Copyright Act 1988.
0022537
Publisher: British Broadcasting Corporation
Place Published: London
Year: 2011
Date & Collation: 60mins.Colour.Sound
Description: BBC4 documentary, broadcast 23 February 2011, presented by Alastair Sooke looking at sculptors from the turn of the 20th Century and their influence on Modern sculpture. Topics include: Leeds School of Art; Barbara Hepworth; Reclining Figure 1929 brown Hornton Stone, influenced by Mayan carvings. Sooke suggests Moore's figure is both fiercely erotic and confrontational; Discussion on how Moore becomes a household name - Sooke states he is the first artistic superstar of the TV age. Arts Council commission for Festival of Britain; Reclining Figure: Festival 1951; Interview with Chris Stephens of Tate Britain - discusses how Moore's figures can evoke the horrors of Hiroshima and the Holocaust; British Council; Falling Warrior; nuclear threat; Harlow New Town; Harlow Family Group; Florence exhibition; Scottish National Gallery of Modern Art. Includes BBC archive footage of previously broadcast programmes. Also shows Reclining Figure: Arch Leg and Torso. See 0021960 for Modern British Sculpture exhibition at RA.
0004215
Author/Editor: READ John
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1973
Date & Collation: 48 mins.Colour.Sound.Written and produced by John READ.
Description: A B.B.C. T.V., Time-Life and R.M. Productions co-production. Narrator Tony Church. A version exists with French commentary and voice-over. Film of sculpture at Florence 1972 (See 0004285) which opens with views of Carrara quarries, and incorporates interview statements by Henry MOORE. Describes the 1972 exhibition, its siting, Moore's links with Florence, the numbers of visitors, and public reactions. Moore comments on his 1925 visit to Italy at the time when he was more concerned with primitive sculpture than with Classical and Renaissance art. The sculptor is also interviewed on the Human figure as the basis of our understanding of form, his views on the basic sexuality rather than eroticism in his work, the use of maquettes, Stonehenge and the traditional nature of his art. Works given attention with commentary in the film include: King and Queen, 1952-1953 bronze; Falling Warrior, 1956-1957 bronze; Draped Reclining Figure, 1952-1953 bronze; Family Group, 1948-1949 bronze; Interlocking Two Piece Sculpture, 1968-1970 white marble; Atom Piece (Working Model for Nuclear Energy), 1964-1965 bronze; Three Piece Sculpture: Vertebrae, 1968-1969 bronze; Large Square Form with Cut, 1969-1971 Rio Serra marble; Locking Piece, 1963-1964 fibreglass; Large Arch, 1963-1969 fibreglass.
0023036
Place Published: Perry Green
Year: 1974
Date & Collation: 47mins 52 seconds.Sound.A284
Description: Conversation between David Finn and Henry Moore in 1974 looking at Moore’s artworks photographed by David Finn for Henry Moore: Sculpture and Environment (1976). Reference to Draped Reclining Figure 1952-53 bronze (LH243); King and Queen 1952-53 bronze (LH 350); Upright Motive 1: Glenkiln Cross 1955-56 bronze (LH 377); Warrior with Shield 1953-54 bronze (LH 360); Reclining Figure: External Form 1953-54 bronze (LH 229); Memorial Figure 1945-46 Horton Stone (LH 262); and Madonna and Child 1943 bronze (LH 224). Interview reel 2 of 6
0010504
Publisher: N.H.K.
Place Published: Tokyo
Year: 1986
Date & Collation: 45 mins.Colour.Sound.In Japanese.
Description: April 1986 weekly arts programme feature on The Art of Henry Moore exhibition (See 0000142) with film in the Museum and at Ueno Park, and incorporating colour and black and white images of Moore, Much Hadham, Stonehenge and individual art works. Centered around studio discussion with sculptor Kazuzo TATEHATA and art critic T. OKADA. The Arch, 1963-1969 fibreglass is seen being erected, and the exhibition and Moore are introduced. Discussion takes place on Moore's art, featuring particularly: Reclining Figure, 1959-1964 elm wood; Woman with Upraised Arms, 1924-1925 Hopton wood stone; Composition, 1933 carved concrete; Stringed Figure, 1939 bronze and string; Recumbent Figure, 1938 bronze; Large Reclining Figure, 1983 fibreglass; Reclining Figure: Angles, 1979 bronze; Family Group, 1949 bronze; King and Queen, 1952-1953 bronze; Warrior with Shield, 1953-1954 bronze; Working Model for Upright Internal-External Form, 1951 bronze; Atom Piece (Working Model for Nuclear Energy), 1964-1965 bronze; Large Standing Figure: Knife Edge, 1961 bronze.
References to sculpture in the Open Air, Human figure, Natural forms, Materials, sculptural form and space, abstraction and figuration, War Drawings and influence on subsequent output, frontality of Moore's sculpture and being drawn round to the back of his works. Some drawings and prints are seen and quotations from Moore's published statements are incorporated. An audio tape English translation by Simon R. PRENTIS of the sound track exists at the Henry Moore Foundation.
Title romanized: Nichiyo bijutsukan.
References to sculpture in the Open Air, Human figure, Natural forms, Materials, sculptural form and space, abstraction and figuration, War Drawings and influence on subsequent output, frontality of Moore's sculpture and being drawn round to the back of his works. Some drawings and prints are seen and quotations from Moore's published statements are incorporated. An audio tape English translation by Simon R. PRENTIS of the sound track exists at the Henry Moore Foundation.
Title romanized: Nichiyo bijutsukan.
0017783
Publisher: British Broadcasting Corporation
Place Published: London
Year: 1998
Date & Collation: 50mins+48mins.Black and White.Colour. Sound.Executive Producer: Keith ALEXANDER.Produced and Directed by James RUNCIE. Narrator: Francine STOCK.
Description: Made in association with Fuji Television and the Society for International Cultural Exchange, Japan. Henry Moore Centenary film, transmitted on BBC 2 in two parts: on 18 July 1998 and 19 July 1998, cited in Radio Times 18-24 July 1998 as part of BBC 2's Sculpture Season.Incorporates extracts from previous BBC films of Moore, and from Out of Chaos (See 0008950). The narration quotes statements by Moore. Sculptures and drawings are seen throughout the films, including sketchbook pages.
Part One: 1898-1945.
(Interviews with BACALL Lauren, CRAIGIE Jill, GINESI Edna, McLEOD Malcolm, COLLINS Elizabeth, WYNDHAM Joan, FLETCHER Valerie, CURTIS Penelope, WRENCH Bill, MOORE Mary, LIEBERMANN William, BOWNESS Alan, WILKINSON Alan G., HINDRY Ann, MEADOWS Bernard, RANDALL-PAGE Peter, ANDREWS Julian. W.H. Auden's reading of As I Walked Out One Evening. Photographs and films with brief statements on: Yorkshire childhood, World War 1, Leeds School of Art, Royal College of Art, Direct Carving and Truth to Material, Rodin, Michelangelo, British Museum, Primitivism, Irina Moore, Hampstead in the 1930s, Barbara Hepworth, Picasso, Recumbent Figure, 1938 green Hornton stone, Kenneth Clark, War Drawings Northampton Madonna and Child, 1943-1944 Hornton stone).
Part Two: 1945-1986.
(Further extracts from Henry Moore films, and more contributions from Penelope Curtis, Alan Bowness, Lauren Bacall, William Liebermann, Mary Moore, Peter Randall-Page, Malcolm McLeod, Edna Ginesi. Plus interviews with ICHIKAWA Shigeru, ROSENBERG Alex, ASH Maurice, HERON Patrick, SPENDER Natasha, ALLEMAND-COSNEAU Claude, GIARDINI Giulio, CARO Anthony, PEI I.M., MITCHINSON David, FINN David, KING Phillip, GUAITA Maria Liuga, JACKSON Jeanette, GIBBERD Patricia. Stephen Spender's reading of In Attica. Margaret THATCHER referred to Moore as a lovely man, but she didn't like those great big lumpy things. Hakone Open-Air Museum, Warriors, Harlow Family Group, 1954-1955 Hadene stone, Reclining Figure: Festival, 1951 bronze, King and Queen, 1952-1953 bronze, U.N.E.S.C.O. Recling Figure, 1957-1958 travertine marble. Carrara, Fortei dei Marmi, Glenkiln, Florence 1972 exhibition (See 0004285), Henry Moore Foundation.
Followed by Stone, Wood, Water with Andy Goldsworthy, the first of three short films also produced by Keith Alexander, director Ian Leese.
Recorded off-air under Clause 75 of the Copyright Act 1988.
Part One: 1898-1945.
(Interviews with BACALL Lauren, CRAIGIE Jill, GINESI Edna, McLEOD Malcolm, COLLINS Elizabeth, WYNDHAM Joan, FLETCHER Valerie, CURTIS Penelope, WRENCH Bill, MOORE Mary, LIEBERMANN William, BOWNESS Alan, WILKINSON Alan G., HINDRY Ann, MEADOWS Bernard, RANDALL-PAGE Peter, ANDREWS Julian. W.H. Auden's reading of As I Walked Out One Evening. Photographs and films with brief statements on: Yorkshire childhood, World War 1, Leeds School of Art, Royal College of Art, Direct Carving and Truth to Material, Rodin, Michelangelo, British Museum, Primitivism, Irina Moore, Hampstead in the 1930s, Barbara Hepworth, Picasso, Recumbent Figure, 1938 green Hornton stone, Kenneth Clark, War Drawings Northampton Madonna and Child, 1943-1944 Hornton stone).
Part Two: 1945-1986.
(Further extracts from Henry Moore films, and more contributions from Penelope Curtis, Alan Bowness, Lauren Bacall, William Liebermann, Mary Moore, Peter Randall-Page, Malcolm McLeod, Edna Ginesi. Plus interviews with ICHIKAWA Shigeru, ROSENBERG Alex, ASH Maurice, HERON Patrick, SPENDER Natasha, ALLEMAND-COSNEAU Claude, GIARDINI Giulio, CARO Anthony, PEI I.M., MITCHINSON David, FINN David, KING Phillip, GUAITA Maria Liuga, JACKSON Jeanette, GIBBERD Patricia. Stephen Spender's reading of In Attica. Margaret THATCHER referred to Moore as a lovely man, but she didn't like those great big lumpy things. Hakone Open-Air Museum, Warriors, Harlow Family Group, 1954-1955 Hadene stone, Reclining Figure: Festival, 1951 bronze, King and Queen, 1952-1953 bronze, U.N.E.S.C.O. Recling Figure, 1957-1958 travertine marble. Carrara, Fortei dei Marmi, Glenkiln, Florence 1972 exhibition (See 0004285), Henry Moore Foundation.
Followed by Stone, Wood, Water with Andy Goldsworthy, the first of three short films also produced by Keith Alexander, director Ian Leese.
Recorded off-air under Clause 75 of the Copyright Act 1988.
0005005
Publisher: International Film Bureau
Place Published: Chicago
Year: 1969
Date & Collation: 18 mins.Black and white.Sound.
Description: American version of modern sculpture appreciation film prepared from original film by F. Geilfus in cooperation with Belgian Ministry of National Education and Culture. Includes glimpses of a Moore Reclining Figure and a Moore Warrior, with brief quotations read from the artist's published statements.