Henry Moore Artwork Catalogue
Search
Skip to main content
Refine Results
164 results
for
*
0020968
Author/Editor: BARKER Ian.
Publisher: Swirdoff Verlag
Place Published: Künzelsau
Year: 2004
Date & Collation: 360pp.Illus.Bibliog.Index.
Description: Chronological examination of Caro's work containing extensive original material as well as previously unpublished correspndence with critics and friends. Moore mentioned in introduction and throughout the book. Relationship between the two sculptors well documented in Chapter Three: Assistant to Henry Moore" pages 41-53. Outlines their meeting in 1951 the building of a bronze foundry in Hoglands grounds charting a growing "father and son" bond. Examines Moore's influence on early Anthony Caro works with particular reference to Moore correcting Caro's life-drawing studies. Interesting exploration of Caro's 1960 The Observer article page 99 in which he appeared to criticise Moore by saying "in his later works it sometimes appears that he is affected by a consciousness of his greatness". Mention of Caro being included in letter to The Times in 1967Page 170 which protested at the space available to house The Moore Gift to The Tate. Shows their continuing friendship with the inclusion of part of a 1980 letter from Caro page 244-245 concerning Moore's contribution to The Federal Union of Black Artists Project.(22 Moore illus).
Page 34 Three Standing Figures 1947-48 Darley Dale stone (LH 268). Page 38 Family Group 1945 terra-cotta sketch-model. Page 41 Reclining Woman 1930 Green Hornton stone (LH 84). Page 42 Mask 1930 Green stone (LH 77). Page 50 Draped Reclining Figure 1952-53 bronze (LH 336) Time-Life Screen 1952-53 Portland stone (LH 344) Family Group 1948-49 bronze (LH 269)."
Page 34 Three Standing Figures 1947-48 Darley Dale stone (LH 268). Page 38 Family Group 1945 terra-cotta sketch-model. Page 41 Reclining Woman 1930 Green Hornton stone (LH 84). Page 42 Mask 1930 Green stone (LH 77). Page 50 Draped Reclining Figure 1952-53 bronze (LH 336) Time-Life Screen 1952-53 Portland stone (LH 344) Family Group 1948-49 bronze (LH 269)."
0023490
Publisher: Kerper Verlag
Place Published: Bielefeld
Year: 2004
Date & Collation: (28 March-27 June).88pp.Cat.Illus.Bibliography.Chronology.
Description: Internet print of image purchased from eBay, including original listing. Photo, dated 29 May 1949, caption reads; Sir Laurence Olivier receiving his award from Sir Michael Balcom at the Odeon Theatre, London, for his film Hamlet" which was adjudged the best film from any source British or foreign. Sir Laurence received three trophies Best Film and Best Actor Oscars from the American Film Academy and the British Film Academy's award a bronze figure (seen foreground) by the sculptor Henry Moore. One Moore illus shows Seated Figure 1949 bronze (LH 271). See 0008360 for details of Moore's commission.
0020999
Author/Editor: Collected by HUTH Angela.
Publisher: John Murray
Place Published: London
Year: 2004
Date & Collation: xii460pp.
Description: A treasury of remembrance, fine writing and of the vastly different lives of politicians, actors, sportsmen, writers, artists and sometimes unknown but well-remembered friends. Page 105-109 eulogy for Moore given by Stephen Spender at the Memorial Service at Westminster Abbey in 1986.
0023494
Place Published: Japan
Year: 2004
Date & Collation: 2004
Description: Copies of 21 press cuttings - Japanese text, illus.
0022163
Publisher: Ware Museum Newsletter
Place Published: Ware
Year: 2004
Date & Collation: 2004 (December) 1(one Moore illus)
Description: News update from local history museum. Features details of Big Draw event held at the museum, taking inspiration from Moore's Shelter Drawings. Shows illustration of local artist Chris HOLDER with her interpretation of a Moore Shelter Sketch. Works by Moore can be seen in the background.
0021121
Publisher: Lewes Town Council.
Place Published: Sussex
Year: 2004
Date & Collation: 2004(3 Jul-3 Oct)
Description: Project centred on an exhibition of the work of Henry Moore. Themes of Land and Sea are reflected in Moore's sculptures, drawings and graphics in British venues and France simultaneously, and in cross-channel collaborative educational exchanges and local workshops. Two exhibitions of new digital work Landscapes and Keepsakes, showing the works of David Carter, Joe Watson and Isabel Albiol Estrada, take forward ideas based on Moore's use of scale and volume. Archive includes some miscellaneous items: Promotional exhibition leaflets in French and English; Private View invitations; Exhibition Report - showing photographs from exchange visits and workshops, as well as visitor numbers; Press Coverage selection. Exhibition dates: Lewes Town Hall, 3 Jul-31 Aug; Charleston, 4 Jul-29 Aug; Château-Musée de Dieppe, 10 Jul-3 Oct; Crypt Gallery, Seaford, 3 Jul-31 Jul; Thebes Gallery, Lewes, 26 Jul-24 Aug.
0021154
Author/Editor: CONNERY Stephane Cosman.
Publisher: Sotheby's Preview.
Place Published: London
Year: 2004
Date & Collation: (Apr)40-43(One Moore illus).
Description: Article which promotes the first exhibition of works exclusively for private sale, at Isleworth Golf Club, Florida. Of the three Moore works exhibited, one illus is shown:
Page 43: Reclining Figure: Arched Leg 1969-70 bronze, (LH 610).
0022155
Publisher: Illuminations
Place Published: London
Year: 2004
Date & Collation: 60mins.Colour.Sound.V382
Description: Film produced as commercial/educational product. Specially recorded reading of the artist’s own words, selected from Alan Wilkinson’s monograph, voiced by Straun Roger. Accompanying music by Bach, Fibich, Schubert, Smetana, Verdi and Wagner. Divided into twelve chapters: Introduction; Yorkshire; Learning in London; Mother and Child; The 1930’s; Reclining Figures; The War; A New World; Upright Figures; Two Piece and Three-Way Figures; The Sculptor in Modern Society; Final Years. Includes biographical information and images as well as a wealth of illustrations of Moore’s drawings and sculptures; each include title and year. Installation stills from Moore exhibitions at Dulwich Picture Gallery summer 2004, YSP, Tate Modern summer 2003.
0022143
Author/Editor: WILSON Robert A.
Publisher: University of Texas Press
Place Published: Texas
Year: 2004
Date & Collation: 162pp.illus.
Description: Illustrated biographical catalogue of works in the sculpture collection of Ray and Patsy Nasher. Two Moore illus: Page 144 Reclining Figure: Angles 1979 bronze, (LH 675) Page 158 Working Model for Three Piece No.3: Vertebrae 1968 bronze, (LH 579).
0020593
Author/Editor: BACON Caroline., McGREGOR James., NURSE Julia.
Publisher: Cecil Higgins Art Gallery
Place Published: Bedford
Year: 2004
Date & Collation: 240pp.Illus.Forwrod by Bamber GASCOIGNE.Introduction by Caroline BACON.Acknowledgements.Contributors.Abbreviations.catalogue.Glossary.Index.Credits
Description: Published as a companion to Cecil Higgins Art Gallery: Watercolours and Drawings (see 0020592). Henry Moore: 2 prints 1957-1979.
Seated Figures on Green Background, 1957 lithograph (CGM 37).
Reclining Figure, Piranesi Background III, 1979 etching (CGM 512).
Seated Figures on Green Background, 1957 lithograph (CGM 37).
Reclining Figure, Piranesi Background III, 1979 etching (CGM 512).
0020573
Author/Editor: WARBURTON Nigel.
Publisher: Routledge
Place Published: London
Year: 2004
Date & Collation: 198pp(illus).Bibliography.Index
Description: Biography of the architect Ernö Goldfinger (1902-1987). Moore is mentioned on pages 101,102,103,135,147 and 186 on sections detailing the 'Aid to Russia' exhibition which Goldfinger hosted at Willow Road, London in June 1942, which included work by Moore. Moore was also part of the party scene at Willow Road in 1948-49, along with Roland Penrose and Lee Miller and others. Goldfiger also contacted Moore to ask for a work to be included in the Ministry of Health complex on the South Bank of the Thames. Moore produced a maquette for the project, but the financing for the commission fell through. Page 147 and 152 contains reference to two letters from Moore, 26 November 1959 and to Moore 5 August 1968.
0020601
Publisher: Sotheby's
Place Published: London
Year: 2004
Date & Collation: 174pp.Illus.Index.
Description: Sale L04140. Lots 125-127 Henry Moore: three drawings 1972-1975
Lot 125 Girl Doing Homework, 1972 drawing (HMF 3226)
Lot 126 Seated Torso II, 1975 drawing (HMF 75(84))
Lot 127 Studies of Sheep with Lamb, 1972 drawing (HMF 3325)
Lot 125 Girl Doing Homework, 1972 drawing (HMF 3226)
Lot 126 Seated Torso II, 1975 drawing (HMF 75(84))
Lot 127 Studies of Sheep with Lamb, 1972 drawing (HMF 3325)
0020579
Publisher: Christie's
Place Published: New York
Year: 2004
Date & Collation: (25 Feb)
Description: Lots 68,135 Henry Moore: 1 sculpture 1984, 1 drawing 1927. Illus:
68 Seated Nude, 1927 drawing (HMF 509)
135 Seated Woman; Shell Skirt, 1984 bronze (LH 911)
68 Seated Nude, 1927 drawing (HMF 509)
135 Seated Woman; Shell Skirt, 1984 bronze (LH 911)
0020572
Publisher: Dorling Kindersley
Place Published: London
Year: 2004
Date & Collation: 800pp.illus.
Description: Travel guide. Henry Moore: two references, under 'Works of Art in the UN' on page 74, and on section describing the Smart Museum of Art on page 395. Reclining Figure: Hand, 1979 bronze (LH 709)is illustrated on page 74.
0020595
Publisher: Christie's
Place Published: New York
Year: 2004
Date & Collation: 240pp.Illus.Index.
Description: Sale 1371. Lots 341 and 356 Henry Moore: Two sculptures 1975-1986.
Lot 341 Three Standing Figures, 1975 bronze (LH 258).
Lot 356 Reclining Figure: Bunched, 1961 bronze (LH 489 8/9).
Lot 341 Three Standing Figures, 1975 bronze (LH 258).
Lot 356 Reclining Figure: Bunched, 1961 bronze (LH 489 8/9).
0020597
Publisher: Bonhams
Place Published: London
Year: 2004
Date & Collation: 64pp.Illus.Index.
Description: Sale 11049. Lots 199-201 Henry Moore: Three graphics 1949-1974.
Lot 199 Sculptural Objects, 1949 Lithograph (CGM 7)
Lot 200 Family Group, 1950 Lithograph (CGM 12)
Lot 201 Seated Figure IV Reversed Lighting, 1974 Lithograph (CGM 410)
Lot 199 Sculptural Objects, 1949 Lithograph (CGM 7)
Lot 200 Family Group, 1950 Lithograph (CGM 12)
Lot 201 Seated Figure IV Reversed Lighting, 1974 Lithograph (CGM 410)
0020575
Author/Editor: BARTRAM Alan.
Publisher: The British Libary
Place Published: London
Year: 2004
Date & Collation: 160pp.(illus).Preface.Index
Description: Alan Bartram explores the influence of the Bauhaus and modernismon typography and book design. Pages 145-147 'Henry Moore: Complete Drawings explains the design of these volumes, and the effect of such a long publication period on the 7-volume series.
0020598
Publisher: Sotheby's
Place Published: London
Year: 2004
Date & Collation: 196pp.Illus.Index
Description: Sale L04006. Lots 456, 509, 521, 525 Henry Moore: four drawings 1928-1973.
Lot 456 Reclining Figure, 1928 drawing (HMF 723a)
Lot 509 Reclining Figure, 1954 drawing (HMF 2834)
Lot 521 Reclining Figure, 1943 drawing (HMF 2157)
Lot 525 Ideas for Mother and Child Sculptures, 1973 drawing (HMF 3203)
Lot 456 Reclining Figure, 1928 drawing (HMF 723a)
Lot 509 Reclining Figure, 1954 drawing (HMF 2834)
Lot 521 Reclining Figure, 1943 drawing (HMF 2157)
Lot 525 Ideas for Mother and Child Sculptures, 1973 drawing (HMF 3203)
0020600
Publisher: Sotheby's
Place Published: New York
Year: 2004
Date & Collation: 320pp.Illus.Index.
Description: Sale N07991. Lots 296, 362, 364, 366, 368, 374a, 385, 385 and 392
Lot 296 Stringed Mother and Child, 1938 bronze (LH 296)
Lot 362 Illustration for a Poem by Herbert Read, 1946 drawing (HMF 2325)
Lot 364 Reclining Figure No.6, 1954 bronze (LH 337)
Lot 366 Mother and Child: Fragment, 1956 bronze (LH 409b)
Lot 368 Working Model for Mother and Child: Hood, 1982 bronze (LH 850 1/9)
Lot 374a Maquette for Reclining Figure: Angles, 1975 bronze (LH 673 3/9)
Lot 386 Seated Woman with Crossed Feet, 1957 bronze (LH 432)
Lot 392 Standing Figure No.2, 1952 bronze (LH 318)
Lot 296 Stringed Mother and Child, 1938 bronze (LH 296)
Lot 362 Illustration for a Poem by Herbert Read, 1946 drawing (HMF 2325)
Lot 364 Reclining Figure No.6, 1954 bronze (LH 337)
Lot 366 Mother and Child: Fragment, 1956 bronze (LH 409b)
Lot 368 Working Model for Mother and Child: Hood, 1982 bronze (LH 850 1/9)
Lot 374a Maquette for Reclining Figure: Angles, 1975 bronze (LH 673 3/9)
Lot 386 Seated Woman with Crossed Feet, 1957 bronze (LH 432)
Lot 392 Standing Figure No.2, 1952 bronze (LH 318)
0022237
Publisher: Hiroshima City Museum of Contemporary Art magazine
Place Published: Japan
Year: 2004
Date & Collation: 10 2004(19 December) 20(one illus)
Description: Japanese language periodical from The Hiroshima City Museum of Contemporary Art. Page 20 features Moore illus:
The Arch 1969 bronze, (LH 503b). Accompanying text.
0022609
Publisher: Tate Liverpool
Place Published: Liverpool
Year: 2004
Date & Collation: November 2004-April 2005 4 (1 illus)
Description: Illus of Maquette for Fallen Warrior 1956 bronze, (LH 404), in Cubism and its Legacy - The Gift of Gustav and Elly Kahnweiler
0022600
Author/Editor: MITCHINSON David
Publisher: Gebr. Mann Verlag
Place Published: Berlin
Year: 2004
Date & Collation: pp3043-317.Illus.References.Photo credits.
Description: Offprint booklet of Mitchinson's chapter in the book Mythen - Symbole - Metamorphosen in der Kunst seit 1800. Mitchinson's notes on Moore's Prométhée Lithographs inspired the research of Christa Lichtenstern. In 1949 Moore met French typographer and publisher Henri Jonquières, who suggested making an illustrated book from Gide's translation of Goethe's Prometheus, in the French "livres d'artiste" tradition. Moore worked with Walter Strachan, a friend with knowledge and passion for French art and literature. Moore started printmaking in 1930s. His interest in the use of colour and potential to reach a larger audience led to his experimentation with lithography. For Prométhée Moore produced eight full page lithographs, a design for front cover and title page plus two capital letters to introduce the text. Discussion of Moore's themes: draped elements; forms within forms; presenting sculptural figures receding into imaginary landscapes; use of rich colouring in atmospheric backgrounds; transition from terracotta to plaster as a medium for modelling in the late 1940s early 1950s.; 304-306 reference to: Moore illustrating literary subjects; Moore's start to printmaking and graphics; notebook with preliminary sketches for The Rescue, a melodrama by Edward Sackville-West, 1944; Prométhée Sketchbook 1949-50 (HMF 2547-2569). Illus of Upright Internal/External Form 1953-54 elm wood, (LH 297) and Tête de Prométhée 1950 lithograph (CGM 22). 307 illus of Les statues emprisonnées 1950 (CGM 23); Minerve-Prométhée-Pandore 1950 (CGM 24:4); Mort de Mira 1950 (CGM 30); Pandore et les statues emprisonnées 1950 (CGM 31). 306-309 makes connections between Moore's drawings and lithographs and traces the eight full-page lithographs to early ideas in the sketchbooks, with annotations from the text. Illus of Death of Mira 1949-50 (HMF 2564); Ideas for Internal/External Forms c.1948 (HMF 2408); Pandora and the Imprisoned Statues 1947-49 (HMF 2586). 310-311 makes connections between Moore's lithographs and sculptures. Illus of Prométhée: capital Letter P 1949-50 (HMF 2573f), Capital Letter P 1950 (CGM 20), Openwork Head No. 2 1950 bronze (LH 289), detail of Reclining Figure: Festival 1951 bronze, (LH 293). 312-315 reference to the production of the book, typography, text and illustration; correspondence with Strachan and Jonquières; the plastic process similar to collograph technique used by Moore for prints made with Ganymed Press, London and lithographs produced by W.S. Cowell Ltd., Ipswich; the method of production; Illus of Reclining Figure: Goujon 1956 bronze, (LH 411a) and Family Group 1945 bronze, (LH 238).
0022612
Author/Editor: HALL James
Publisher: Burlington Magazine
Place Published: London
Year: 2004
Date & Collation: (August) 562-564 (3 illus)
Description: Review of exhibition at the Dulwich Picture Gallery, showing 22 of the Sainsbury acquisitions. Reference to Moore's teachers Derwent Wood and Barry Hart; the culture of pointing; and Moore's contempt for academic procedures. HALL compares Moore's interest in the abstract expressive potential of pointing holes to Rodin's exploitation of casting seams in his bronzes. Where Rodin used casting-seams to suggest the potential of his figures to rupture Moore uses thread-like lines to suggest their frailty". Makes connection between Moore's stringed sculptures and the "stringness" of his drawing and graphics. Reference to curators Ian Dejardin and Amanda Geitner and catalogue essay by Anita Feldman Bennet. Illus of Bird Basket 1939 lignum vitae and string (LH 205); Women Winding Wool 1948 (HMF 2495); Mother and Child 1938 lead and yellow string (LH 186)"
0022613
Author/Editor: various
Publisher: various
Place Published: London
Year: 2004
Date & Collation: folder of press cuttings
Description: Collection of press cuttings relating to Henry Moore exhibition at the Dulwich Picture Gallery 12 May - 12 September 2004. (See 0021354)