Henry Moore Artwork Catalogue
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Review of Henry Moore: The Sixties exhibition at Perry Green, with thoughtful exploration of the sculptor's themes and output througtout the decade. Quotes from Dr. Hannah Highham on how innovations changed Moore's processes (i.e. polystyrene), use of assistants and Plastic Studio. Brief mention of Locking Piece and Knife Edge Two Piece, Anthony Caro and a 1964 article in the New York Times by Brian O'Doherty. Six illus from Foundation's press pack selection.
Brief news column annoucing the opening of an exhibition at the Rozelle House Museum and Galleries, Aryshire, Scotland, entitled Henry Moore: Threads of Influence. The show will explore the variety of ways Henry Moore created artwork.
Author revisits previous ground, mirroring the subject of the article - the episode of BBC's Arena screened just days after the death of the artist. Exploration of the new ground broken by director, John Read, in his personal recollection of Moore as shown through clips from previous documentaries re-edited for this special episode shown as a change to the scheduled programme on the American 'Rock n Roll' muscian, Jerry Lee Lewis. Many links to previous articles published by Loukopoulou. Two illus show screen grab of Read speaking directly to audience from within Moore's studio at Perry Green, with sculpture in the background and a link to online clips of the broadcast. See 0002400. For full article see https://learningonscreen.ac.uk/viewfinder/articles/arenas-memorial-portrait-of-henry-moore/
Monograph on the journal Signature, and its influence on British art. Mentions of Moore throughout, with four illustrations of his works on paper which were reproduced in Signature and in the Penrose Annual.
Listing of Three Way Piece No.1: Points 1964-65 bronze (LH 533) public location on webpage dedicated to logging "bite-size bits of local, national and global history". Entry is notable for detailing the acquisition by the Fairmount Park Art Association, original location, accompanying information panel, and for its terrible photograph showing Moore's work deep in the background of the image, behind a dustbin and a wooden bench. Coordinates for precise location included.