Henry Moore Artwork Catalogue
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Goslar Warrior
0003609
Publisher: Fotostudio Volker Schadach
Place Published: Goslar
Year: 1975
Date & Collation: 92pp(35 illus).Brief captions in German.
Description: Book of photographs, numbered 6-40, showing Henry Moore in Goslar, siting the Goslar Warrior, 1973-1974 bronze, and receiving the Kaiserring.
0022034
Publisher: Münchehaus Museum für Moderne Kunst
Place Published: Goslar
Year: 2004
Date & Collation: 8pp(numbered 61-68)(25 illus).
Description: Folder announcing the latest recipient of the Kaiserring. Contains five seperate booklets. Includes three photographs of Henry Moore and the Goslar Warrior, 1973-1974 bronze.
0010583
Publisher: Münchehaus Museum für Moderne Kunst
Place Published: Goslar
Year: 1978
Date & Collation: 8pp(numbered 61-68)(25 illus).
Description: Booklet of photographs mainly of recipients of the Kaiserring. Includes three photographs of Henry Moore and the Goslar Warrior, 1973-1974 bronze.
0001535
Publisher: Mönchehaus Museum für Moderne Kunst
Place Published: Goslar
Year: 1982
Date & Collation: 24pp.Illus.Text in German.
Description: Guide book with five photographs of Moore who won the Kaiserring in 1975.
0001770
Author/Editor: SCHMUTZLER Helga.
Publisher: Brockkamp-Verlag
Place Published: Bremen
Year: 1981
Date & Collation: 48pp.Illus.Text in Danish, English, German.
Description: Picture guide book with a colour photograph of the Goslar Warrior, 1973-1974 bronze and caption The English sculptor Henry Moore was the first artist to be awarded the Emperor's Ring of the Town of Goslar a ring of honour given every year as a prize to an outstanding painter or sculptor with the intention to create a tie between the rich cultural past and the present"."
0000527
Publisher: Gobierno de Canarias
Place Published: Santa Cruz de Tenerife
Year: 1985
Date & Collation: 83pp.Illus.Texts.Text in Spanish.
Description: Publication issued by the Canaries Government Council for Culture and Sport on the works from First International Exhibition of Sculpture in the Streets 1973-1974 (La Exposición de Escultura en la Calle).
ALEMAN DE ARMAS Adrián. Introducción.
PEREZ MINIK Domingo. Santa Cruz de Tenerife: dos tiempos.
(Santa Cruz de Tenerife: two ages. Gives background to exhibition and mentions Moore in passing).
WESTERDAHL Eduardo. Escultores y obras.
(Sculptors and works. 30 exhibits described including Moore's Goslar Warrior, 1973-1974 bronze, with five illustrations on pages 30-31 together with a biographical outline).
CRUZ RUIZ Juan. Mirada la de Aquel dia.
(The look of that day. Passing mention of Moore).
ALEMAN DE ARMAS Adrián. Introducción.
PEREZ MINIK Domingo. Santa Cruz de Tenerife: dos tiempos.
(Santa Cruz de Tenerife: two ages. Gives background to exhibition and mentions Moore in passing).
WESTERDAHL Eduardo. Escultores y obras.
(Sculptors and works. 30 exhibits described including Moore's Goslar Warrior, 1973-1974 bronze, with five illustrations on pages 30-31 together with a biographical outline).
CRUZ RUIZ Juan. Mirada la de Aquel dia.
(The look of that day. Passing mention of Moore).
0022865
Publisher: Euronova
Place Published: Rotterdam
Year: 2007
Date & Collation: 4pp.Illus.
Description: Security company newsletters. 4 article titled Henry Moore Foundation: The theft of a number of images from the sculpture garden of the Singer Museum Laren Netherland has resulted in the public space next outrage an acute attention to beveilging of art". Illus of Goslar Warrior 1973-4 bronze (LH 641)."
0019858
Publisher: Hyogo Prefectural Museum of Art
Place Published: Kobe.
Year: 2002
Date & Collation: 260pp.Illus.Text in Japanese and some English.
Description: Selection of 120 works.
228-229(1 illus) Henry Moore: Goslar Warrior, 1973-1974 bronze.
228-229(1 illus) Henry Moore: Goslar Warrior, 1973-1974 bronze.
0015496
Publisher: HB Verlag
Place Published: Hamburg
Year: 1993
Date & Collation: 98pp.Illus.Text in German.
Description: HB Art Guide 47 featuring the Harz region.
82,93-94(1 illus) Henry Moore.
Within a section by Rudolf SCHWARZ on modern art, an illustration and short commentary on Goslar Warrior, 1973-1974 bronze. Notes the contrast between the personification of power and might represented in the statues of Barbarossa and Emperor Wilhelm I in front of the Palace, and Moore's depiction of man as the sacrifice to war. Moore is also listed as one of the artists whose work features in Mönchehaus Museum für Moderne Kunst, from whom this publication was received.
82,93-94(1 illus) Henry Moore.
Within a section by Rudolf SCHWARZ on modern art, an illustration and short commentary on Goslar Warrior, 1973-1974 bronze. Notes the contrast between the personification of power and might represented in the statues of Barbarossa and Emperor Wilhelm I in front of the Palace, and Moore's depiction of man as the sacrifice to war. Moore is also listed as one of the artists whose work features in Mönchehaus Museum für Moderne Kunst, from whom this publication was received.
0022896
Publisher: National Glyptotheque
Place Published: Athens
Year: 2004
Date & Collation: 2004(26 Jul).3pp.Illus.
Description: Invitation to opening of exhibition of the same name and inauguration of the National Glyptotheque, in Athens. See 0020818 for the exhibition catalogue. Illus of Goslar Warrior 1973-4 bronze, (LH 641).
0022086
Publisher: Denver Botanic Gardens
Place Published: Denver
Year: 2010
Date & Collation: 34pp.illus
Description: Booklet, supported by the Gay and Lesbian Fund for Colorado, published to accompany audio guide of Moore exhibition at Denver Botanic Gardens, see 0021716. Contains text by Anita FELDMAN and David MITCHINSON on the following sculptures: Three Piece Reclining Figure: Draped Oval with Points Knife Edge Two Piece Reclining Figure: Arch Leg Large Reclining Figure Goslar Warrior Mother and Child Reclining Mother and Child Upright Motives Large Totem Head Locking Piece Reclining Figure: Angles Hill Arches Seated Woman Two Piece Reclining Figure: Points Working Model for Standing Figure: Knife Edge. Also includes text on the following subjects: Unique Qualities of the Garden; Matching the Sculpture to the Site; Moore's Landscape, Figure and Form; Moore's Biography; Curatorial Decisions; Moore's Preference for Outdoors; Irina Moore and Gardening; Sculpture in the Landscape; Maquettes; Unique Qualities of Bronze; Casting Editions of Bronze.
0024064
Publisher: Henry Moore Studios & Gardens
Place Published: Perry Green
Year: 2019
Date & Collation: 29 May. illus.1p.
Description: Leaflet advertising childrens' drawing workshop at Henry Moore Studios and Gardens. Workshop based on "Moore's favourite methods for creating interesting drawings", and ties in with the exhibition Henry Moore: The Art of Seeing. Activities listed: creating a drawing from a single unbroken line and collage; using Brusho inks to creat a signaure. Illus. of Goslar Warrior (LH 641).
0010195
Publisher: Mönchehaus Museum für Moderne Kunst
Place Published: Goslar
Year: 1982
Date & Collation: 1pp poster(1 Moore illus).Text in German.
Description: Purchasers required for art works contributed by artists photographed on poster. On view in Museum from 17 December 1982. Aktion des Vereins zur Förderung moderner Kunst e. V. Goslar (Committee for the Promotion of Modern Art's Campaign in Goslar). Künstler spenden für den Erhalt des Breiten Tores (Artists donate towards the maintenance of Broad Gate).
0001528
Publisher: Mönchehaus Museum für Moderne Kunst
Place Published: Goslar
Year: 1982
Date & Collation: 50pp.Illus.Texts in German.
Description: Award of Kunstpreis der Stadt Goslar to Max Bill. In a photograph-section entitled Moderne Kunst in Goslar, there are four photographs of Moore who won the prize in 1975.
0019685
Publisher: Walker Art Gallery
Place Published: Liverpool
Year: 2000
Date & Collation: 3pp(1 illus).
Description: Printed 30 Jan 2002 from Internet www.nmgm.org. National Museums and Galleries on Merseyside short Picture of the Month feature on Falling Warrior, 1956-1957 bronze. He was also influence by the heroes of Greek mythology. In this sculpture Moore has stripped the figure down to its basic elements. Here the warrior seems to lack the power of a traditional hero...""
0022873
Author/Editor: GOULOOZE Maud
Place Published: Amstelveen
Year: 2004
Date & Collation: 10pp.Illus.
Description: Letter and draft of article on the Mozart opera Don Giovanni at the 1967 Spoleto Festival, which included set design featuring replica works by Moore. Mention of Gian Carlo Menotti, Fiorella Mariani and Vincenzo Gaetaniello; Conductor Thomas Schippers; Director Patroni Griffi and costumes by Fiorella Mariani; Performing artists; Giovanni Carandente. Images show stills from the performance as well as selected illus of Moore's work, including: Illus of Falling Warrior 1956-7, (LH ); The Arch, (LH 503b); Reclining Figure 1939 lead, (LH 202); Spoleto Festival 1982.
0001023
Publisher: Musée Rodin
Place Published: Paris
Year: 1983
Date & Collation: 226pp.Illus.Bibliog.Texts in French.
Description: Compte-rendu du colloque organisé par le Musée Rodin du 11 au 15 octobre 1982 au Musée Rodin."
89-97 SUTTON Denys. Rodin en l'Angleterre.
(Rodin in England. Notes Moore's appreciation of Rodin's sculptures in the Victoria and Albert Museum as a student).
127-137(1 Moore illus) WILKINSON Alan G. Rodin Gauguin et la génération de Picasso et Moore du romantisme au primitivisme. (Rodin Gauguin and the generation of Picasso and Moore from romanticism to primitivism. Quotes Moore on the influence of primitives on modern art. Refers to particular pieces by Moore and describes the Chacmool figure that produced Moore's most important contribution to modern sculpture of using the female figure as a metaphor for landscape. Wilkinson also describes the primitive sources and significance of other drawings and sculpture by Moore).
Moore's Warrior with Shield 1953-1954 bronze appears in a colour photograph on the front of this volume."
89-97 SUTTON Denys. Rodin en l'Angleterre.
(Rodin in England. Notes Moore's appreciation of Rodin's sculptures in the Victoria and Albert Museum as a student).
127-137(1 Moore illus) WILKINSON Alan G. Rodin Gauguin et la génération de Picasso et Moore du romantisme au primitivisme. (Rodin Gauguin and the generation of Picasso and Moore from romanticism to primitivism. Quotes Moore on the influence of primitives on modern art. Refers to particular pieces by Moore and describes the Chacmool figure that produced Moore's most important contribution to modern sculpture of using the female figure as a metaphor for landscape. Wilkinson also describes the primitive sources and significance of other drawings and sculpture by Moore).
Moore's Warrior with Shield 1953-1954 bronze appears in a colour photograph on the front of this volume."
0022808
Publisher: NewArtCentre
Place Published: Wiltshire
Year: 2013
Date & Collation: 5pp.DVD
Description: Letter, press release, DVD of the talk and publicity card relating to the fourth year of an annual contest to promote the appreciation and discussion of art. First prize in 2013 was awarded to Molly Nickson, from Townley Grammar, Kent, for her presentation titled Standing Figure, Knife Edge Henry Moore. Press release: Illus of finalists beside Falling Warrior 1956-7 bronze (LH 405) Clare College, Cambridge.
0012801
Publisher: Les Art Gallery
Place Published: Johannesburg
Year: 1991
Date & Collation: 4pp(1 illus).Text by Ziva KAHN.
Description: Small brochure on raffle to win Girl Doing Homework V, 1974 etching and aquatint in aid of Beit Halochem, The House of the Warrior, an institution which helps the disabled war veterans of Israel. The print was on view at Les Art Gallery.
0001523
Author/Editor: WYLIE Timothy.
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1982
Date & Collation: iii,38pp(44 illus).Bibliog.Typewriter script.
Description: Unpublished B.A.(Hons) Fine Art Sculpture thesis. The Helmet, 1939-1940 bronze; Helmet Head No. 1, 1950 bronze; Helmet Head No. 2, 1950 bronze; Helmet Head No. 5, 1966 bronze.
1: A description of the pieces of sculpture relevant to this essay.
(The Helmet 1940 is related to the Classical Greek helmet which Moore no doubt knew from the British Museum. The interior form is seen as a figure, the exterior a smooth shell, the two forms together creating the complete image. The interior figure is both imprisoned and protected. The later works explore further permutations of interior and exterior form, with the image made closer to our own time by a similarity with World War 2 Helmets. Eyes and asymmetrical elements are introduced into the 1950 works, while the 1966 piece has more abstract interior form).
2. Looking at some of the works produced by Moore's contemporaries which show a similarity in image with the Helmet Head.
(Elements in works by Brancusi, Epstein, Picasso and Giacometti are related to Moore).
3. An Investigation of the themes well established in Moore's work which recur in the Helmet series...
(Reclining Figure, Mother and Child, Interior and Exterior, Warrior and Stringed Figures are all seen in the Helmets).
4. The relationship between Moore's Helmet series, his War work and the tradition of associated war images.
(Chronological proximity relates the Helmet to the Shelter drawings. Links are suggested with Nevinson, Goya and Rosenquist).
5. An explanation of the manner by which Moore's studio techniques may have influenced the forms used in the Helmet Head sculptures.
(Initial ideas may have evolved from mould used in casting, although Moore denies this in favour of forms in nature).
6. Conclusion.
(Moore used well-known art historical image as a simple exercise in form).
1: A description of the pieces of sculpture relevant to this essay.
(The Helmet 1940 is related to the Classical Greek helmet which Moore no doubt knew from the British Museum. The interior form is seen as a figure, the exterior a smooth shell, the two forms together creating the complete image. The interior figure is both imprisoned and protected. The later works explore further permutations of interior and exterior form, with the image made closer to our own time by a similarity with World War 2 Helmets. Eyes and asymmetrical elements are introduced into the 1950 works, while the 1966 piece has more abstract interior form).
2. Looking at some of the works produced by Moore's contemporaries which show a similarity in image with the Helmet Head.
(Elements in works by Brancusi, Epstein, Picasso and Giacometti are related to Moore).
3. An Investigation of the themes well established in Moore's work which recur in the Helmet series...
(Reclining Figure, Mother and Child, Interior and Exterior, Warrior and Stringed Figures are all seen in the Helmets).
4. The relationship between Moore's Helmet series, his War work and the tradition of associated war images.
(Chronological proximity relates the Helmet to the Shelter drawings. Links are suggested with Nevinson, Goya and Rosenquist).
5. An explanation of the manner by which Moore's studio techniques may have influenced the forms used in the Helmet Head sculptures.
(Initial ideas may have evolved from mould used in casting, although Moore denies this in favour of forms in nature).
6. Conclusion.
(Moore used well-known art historical image as a simple exercise in form).
0008342
Author/Editor: MELVILLE Robert.
Publisher: HMF library copy
Place Published: Much Hadham
Year: 1954
Date & Collation: 5pp.Typewriter script.
Description: British Council text on Moore's work since 1950. His sculpture seems to spring from the primitive instinct to make raised stones. He is drawing upon the reservoir of forms stored in the drawings and sculpture of his own past. He is now involved in a slow move towards a more naturalistic idiom. Mentions leaf figures, drawing parallels with roof bosses in medieval English churches. Draped Reclining Figure, 1952-1953 bronze; King and Queen, 1952-1953 bronze; Warrior with Shield, 1953-1954 bronze; Time-Life Screen, 1952-1953 Portland stone and other works.
0022582
Author/Editor: Binnie Nancy E., Phillips Sherry L.
Publisher: Canadian Conservation Institute
Place Published: Peterborough
Year: 2012
Date & Collation: (24-26 May 2012)41pp.Illus.
Description: Paper given at the 38th Annual Conference and Workshop - Canadian Association for Conservation of Cultural Property, in Peterborough, Ontario, Canada, on conservation of Simon Starling's Infestation Piece (Musselled Moore). 3 two illus of Warrior with Shield 1953-4 bronze, (LH 360) and Three Way Piece No.2: Archer 1964-65 bronze, (LH 535).
0004718
Publisher: Art Gallery of Ontario
Place Published: Toronto
Year: 1970
Date & Collation: 56pp.Illus.Texts by Edmund C.BOVEY, W.J.WITHROW.
Description: 3,7,24,34(2 illus) Henry Moore.
Two photographs feature Warrior with Shield, 1953-1954 bronze and both the President and the Director mention in passing the Henry Moore Sculpture Centre.
Two photographs feature Warrior with Shield, 1953-1954 bronze and both the President and the Director mention in passing the Henry Moore Sculpture Centre.
0023090
Publisher: Lakeside Arts
Place Published: Nottingham
Year: 2014
Date & Collation: (Dec 14 - Mar 15)55pp.Illus
Description: What's on guide includes reference to exhibition In the Shadow of War showing at the Djanogly Art Gallery in anticipation of the 70th anniversary of the end of the Second World War, 29 November 2014 - 22 February 2015. Features the work of a generation of artists who rose to prominence inpost-war Britain. 5 Moore included in list of artists. 6 illus of Falling Warrior 1956-7 bronze (LH 405).